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The Sandwich Man:A Representative Rhetoric of Ressentiment toward the Empire in Taiwan Residents New Wave Cinema
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作者 QIN Hong-liang 《Journal of Literature and Art Studies》 2022年第10期1076-1081,共6页
The Sandwich Man(1983),the groundbreaking work of Taiwan Residents New Wave Cinema,had a significant impact.The movie are made up of three short films The Sandwich Man(Hou Hsiao-hsien),Xiaoqi’s Hat(Tseng Ch’ang-hsia... The Sandwich Man(1983),the groundbreaking work of Taiwan Residents New Wave Cinema,had a significant impact.The movie are made up of three short films The Sandwich Man(Hou Hsiao-hsien),Xiaoqi’s Hat(Tseng Ch’ang-hsiang),and The Taste of Apples(Wan-ren),are typically seen as tales of modernity from the countryside to the city,but also contains native Taiwan Residents imperial ressentiment,particularly the ressentiment toward the American Empire in The Taste of Apples and the social sentiment of being wounded by Japan that haunts Xiaoqi’s hat,while The Sandwich Man attempts to seek to position themselves in their role. 展开更多
关键词 taiwan residents new Wave cinema the trauma from Japan ressentiment towards America SELF-POSITIONING
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