From material,spiritual,institutional and behavioral aspects,Shanghai sand junk culture and Shanghai urban culture were studied,and the relationship between the two was analyzed.It is found that there are similarities...From material,spiritual,institutional and behavioral aspects,Shanghai sand junk culture and Shanghai urban culture were studied,and the relationship between the two was analyzed.It is found that there are similarities and individualities between Shanghai sand junk culture and Shanghai urban culture,and the two are closely compatible.展开更多
Shanghai should orient its development to becoming a global science and technology innovation center. Now,it plans to launch a strategic research of new round of development in 2050,carry out future urban planning res...Shanghai should orient its development to becoming a global science and technology innovation center. Now,it plans to launch a strategic research of new round of development in 2050,carry out future urban planning research in 2040,and started start the implementation of thirteenth five-year development planning research. In this process,it is required to fully consider the impact of a new round of scientific and technological revolution and industrial reform,include the construction of global innovation center into the layout of the future development of Shanghai,formulate global scientific and technological innovation center development strategy,and further make clear the leading and support function of scientific and technological innovation to economic and social development of Shanghai. This paper analyzed the relationship between Big Cloud Movement and " Maker",and the necessities for cultivating " Maker" urban culture to building Shanghai global scientific and technological innovation center. On this basis,it elaborated and analyzed how to integrate the Maker Culture into Shanghai urban culture. Finally,it came up with recommendations for establishing Shanghai " Maker" urban culture.展开更多
In the decades before the full-scale war with Japan in 1937, a robust series of institutions connected the bourgeois with intellectuals （which included professionals and journalists, as well as academics） in Shangha...In the decades before the full-scale war with Japan in 1937, a robust series of institutions connected the bourgeois with intellectuals （which included professionals and journalists, as well as academics） in Shanghai. Collectively, these institutions can be understood as forming an urban ＂cultural nexus of power＂ that allowed non-state actors to effectively control aspects of Shanghai＇s political life. This bourgeois-intellectual alliance was not inevitable; no similar bonds existed between these same two groups in Beijing. It was forged in Shanghai due to the city＇s unique historical position as a Treaty Port and its dynamic economy, which included an extensive structure of private higher education and a market-based publishing industry. Unlike the rural ＂cultural nexus of power＂ originally described by Prasenjit Duara, this urban nexus grew stronger during the political and economic changes of the early twentieth century. War and revolution in the 1930s and 1940s, however, destroyed the connections between the bourgeoisie and the intellectuals, ending the vibrant urban environment they had created.展开更多
Since the establishment of treaty ports in the mid-19th century,the urban development of many Chinese cities,and notably of Shanghai,has been heavily influenced by global economic flows and global urban and architectu...Since the establishment of treaty ports in the mid-19th century,the urban development of many Chinese cities,and notably of Shanghai,has been heavily influenced by global economic flows and global urban and architectural practices.In Shanghai,extensive lilong neighbourhoods stand as remnants of the treaty port era.Many of these historic districts are in close proximity to rapidly transforming areas of the city,creating civic tension around demolition,conservation and the redevelopment of colonial heritage.Examining the listed Bugaoli community in Shanghai’s old French Concession,the heritage strategies applied under the particular Cultural Relics Protection System(CRPS),and the discourse of local residents interviewed in the context of this project,this paper reveals the paradoxes around urban heritage conservation and urban development by considering three different temporalities:legislative time,economic time and citizen time.The paper argues that actors involved in heritage practices should consider both space and time related issues in urban heritage conservation.Historic communities such as Bugaoli experience conflicts between conservation and the demands of everyday life.They underline and require a heritage strategy that acknowledges diverse temporalities and balances legal norms,economic interests and the public’s demands.展开更多
Using historical records from the period including newspapers and architectural journals,this paper examines seven ballrooms built in Shanghai between the 1920s and 1930s.These ballrooms were all designed by leading a...Using historical records from the period including newspapers and architectural journals,this paper examines seven ballrooms built in Shanghai between the 1920s and 1930s.These ballrooms were all designed by leading architects and reflect their ambitions and visions in creating fantastical spaces for the city’s elites to celebrate their status while socializing with other members of high society.Their technological features include sprung dance floors,sophisticated lighting schemes,and other technical wizardry to enhance the experience of dancing and being entertained.One ballroom was in the style of a traditional Chinese palace,highlighting the connection to earlier forms of culture in China.Today most of these ballrooms still exist and many of their original features are still intact,although the dancing has been superseded by other activities such as wedding banquets,conferences,and even the stock exchange.展开更多
基金Supported by Major Program of National Social Science Foundation of China(20&ZD130).
文摘From material,spiritual,institutional and behavioral aspects,Shanghai sand junk culture and Shanghai urban culture were studied,and the relationship between the two was analyzed.It is found that there are similarities and individualities between Shanghai sand junk culture and Shanghai urban culture,and the two are closely compatible.
基金Supported by General Research Project for Education and Science of Shanghai(C16064)Key Project for Undergraduate Education Reform of Colleges and Universities in Shanghai"Research and Practice of Interdisciplinary Cooperation in Shipping Talent Cultivation from the Perspective of Innovation and Entrepreneurship Education"
文摘Shanghai should orient its development to becoming a global science and technology innovation center. Now,it plans to launch a strategic research of new round of development in 2050,carry out future urban planning research in 2040,and started start the implementation of thirteenth five-year development planning research. In this process,it is required to fully consider the impact of a new round of scientific and technological revolution and industrial reform,include the construction of global innovation center into the layout of the future development of Shanghai,formulate global scientific and technological innovation center development strategy,and further make clear the leading and support function of scientific and technological innovation to economic and social development of Shanghai. This paper analyzed the relationship between Big Cloud Movement and " Maker",and the necessities for cultivating " Maker" urban culture to building Shanghai global scientific and technological innovation center. On this basis,it elaborated and analyzed how to integrate the Maker Culture into Shanghai urban culture. Finally,it came up with recommendations for establishing Shanghai " Maker" urban culture.
文摘In the decades before the full-scale war with Japan in 1937, a robust series of institutions connected the bourgeois with intellectuals （which included professionals and journalists, as well as academics） in Shanghai. Collectively, these institutions can be understood as forming an urban ＂cultural nexus of power＂ that allowed non-state actors to effectively control aspects of Shanghai＇s political life. This bourgeois-intellectual alliance was not inevitable; no similar bonds existed between these same two groups in Beijing. It was forged in Shanghai due to the city＇s unique historical position as a Treaty Port and its dynamic economy, which included an extensive structure of private higher education and a market-based publishing industry. Unlike the rural ＂cultural nexus of power＂ originally described by Prasenjit Duara, this urban nexus grew stronger during the political and economic changes of the early twentieth century. War and revolution in the 1930s and 1940s, however, destroyed the connections between the bourgeoisie and the intellectuals, ending the vibrant urban environment they had created.
文摘Since the establishment of treaty ports in the mid-19th century,the urban development of many Chinese cities,and notably of Shanghai,has been heavily influenced by global economic flows and global urban and architectural practices.In Shanghai,extensive lilong neighbourhoods stand as remnants of the treaty port era.Many of these historic districts are in close proximity to rapidly transforming areas of the city,creating civic tension around demolition,conservation and the redevelopment of colonial heritage.Examining the listed Bugaoli community in Shanghai’s old French Concession,the heritage strategies applied under the particular Cultural Relics Protection System(CRPS),and the discourse of local residents interviewed in the context of this project,this paper reveals the paradoxes around urban heritage conservation and urban development by considering three different temporalities:legislative time,economic time and citizen time.The paper argues that actors involved in heritage practices should consider both space and time related issues in urban heritage conservation.Historic communities such as Bugaoli experience conflicts between conservation and the demands of everyday life.They underline and require a heritage strategy that acknowledges diverse temporalities and balances legal norms,economic interests and the public’s demands.
文摘Using historical records from the period including newspapers and architectural journals,this paper examines seven ballrooms built in Shanghai between the 1920s and 1930s.These ballrooms were all designed by leading architects and reflect their ambitions and visions in creating fantastical spaces for the city’s elites to celebrate their status while socializing with other members of high society.Their technological features include sprung dance floors,sophisticated lighting schemes,and other technical wizardry to enhance the experience of dancing and being entertained.One ballroom was in the style of a traditional Chinese palace,highlighting the connection to earlier forms of culture in China.Today most of these ballrooms still exist and many of their original features are still intact,although the dancing has been superseded by other activities such as wedding banquets,conferences,and even the stock exchange.
