该文是作者基于在《牛津手册:中国与海外华人音乐》中发表的“中国人为什么、又如何唱《诗经》歌曲?”(Why and How Do Chinese Sing Shijing Songs?),以及正在写作的《孔子之歌:中国诗乐的大历史描述》(Confucius's Songs:A Global...该文是作者基于在《牛津手册:中国与海外华人音乐》中发表的“中国人为什么、又如何唱《诗经》歌曲?”(Why and How Do Chinese Sing Shijing Songs?),以及正在写作的《孔子之歌:中国诗乐的大历史描述》(Confucius's Songs:A Global History of Chinese Shiyue)一书有关编写诗乐大音乐史的理论建构和相关思考。作者突破了对传统诗乐历史认知的框架,以“大历史”的理念观照诗乐和格里高利圣咏历史发展的异同,为当今理解诗乐提供了新路径。展开更多
Shijing, the first anthology of poem in ancient China, contains 305 pieces of poems which mirrors the life, tradition and beliefs of people three thousand years ago. Focusing on the most frequently used subject, the&q...Shijing, the first anthology of poem in ancient China, contains 305 pieces of poems which mirrors the life, tradition and beliefs of people three thousand years ago. Focusing on the most frequently used subject, the"horse"image in Shijing, this paper concluded its metaphorical meaning and analyzed the English translation by Xu Yuanchong from the perspective of conceptual metaphor proposed by George Lakoff and Mark Johnson in the light of preserving the metaphor and culture.展开更多
As one of the Confucian classics, Shijing （i~） occupies a pivotal position in the development of Chinese culture. This paper makes a comparative study on the English translation of plant and animal images in Shijing...As one of the Confucian classics, Shijing （i~） occupies a pivotal position in the development of Chinese culture. This paper makes a comparative study on the English translation of plant and animal images in Shijing, trying to reveal the cultural connotations in them and to suggest some translation strategies for the correct transference of cultural implications in plant and animal images in the poems of this ancient book.展开更多
文摘该文是作者基于在《牛津手册:中国与海外华人音乐》中发表的“中国人为什么、又如何唱《诗经》歌曲?”(Why and How Do Chinese Sing Shijing Songs?),以及正在写作的《孔子之歌:中国诗乐的大历史描述》(Confucius's Songs:A Global History of Chinese Shiyue)一书有关编写诗乐大音乐史的理论建构和相关思考。作者突破了对传统诗乐历史认知的框架,以“大历史”的理念观照诗乐和格里高利圣咏历史发展的异同,为当今理解诗乐提供了新路径。
文摘Shijing, the first anthology of poem in ancient China, contains 305 pieces of poems which mirrors the life, tradition and beliefs of people three thousand years ago. Focusing on the most frequently used subject, the"horse"image in Shijing, this paper concluded its metaphorical meaning and analyzed the English translation by Xu Yuanchong from the perspective of conceptual metaphor proposed by George Lakoff and Mark Johnson in the light of preserving the metaphor and culture.
文摘As one of the Confucian classics, Shijing （i~） occupies a pivotal position in the development of Chinese culture. This paper makes a comparative study on the English translation of plant and animal images in Shijing, trying to reveal the cultural connotations in them and to suggest some translation strategies for the correct transference of cultural implications in plant and animal images in the poems of this ancient book.
