Oral history,which collects historical materials by means of oral interviews,is an important auxiliary means for ethnomusicological research.Marked by the First Symposium on Oral History of Music in 2014,the academic ...Oral history,which collects historical materials by means of oral interviews,is an important auxiliary means for ethnomusicological research.Marked by the First Symposium on Oral History of Music in 2014,the academic community has launched a series of discussions and elaborations on its concepts,methods,norms,meanings,and other dimensions,and a series of academic achievements have been born.In this paper,we will combine relevant theses to explain how music oral history as contemporary history can achieve“intertextuality”in ethnomusicological research,emphasize its humanistic attributes,and summarize our reflections on the basis of existing academic experiences.展开更多
Chinese music history is a rigorous discipline of analyzing, studying and describing Chinese music development and evolution process, which has typical historical factors. Chinese music covers a wide range, which incl...Chinese music history is a rigorous discipline of analyzing, studying and describing Chinese music development and evolution process, which has typical historical factors. Chinese music covers a wide range, which includes China traditional opera, minority drama, local and regional opera, and the song and dance drama and music with the sense of the times.However, in the music history research and teaching in our country currently, because the current art education of the old system and the traditional mechanical reasons, study on the history of music lacks of effective view in the breadth and depth.Because of these reasons, there is a lack of the object of study and research methods, so in the course of study on the China music history, it has some deficiency and embarrassing phenomenon.In this paper, it takes the analysis on deletion and embarrassing situations in our country at present on the history of music, and finds out the corresponding solutions for it.展开更多
Metropolises in the globalization call nowadays Towns＇ of jazzmen, jazzwomen and jazz lovers, in a way from which we citizens. Christian Sallenave, sociologist with musical academic and Cities＇ into question. Jazz a...Metropolises in the globalization call nowadays Towns＇ of jazzmen, jazzwomen and jazz lovers, in a way from which we citizens. Christian Sallenave, sociologist with musical academic and Cities＇ into question. Jazz answers with stories and memories can learn a lesson for the future of towns, metropolises and their background, shows through examples of stories of jazz in New Orleans, New York, Paris, Bordeaux and Rome, how this nomad, notable and crossbreeding music contributes to the history of jazz, and world music, and listeners＇ memories, in ＂their own way＂ as towns, cities and their memories can contribute to the prosperity of the metropolises in globalization, through original melting pot works.展开更多
Montmartre Jazz House in Copenhagen became one of the most famous venues in Europe. This paper describes its history,, from the first concert performed by the American jazz musician George Lewis and His New Orleans Or...Montmartre Jazz House in Copenhagen became one of the most famous venues in Europe. This paper describes its history,, from the first concert performed by the American jazz musician George Lewis and His New Orleans Orchestra to the turbulent and economical difficult years in the 1970＇s when the owner, Herluf Kamp-Larsen, had to declare himself bankrupt. A couple of Danish jazz musicians, trumpet player Palle Mikkelborg （1941-） and pianist Ole Kock Hansen （1945-）, explain the importance of the venue, and some of the most legendary jazz musicians that were hired during the clubs history are mentioned. The paper is based upon the author＇s book upon the venue and gives a survey of the history of Montmartre Jazz House. The research for the book includes lots of concert reviews, interviews with many musicians, members of the staff and Herluf Kamp-Larsen, and besides, the writer had access to the archive of the jazz house.展开更多
该文是作者基于在《牛津手册:中国与海外华人音乐》中发表的“中国人为什么、又如何唱《诗经》歌曲?”(Why and How Do Chinese Sing Shijing Songs?),以及正在写作的《孔子之歌:中国诗乐的大历史描述》(Confucius's Songs:A Global...该文是作者基于在《牛津手册:中国与海外华人音乐》中发表的“中国人为什么、又如何唱《诗经》歌曲?”(Why and How Do Chinese Sing Shijing Songs?),以及正在写作的《孔子之歌:中国诗乐的大历史描述》(Confucius's Songs:A Global History of Chinese Shiyue)一书有关编写诗乐大音乐史的理论建构和相关思考。作者突破了对传统诗乐历史认知的框架,以“大历史”的理念观照诗乐和格里高利圣咏历史发展的异同,为当今理解诗乐提供了新路径。展开更多
文摘Oral history,which collects historical materials by means of oral interviews,is an important auxiliary means for ethnomusicological research.Marked by the First Symposium on Oral History of Music in 2014,the academic community has launched a series of discussions and elaborations on its concepts,methods,norms,meanings,and other dimensions,and a series of academic achievements have been born.In this paper,we will combine relevant theses to explain how music oral history as contemporary history can achieve“intertextuality”in ethnomusicological research,emphasize its humanistic attributes,and summarize our reflections on the basis of existing academic experiences.
文摘Chinese music history is a rigorous discipline of analyzing, studying and describing Chinese music development and evolution process, which has typical historical factors. Chinese music covers a wide range, which includes China traditional opera, minority drama, local and regional opera, and the song and dance drama and music with the sense of the times.However, in the music history research and teaching in our country currently, because the current art education of the old system and the traditional mechanical reasons, study on the history of music lacks of effective view in the breadth and depth.Because of these reasons, there is a lack of the object of study and research methods, so in the course of study on the China music history, it has some deficiency and embarrassing phenomenon.In this paper, it takes the analysis on deletion and embarrassing situations in our country at present on the history of music, and finds out the corresponding solutions for it.
文摘Metropolises in the globalization call nowadays Towns＇ of jazzmen, jazzwomen and jazz lovers, in a way from which we citizens. Christian Sallenave, sociologist with musical academic and Cities＇ into question. Jazz answers with stories and memories can learn a lesson for the future of towns, metropolises and their background, shows through examples of stories of jazz in New Orleans, New York, Paris, Bordeaux and Rome, how this nomad, notable and crossbreeding music contributes to the history of jazz, and world music, and listeners＇ memories, in ＂their own way＂ as towns, cities and their memories can contribute to the prosperity of the metropolises in globalization, through original melting pot works.
文摘Montmartre Jazz House in Copenhagen became one of the most famous venues in Europe. This paper describes its history,, from the first concert performed by the American jazz musician George Lewis and His New Orleans Orchestra to the turbulent and economical difficult years in the 1970＇s when the owner, Herluf Kamp-Larsen, had to declare himself bankrupt. A couple of Danish jazz musicians, trumpet player Palle Mikkelborg （1941-） and pianist Ole Kock Hansen （1945-）, explain the importance of the venue, and some of the most legendary jazz musicians that were hired during the clubs history are mentioned. The paper is based upon the author＇s book upon the venue and gives a survey of the history of Montmartre Jazz House. The research for the book includes lots of concert reviews, interviews with many musicians, members of the staff and Herluf Kamp-Larsen, and besides, the writer had access to the archive of the jazz house.
文摘该文是作者基于在《牛津手册:中国与海外华人音乐》中发表的“中国人为什么、又如何唱《诗经》歌曲?”(Why and How Do Chinese Sing Shijing Songs?),以及正在写作的《孔子之歌:中国诗乐的大历史描述》(Confucius's Songs:A Global History of Chinese Shiyue)一书有关编写诗乐大音乐史的理论建构和相关思考。作者突破了对传统诗乐历史认知的框架,以“大历史”的理念观照诗乐和格里高利圣咏历史发展的异同,为当今理解诗乐提供了新路径。
