David’s Story by Zoë Wicomb addresses the complexities of representing female suffering and the limitations of traditional historical narratives in capturing the experiences of marginalized bodies.It challenges ...David’s Story by Zoë Wicomb addresses the complexities of representing female suffering and the limitations of traditional historical narratives in capturing the experiences of marginalized bodies.It challenges the grand narratives of national history by emphasizing the indispensable role of women’s experiences.Through characters like Dulcie and Rachael,Wicomb portrays the female body as a site of resistance and resilience,highlighting the need for more nuanced and inclusive ways of documenting history.Underscoring the inexpressibility of trauma and the limitations of language and representation,the novel self-reflexively acknowledges its own aporia of completing the narrative,embodying the ongoing struggle to capture the full breadth of human experience.展开更多
In the Heart of the Country,the second novel by J.M.Coetzee,has been traditionally read as a disembodied writing that focuses on the problem of writing per se instead of the reality.This paper contends that the work i...In the Heart of the Country,the second novel by J.M.Coetzee,has been traditionally read as a disembodied writing that focuses on the problem of writing per se instead of the reality.This paper contends that the work is actually a body narrative that explores the visceral pain suffered by Magda whose infertile body impedes her being a qualified subject.As the heroine in a postcolonial novel,Magda is not just a body that is restricted and constructed by the politics of the body,but also a thinking and writing body that consciously questions and resists the gendered bodily norms under whose yardstick her subjecthood is barred.Written in the metafictional manner,Magda’s narrative of the body is not just a record of her corporeal experience,but also a self-conscious negotiation with,and challenge of,the bodily norms under whose yardstick her body has been debased or,in terms of Judith Butler,abjected.Taking her female bodily experience as the starting point,Magda writes a feminine text that values passion,fluidity and non-linearity to disrupt the patriarchal discourse underpinned with logical reasoning.The feminine body narrative endeavors to achieve a new way of communication through which a reciprocal cross race/gender relationship might be established.展开更多
Cao Yu is an important and well-known playwright in the modern history of Chinese literature,who shapes many vivid and lively female images in his works,all of them presenting the split personality—on the one hand,th...Cao Yu is an important and well-known playwright in the modern history of Chinese literature,who shapes many vivid and lively female images in his works,all of them presenting the split personality—on the one hand,they are beautiful and honest,as good as angels;on the other hand,they are crazy and insane.This paper attempts to center on the familiar female image Fanyi to analyze the writing psyche and imagination of the writer and further reveal the deep logic and immanent contradiction of the female image as the intent tool.展开更多
The aim of this paper is to explore the essential elements and value of narrative inquiry in nursing research.We propose that understanding a previous experience allows the nurse researcher an“insider view”and hence...The aim of this paper is to explore the essential elements and value of narrative inquiry in nursing research.We propose that understanding a previous experience allows the nurse researcher an“insider view”and hence a deeper understanding of the issues that arise in the relationship between participant and researcher.We suggest that narrative inquiry in nursing research offers a particular way of caring about how knowledge is produced.Nursing science would benefit from the understanding that health and nursing practices are dynamic processes characterized by the continuous interaction of human thought and behaviour that continuously‘pumps’into personal,social and material environments.Narrative inquiry as a methodology in nursing research is exceptionally useful to uncover nuance and detail of previous experiences.展开更多
I Stand Here Ironing is Tillie Olsen’s first novel of her back to writing after several years’silence.It reflects the real living condition of marginalized women through the description of a daughter by the mother’...I Stand Here Ironing is Tillie Olsen’s first novel of her back to writing after several years’silence.It reflects the real living condition of marginalized women through the description of a daughter by the mother’s memories.Based on Susan S.Lanser’s distinction of three modes of narrative voice in feminist narratology,this paper analyzes three narrative voices in this novel.Olsen employs multiple narrative voices in the novel in order to release the voice of the marginalized women in the silence,she destroys the male’s authority and constructs the discourse authority of silent,poor working-class women.展开更多
Amy Tan(1952-)is a female Chinese-American writer.As a famous figure equal to Maxine Hong Kingston,Toni Morrison etc.,Amy has become"another pioneer"among the minority American writers.The Bonesetter’s Daug...Amy Tan(1952-)is a female Chinese-American writer.As a famous figure equal to Maxine Hong Kingston,Toni Morrison etc.,Amy has become"another pioneer"among the minority American writers.The Bonesetter’s Daughter is another masterpiece after The Joy Luck Club,The Kitchen God’s Wife and The Hundred Secret Senses,which is published in 2001.The novel is about the life between the second-generation immigrant Ruth and her first-generation immigrant mother Luling.The stories in the novel are all narrated by female narrators.Through her novels,Amy Tan overthrows the traditional Chinese female images,shows rebel and fight of the female Chinese-Americans who are under the margin of a society dominated by patriarchy and full of racial discrimination and construct her own fictional authority.展开更多
In the middle of 19th century, women were seen and saw themselves as defined by ties of kinship: daughter, wife and mother. Louisa May Alcott decided to pick her way to be a writer and broke the fetters on women. In 1...In the middle of 19th century, women were seen and saw themselves as defined by ties of kinship: daughter, wife and mother. Louisa May Alcott decided to pick her way to be a writer and broke the fetters on women. In 1862, she wrote Little Women according to her childhood memory. In Little women, Alcott expressed her feminist ideas. Female Subjectivity is the concrete expression of feminist ideas, and has three stages of unconsciousness, consciousness and self-improvement. In this thesis, it analyses Jo by Female Subjectivity to reveal the ideal image. And the ideal image will provide a model with the modern people, especially with girls and women. It will throw light on them.展开更多
Along with the rise in modem feminine consciousness, many of the females would choose to leave out of their regular lives. They no longer aim at sightseeing or shopping in travel. Voluntourism has gradually become the...Along with the rise in modem feminine consciousness, many of the females would choose to leave out of their regular lives. They no longer aim at sightseeing or shopping in travel. Voluntourism has gradually become their priority to improve themselves, broaden their horizons, strength their wills, and get rid of inherent living circles The purpose of this study is therefore to investigate the difference in female volunteer travelers in Taiwan. For this purpose, the study first starts from analyzing female background features, then their discrepancy in lifestyles, and based on the data collected, the authors also look into the difference of female involvement. Finally, the authors analyze the difference of their subjective well-being with the study result above. The study has collected a total of 98 valid samples focusing on females in Taiwan who had attended voluntourism through the Intemet platform questionnaires. The study shows that female volunteer travelers are independent in lifestyles and prefer to interact with local people and other travelers. They are fond of arranging organized and flexible trips and they also have a strong interest in fashion trend and trendy events. The research shows that despite many of the female volunteer travelers are beginners in voluntourism, they generally present stronger subjective well-being. The result of the study is available for related departments to arrange and spread mid-term and long-term voluntourism for qualified and willing female volunteers with senior or experienced qualities. In the future literary planning, voluntourism can add on seeking happiness for more females who intend to realize their self-worth and pursue life meanings to understand the importance and meaning of voluntourism and enjoy in it.展开更多
Philip Roth has often been accused of misogyny.A close and unbiased reading of Roth’s American Pastoral,however,reveals that beneath its surface patriarchal narrative discourse simmers an undercurrent of a female sub...Philip Roth has often been accused of misogyny.A close and unbiased reading of Roth’s American Pastoral,however,reveals that beneath its surface patriarchal narrative discourse simmers an undercurrent of a female subtext,which engages a dialogue as well as a confrontation with its counterpart.Swede Levov,worshipped as an indestructible,active and masculine semi-god,turns out to be weak,passive and indecisive,while the women belittled by him are actually independent,insightful,wise and proactive.Such patriarchal binary oppositions as male/female,active/passive,strong/weak having been subverted,patriarchal myth and authority represented by Levov has thus been deconstructed and the gender politics has been rectified.Women in the novel win the domination held by the male protagonist Levov,the narrator Nathan Zuckerman.展开更多
Peng Xiaolian is a rare and prolific Chinese author who writes both fiction and non-fiction works and directs both dramatic and documentary films. Peng has not only written, cowritten, or rewritten all the screenplays...Peng Xiaolian is a rare and prolific Chinese author who writes both fiction and non-fiction works and directs both dramatic and documentary films. Peng has not only written, cowritten, or rewritten all the screenplays of her eight dramatic features and two documentaries but is also the author of one novel, twelve novellas, over a dozen short stories, four book-length memoirs, three collections of film reviews, and numerous essays. The existing scholarly studies, however, nearly all focus on Peng＇s dramatic films, with much less, if any, attention directed at her writing and documentaries. To really understand Peng as a film auteur, however, it is necessary to look at her films and writings together. Given the quantity and complexity of her works and the space limitations of this article, I examine Peng＇s subversion of the conventional treatment of character, location, and time in three thematic sections reflecting the key narrative motifs in her work. I first summarize existing studies of Peng＇s films, highlighting the rarely examined interaction between visuality and spatiality in her films. Then, after defining her sense of time in narrative, I demonstrate how family history and self-reflexivity are the major difference between her films and her nonfiction works. Last but not least, I discuss how, through her use of multilayered narratives constructed by the female voice and subjectivity, her complete repertoire constitutes a unique history of modern Chinese women. This article aims to demonstrate how, through her use of multilayered narratives constructed by the female voice and subjectivity, her complete repertoire constitutes a unique history of modern Chinese women.展开更多
基金This work was supported by Humanities and Social Sciences Fund of Ministry of Education of China(No.19XJA7520012020)by National Social Science Fund of China(No.20BWW069).
文摘David’s Story by Zoë Wicomb addresses the complexities of representing female suffering and the limitations of traditional historical narratives in capturing the experiences of marginalized bodies.It challenges the grand narratives of national history by emphasizing the indispensable role of women’s experiences.Through characters like Dulcie and Rachael,Wicomb portrays the female body as a site of resistance and resilience,highlighting the need for more nuanced and inclusive ways of documenting history.Underscoring the inexpressibility of trauma and the limitations of language and representation,the novel self-reflexively acknowledges its own aporia of completing the narrative,embodying the ongoing struggle to capture the full breadth of human experience.
基金supported by Humanities and Social Sciences Fund of Ministry of Education of China (No.19XJA7520012020)supported by National Social Science Fund of China (No.20BWW069).
文摘In the Heart of the Country,the second novel by J.M.Coetzee,has been traditionally read as a disembodied writing that focuses on the problem of writing per se instead of the reality.This paper contends that the work is actually a body narrative that explores the visceral pain suffered by Magda whose infertile body impedes her being a qualified subject.As the heroine in a postcolonial novel,Magda is not just a body that is restricted and constructed by the politics of the body,but also a thinking and writing body that consciously questions and resists the gendered bodily norms under whose yardstick her subjecthood is barred.Written in the metafictional manner,Magda’s narrative of the body is not just a record of her corporeal experience,but also a self-conscious negotiation with,and challenge of,the bodily norms under whose yardstick her body has been debased or,in terms of Judith Butler,abjected.Taking her female bodily experience as the starting point,Magda writes a feminine text that values passion,fluidity and non-linearity to disrupt the patriarchal discourse underpinned with logical reasoning.The feminine body narrative endeavors to achieve a new way of communication through which a reciprocal cross race/gender relationship might be established.
基金the staged achievement of the 2013 approval project of 12th Five-Year Plan of Hubei Science of Education(2013B463)
文摘Cao Yu is an important and well-known playwright in the modern history of Chinese literature,who shapes many vivid and lively female images in his works,all of them presenting the split personality—on the one hand,they are beautiful and honest,as good as angels;on the other hand,they are crazy and insane.This paper attempts to center on the familiar female image Fanyi to analyze the writing psyche and imagination of the writer and further reveal the deep logic and immanent contradiction of the female image as the intent tool.
文摘The aim of this paper is to explore the essential elements and value of narrative inquiry in nursing research.We propose that understanding a previous experience allows the nurse researcher an“insider view”and hence a deeper understanding of the issues that arise in the relationship between participant and researcher.We suggest that narrative inquiry in nursing research offers a particular way of caring about how knowledge is produced.Nursing science would benefit from the understanding that health and nursing practices are dynamic processes characterized by the continuous interaction of human thought and behaviour that continuously‘pumps’into personal,social and material environments.Narrative inquiry as a methodology in nursing research is exceptionally useful to uncover nuance and detail of previous experiences.
文摘I Stand Here Ironing is Tillie Olsen’s first novel of her back to writing after several years’silence.It reflects the real living condition of marginalized women through the description of a daughter by the mother’s memories.Based on Susan S.Lanser’s distinction of three modes of narrative voice in feminist narratology,this paper analyzes three narrative voices in this novel.Olsen employs multiple narrative voices in the novel in order to release the voice of the marginalized women in the silence,she destroys the male’s authority and constructs the discourse authority of silent,poor working-class women.
文摘Amy Tan(1952-)is a female Chinese-American writer.As a famous figure equal to Maxine Hong Kingston,Toni Morrison etc.,Amy has become"another pioneer"among the minority American writers.The Bonesetter’s Daughter is another masterpiece after The Joy Luck Club,The Kitchen God’s Wife and The Hundred Secret Senses,which is published in 2001.The novel is about the life between the second-generation immigrant Ruth and her first-generation immigrant mother Luling.The stories in the novel are all narrated by female narrators.Through her novels,Amy Tan overthrows the traditional Chinese female images,shows rebel and fight of the female Chinese-Americans who are under the margin of a society dominated by patriarchy and full of racial discrimination and construct her own fictional authority.
文摘In the middle of 19th century, women were seen and saw themselves as defined by ties of kinship: daughter, wife and mother. Louisa May Alcott decided to pick her way to be a writer and broke the fetters on women. In 1862, she wrote Little Women according to her childhood memory. In Little women, Alcott expressed her feminist ideas. Female Subjectivity is the concrete expression of feminist ideas, and has three stages of unconsciousness, consciousness and self-improvement. In this thesis, it analyses Jo by Female Subjectivity to reveal the ideal image. And the ideal image will provide a model with the modern people, especially with girls and women. It will throw light on them.
文摘Along with the rise in modem feminine consciousness, many of the females would choose to leave out of their regular lives. They no longer aim at sightseeing or shopping in travel. Voluntourism has gradually become their priority to improve themselves, broaden their horizons, strength their wills, and get rid of inherent living circles The purpose of this study is therefore to investigate the difference in female volunteer travelers in Taiwan. For this purpose, the study first starts from analyzing female background features, then their discrepancy in lifestyles, and based on the data collected, the authors also look into the difference of female involvement. Finally, the authors analyze the difference of their subjective well-being with the study result above. The study has collected a total of 98 valid samples focusing on females in Taiwan who had attended voluntourism through the Intemet platform questionnaires. The study shows that female volunteer travelers are independent in lifestyles and prefer to interact with local people and other travelers. They are fond of arranging organized and flexible trips and they also have a strong interest in fashion trend and trendy events. The research shows that despite many of the female volunteer travelers are beginners in voluntourism, they generally present stronger subjective well-being. The result of the study is available for related departments to arrange and spread mid-term and long-term voluntourism for qualified and willing female volunteers with senior or experienced qualities. In the future literary planning, voluntourism can add on seeking happiness for more females who intend to realize their self-worth and pursue life meanings to understand the importance and meaning of voluntourism and enjoy in it.
文摘Philip Roth has often been accused of misogyny.A close and unbiased reading of Roth’s American Pastoral,however,reveals that beneath its surface patriarchal narrative discourse simmers an undercurrent of a female subtext,which engages a dialogue as well as a confrontation with its counterpart.Swede Levov,worshipped as an indestructible,active and masculine semi-god,turns out to be weak,passive and indecisive,while the women belittled by him are actually independent,insightful,wise and proactive.Such patriarchal binary oppositions as male/female,active/passive,strong/weak having been subverted,patriarchal myth and authority represented by Levov has thus been deconstructed and the gender politics has been rectified.Women in the novel win the domination held by the male protagonist Levov,the narrator Nathan Zuckerman.
文摘Peng Xiaolian is a rare and prolific Chinese author who writes both fiction and non-fiction works and directs both dramatic and documentary films. Peng has not only written, cowritten, or rewritten all the screenplays of her eight dramatic features and two documentaries but is also the author of one novel, twelve novellas, over a dozen short stories, four book-length memoirs, three collections of film reviews, and numerous essays. The existing scholarly studies, however, nearly all focus on Peng＇s dramatic films, with much less, if any, attention directed at her writing and documentaries. To really understand Peng as a film auteur, however, it is necessary to look at her films and writings together. Given the quantity and complexity of her works and the space limitations of this article, I examine Peng＇s subversion of the conventional treatment of character, location, and time in three thematic sections reflecting the key narrative motifs in her work. I first summarize existing studies of Peng＇s films, highlighting the rarely examined interaction between visuality and spatiality in her films. Then, after defining her sense of time in narrative, I demonstrate how family history and self-reflexivity are the major difference between her films and her nonfiction works. Last but not least, I discuss how, through her use of multilayered narratives constructed by the female voice and subjectivity, her complete repertoire constitutes a unique history of modern Chinese women. This article aims to demonstrate how, through her use of multilayered narratives constructed by the female voice and subjectivity, her complete repertoire constitutes a unique history of modern Chinese women.
