The Renditions Series and Modern Chinese Literature’s “Going-out”: Its Model and Enlightenment of Translation, Communication and Dissemination

In the process of Chinese Literature’s “Going-out” project, it istypical of the dilemma faced by the external translation and dissemination of modernChinese literature. The Renditions Series serves as a classical case of providing aneffective model of “literature’s overseas distribution”. The successful experience of itstranslating-cum-disseminating model can be concluded as follows: all the translatorsare from China and overseas with cross-cultural background; the selection oftranslation is stylistically far-ranging among the Mainland, Taiwan and Hong Kong,and feminine literature in modern China is highly valued; translating method aims atconvoying the original literary aesthetics, and disseminating channels are manifold;the foreign recipients are common and professional readers; the eminent effects canbe proved by its considerable sales, library collections and acceptance in the targetcountries and regions. From the successful model of translation of Renditions Series,five implications can be made out for the modern Chinese literature’s “Going-global”:domestic and overseas translators cooperate well with all-round cultural identities; theselection holds onto diversification and literary character; various spreading channelsshould be broadened; target readers should be accurately located and continuouslywidened; translating and disseminating effects can be focused on and analyzed, so asto adjust and improve the corresponding sections in the model.

Research on the Teaching of Chinese Language and Literature in Modern Educational Thoughts

In recent years, with the continuous progress and development of the society, the teaching of Chinese language and literature in the process of continuous development and improvement, actively learning from the advanced teaching ideas and ideas at home and abroad, combined with modern educational ideas, the teaching methods have undergone profound Variety. Based on the perspective of modern educational thought, the author studies the development and strategy of Chinese language and literature teaching, in order to provide a theoretical basis for Chinese language teaching in the field of Chinese language teaching.

Renovation and Involution — Paradox of Chinese Literature in Modernity

With a special matter, Chinese literature has differences with traditional theories from western countries in essence, so that Chinese literature demonstrates its renovation and involution. The main reason is its trends of modernity. The transformation from oversea exchange is very important. This paper mainly explains the specific content of paradox of Chinese literature in mo dernity, and explores the reasons for differences between China and western countries.

Research on the Chinese Path to Modernization in History,Key Topics,and Outlook:A Cite Space-based Bibliometric Analysis

In the speech delivered at the centenary celebration of the Communist Party of China(CPC),Xi Jinping,general secretary of the Communist Party of China(CPC)Central Committee,made important remarks on the“Chinese path to modernization.”This term represents the latest achievement China has scored in adapting Marxism to the Chinese context and the needs of the times.It has set the course as China embarks on a new journey of building a strong socialist country with Chinese characteristics and achieving national rejuvenation.Drawing on CiteSpace,we conducted a visualized bibliometric analysis of literature on the Chinese path to modernization by searching the CNKI database using subject terms such as“Chinese modernization,Chinese path to modernization,and Chinese-style modernization.”The findings reveal that:(a)Research on the Chinese path to modernization has gone through three stages:initial establishment,pioneering exploration,and comprehensive in-depth development.(b)Existing literature has covered the four key topics associated with the Chinese path to modernization,namely its essence,goal,methodology,and pioneering achievements.(c)Future research may focus on building up China’s strength in agriculture,developing the digital economy,modernizing China’s system and capacity for governance,and establishing a unique socialist discourse system for Chinese modernization.

The Conception of Modern Chinese Space in “Courtyard·Yard”:Analysis on Two Plans for the Reconstruction and Expansion of Zhang Kaiji in His Later Years

By introducing two famous works of Mr.Zhang Kaiji in his later years,the reconstruction plan of Beijing Planetarium and the Museum of Chinese Revolution and the Museum of Chinese History,the paper analyzes the "courtyard·yard" space he once imagined in the modern city and large public buildings,and expounds the value and significance of his conception.The author believes that the expansion and transformation of important works should be based on historical research and centered on the spirit of space,and the intangible space outside of tangible entities should be carefully treated,so as to better complete the transmission of modern Chinese space experience.

On Chinese Image of American Literature in the 20^(th) Century

Due to the influence and control of many factors such as geographical location and historical conditions,many of the 20thCentury American literature works portray distorted Chinese image different from reality. In American literature,China doesn't exist as a real country with a geographical location,but it exists in a virtual space in the world composed of cultural imagination. Literature is the reflected thought that can accommodate numerous social fields,and American literature can mostly reflect the overall cognition of different fields for Chinese image. This paper analyzes the characterization and cognition of Chinese image in the20thCentury American literature works,understanding the history and features of Chinese image in the 20thCentury American literature works,in order to obtain the enlightenment of how to better establish Chinese image.

Role of Modern Chinese Literature in College Education

Modern Chinese literature plays an important role in college education.It enhances patriotism,cultivates imaginary thinking and human sentiment,and encourages students to think deeply about life and improve their language ability.

Revisiting History Through Crime Fiction： Shiono Nanami＇s Scarlet Venice in The Renaissance Trilogy of Murder

The paper explores an ambiguous intersection between history and fiction in Scarlet Venice （Hi no Venezia, in original） （1988） by Japanese novelist and historiographer, Shiono Nanami （1937-）. As a prominent transnational writer who has worked on the Italian Renaissance and the Roman antiquity for about 40 years, Shiono fictionalizes the political culture of 16th century Venice in the context of the Eastern Mediterranean history. Based on her The Tales of the Sea Capital （1981）, historiography par excellence, the novel portrays the political maneuver of the Republic of Venice from viewpoints of diplomacy. With this thematic approach to history, the novel centers on the life and death of Alvise Gritti （1480-1534）, an illegitimate son of famed Venetian Doge, Andrea Gritti. In the metaphorical/metafictional structure of historical crime fiction, the novel unveils the austerity of Venetian polity, while contrasting it with the liberalism fostered in Sultan Suleiman＇s Ottoman court. In conclusion, the author interprets that Alvise Gritti is a victim of the political intricacy with which Venice was wrestling, implying that the republic is the metaphorical murderer. Whereas Alvise＇s death commemorates a drastic step taken by Venice for political negotiation, Shiono＇s recent writings suggest that Japan should model the rigid pragmatism in Venetian politics, along with its effective use of intelligence in diplomacy

Analysis of publication dissemination of Chinese present current literature work English translation and research methodologies

As a systematic work, there are very close links between the various aspects of the English translation of Chinese modern and contemporary literary works, whether they are translated into the main body, translated content and other links, or a specific translation approach, are not segmentation. Many translators, sinologists and books, magazines and so on have played a very important role in the process of translating modern and contemporary literary works in China. However with English-Chinese “borrowism” compared with, English work that translates the Chinese present current literature work, no matter in quantity and quality, infi uence and other aspects that the work itself has appear the relative backwardness. In order to promote the modern and contemporary Chinese literary works in the world, it is necessary to analyze and study the English translation of Chinese modern and contemporary literary works and the research methods.

Seven Decades of China's Fiscal Modernization

After its founding in 1949,the People’s Republic of China'started to modernize its fiscal system-an essential part of its broader modernization drive.Its unified and wellfunctioning fiscal system supported the stability of the nascent government,and helped stabilize the economy and restore public order after then.In the era of the planned economy,public finance in the country was put at the service of economic plans while striving to reach a fiscal equilibrium,which was of great significance at that time.Economic equilibrium,including fiscal,credit and material equilibrium,was perceived as a manifestation of macroeconomic stability.Problems encountered during the era of the planned economy led to the launch of a reform and opening-up program-a brilliant chapter in modern Chinese history.The Third Plenum of the 11th CPC Central Committee marks a brand-new era of reform and opening-up.In this transformative period,China’s fiscal system was initially decentralized to keep abreast of its“planned commodity economy.”After the goal of socialist market economic reform was announced in 1992,China’s fiscal reforms embarked on a fast track.As China'strived to build a public finance system compatible with a socialist market economic system,fiscal reforms took place and fiscal policy played a more important role in macroeconomic regulation.The Third Plenum of the 18th CPC Central Committee held in November 2013 set the goal of the reform to establish a modern fiscal system.Afterwards,China deepened its fiscal reforms,focusing on budget management,taxation and reform of central-local fiscal relations.

Further Definition of Di Renjie＇s Identity（ies） in Chinese History, Literature and Mass Media

This research attempts to introduce a preliminary reflection on Di Renjie＇s past and contemporary representations, in order to decode the language of contemporary imagery found in Chinese media culture and to decide which of his historical and literary identities is now the most acknowledged in Chinese imagery. Moreover, we will briefly advance some reflections on whether Robert Hans van Gulik＇s representation has or not totally influenced Chinese imagery.

Chinese Tradition in the World Literature:Review of Zhang Longxi's A Historyof ChineseLiterature

This essay reviews Zhang Longxi's A History of Chinese Literature.The book covers Chinese literature from its very beginning to modern times.It emphasizes texts'literary and aesthetic qualities when evaluating and historicizing literature.The book demonstrates the importance of canons in literary history,using Chinese tradition as an example.Therefore,it also brings the Chinese tradition into the broader framework of world literature.Reading Zhang's concise historical overview of Chinese literature,we can better understand the interplay between literary tradition and the individual talent.Zhang Longxi has skillfully combined the writing of a history of literature with literary criticism in this book.Zhang's successful attempt informs literary scholars of possible paradigms of compiling literary history in a post-cultural-studies theoretical context.

The “Liberation” Theme of Modern Chinese Literature

The concept of “liberation” has profoundly influenced the development of modern Chinese literature,giving rise to a “liberation” theme with profound implications.Modern Chinese literature can be analyzed from the joint perspectives of the liberators,the routes to liberation and the scope of liberation.Variations among the liberators have led to the two different concepts of self-liberation and being liberated;the differences in the routes to liberation have led to the intermixture of liberation based on persuasion and struggle-based liberation;and the difference in the scope of liberation derives from the alternation of the partial achievement of thoroughgoing liberation and the full realization of incremental liberation.The Chinese concept of liberation was strongly shaped by the Communist Party of China (CPC);compared to the work of those writers influenced by the CPC’s concept of “liberation,” the writings of ordinary non-Communist writers present “liberation” differently.The latter tend to adopt an either/or attitude toward liberation,whereas the former ensure that liberation theme reflects the interaction and blending of different types of “liberation” concepts,thus establishing a new form of “liberation” writing.To mark the centenary of the CPC,we have reviewed and explored the “liberation” theme of modern Chinese literature in the hope that we will gain a full understanding of the theoretical discourse and historical practice of “liberation,” taking a dialectical approach to freedom and responsibility,respecting tradition while boldly pursuing innovation,and striving to explore the realistic significance and ideological value of literary works.

从“literature journals”说开去——兼论中国现代文化产业史视域下的抗战文学期刊诸问题

从“抗战文学期刊”这一词语的英译入手,结合中国现代文化产业史这一大背景,进行抗战文学期刊的研究具有非常重要的文献性意义。抗战文学期刊除具有文学意义之外,还拥有政治史、社会史与经济史等跨学科的研究价值。以中国现代文化产业史为切入点,可以将抗战文学期刊研究推向一个新的高度。

A General Analysis of Lu Xun’s Short Stories

Father of modern Chinese literature,Lu Xun,is the first writer to use the vernacular to write fiction.In his short stories,he exposes the crimes of feudalism and describes the plight of the peasants,who have been economically exploited and spiritually enslaved.He also depicts the fate of the intellectuals who struggle in the intense social contradictions.His fiction has laid a solid foundation for the development of modern Chinese fiction.Lu Xun has created almost all the new forms for Chinese new literature,and enjoys the most prominent status in the Chinese literary development in the 20th century.His writings reflect the great achievements of the literary reform since the May Fourth Movement.

Regionalism and Non-regionalism of Ba Jin’s Works

Modern Chinese literature witnessed the popularity of Sichuan writers like Li Jieren and Sha Ting,who were well known for their distinctive regional characters and the experiences portrayed in their works,telling unadulterated“Sichuan Stories”and depicting lives in the context of Ba-Shu culture.People even consider their works to be the modern“Chronicles of Huayang(Huayang Guo Zhi)in modern time.”However,when we look at Ba Jin,his works are not like typical Sichuan writers(such as Guo Moruo,Li Jieren,Sha Ting,and Ai Wu).He did not pay much attention to depicting the customs and lives in Sichuan,and we can seldom find the flavor of Ba-Shu culture in his works.When editing Chinese Literature and Regional Culture in the 20th Century in 1995,Yan Jiayan so commented,“To study Sichuan literature Ba-Shu culture,it is not appropriate to pick Ba Jin(though he was a great writer with great contributions)”(Li,1997).As it were,the relationship between Ba Jin and the Ba-Shu culture is delicate.Ba Jin showed his distinctive choices and pursuit in this relationship.By studying the“regionalism”and“non-regionalism”of Ba Jin’s works,we can better understand Ba Jin and his writing.It is also enlightening for us to review the future development of Ba-Shu culture.

中国式现代化的少数民族文学表达及其叙事话语建构

中国式现代化是中国社会主义现代化的最新表述,少数民族文学作为一种文化意识,在诸多方面反映着中国的现代化进程与现代化面貌。少数民族文学应当积极主动地参与到中国式现代化的大讨论和国家话语建构中,以其独特的创作手法和艺术审美,从以人民为中心的创作、各民族的共同富裕、人与自然和谐共生、中华民族共同体等几个方面表达中国式现代化。从历史维度、时空维度及学科主体性角度重新梳理少数民族的话语结构,实现传统叙事话语的创造性转化和创新性发展,建构中国式现代化视域下少数民族文学叙事话语的新形态。