As a book review of Medicine Empire in American Literature of the 20th Century by Jiang Tianping’s team, thispaper provides an examination of the developing process of the western medicine’s interaction with the imp...As a book review of Medicine Empire in American Literature of the 20th Century by Jiang Tianping’s team, thispaper provides an examination of the developing process of the western medicine’s interaction with the imperialpolitics in the 20th century. It points out that the book has made a great contribution to the interdisciplinary research,medical research, especially western colonialism research.展开更多
Due to the influence and control of many factors such as geographical location and historical conditions,many of the 20thCentury American literature works portray distorted Chinese image different from reality. In Ame...Due to the influence and control of many factors such as geographical location and historical conditions,many of the 20thCentury American literature works portray distorted Chinese image different from reality. In American literature,China doesn't exist as a real country with a geographical location,but it exists in a virtual space in the world composed of cultural imagination. Literature is the reflected thought that can accommodate numerous social fields,and American literature can mostly reflect the overall cognition of different fields for Chinese image. This paper analyzes the characterization and cognition of Chinese image in the20thCentury American literature works,understanding the history and features of Chinese image in the 20thCentury American literature works,in order to obtain the enlightenment of how to better establish Chinese image.展开更多
Since the end of the 20th century, Mo Yan has made an attempt to reflect on China＇s historical changes throughout the 20th century as a whole. Centered on such several novels as Big Breasts and Wide Hips, Life and De...Since the end of the 20th century, Mo Yan has made an attempt to reflect on China＇s historical changes throughout the 20th century as a whole. Centered on such several novels as Big Breasts and Wide Hips, Life and Death Are Wearing Me Out and Frog, this paper explores the author＇s thinking of the interruption and repetition phenomena in China＇s 20th century history. Differing from viewing the history in a modem linear progressive perspective, Mo Yan regards the interruption of history as a sign of human degradation, which derives from the loss of folk history subjectivity. When history is treated rudely, its repetition will occur, and the one who treats history as laughingstocks will be written into history as part of a ＂farce＂.展开更多
As a literary slogan given to a special meaning by history, ‘reality＇ has constituted a dominant clue in the evolution of the ideological trend of realism in 20th Century Chinese Literature. In the ‘New Literature ...As a literary slogan given to a special meaning by history, ‘reality＇ has constituted a dominant clue in the evolution of the ideological trend of realism in 20th Century Chinese Literature. In the ‘New Literature Movement＇ of May 4th Movement,‘reality＇, as the characterization of scientific rationality spirit and an imposition on the description of the objective reality, has been incorporated into the perspective of Modern Chinese literature： In the 1950s and 1960s, it protested to obtain an independent literary discourse as a saving weapon; in the early 1980s, it‘restored＇ realism as a theory starting point of ‘re-enlightenment＇. In the late 1980s, with the conversion of historical context, and the subversion and reconstruction of Western ‘refer to＇ concept to ＂reality＂ concept of traditional epistemology, ‘reality＇ ended its historic mission, and thus to retire展开更多
Awareness of the digestive system began with the dawn of civilization, when man observing the feeding habits of animalsin the surrounding environment, experimented with foods, edible and inedible. Identity came with d...Awareness of the digestive system began with the dawn of civilization, when man observing the feeding habits of animalsin the surrounding environment, experimented with foods, edible and inedible. Identity came with discoveries of the digestive organs during the 16^th and 17^th centuries. Function was revealed by physiologic studies of digestion, absorption and secretion, metabolism, and motility during the 18^th and 19^th centuries. Diagnostic access improved with the technological advances of the 20^th century. Understanding of gastrointestinal (GI) disease followed growth of the basic sciences and gastroenterology's increased involvement in scientific research during the 20^th century.展开更多
By using top-down methods, periodizing exclusively along the Arab-Zionist conflict and basing on either Hebrew or Arab primary sources, leading scholars tend to ignore the existence of popular local identity shared by...By using top-down methods, periodizing exclusively along the Arab-Zionist conflict and basing on either Hebrew or Arab primary sources, leading scholars tend to ignore the existence of popular local identity shared by Jews and Arabs in center Palestine during late 19th-early 20th century. To explore this identity this paper suggests using history from below methods i.e. history of average citizens that looks into many individual＇s multi-dimensional life-experiences, particularly in Palestine mix areas, and based it on both Hebrew and Arabic sources. Through history from below this paper shows that joint Jewish-Arab local identity prevailed prior to the establishment of Jewish or Palestinian national movement and afterwards existed along with them till it was defeated by the escalating national conflict.展开更多
This study is concerned with the literary and aesthetic influences that led to Charles Sheeler＇s formation of a paragone in his early 20th century work. This painter, photographer, printmaker, and experimental filmma...This study is concerned with the literary and aesthetic influences that led to Charles Sheeler＇s formation of a paragone in his early 20th century work. This painter, photographer, printmaker, and experimental filmmaker had very specific ideas concerning the hierarchy of the visual arts. While he is known for embracing a wide range of media and materials, by 1919 his aesthetic thought reveals a desire to elevate the painting over all other media. This formation of a visual paragone was initially influenced by his involvement in the interdisciplinary circles which surrounded both Alfred Stieglitz and Walter and Louise Arensberg in New York City. In particular, his lifelong friendship with the poet and writer William Carlos Williams would shape his aesthetic thought leading to his elevation of painting over all other media. Sheeler＇s paragone would begin to form during his stays at the rural Doylestown House in Bucks County, Pennsylvania. This rural home, which he first rented with fellow painter Morton Schamberg in 1916, would become an artistic refuge for both artists. While commercial photography was beginning to take up more if his time in Philadelphia, it was the retreats to the Doylestown house that enabled Sheeler to continue experiments in painting and begin to think of the photograph as something other than a document of architectural work. At this early stage in his artistic career, Sheeler was beginning to form his own hierarchy and contribute to the continuing argument of painting versus photography.展开更多
Architectures undergoing restoration often have numerous layers of color related to their history and previous interventions.Each layer takes on its own precise meaning related to a specific history and cultural conte...Architectures undergoing restoration often have numerous layers of color related to their history and previous interventions.Each layer takes on its own precise meaning related to a specific history and cultural context.The case of the Eiffel Tower becomes significant in illustrating past events and designing future intervention.展开更多
INTRODUCTIONThe“nonspecific” inflammatory bowel diseases ,ulcerative colitis and Crohn,s represent a group of heterogeneous inflammatory and ulcerative disases of the small and large intestines of unknown etiology ,...INTRODUCTIONThe“nonspecific” inflammatory bowel diseases ,ulcerative colitis and Crohn,s represent a group of heterogeneous inflammatory and ulcerative disases of the small and large intestines of unknown etiology ,associated with many gastrointestinal and systemic complications .Appearing initially as isolated cases in Great Britain and northern Europe during the 19th and early 20th centuries ,they have steadily increased numerically and geographically and today are recognized worldwide.展开更多
It is of interest in an era of increasing biomedical sophisticaton to recall that a relatively short time ago, early in the 20th century, ‘simple' ulcerative colitis was an obscure ‘medical curiosity' emergi...It is of interest in an era of increasing biomedical sophisticaton to recall that a relatively short time ago, early in the 20th century, ‘simple' ulcerative colitis was an obscure ‘medical curiosity' emerging slowly from an unknown past. Crohn's disease was yet unidentified as a separate entity although careful review of the IBD literature documented its early presence, masquerading as ‘intestinal tuberculosis'. Into the 1930s, the etiology and pathogenesis of ulcerative colitis and Crohn's disease were unknown, and investigative hypotheses were scarce. Therapeutic resources were limited and treatment was primitive. At a time of limited biomedical knowledge and minimal clinical awareness, unsubstantiated views prevailed, including ‘vague reactions to foods' (sugar,margarine, corn flakes), deficiency of a ‘protective factor'in pig intestine, and psychiatric disease.展开更多
This paper would investigate the Moving Image Archive at the Cinema Museum in Tehran to highlight the importance of new media in Iran after the 1930s and the changes that were brought about by the birth of cinema in t...This paper would investigate the Moving Image Archive at the Cinema Museum in Tehran to highlight the importance of new media in Iran after the 1930s and the changes that were brought about by the birth of cinema in the existing geopolitical conditions. It would look very closely at the first silent film made in Iran titled Haji Agha, the Cinema Actor （1933） by Ovanes Ohanian. While reflecting on the socio-political relation of the film to its era, this paper would also bring to attention the process of filmmaking and screening in 1930s Iran--the production and restoration of footage, posters and publicity for the film, and the screening venue. The cinema in question used to be called TamashaKhaneh when it was simply a projection room in Tehran where people would keenly take their seats to view the same film over and over again in some cases. The author would investigate the advent of cinema as a foreign concept in Iranian life and try to reflect upon the way in which it has been gradually adopted as a national treasure over the years. Haji Agha, the Cinema Actor is one of the most important reflections of the social transition that has occurred in Iranian history. Here, through the hundred-minute black and white footage, Ohanian depicts the tense political climate following the coup of Mossadegh, as well as the ban on traditional clothing during the last monarchy of Iran; at the same time, the film represents tradition and modernity as two supposedly opposite stances that, in fact, complemented each other in this era. The title combines Haji Agha, a religious man who has visited mecca, with the English words the Cinema Actor, to further express the complementary relation between old and new. Ohanian very professionally depicts the role of family as a core part of the religious boundaries for men and women that unfold throughout the film due to their encounter with cinema and filmmaking. He uses issues like sex and taboo to push the boundaries and map a certain cultural modernity within Iranian society.展开更多
基金This paper is funded by 2017’s Hunan Provincial Funding Project“Colonial Medicine Research in English Literature”(17YBA343)National Funding Project“Research on disease consciousness and national anxiety in English literature of the 16th and 17th centuries”(16BWW056)Hunan Provincial Social Science Achievement Review Committee project“Oriental Medical Imagination from a Post-colonial Perspective”(XSP18YBC029)and“American Literature Project”193ysk011).
文摘As a book review of Medicine Empire in American Literature of the 20th Century by Jiang Tianping’s team, thispaper provides an examination of the developing process of the western medicine’s interaction with the imperialpolitics in the 20th century. It points out that the book has made a great contribution to the interdisciplinary research,medical research, especially western colonialism research.
文摘Due to the influence and control of many factors such as geographical location and historical conditions,many of the 20thCentury American literature works portray distorted Chinese image different from reality. In American literature,China doesn't exist as a real country with a geographical location,but it exists in a virtual space in the world composed of cultural imagination. Literature is the reflected thought that can accommodate numerous social fields,and American literature can mostly reflect the overall cognition of different fields for Chinese image. This paper analyzes the characterization and cognition of Chinese image in the20thCentury American literature works,understanding the history and features of Chinese image in the 20thCentury American literature works,in order to obtain the enlightenment of how to better establish Chinese image.
文摘Since the end of the 20th century, Mo Yan has made an attempt to reflect on China＇s historical changes throughout the 20th century as a whole. Centered on such several novels as Big Breasts and Wide Hips, Life and Death Are Wearing Me Out and Frog, this paper explores the author＇s thinking of the interruption and repetition phenomena in China＇s 20th century history. Differing from viewing the history in a modem linear progressive perspective, Mo Yan regards the interruption of history as a sign of human degradation, which derives from the loss of folk history subjectivity. When history is treated rudely, its repetition will occur, and the one who treats history as laughingstocks will be written into history as part of a ＂farce＂.
文摘As a literary slogan given to a special meaning by history, ‘reality＇ has constituted a dominant clue in the evolution of the ideological trend of realism in 20th Century Chinese Literature. In the ‘New Literature Movement＇ of May 4th Movement,‘reality＇, as the characterization of scientific rationality spirit and an imposition on the description of the objective reality, has been incorporated into the perspective of Modern Chinese literature： In the 1950s and 1960s, it protested to obtain an independent literary discourse as a saving weapon; in the early 1980s, it‘restored＇ realism as a theory starting point of ‘re-enlightenment＇. In the late 1980s, with the conversion of historical context, and the subversion and reconstruction of Western ‘refer to＇ concept to ＂reality＂ concept of traditional epistemology, ‘reality＇ ended its historic mission, and thus to retire
文摘Awareness of the digestive system began with the dawn of civilization, when man observing the feeding habits of animalsin the surrounding environment, experimented with foods, edible and inedible. Identity came with discoveries of the digestive organs during the 16^th and 17^th centuries. Function was revealed by physiologic studies of digestion, absorption and secretion, metabolism, and motility during the 18^th and 19^th centuries. Diagnostic access improved with the technological advances of the 20^th century. Understanding of gastrointestinal (GI) disease followed growth of the basic sciences and gastroenterology's increased involvement in scientific research during the 20^th century.
文摘By using top-down methods, periodizing exclusively along the Arab-Zionist conflict and basing on either Hebrew or Arab primary sources, leading scholars tend to ignore the existence of popular local identity shared by Jews and Arabs in center Palestine during late 19th-early 20th century. To explore this identity this paper suggests using history from below methods i.e. history of average citizens that looks into many individual＇s multi-dimensional life-experiences, particularly in Palestine mix areas, and based it on both Hebrew and Arabic sources. Through history from below this paper shows that joint Jewish-Arab local identity prevailed prior to the establishment of Jewish or Palestinian national movement and afterwards existed along with them till it was defeated by the escalating national conflict.
文摘This study is concerned with the literary and aesthetic influences that led to Charles Sheeler＇s formation of a paragone in his early 20th century work. This painter, photographer, printmaker, and experimental filmmaker had very specific ideas concerning the hierarchy of the visual arts. While he is known for embracing a wide range of media and materials, by 1919 his aesthetic thought reveals a desire to elevate the painting over all other media. This formation of a visual paragone was initially influenced by his involvement in the interdisciplinary circles which surrounded both Alfred Stieglitz and Walter and Louise Arensberg in New York City. In particular, his lifelong friendship with the poet and writer William Carlos Williams would shape his aesthetic thought leading to his elevation of painting over all other media. Sheeler＇s paragone would begin to form during his stays at the rural Doylestown House in Bucks County, Pennsylvania. This rural home, which he first rented with fellow painter Morton Schamberg in 1916, would become an artistic refuge for both artists. While commercial photography was beginning to take up more if his time in Philadelphia, it was the retreats to the Doylestown house that enabled Sheeler to continue experiments in painting and begin to think of the photograph as something other than a document of architectural work. At this early stage in his artistic career, Sheeler was beginning to form his own hierarchy and contribute to the continuing argument of painting versus photography.
文摘Architectures undergoing restoration often have numerous layers of color related to their history and previous interventions.Each layer takes on its own precise meaning related to a specific history and cultural context.The case of the Eiffel Tower becomes significant in illustrating past events and designing future intervention.
文摘INTRODUCTIONThe“nonspecific” inflammatory bowel diseases ,ulcerative colitis and Crohn,s represent a group of heterogeneous inflammatory and ulcerative disases of the small and large intestines of unknown etiology ,associated with many gastrointestinal and systemic complications .Appearing initially as isolated cases in Great Britain and northern Europe during the 19th and early 20th centuries ,they have steadily increased numerically and geographically and today are recognized worldwide.
文摘It is of interest in an era of increasing biomedical sophisticaton to recall that a relatively short time ago, early in the 20th century, ‘simple' ulcerative colitis was an obscure ‘medical curiosity' emerging slowly from an unknown past. Crohn's disease was yet unidentified as a separate entity although careful review of the IBD literature documented its early presence, masquerading as ‘intestinal tuberculosis'. Into the 1930s, the etiology and pathogenesis of ulcerative colitis and Crohn's disease were unknown, and investigative hypotheses were scarce. Therapeutic resources were limited and treatment was primitive. At a time of limited biomedical knowledge and minimal clinical awareness, unsubstantiated views prevailed, including ‘vague reactions to foods' (sugar,margarine, corn flakes), deficiency of a ‘protective factor'in pig intestine, and psychiatric disease.
文摘This paper would investigate the Moving Image Archive at the Cinema Museum in Tehran to highlight the importance of new media in Iran after the 1930s and the changes that were brought about by the birth of cinema in the existing geopolitical conditions. It would look very closely at the first silent film made in Iran titled Haji Agha, the Cinema Actor （1933） by Ovanes Ohanian. While reflecting on the socio-political relation of the film to its era, this paper would also bring to attention the process of filmmaking and screening in 1930s Iran--the production and restoration of footage, posters and publicity for the film, and the screening venue. The cinema in question used to be called TamashaKhaneh when it was simply a projection room in Tehran where people would keenly take their seats to view the same film over and over again in some cases. The author would investigate the advent of cinema as a foreign concept in Iranian life and try to reflect upon the way in which it has been gradually adopted as a national treasure over the years. Haji Agha, the Cinema Actor is one of the most important reflections of the social transition that has occurred in Iranian history. Here, through the hundred-minute black and white footage, Ohanian depicts the tense political climate following the coup of Mossadegh, as well as the ban on traditional clothing during the last monarchy of Iran; at the same time, the film represents tradition and modernity as two supposedly opposite stances that, in fact, complemented each other in this era. The title combines Haji Agha, a religious man who has visited mecca, with the English words the Cinema Actor, to further express the complementary relation between old and new. Ohanian very professionally depicts the role of family as a core part of the religious boundaries for men and women that unfold throughout the film due to their encounter with cinema and filmmaking. He uses issues like sex and taboo to push the boundaries and map a certain cultural modernity within Iranian society.
