The goal of this research is to describe and analyse Shanghai’s fashion in Late Qing Dynasty (the 1840’s-1911), with an emphasis on the fashionable clothing worn by adult. Three aspects is discussed: the development...The goal of this research is to describe and analyse Shanghai’s fashion in Late Qing Dynasty (the 1840’s-1911), with an emphasis on the fashionable clothing worn by adult. Three aspects is discussed: the development of as a fashion center, the men’s fashion in Shanghai and the women’s fashion in Shanghai. In these parts, the style, textiles, colour, decoration and combination of clothing are described. Many costumes from museums and private collections as well as some historical writings, paintings and photographs are elucidated to give a description about Shanghai’s fashion looks during that period.Here are some tentative conclusions. Firstly, Shanghai has always been a fashion center in China since 1860’s. Shimao was the most important characteristic of clothing. Secondly, fashion of traditional clothing was described as highly stylized, gorgeous, exquisite, miscellaneous, detailed and multicolored. Thirdly, the influence of Western clothing was upwards. It was more obvious in Shanghai than in展开更多
文摘The goal of this research is to describe and analyse Shanghai’s fashion in Late Qing Dynasty (the 1840’s-1911), with an emphasis on the fashionable clothing worn by adult. Three aspects is discussed: the development of as a fashion center, the men’s fashion in Shanghai and the women’s fashion in Shanghai. In these parts, the style, textiles, colour, decoration and combination of clothing are described. Many costumes from museums and private collections as well as some historical writings, paintings and photographs are elucidated to give a description about Shanghai’s fashion looks during that period.Here are some tentative conclusions. Firstly, Shanghai has always been a fashion center in China since 1860’s. Shimao was the most important characteristic of clothing. Secondly, fashion of traditional clothing was described as highly stylized, gorgeous, exquisite, miscellaneous, detailed and multicolored. Thirdly, the influence of Western clothing was upwards. It was more obvious in Shanghai than in
