At the beginning of 2024,Liu Yunzhi,President of China National Opera House,and nearly 50 artists from the Opera troupe,Choir and Symphony of the Opera House held"Happy Chinese New Year"concerts in Latvia,Uz...At the beginning of 2024,Liu Yunzhi,President of China National Opera House,and nearly 50 artists from the Opera troupe,Choir and Symphony of the Opera House held"Happy Chinese New Year"concerts in Latvia,Uzbekistan and Austria,in"the simplest and most friendly way to convey the sound of cultural exchanges",which added impetus to the cultural exchanges between China and the world.展开更多
The premiere of the Chinese opera-style musical Snow Embracing the Blue Pass on 21 June was a spectacle of excitement and cultural richness.On stage at Beijing’s Tianqiao Theater,music players,Chinese opera performer...The premiere of the Chinese opera-style musical Snow Embracing the Blue Pass on 21 June was a spectacle of excitement and cultural richness.On stage at Beijing’s Tianqiao Theater,music players,Chinese opera performers,and drama actors performed in perfect harmony,showcasing their extraordinary talents in one show.展开更多
The purpose of the article is to explore the effects of Sichuan opera singing on music majors’vocal skills,focusing on three key aspects:pitch test,assessment of rhythmic perception,and emotional expression.Through a...The purpose of the article is to explore the effects of Sichuan opera singing on music majors’vocal skills,focusing on three key aspects:pitch test,assessment of rhythmic perception,and emotional expression.Through a quasi-experimental design,100 music majors were selected as research subjects and divided into an experimental group that received Sichuan opera singing instruction and a control group that received traditional vocal instruction.The results showed that compared with the control group,the experimental group receiving Sichuan opera singing teaching showed significant improvement in pitch mastery,rhythm perception,and emotional expression.展开更多
From both historical and artistic points of view,Qinqiang Opera can be considered a significant genre outside the realms of Peking Opera and Kunqu Opera.The research on Qinqiang Opera has long been a focal point in th...From both historical and artistic points of view,Qinqiang Opera can be considered a significant genre outside the realms of Peking Opera and Kunqu Opera.The research on Qinqiang Opera has long been a focal point in the research on local operas with particular emphasis from a local perspective of the Yisu Art Troupe,a key and hot topic in the studies of Qinqiang Opera.Taking the Yisu Art Troupe as a case study to scrutinize and address the intricacies within the process of modernization of traditional Chinese opera proved to be beneficial.Since the 20th century,studies on the Yisu Art Troupe have evolved from scattered and impressionistic self-narratives into systematic and theoretical academic research.In the new century,scholars,such as Xin Xuefeng,Li Youjun,and Guo Hongjun,have been especially diligent with studies in this field.As Xin Xuefeng is relatively unknown due to his emphasis on traditional opera music,Li Youjun and Guo Hongjun have gradually emerged as important contemporary scholars in the study of the Yisu Art Troupe.Guo and Li not only further theorize the study of the Yisu Art Troupe but also conduct in-depth and meticulous studies on the nature of the Yisu Art Troupe,the establishment of the director-centered mode in Qinqiang Opera,the social function,and the playwriting of the Yisu Art Troupe by examining and reflecting it within the broader context of the modernization of traditional Chinese opera in the 20th century.展开更多
The traditional musical instrument of minorities converges the evolution of ethnic group culture and history,and ethnic musical instruments are a core component of minority culture.The traditional instruments of Guang...The traditional musical instrument of minorities converges the evolution of ethnic group culture and history,and ethnic musical instruments are a core component of minority culture.The traditional instruments of Guangxi minorities are rich and varied,and an all-round cultural inheritance and protection mechanism should be used for ethnic musical instruments,so that the performance form of classical musical instruments of minorities can be more widely understood and mastered.Therefore,in this paper,we discuss the specific practice idea of the inheritance and development of classical musical instruments of Guangxi minorities,and facilitate the innovation of development path of ethnic musical instruments by taking the inheritance form of integrating musical instruments with operas.展开更多
A five-member women’s singing group is trying to revive flagging interest in Peking Opera by combining opera with pop elements.THEY come from different places and have different backgrounds, but they have one thing i...A five-member women’s singing group is trying to revive flagging interest in Peking Opera by combining opera with pop elements.THEY come from different places and have different backgrounds, but they have one thing in common-the number 416. That was the number of the dormitory room assigned to them when they enrolled at the Shanghai Theater Academy as young aspiring singers, and today, it’s also the name of their band-the 416 Girls Group, that has become a singing sensation.展开更多
文摘At the beginning of 2024,Liu Yunzhi,President of China National Opera House,and nearly 50 artists from the Opera troupe,Choir and Symphony of the Opera House held"Happy Chinese New Year"concerts in Latvia,Uzbekistan and Austria,in"the simplest and most friendly way to convey the sound of cultural exchanges",which added impetus to the cultural exchanges between China and the world.
文摘The premiere of the Chinese opera-style musical Snow Embracing the Blue Pass on 21 June was a spectacle of excitement and cultural richness.On stage at Beijing’s Tianqiao Theater,music players,Chinese opera performers,and drama actors performed in perfect harmony,showcasing their extraordinary talents in one show.
文摘The purpose of the article is to explore the effects of Sichuan opera singing on music majors’vocal skills,focusing on three key aspects:pitch test,assessment of rhythmic perception,and emotional expression.Through a quasi-experimental design,100 music majors were selected as research subjects and divided into an experimental group that received Sichuan opera singing instruction and a control group that received traditional vocal instruction.The results showed that compared with the control group,the experimental group receiving Sichuan opera singing teaching showed significant improvement in pitch mastery,rhythm perception,and emotional expression.
基金funded by the National Social Science Fund of China’s project“Research on the Modernization Construction of Chinese Drama Theory in the 20th Century”(Approval Number:19BZW098)。
文摘From both historical and artistic points of view,Qinqiang Opera can be considered a significant genre outside the realms of Peking Opera and Kunqu Opera.The research on Qinqiang Opera has long been a focal point in the research on local operas with particular emphasis from a local perspective of the Yisu Art Troupe,a key and hot topic in the studies of Qinqiang Opera.Taking the Yisu Art Troupe as a case study to scrutinize and address the intricacies within the process of modernization of traditional Chinese opera proved to be beneficial.Since the 20th century,studies on the Yisu Art Troupe have evolved from scattered and impressionistic self-narratives into systematic and theoretical academic research.In the new century,scholars,such as Xin Xuefeng,Li Youjun,and Guo Hongjun,have been especially diligent with studies in this field.As Xin Xuefeng is relatively unknown due to his emphasis on traditional opera music,Li Youjun and Guo Hongjun have gradually emerged as important contemporary scholars in the study of the Yisu Art Troupe.Guo and Li not only further theorize the study of the Yisu Art Troupe but also conduct in-depth and meticulous studies on the nature of the Yisu Art Troupe,the establishment of the director-centered mode in Qinqiang Opera,the social function,and the playwriting of the Yisu Art Troupe by examining and reflecting it within the broader context of the modernization of traditional Chinese opera in the 20th century.
文摘The traditional musical instrument of minorities converges the evolution of ethnic group culture and history,and ethnic musical instruments are a core component of minority culture.The traditional instruments of Guangxi minorities are rich and varied,and an all-round cultural inheritance and protection mechanism should be used for ethnic musical instruments,so that the performance form of classical musical instruments of minorities can be more widely understood and mastered.Therefore,in this paper,we discuss the specific practice idea of the inheritance and development of classical musical instruments of Guangxi minorities,and facilitate the innovation of development path of ethnic musical instruments by taking the inheritance form of integrating musical instruments with operas.
文摘A five-member women’s singing group is trying to revive flagging interest in Peking Opera by combining opera with pop elements.THEY come from different places and have different backgrounds, but they have one thing in common-the number 416. That was the number of the dormitory room assigned to them when they enrolled at the Shanghai Theater Academy as young aspiring singers, and today, it’s also the name of their band-the 416 Girls Group, that has become a singing sensation.
