The study of Dragon-Carving and the Literary Mind in Russia began around 1918.The Chapter“Tracing the origin of the Dao”translated by B.M.Alexeyev,the founder of modern Russian Sinology,is the earliest Russian trans...The study of Dragon-Carving and the Literary Mind in Russia began around 1918.The Chapter“Tracing the origin of the Dao”translated by B.M.Alexeyev,the founder of modern Russian Sinology,is the earliest Russian translation of this book.He proposed a lot of problems inspiring future generations to think about,standardizing the direction for the future researchers of“Dragon Study”in Soviet Russia.L.D.Bozdneeva’s textbook Medieval Eastern Literature(1970),K.I.Grekina’s Monograph Chinese Literary Theory in the Early19-20th century(1971),V.A.K'ri'vzo'v’s paper Discussion on Liu Xie’s Aesthetic Views(1978),I.S.Lisevich’s Monograph Ideology of Chinese Literature at the Turn of the Ancient and the Middle Ages(1979),and Li Fuqing’s paper published after the dissolution of the Soviet Union,Genre of Chinese Medieval Literature(1994),have made a useful discussion of the concept and terminology,literary theory and aesthetic ideology of the Dragon-Carving and the Literary Mind.In the monograph Tai Chi:the Global Model in Chinese Literature and Culture in the 1-13th Century,published by K.I.Gorekina in 1995,Dragon-Carving and Literary Mind was interpreted by universe ontology,which reflects the rising of new academic trend in the research of“Dragon Study”in Russia.In recent years,young talents begin to join in Russian Dragon-Carving and Literary Mind research,and doctoral thesis focused on it have been published,showing a good situation that this research has qualified successors.展开更多
The study found that the classics born during the turbulent Six Dynasties period,starting from Cao Pi’s“The Classics”to“Wen Fu”,“Wen Xin Diao Long”,“Shipin”and other classics,can all be analyzed to have a com...The study found that the classics born during the turbulent Six Dynasties period,starting from Cao Pi’s“The Classics”to“Wen Fu”,“Wen Xin Diao Long”,“Shipin”and other classics,can all be analyzed to have a common origin.Attributes,that is,the philosophical strategy of dualistic isomorphism of explicit and implicit,is also a pattern;it can be proven that this is the philosophical key to interpreting and studying the classics of the Six Dynasties.It not only governs many aesthetic principles and aesthetic methods,but also emphasizes the need to transcend the appearance of current existence,transcend the current utilitarianism,and pay attention to the hidden and non-existent,just like paying attention to dark matter and antimatter in the universe.Pay attention to the origin of Shipin and expand aesthetic horizons;this philosophical secret not only exists in the classics of the Six Dynasties,it has its unity,graphics and vitality,as well as its historical inheritance and continuous operation.Its trajectory marks the context of literary theory and aesthetics;the modern construction of contemporary literary theory must be based on its operating trends.Only by transcending all utilitarianism can we better demonstrate the natural characteristics of Chinese tradition such as nationality.Otherwise,literary theory,aesthetics,and philosophy will not be self-consistent.展开更多
文摘The study of Dragon-Carving and the Literary Mind in Russia began around 1918.The Chapter“Tracing the origin of the Dao”translated by B.M.Alexeyev,the founder of modern Russian Sinology,is the earliest Russian translation of this book.He proposed a lot of problems inspiring future generations to think about,standardizing the direction for the future researchers of“Dragon Study”in Soviet Russia.L.D.Bozdneeva’s textbook Medieval Eastern Literature(1970),K.I.Grekina’s Monograph Chinese Literary Theory in the Early19-20th century(1971),V.A.K'ri'vzo'v’s paper Discussion on Liu Xie’s Aesthetic Views(1978),I.S.Lisevich’s Monograph Ideology of Chinese Literature at the Turn of the Ancient and the Middle Ages(1979),and Li Fuqing’s paper published after the dissolution of the Soviet Union,Genre of Chinese Medieval Literature(1994),have made a useful discussion of the concept and terminology,literary theory and aesthetic ideology of the Dragon-Carving and the Literary Mind.In the monograph Tai Chi:the Global Model in Chinese Literature and Culture in the 1-13th Century,published by K.I.Gorekina in 1995,Dragon-Carving and Literary Mind was interpreted by universe ontology,which reflects the rising of new academic trend in the research of“Dragon Study”in Russia.In recent years,young talents begin to join in Russian Dragon-Carving and Literary Mind research,and doctoral thesis focused on it have been published,showing a good situation that this research has qualified successors.
基金This article is part of the 2020 scientific research project of Anhui Engineering University:Research on the relationship between basic symbols of design,graphics,and text,Xjky2020112。
文摘The study found that the classics born during the turbulent Six Dynasties period,starting from Cao Pi’s“The Classics”to“Wen Fu”,“Wen Xin Diao Long”,“Shipin”and other classics,can all be analyzed to have a common origin.Attributes,that is,the philosophical strategy of dualistic isomorphism of explicit and implicit,is also a pattern;it can be proven that this is the philosophical key to interpreting and studying the classics of the Six Dynasties.It not only governs many aesthetic principles and aesthetic methods,but also emphasizes the need to transcend the appearance of current existence,transcend the current utilitarianism,and pay attention to the hidden and non-existent,just like paying attention to dark matter and antimatter in the universe.Pay attention to the origin of Shipin and expand aesthetic horizons;this philosophical secret not only exists in the classics of the Six Dynasties,it has its unity,graphics and vitality,as well as its historical inheritance and continuous operation.Its trajectory marks the context of literary theory and aesthetics;the modern construction of contemporary literary theory must be based on its operating trends.Only by transcending all utilitarianism can we better demonstrate the natural characteristics of Chinese tradition such as nationality.Otherwise,literary theory,aesthetics,and philosophy will not be self-consistent.
