Inheritance and Development of Guangxi Minority Musical Instruments and Their Integration With Operas

The traditional musical instrument of minorities converges the evolution of ethnic group culture and history,and ethnic musical instruments are a core component of minority culture.The traditional instruments of Guangxi minorities are rich and varied,and an all-round cultural inheritance and protection mechanism should be used for ethnic musical instruments,so that the performance form of classical musical instruments of minorities can be more widely understood and mastered.Therefore,in this paper,we discuss the specific practice idea of the inheritance and development of classical musical instruments of Guangxi minorities,and facilitate the innovation of development path of ethnic musical instruments by taking the inheritance form of integrating musical instruments with operas.

A Study on the Inheritance Path of Red Music in Universities Under the Multicultural Background

Red music culture is a cultural form created by the people led by the Communist Party of China(CPC)in the process of revolution,construction,and reform.The inheritance and dissemination of this cultural form in universities,especially in the context of multiculturalism,has important social and cultural value.This study takes the red music culture in Shanghai as the research carrier,and explores the inheritance path of red music in universities through background investigation,theoretical research,specific practice,and achievement display.The research results show that red music culture can be effectively inherited and promoted by strengthening the construction of the red music culture cloud platform in universities,integrating red music culture resources into the campus environment,and promoting it in Chinese,English,and Japanese on social media.In addition,this study also explores the effective role of red music culture in establishing correct ideals and beliefs among college students.

The Worldwide Success of Chiming Bells Music and Dance

SINCE August 1983 a showcalled Chiming Bells Music andDance has had a straight runof successes all over the world.Prod-uced and performed by the HubeiSong and Dance Ensemble,thislarge-scale performance of Chineseclassical songs and dances has re-ceived favorable reviews in Japan,Hongkong,USA,Canada,theUkraine and Romania.Foreign di-plomats in China,the former primeminister of Japan,Germany’s Hel-mut Kohl-all have praised ithighly.

Thoughts on the Inheritance and Development of China’s National Vocal Music Art in the New Era

With the collision of Chinese and Western cultures,Chinese traditional culture and Western culture often present an opposite situation.At present,the most important problem is how to balance the relationship between the two cultures.Chinese national vocal music art is an important part of Chinese traditional culture.For the continuous development of Chinese culture,the development of national vocal music is also a key factor.Therefore,starting with the rich and colorful art of national vocal music in China,this paper discusses the problems existing in the current development of national vocal music,and puts forward measures on how to inherit and carry forward national vocal music in the new period.

Tibetan Folk Songs and Dances in Diebu-The Musical Characteristics of Gerba(Gar Pa)

Folk songs and dances originated from people's sacrificial activities in the struggle against nature in the primitive society.Their origins are related to the ideology and living environment of the people at that period of time.These activities were expressed in the form of primitive songs and dances,and gradually evolved into folk songs and dances.The gar pa song and dance from Diebu,in Gannan region,is a unique song and dance of a Tibetan region on the eastern edge of Qinghai-Tibet Plateau.Its content and form are unique.It still retains the original trinity feature which includes poem,music,and dance.The production of songs and dances contains rich cultural connotations and unique local characteristics.This article elaborates the characteristics of Diebu's gar pa song and dance in terms of its music and performance form.

Beyond the Playboy and the Hero: The (Re)constructions of Roberto Carlos’s work in “The Songs You Danced for Me”

The aim is to examine how the musical work of Roberto Carlos was mobilized in the danceshow“The songs you danced for me”.The contact between the songs and the contemporary dance defined different meanings.The results indicate that such contact reaffirms romantic love and the heroism of the protagonist,but also opens possibilities for relationships that escape from the heteronormative romantic ideal.

Summary of the Present Situation of Inheritance of Qiang Dance in Pre-School Education

The Qiang Nationality has a long history and forms a dance form rich in lively rhythm, beats and heroic dance postures in the long process of its development. As a member of the Chinese traditional dance culture, and affected by Qiang Nationality's no written language, the Qiang dance can only be inherited by means of oral or mental instruction. Therefore, its inheritance has already been in crisis with the Qiang people's gradually going out of the national and geographical restrictions. At this time, teaching Qiang dance in the pre-school education can achieve the purpose of cultivating the traditional dance feelings of Qiang Nationality from the early childhood, thus making the children become inheritor and disseminator of Qiang culture. At the present stage, many scholars in our country have explored the inheritance of Qiang dance in pre-school education, and have reached certain research results. After clarifying the internal and external influencing factors of the Qiang dance and its inheritance, this paper summarizes the existing research results mainly from the two aspects including the problems of Qiang dance inheritance existing in the pre-school education and its application to the inheritance strategy.

Inheritance and Innovation of Traditional Music Culture in Modern Music Composition

Traditional music culture,from perspective of axiology,is considered the essence of arts of the era which witnesses the innovation of musical culture in various historical periods and drives the development of modern music,in which creative thoughts and ideas cherish the factor and perfection making a new request to aesthetics of its composition.Therefore,blending traditional music culture with modern music composition will generate new characteristics of classic elegance,artistic beauty and epoch aesthetics,bringing a new trend of the modern music composition into being and propelling actively to form creative thoughts and innovative ideas by utilizing inheritance and innovation of traditional music as carriers.

Dunhuang Music and Suite Dances

Ancient Dunhuang Music Makes a Comeback"Ancient Dunhuang Music" is a large-scale music and dance performance,based on ancient Dunhuang music translated by Xi Zhenguan,the president of the Gansu Dunhuang Art Theatre.Combining Chinese traditional poems,music and dances,it tries to reproduce the performance art of the Tang Dynasty stage.The main forms of the music includes women’s instru-

The Inheritance Status of Miao Folk Songs in Central Guizhou

More than 20,000 people of Miao minority are living in a 500-meter-altitude area,which is located 40 kilometers away to the southeast of Guiyang City,Guizhou province.In June 2019,Miao folk song Banglang Song was added in the provincial intangible cultural heritage list.In addition to Banglang Song,many traditional folk songs were prevailing in this area in the past.However,the inheritance of such historical and cultural treasures is not satisfying.Based on the field research of folk songs in this region,the author summarized the factors contributing to the oblivion of Miao folk songs in central Guizhou.

Design and implementation of the 2D tied bone vector animation performances

It is a great challenge to use digital technology to inherit and reproduce Xinjiang Qiuci music and dance authentically. The thesis displays the cultural beauty of Qiuci music and dance through the change of vector images controlled by bones. The concrete methods are： first, get video images, do edge detection; then set up 2D character model based on anime studio, and build the skeleton according to the level, make key frames; finally use vector animation performance with the help of platform. Compared with Flash, this method is more flexible and natural. By setting up the skeleton libraries, it could lay the foundation for intellectualized design animation performance.

Gilman Salakhov’s Role and Importance in Azerbaijani Music Culture

Azerbaijani music has been created and polished by the people for centuries,and reflects the people’s spiritual strength,desire for freedom,ideas,and hopes.Azerbaijani music has been passed down from generation to generation,lived in oral traditions,and Numerous types of percussion,wind and stringed instruments,which date back to long before our era,have developed and improved throughout history and formed the basis of our national musical treasury.Pearls of this treasure have served the cultural development and creative activity of our people for centuries,adorned its life and traditions(Alasgarov&Abdullayeva,1996,p.47).The role of the genius composer,publicist and public figure Uzeyir Hajibayli in the development of musical instruments,which has a prominent place in the history of the 20th century Azerbaijani national music,is unparalleled.He characterized the national musical instruments,gave their classification and sound sequence,and determined the prospects for future development.has always been distinguished by its antiquity and rich culture.Many concepts have emerged in the musical-aesthetic-concepts of antiquity and the Middle Ages,and categories of aesthetic analysis of music have been formed.Music and musical aesthetics have historically been widespread,and have shaped various socio-cultural forms in a forward-looking way.The rich musical heritage created in different periods since ancient times are undoubtedly a proof of the genetic talent inherent in every generation of the Azerbaijani people.Our national musical instruments,adapted to the emotional color,rhythm,tempo and art of Azerbaijani folk music,have passed a long historical development and brought many aspects of traditional music performance and creativity to the present day.They are one of the elements that connect the future of our musical culture with the past.Traditional music and musical instruments,which are still played today,reflect the main features of Azerbaijan’s national musical thinking and artistic creativity.Information on komuz and kilkomuz,the ancestors of stringed and plectrum musical instruments in the origin and development of Azerbaijani folk musical instruments,is also found in examples of oral folk art,in the all-Turkic monument“Kitabi-Dada Gorgud”.According to written sources,88 musical instruments,including 32 string and 23 wind instruments,were widely used in Azerbaijani performing arts.Information about this is found in the chronicles of ancient historians,in the works of medieval thinkers Safiaddin Urmavi,Abdulgadir Maragayi,Dervish Ali Changi,Qatran Tabrizi,and others on musicology.

Tibetan Song and Dance Ensemble

THE chief members of the TibetanSong and Dance Ensemble areTibetan,but also include Hui,Lhoba and Monba artists.This ensemble mainly performs Tibetan traditional music,dance and Tibetan opera.Programs can be divided into three categories,folk,traditional palace and monastery styles.The program of this ensemble includes the Tibetan symphony instrumental the Tibetan symphony instrumental suite "Ceremony in the Snowy Region."the palace dance "Karer"passages of the traditional

Chinese Mosuo “Playing Dance” Music Analysis

Being the only extant matriarchal society in China,the Mosuo people are now living in the border of Yunnan and Sichuan.Under the combined influence of its unique form of society and the coexistence of diversified ethnic groups,the Mosuo people have thus developed a unique kind of music with compatible features.In this paper,through the introduction of the“playing dance”music of Mosuo people in Yunnan,I tried to further discuss the phenomenon of compatibility in their music,so as to enhance people’s understanding of the characteristics,as well as the values of Mosuo music.

品名人故事 悟人生真谛——Unit 9 I like music that I can dance to.Section B 2a-2d 案例分析与解读

1.学生分析本节课授课对象为九年级六班学生,该班从七年级开始一直由我带上来,学生们大部分英语基础较好,对英语很感兴趣。大部分学生思维活跃、表现欲望及合作精神在平时的课堂上都是很好的。根据这些特点,我采用活动式的教学方法和任务型教学方法相结合的方式,充分利用小组合作活动,调动全班学生积极参与课堂活动,在师生互动、生生互动中完成教学任务和目标。2.教材分析本节课授课内容为人教版第九单元Section B 2a-