On the Praxis-Oriented Semiotic Aesthetics in Eastern European Marxism

Eastern European Marxism,taking a critical stance towards structuralism,gave rise to a unique paradigm of praxis-oriented semiotic aesthetics.This novel approach posits that signs emerge from humans’social praxis and also function as a means of praxis.It further delves into the principle governing the generation and usage of signs,i.e.,the Economy Principle,the homogenization of signs,the situatedness or contextual constraints,as well as their aesthetic features and transcendental attributes.As a result,the praxis-oriented semiotic aesthetics within Eastern European Marxism exhibits distinct theoretical value.

The Study of “Imitation” Aesthetics in Ancient Painting Theory-Taking the Chinese and Western Sources as an Example

The theory of“imitation”in painting occupies a leading position in western art,which originated from the theory of“imitation”in ancient Greece,and has become one of the art theories affecting the world through the continuous development of later generations.Through the exploration of the source of“imitation”in China and the West,there are some comments on the meaning of“imitation”in Chinese classical painting theory,such as“transfer model writing”and“image form”,which is obvious differences from the west.Traditional Chinese painting is a combination of careful observation of natural things and subjective emotions to express their own aesthetic feelings,and ultimately form a vivid artistic conception.Modern imitation is borrowed from Western imitation.In fact,imitation in traditional painting has its own meaning,which contains Chinese aesthetic thought.“Imitation”aesthetics is unique in traditional Chinese painting and is the most important form of painting art.

Translation of Culture-loaded Words in The Golden Cangue under the Perspective of Reception Aesthetics

Good translations play a very important role in cultural exchange.The idea of reception aesthetics think the reader as the center in translation process.This paper will study the translation of culture-loaded words from the perspective of reception aesthetics.It is divided into five parts.The first part mainly introduces the background and theoretical foundation of this paper,the second part introduces the writer’s works,the third part gives examples to analyze the culture-loaded words appearing in The Golden Cangue,the fourth part gives examples of the translation methods,and the fifth part is the conclusion.It aims to provide a reference for the English translation of culture-loaded words.

On Translation of Children’s Literature Based on Reception Aesthetics:A Case Study of The Secret Garden

Grounded in reader-centered theories,Reception Aesthetics prioritizes the active engagement and acceptance of target readers.This study examines the translation of children’s literature through the lens of Reception Aesthetics,using Li Wenjun’s rendition of The Secret Garden as a case study.The objective is to scrutinize various aspects of the translation-including vocabulary,syntax,rhetorical devices,and cultural nuances-and to discern how the adaptation and application of diverse translation strategies cater to the aesthetic expectations.

Research on the Cultivation of Aesthetics among Art Students under the New Era Background

Through understanding the history and current situation of aesthetic education in China,this paper explains some misunderstandings in the aesthetics of contemporary university art students,such as the insufficiency of aesthetic value and ability,as well as the inadequacy of students’creativity due to traditional art education.It is also pointed out that the cultivation of core literacy of art students is a multidimensional and comprehensive process,and these problems need to be solved by schools,teachers,and students,so as to strengthen the inner aesthetic education of students and improve their aesthetic awareness and ability.Aesthetic education is not only an important part of the art classroom but also a key part of fostering students’all-round development and enhancing their humanistic literacy.It is necessary to cultivate students’observation,imagination,image-thinking ability,and creativity,so that they can become artistic talents with independent thinking and innovation.

Research on the Path of Integrating Party Construction Aesthetics into Ideological and Political Education in Colleges and Universities

Party construction aesthetics is a valuable aesthetic resource formed in the practical exploration of rural revitalization,and it has logical compatibility with ideological and political education in terms of concepts,goals,tasks,etc.At present,comprehensive deepening reform has entered a deep-water zone,and some erroneous value orientations such as utilitarianism,emptiness,and liberalization are common in colleges and universities,and ideological and political education is caught in a new round of difficulties.As the main position of ideological and political education,colleges and universities should further use party construction aesthetics to strengthen and improve ideological and political education,adhere to the carrier of aesthetic education,carry out diversified integrated education,broaden the ideological and political practical teaching system,build a long-term mechanism for collaborative education of ideological and political education and party construction aesthetics,and fully integrate party construction aesthetics into ideological and political education in colleges and universities.

The Silent Curriculum:Classical Aesthetics as a Catalyst for Emotional and Social Skills in Higher Vocational Education

This study examines the integration of classical aesthetics into the silent curriculum of higher vocational education,emphasizing its potential to significantly enhance emotional and social skills.Incorporating aesthetic principles into education emphasizes the importance of nurturing emotional intelligence,creativity,and cultural awareness in students-skills that go beyond the classroom and are essential for their growth,adaptability,and future careers.It explores theoretical foundations and practical implementations and addresses challenges such as the need for specialized educator training,overcoming institutional resistance,and securing adequate resources.Advocating for empirical research and strategic cultural partnerships,the paper proposes a transformative approach to vocational education,aligning it with contemporary societal and labor market demands,and underscores the vital role of classical aesthetics in enriching vocational training and enhancing student outcomes.

The Past and Future of Aesthetics in Mathematics

This paper explores the connotations of mathematical aesthetics and its connections with art,facilitated by collaboration with Ester,an individual with an artistic professional background.It begins by tracing the historical evolution of aesthetics from the classical pursuit of authenticity to the modern shift toward self-expression in art.The discussion then highlights the similarities in the pursuit of truth between mathematics and art,despite their methodological differences.Through an analysis of aesthetic elements in mathematics,such as lines and function graphs,the article illustrates that the beauty of mathematics is not only manifested in cognitive processes but can also be intuitively expressed through visual arts.The paper further examines the influence of mathematics on the development of art,particularly how Leonardo da Vinci applied mathematical principles to his artworks.Additionally,the article addresses art students’perceptions of mathematics,proposes the customization of math courses for art students,and discusses future trends in the integration of mathematics and art,emphasizing the significance of art therapy and the altruistic direction of art.Lastly,the authors use a poster to visually convey the idea that the beauty of mathematics can be experienced through the senses.

新时代高校美育的目标定位及实践策略

新时代高校美育担负着重要的历史使命,其对全民审美素养的提升具有引领作用。高校美育除了具备审美教育的一般特性,还具有道德涵养属性,其目标在于道德养成。相较于社会美育和中小学美育,高校美育的示范性、体系性、可持续性更强,其可以扭转当代教育“感性缺失”状况,这构成了高校美育道德养成的人性保障。在高校美育的实施策略上,以“浸润”为总原则,依托公共艺术类课程、中华优秀传统文化和诗性思维,培养通识审美、担当情怀以及愉悦追求,为全社会审美素养提升和创新意识养成提供支持。

基于工艺美术基础的农业无人机外壳外观设计

农业无人机是近年来农业机械化发展的新兴领域,它既可以提高农业生产效率,又能够减少农药和化肥的使用量,保护生态环境。农业无人机的外观设计,不仅要考虑美观度,还要考虑实用性和安全性。为此,将工艺美术基础相关技术引入到农业无人机外壳外观设计过程中,首先设计了其外观,然后设计了外壳模具结构,最后进行了开模试验。结果表明:实际开模试验的实物没有出现气泡、变形和缺料等缺陷,外观造型富含艺术感,符合设计需求。

中华美学史的性质及内在逻辑论

对于中华美学史的性质及内在逻辑,可以从五个方面展开论述:第一,中华美学的民族性。中华美学是中华民族的美学,中华民族文化以汉文化为灵魂,却绝不只是汉族文化,它熔铸了生活在中国大地上的诸多民族的文化精神,突出体现了中华民族共同的理念、精神、传统。第二,中华美学的国家性。中华美学的国家性奠基于周朝,周朝的礼乐文化既是政治文化,又是审美文化。中华文化中的主要学派儒、道、墨等的美学思想均见出鲜明的国家性。第三,中华美学的文化骨架。其根植于中华文化的三大流派:儒、道、释。儒家美学重社会,道家美学重自然,释家美学重心性。三者相对而又互补,共同构成中华美学的文化骨架。第四,中华美学的诗性品位。《诗经》《楚辞》和唐诗的巨大影响构建了中华美学的诗性品位。第五,中华美学的基本精神。其体现在对审美本体论的认识上,道家的美在自然与儒家的美在文明的统一,构成了中华美学的基本精神。

儒家比德观的审美价值

比德审美是中国传统审美欣赏的伦理化模式。比德来源于比兴,通过将自然物与君子道德人格相比附的方式,将自然事物纳入审美范围。这种交织着自然审美与道德审美的特殊欣赏方式,一方面赋予了自然物以道德品格,使之具有了象征意味;另一方面也让道德人格有了具体的可感形式。从比德的形式来看,主要有以玉比德、以水比德、以花草植物比德三种,经过比德后的自然物,凝结为了审美意象,具有了道德符号的意义。比德审美的实质是自然的伦理化,在比德的过程中实现了自然之美与道德之善的同一。同时,比德审美积淀了民族传统审美意识,凝结了中华民族深层的审美心理结构,影响了个体的审美认知和体验方式,构成了整个社会的审美文化特性。

与自己对话:李娟散文的生命回归及诗性美学

李娟散文以与自己对话的坦诚,深度探索了生命回归的落脚点,有着意蕴深邃的诗性美学。她的散文中的生命回归,实则落脚于自然的和谐与人与自然的关系,是理性与感性交融的火花。以融入与分离的纠葛以及漂泊与停留的回归,展现了边地灵动鲜活的壮丽自然风光,为自我对话以及生命回归的出路探寻,挖掘了广阔空间。以层次丰富的叙述视角、自然质朴的语言风格与知性细腻的情感流动,书写了其散文创作的诗性美学。

艺术的终结困境———从理论争鸣到当代社会的审美挑战

自19世纪黑格尔开始,“艺术终结”问题就成为了备受瞩目的讨论热点,其核心议题在于艺术范畴、边际的界定以及艺术与非艺术之间界限的划分。艺术无法在自身范围内对这些问题做出诠释,只能将希望寄托于哲学来做进一步说明,因此艺术在某一个点会终结自身,让位于哲学。机械复制时代对艺术的存在方式产生了挑战与质疑,摄影技术、电影艺术的兴起致使艺术的膜拜价值让位于展示价值,其原本的无目的性、无功利性也就此泯灭,从而催生了一个全新的景观社会。若能给予艺术与美一个清晰的定义,艺术终结问题便会迎刃而解,然而艺术是拒绝被规训的存在,审美的特殊性阻碍了对审美认知进行普泛性概括的可能,同时艺术的内在品鉴让其自身具有了不可交流的特征,因此艺术终结问题也将继续进一步被追问。

艺术理解的美学维度

“美的艺术”的提出是艺术分化和走向自律的标志。之后,艺术与美学结下了不解之缘。现代艺术颠覆了艺术与美学的关系,“美的艺术”被质疑、被消解、被丢弃。但现代艺术并没有从根本上改变艺术的美学性质,后现代语境下艺术的物化、非人化等困局格外强烈地凸显出艺术美学解释的合法性,关键取决于如何理解美学。美学中的审美不单纯是一种对愉悦的、和谐的形式的兴趣与追求,还表现为对感性认知、感性结构以及身体情感的洞察。揭示艺术“非思”之中蕴含着的“思”的内容,是美学对人类“知识”做出的最大贡献。后理论氛围里新审美主义和新形式主义的出现在某种程度上预示着美学的复归,但复归不是回到鲍姆加登、康德和黑格尔的思想地基之上,而在于重视“思与非思”地带,接受看似混乱、实则深刻的独异性力量的冲击。美学在转变话语形式的同时,也带来艺术解释新的可能性。

论梁启超古代韵文审美中蕴含的新女性观

梁启超在《中国韵文里头所表现的情感》一文中,论及女性文学和女性情感,表达了对女性文学审美的重要观点。此文也蕴含了他对新女性特征的若干看法,如清贵的品格、真挚浓郁的感情、刚健之美,结合他文探究之,可以找到其发展新女性的思路与方法,体现了梁启超长期对国家民族命运和女性问题深刻的思考。

The Translation of Children's Literature under the Guidance of Reception Aesthetics

In recent years,a great majority of excellent foreign children' s literary works have sprung up in the domestic market,so the translation of children' literature are drawn much attention.However,the relevant studies which guide the translation of children literature are quite few.Reception Aesthetics which take readers reception as a goal provides a new prospective for the translation of children s literature and promote its development.

Traditional Chinese Aesthetics and Urban Landscape Design

Landscape designs for modern urban open spaces are studied on the basis of traditional aesthetics, while aesthetic basis and development orientation can be provided for such designs through studies on traditional aesthetics. It is hoped that landscape designs from aesthetic perspective can correct people’s aesthetic attitudes towards the city, transform their habitual aesthetic modes, so as to cultivate new aesthetic tastes.

牙科树脂渗透陶瓷复合材料制备的研究进展

树脂渗透陶瓷(PICN)复合材料是一种由树脂和陶瓷2种互穿网状相构成的新型牙科修复材料,具有优良的天然牙仿生性能和易加工性,特别适用于基于椅旁计算机辅助设计和制造技术的快速牙体缺失和缺损的修复,正逐渐成为研究和应用的热点。PICN的力学性能和美学性能等可通过成分设计、优化制备工艺和表面改性等来调控。本文综述了PICN材料制备的研究进展,详述了多孔陶瓷制备、树脂渗透和固化工艺等方面研究现状,展望了未来发展趋势和研究重点。

Gardening Aesthetics Implied in Yanshan Garden of Guilin City

Gardening aesthetics implied in Yanshan garden were analyzed by combining with its natural environment,Map of Yanshan Garden of Nong Daijin and relevant researches. This study stated that Confucianism,Taoism and Zen Buddhism laid the philosophical foundation of gardening in Yanshan Garden and its gardening aesthetics included the ideas of entering or leaving the officialdom,painting style and artistic conception,beauty of natural landscape and cultural connotation of Fengshui.