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Interpreting the Merits In Aristotle's Poetics
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作者 刘晶 《海外英语》 2014年第20期15-15,21,共2页
Aristotle's Poetics represents the first major work of literature criticism. In this masterpiece,Aristotle expresses his literary and aesthetical theories. By introducing the merits in Aristotle's Poetics,this... Aristotle's Poetics represents the first major work of literature criticism. In this masterpiece,Aristotle expresses his literary and aesthetical theories. By introducing the merits in Aristotle's Poetics,this thesis tends to reveal Aristotle's large and enduring influence on modern literary criticism. 展开更多
关键词 MERIT ARISTOTLE poetics
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The Three Stages of John Keats's Poetics
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作者 HU Xiao 《Sino-US English Teaching》 2017年第7期450-453,共4页
Apart from poetry, John Keats's concise remarks on poetics scatter miscellaneously in his other writings, whichhave been less studied compared with that of Keats's contemporary romantic poets. However, those terse r... Apart from poetry, John Keats's concise remarks on poetics scatter miscellaneously in his other writings, whichhave been less studied compared with that of Keats's contemporary romantic poets. However, those terse remarksconstitute his deep perception on romantic poetry, many of which are now still glistening with their unique value.Based upon close reading upon Keats's poetical works and letters as well as later critics' books on poetry, thispaper intends to make a systematic study of Keats's poetics. Aiming at illustrating Keats' poetics, this paper fallsinto three parts--the first part being "Inspiration: Poetry as John Keats's Life", the second "Perspiration: NaturalGenius Plus Exquisite Revision", and the third "Perfection: the Aeolian Lyre". 展开更多
关键词 ROMANTIC poetry John Keats poetics
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Borges' Poetics of Visible Unrealities
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作者 Robin McAllister 《Journal of Literature and Art Studies》 2014年第5期338-344,共7页
Close reading and inter-textual analysis of Borges' essays, fiction, and poetry suggest a poetics of visible unrealities, a fiction that calls attention to its own artifice. Borges's poetics of reading and dreaming ... Close reading and inter-textual analysis of Borges' essays, fiction, and poetry suggest a poetics of visible unrealities, a fiction that calls attention to its own artifice. Borges's poetics of reading and dreaming require another poetics of the work as a text that calls attention to its own artifice. In reading Borges' fiction, the separate roles and identities of reader, writer, and work of fiction merge and exchange roles, powers, and identities and are transformed into a single act of dreaming, which assumes cosmogonic and apocalyptic risks. In the dominant role given to the reader, the work of fiction as an object or work of art does not exist unless it is read. There is no determinate text, only a version of our own we re-write and invent every time we read the text. The author's reading is not a spontaneous evocation of vision, but an artifice, as artificial as the writing of the fiction. As writers and readers we are composed of texts and schemata, alphabets and artifacts, not merely mental perceptions and ideas. The reader requires a prior text to copy, translate, and recreate, and that text only exists as a fictional microcosm in so far as it is being read by a Reader who is able to actualize the revelation only imminent within it. 展开更多
关键词 Borges poetics READING BERKELEY
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The Negotiation between Greenblatt and Jameson on Politics and Poetics in Contemporary China
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作者 LI Jin-ying 《Journal of Literature and Art Studies》 2018年第5期808-817,共10页
Stephen Greenblatt who first introduces the term“New Historicism”,for these years has gradually entered the mainstream from the edge of the academic and has influenced many fields fundamentally.For Greenblatt,the re... Stephen Greenblatt who first introduces the term“New Historicism”,for these years has gradually entered the mainstream from the edge of the academic and has influenced many fields fundamentally.For Greenblatt,the relationship between society and literature,politics and poetics,is the key to the study of Cultural Poetics.Therefore,in the thesis of“Towards a Poetics of Culture”,he debated with Jameson,considering him asalien,and taking the contemporary China as an argument in order to demonstrate that the functional distinctions between politics and poetics should be separated.Moreover,he deemed that these two must be adjusted in order to adapt to each other.If we learn from the methodology of New Historicism that focuses on contexts and interpretation patterns,we will find that the divergence of their views can be eventually traced back to the theoretical,political and ideological differences. 展开更多
关键词 Stephen Greenblatt Fredric JAMESON POLITICS poetics of culture political UNCONSCIOUS contemporary China
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The Major Western Cultural Influences on the Incubating Process of Ezra Pound's Early Poetics
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作者 WEI Shu 《Journal of Literature and Art Studies》 2013年第4期213-223,共11页
This paper intends to study Ezra Pound's early poetics and his modernist poetry through a close research of the various elements in the shaping process of his poetics, and the significance and influence of his poetic... This paper intends to study Ezra Pound's early poetics and his modernist poetry through a close research of the various elements in the shaping process of his poetics, and the significance and influence of his poetic thoughts on the American New Poetry Movement. It studies firstly the early translations and romantic lyrics of Pound, trying to demonstrate that part of the influence on his early poetics is from the Western traditional cultural inheritance and that the emphasis on musicality that Pound inherited from traditional forms of poetry turns out to be one of the major principles that Pound advocates in his early poetics; then it comes to the discussion of the new translation concepts and poetics in "The Seafarer" (1911), which is a great work Pound translated based on an Old English poem; next this paper will focus on the influence of Robert Browning's dramatic monologues and Yeats' Symbolism on Pound's transition from subjectivity to objectivity. 展开更多
关键词 Ezra Pound early poetics American New Poetry Movement
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Yuan Kejia's Poetics and the western influence
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作者 Kang Dan 《International English Education Research》 2015年第1期53-56,共4页
Yuan Kejia's poetics is the theory about the modernization of the new poetry. Some of his specific views on "the poetry and non poems", "the reality and the poetry", "the experience and the poetry", "the logic... Yuan Kejia's poetics is the theory about the modernization of the new poetry. Some of his specific views on "the poetry and non poems", "the reality and the poetry", "the experience and the poetry", "the logic of the imagination", and "the drama doctrine" and other problems and the poetics texts are influenced by the western poetry, poetics or the literary theories. But it is not the summary of the Chinese theories of the western poetry or the Chinese version of the western poetry or the literary theories, but an attempt to "use all the cultural and academic achievements to come close to the literature and understand the literature", to develop the Chinese noetics. 展开更多
关键词 Yuan Kejia poetics WESTERN INFLUENCE
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Interpreting The Clockmaker from the Perspective of Greenblatt’s Cultural Poetics
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作者 YAN Dan-dan WEI Li 《Journal of Literature and Art Studies》 2020年第4期296-303,共8页
Thomas·C·Haliburton(1796-1865)establishes a literary fame as“the first Canadian writer to establish an international reputation”and a great humorist,with the publication of his masterpiece The Clockmaker(1... Thomas·C·Haliburton(1796-1865)establishes a literary fame as“the first Canadian writer to establish an international reputation”and a great humorist,with the publication of his masterpiece The Clockmaker(1836).Centering on Nova Scotia,the origin place of Canadian literature and the first British colony in Canada,the book conveys deep concerns on local reality under the British colonization in the 1830s.Haliburton as a Loyalist firmly opposes violent revolution against the British Empire whereas promotes gradual evolution in the colony.This is a typical demonstration of ideological contradictions in colonies.Greenblatt’s Cultural Poetics generally explores political consciousness and ideology in literary texts.It surpasses the dichotomy mode of Western radical ideology and never views the relationship between domination and resistance as a simple confrontation.From the perspective of Greenblatt’s Culture Poetics,this essay interprets the process of“improvisation of power”,“subversion”and“containment”in the colony reflected in The Clockmaker in order to explore Nova Scotians’awakening of independence awareness in the 1830s. 展开更多
关键词 The Clockmaker Greenblatt’s Cultural poetics independence awareness
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The Travelling Muse Cathay and the Influence of Chinese Classical Poems on Ezra Pound's Poetics*
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《Journal of Literature and Art Studies》 2013年第9期547-552,共6页
This paper intends to study Ezra Pound's early poetics and his modemist poetry through a close research of the Eastern elements in the shaping process of his poetics and the significance and influence of his poetic t... This paper intends to study Ezra Pound's early poetics and his modemist poetry through a close research of the Eastern elements in the shaping process of his poetics and the significance and influence of his poetic thoughts on the American New Poetry Movement. In order to clarify the essence of Pound's early poetics under the influence of Chinese classical poems, the paper starts from the discussion of the influence of Cathay (1915) and his translation of Cathay; then it provides a detailed analysis of the relationship between Chinese classical poems and Pound's creation; and finally it has given an analysis of "In a Station of the Metro". Pound absorbed different poetic concepts from all of them and transformed his poetry from the conventional Romanticism to the innovative Modemism. What Pound innovated in the poetry composition is of great importance if the new era wishes to shake off the banality and out-of-date tradition in literature. Pound changed a whole generation of poets and set a good example for those who desire to write in a new way 展开更多
关键词 Ezra Pound early poetics Chinese classical poems American New Poetry Movement
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Two Dimensions to Interpret the Poem “Mountain Graveyard” Based on Structuralist Poetics
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作者 李玲梅 《海外英语》 2013年第11X期198-199,共2页
To interpret and appreciate a poem from the perspective of Structuralist Poetics, its value will be revealed from two dimensions: its static structure and dynamic meaning. On one hand, Structuralist Poetics following ... To interpret and appreciate a poem from the perspective of Structuralist Poetics, its value will be revealed from two dimensions: its static structure and dynamic meaning. On one hand, Structuralist Poetics following the critic mode of New Criticism by analyzing its structure and language; on the other hand Structuralist Poetics goes beyond that static way of criticism and combines a poem with other literary works, readers'capabilities of reading and other factors together, thus constructs more meanings. 展开更多
关键词 structuralist poetics vraisemblance intertextualit
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The Analysis of the Symbol Meaning of Harry Potter and the Half-Blood Prince—From the Perspective of Poetics
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作者 苏斯文 《海外英语》 2014年第4X期180-181,共2页
The Analysis of the Symbol Meaning of Harry Potter and the Half-Blood Prince—From the Perspective of
关键词 HARRY POTTER poetics SYMBOL
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A Comparative Analysis of Chinese and English Concrete Poetry Based on Cognitive Poetics and Multimodality——a Case Study of A War Symphony and l(a
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作者 王盼 《海外英语》 2016年第12期219-222,共4页
Traditional approaches to interpret poetry have been poet-oriented, appearing alien to reader's understanding and appreciation, which are generally insensitive to the aesthetic and emotional reflection during the ... Traditional approaches to interpret poetry have been poet-oriented, appearing alien to reader's understanding and appreciation, which are generally insensitive to the aesthetic and emotional reflection during the process of analyzing poetry. This essay aims to combine cognitive poetics with multimodal discourse analysis(MDA) to analyze concrete poems from readers' angle. In this research, figure and ground, conceptual metaphor, and image schema of cognitive poetics are adopted to interpret A War Symphony and l(a from the perspective of visual modality and auditory modality. Meanwhile, the differences between Chinese and English concrete poetry in modality choosing and meaning conveying as well as the reasons are explored. This research reveals that readers are able to comprehend poetic meaning according to their life experiences. The multi-dimensional perspective of visual and auditory modalities is conductive to exploring how readers challenge traditional reading mode to interpret poetic ideas. Meanwhile, three theories of cognitive poetics facilitate readers to perceive poetics effect with a cognitive mechanism.Therefore, all of these efforts are bound to arouse readers' interest in such a kind of anti-traditional poetry and broaden its popularity. 展开更多
关键词 Cognitive poetics MDA CONCRETE POETRY A WAR SYMPHONY l(a
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Urban Poetics in John Updike’s Sonnet“New York City”
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作者 JIN Tao 《Journal of Literature and Art Studies》 2022年第11期1083-1094,共12页
Based on Robert E.Park’s theoretical frame of social urban study,the“psychophysical mechanism”,urban poetics mainly researches the mutual relations between the physical and the moral organizations of a city in urba... Based on Robert E.Park’s theoretical frame of social urban study,the“psychophysical mechanism”,urban poetics mainly researches the mutual relations between the physical and the moral organizations of a city in urban poems,novels and dramas.This article considers John Updike as an urban poet since his poem collection Americana(2001)is a collection of urban poems.One of the representative poems,the sonnet“New York City”,depicts a despairing“separate nation”by presenting three typical physical cityscapes:television,beggars and skyscrapers.Each physical cityscape reveals its cultural value and social tradition of the city,and the psychological problems of the city dwellers.Tracing Updike’s personal urban experience and the poem’s intertextual space,this article explores his criticism on American big city:the alienated human relations,the anxiety of city life and the smallness of solipsism.His intention to parody John Milton’s Pandemonium in Paradise Lost,and to pay homage to Walt Whitman,reveals that this sonnet embodies rich connotations of urban poetics. 展开更多
关键词 urban poetics UPDIKE “New York City” MILTON Whitman
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An Analysis of the Non-mandatory Explicitation in Two English Versions of Chuanxilu from the Perspective of Poetics
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作者 HAN Xue Ma Wen-li 《Journal of Literature and Art Studies》 2021年第8期590-592,共3页
Chuanxilu is a collection of Wang Yangming’s questions&answers and letters on learning.It is a masterpiece of Neo Confucianism since the pre-Qin period.This paper,from the perspective of translation poetics,takes... Chuanxilu is a collection of Wang Yangming’s questions&answers and letters on learning.It is a masterpiece of Neo Confucianism since the pre-Qin period.This paper,from the perspective of translation poetics,takes two English versions of Chuanxilu as the main research objects,makes quantitative statistics and qualitative analysis of the non-mandatory explicitation in the translation,aiming to explore the influence of poetics on the translator’s English translation of Chuanxilu,so as to provide some enlightenment for the external translation and interpretation of Wang Yangming’s theory of mind. 展开更多
关键词 English translation of Chuanxilu Non mandatory explicitation translation poetics
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Adrienne Rich's Quest for Feminist Poetics
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作者 Xu Qinghong Yin Qian 《学术界》 CSSCI 北大核心 2013年第6期241-249,共9页
Adrienne Rich has been regarded as a foremost poet,essayist and feminist in contemporary America.Her poetry of the 1970s marks the shift of her poetic stance from the imitation and inheritance of the modern male poeti... Adrienne Rich has been regarded as a foremost poet,essayist and feminist in contemporary America.Her poetry of the 1970s marks the shift of her poetic stance from the imitation and inheritance of the modern male poetic tradition to feminist poetics.The formation of Rich's feminist poetics is the outcome of her life experiences and the social context around the 1970s.Rich adheres to the principle of"writing as revision"on the part of women,shows much concern for the poetic depiction of women's experiences,and questions the materiality of life.Rich's quest for feminist poetics is directed both towards the outer world in which women live and women's inner world.She tries to remap the"cartography"of women's own in the patriarchal world by weaving her feminist thoughts into the poems.And simultaneously,she provides her profound thinking about women's existence as integral human beings,thus expressing her life philosophy in poetry writing. 展开更多
关键词 女性主义 德里 女权主义 社会背景 人生经历 人生哲学 妇女 诗歌
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From Diction to Form —— The Influence of Aristotle's Poetics on Formalism
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作者 Qin Chenghua 《学术界》 CSSCI 北大核心 2016年第8期287-292,共6页
Aristotle's Poetics exerts great influence upon literary critical theories.What he discussed in the Poetics has been direct or indirect sources for the later literary critical theories.Formalism Criticism,the firs... Aristotle's Poetics exerts great influence upon literary critical theories.What he discussed in the Poetics has been direct or indirect sources for the later literary critical theories.Formalism Criticism,the first contemporary literary critical theory,mainly takes linguistics as an approach to study literature and especially takes the form of literature as their research focus.This approach can be traced back to what Aristotle discussed about diction in Poetics.Aristotle's deliberate discussion about diction in Poetics,actually lays a foundation for Formalism Criticism.From diction to form shows the influence of Aristotle's poetics upon Formalism. 展开更多
关键词 亚里士多德 形式主义 语形 文学 语言学
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The Violation of Poetics by Waiting for Godot—From the Perspective of the Authenticity of Poetry
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作者 常思瑶 《海外英语》 2021年第4期229-231,共3页
Poetics by Aristotle sets the dogmas for literature,while Waiting for Godot,the representative of the Theater of the Ab⁃surd,violates the former’s principles to achieve certain effects.The thesis will analyze the vio... Poetics by Aristotle sets the dogmas for literature,while Waiting for Godot,the representative of the Theater of the Ab⁃surd,violates the former’s principles to achieve certain effects.The thesis will analyze the violation from the angle of Solidity or Authenticity of art and poetry,which are the likelinessandnecessity,and credibility.By digressing from the traditional rules,Wait⁃ing for Godot helps to create absurdity reflecting the inner loss of people after the war and to form a sense of alienation from reality. 展开更多
关键词 poetics LIKELY necessary CREDIBILITY Waiting for Godot
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中华美学史的性质及内在逻辑论
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作者 陈望衡 《河北学刊》 北大核心 2025年第1期55-66,共12页
对于中华美学史的性质及内在逻辑,可以从五个方面展开论述:第一,中华美学的民族性。中华美学是中华民族的美学,中华民族文化以汉文化为灵魂,却绝不只是汉族文化,它熔铸了生活在中国大地上的诸多民族的文化精神,突出体现了中华民族共同... 对于中华美学史的性质及内在逻辑,可以从五个方面展开论述:第一,中华美学的民族性。中华美学是中华民族的美学,中华民族文化以汉文化为灵魂,却绝不只是汉族文化,它熔铸了生活在中国大地上的诸多民族的文化精神,突出体现了中华民族共同的理念、精神、传统。第二,中华美学的国家性。中华美学的国家性奠基于周朝,周朝的礼乐文化既是政治文化,又是审美文化。中华文化中的主要学派儒、道、墨等的美学思想均见出鲜明的国家性。第三,中华美学的文化骨架。其根植于中华文化的三大流派:儒、道、释。儒家美学重社会,道家美学重自然,释家美学重心性。三者相对而又互补,共同构成中华美学的文化骨架。第四,中华美学的诗性品位。《诗经》《楚辞》和唐诗的巨大影响构建了中华美学的诗性品位。第五,中华美学的基本精神。其体现在对审美本体论的认识上,道家的美在自然与儒家的美在文明的统一,构成了中华美学的基本精神。 展开更多
关键词 中华美学 民族性 国家性 文化骨架 诗性品位 基本精神
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汉语作为方法:从早期文字记录看汉语诗学的当代价值
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作者 张晶 刘璇 《河北学刊》 北大核心 2025年第1期67-73,共7页
汉语兼具“文”与“言”的双重属性,与以“言”为主的印欧语相区别。语法与逻辑的同根同源使印欧语在理论表述中陷入了概念与经验的争执,而汉语贯通形而上与形而下的特质使汉语表述本身即构成一种方法。作为“道”之文的载体,中国早期... 汉语兼具“文”与“言”的双重属性,与以“言”为主的印欧语相区别。语法与逻辑的同根同源使印欧语在理论表述中陷入了概念与经验的争执,而汉语贯通形而上与形而下的特质使汉语表述本身即构成一种方法。作为“道”之文的载体,中国早期记录及其文法结构提供了关键信息,甲骨卜辞的体例制式为“易”类文献的结构提供了可追溯的原型,也为探索“论出于易”对汉语诗学功能的塑造提供了重要线索。其中,干支配伍的宇宙纪日为“以时系事”的话语表述提供了超线性时空结构;“正反对贞”以对言的形式表现语义的动态平衡与赋形必变的道理;“主题+阐释”的体例结构以逐层累积的文本层次为断言的疑难提供了积极的方案。汉语文法能够在表述判断的同时保持对“变”的关切,这为建构既能规范描述艺术经验又能直面人类自身处境的理论话语提供了时代价值。 展开更多
关键词 汉语 早期文字记录 文法结构 汉语诗学 当代价值
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与自己对话:李娟散文的生命回归及诗性美学
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作者 祁郁 《佳木斯大学社会科学学报》 2025年第1期121-124,共4页
李娟散文以与自己对话的坦诚,深度探索了生命回归的落脚点,有着意蕴深邃的诗性美学。她的散文中的生命回归,实则落脚于自然的和谐与人与自然的关系,是理性与感性交融的火花。以融入与分离的纠葛以及漂泊与停留的回归,展现了边地灵动鲜... 李娟散文以与自己对话的坦诚,深度探索了生命回归的落脚点,有着意蕴深邃的诗性美学。她的散文中的生命回归,实则落脚于自然的和谐与人与自然的关系,是理性与感性交融的火花。以融入与分离的纠葛以及漂泊与停留的回归,展现了边地灵动鲜活的壮丽自然风光,为自我对话以及生命回归的出路探寻,挖掘了广阔空间。以层次丰富的叙述视角、自然质朴的语言风格与知性细腻的情感流动,书写了其散文创作的诗性美学。 展开更多
关键词 李娟散文 对话 生命回归 诗性美学 情感流动
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再论《世说新语》的诗学价值——谢安“雅人深致”说新解
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作者 刘强 《华东师范大学学报(哲学社会科学版)》 北大核心 2025年第1期74-85,181,182,共14页
《世说新语·文学篇》所记谢安“雅人深致”一说,因为蕴藏着经学与文学、“言志”与“缘情”的双重张力,引发了广泛而持久的诗学争议。历来学者如宋祁、刘辰翁、王士禛等多激赏谢玄而质疑谢安。事实上,“雅人”并非泛指“高人雅士”... 《世说新语·文学篇》所记谢安“雅人深致”一说,因为蕴藏着经学与文学、“言志”与“缘情”的双重张力,引发了广泛而持久的诗学争议。历来学者如宋祁、刘辰翁、王士禛等多激赏谢玄而质疑谢安。事实上,“雅人”并非泛指“高人雅士”,而是特指“诗人”,具体说就是与“风人”相对的“雅诗的作者”。正确理解“雅人深致”,既要注意《诗》有《风》《雅》二体、《雅》有小大正变的大背景,又要在“赋诗言志”的意义上体察谢安与谢玄人格气象和生命境界的内在差异。王夫之认为二谢所引《毛诗》“同一达情之妙”,无形中掩盖了“风人之致”与“雅人深致”这两种不同审美趣味的差别,故仍有一间之未达。晚清大儒沈曾植则立足儒家诗学的风雅传统,以人学论诗学,既还原了“雅体尊,风体卑”的礼乐诗教的真实生态,又以“雅人”为“敦善行而不怠之君子”,深刻揭示了谢安风流名士背后的儒者情怀和大臣心曲,堪称谢安的隔代知音。要之,对“雅人深致”的正确解读,既是诗学问题,也是人学问题,既关乎诗教和诗品,更关乎人教与人品。谢安是《世说新语》中记载最多的魏晋名士,他对于中国“雅文化”的形成厥功至伟,其“雅人深致”的诗学观念具有非常丰富的阐释空间,这也从一个侧面证明了《世说新语》的诗学价值。 展开更多
关键词 《世说新语》 诗学价值 谢安 雅人深致 沈曾植
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