Coke was undoubtedly a milestone in the history of the legal thoughts in Britain and even in the whole western world.Coke stressed the restriction of royalty and the suprem e status of the common law.In the British Pa...Coke was undoubtedly a milestone in the history of the legal thoughts in Britain and even in the whole western world.Coke stressed the restriction of royalty and the suprem e status of the common law.In the British Parliament’s struggle against the monarchy in the 17th century,he put forward the creative constitutional ideas about independence of judges and judicial review,advocating the protection of due process and the civil rights,which provided valuable ideological inspiration especially for the development of judicial review and the due process in the U.S.C onstitution.Just as the saying goes,"the old farmland would grow out new grain",looking back on traditional legal thoughts is im portant to the construction of a legal country for the present China.展开更多
The rule of rites was the fundamental pattern of the governance in the Xia,Shang and Zhou dynasties(i.e.the Three Dynasties).As a complex system of political and cultural practices with political,religious and moral a...The rule of rites was the fundamental pattern of the governance in the Xia,Shang and Zhou dynasties(i.e.the Three Dynasties).As a complex system of political and cultural practices with political,religious and moral attributes,rites legitimately and structurally underpinned the royal regime,therefore ensuring regime stability,integrating social relations,and enhancing recognition of cultural and political identities.Ritual traditions of the Three Dynasties went beyond extrinsic rites and institutions to include intrinsic spiritual traditions,e.g.divinity of the Heaven,conformity with ancestral heritage,and derivative moral values such as the pursuit of ethics and rewards for benevolence.Also included were the sense of blood relationships,the sense of clanship,the sense of ethics and the sense of filial piety and fraternal duty based on ancestral worship.Through the enlightenment of ritual music,the sense of rites was internalized as the collective value and cultural identity of the members of a society.Therefore,early nations that were founded upon rites functioned as a community of politics,culture and morality.Rites,having been internalized as cultural elements of the Chinese people,shaped the ways of thinking and behavior.It is fair to say that rites have served as the fundamental bedrock for the continuity of the Chinese civilization.展开更多
Marxist human rights thought has realized an epochmaking change in human rights thought and has distinguished itself from capitalist human rights thought with its distinctive character.Marxist human rights thought has...Marxist human rights thought has realized an epochmaking change in human rights thought and has distinguished itself from capitalist human rights thought with its distinctive character.Marxist human rights thought has a humanistic character,starts from human nature and its essence,regards human rights as an important means to realize the all-round development of human beings and the fundamental proof of human liberation.Marxist human rights thought is characterized by being people-centered,and expresses the desire of the masses,with the proletariat as the main body,to realize a better life through the guarantee of human rights.Marxist human rights thought has a practical character,is based on practical materialism,advocates that human rights are derived from the social practice and promotes social practice toward civilization and progress.Marxist human rights thought has the character of rule of law,guides legal governance to the rule of good law,and lays the guarantee fot human rights on the foundation of substantive rule of law.展开更多
Based on emphasis of Huaxia cultural aesthetics as the aesthetic tendency of Chinese traditional culture,Huaxia aesthetic culture had been divided into two parts:traditional ritual cultural aesthetics as the base and ...Based on emphasis of Huaxia cultural aesthetics as the aesthetic tendency of Chinese traditional culture,Huaxia aesthetic culture had been divided into two parts:traditional ritual cultural aesthetics as the base and different aesthetic cultures dominating at different periods which included Confucius cultural aesthetics,seclusion cultural aesthetics and co-existence of Confucius,Taoist and Buddhist cultural aesthetics.Traditional ritual cultural aesthetics contained formal beauty,harmonious beauty and sacred numbers.Confucius aesthetics consisted of constant flow,happiness in poverty,and moral nature.The seclusion aesthetics consisted of super universe,hermit in nature and pastoral habitation.Co-existing aesthetics of Confucius,Taoist and Buddhist culture consisted of harmonious aid,principles' conclusion and leisure life.These dominating aesthetic cultures overlaid with basic ritual culture,and enhanced artistic conception of Chinese traditional gardens with witty words and sentences.展开更多
This paper analyzes Park Saengkwang(1904-1985)’s artwork,created in the 1980s and influenced by Musok,Korean Shamanism.It explores Musok’s thematic significance in the development of his distinctive style and the in...This paper analyzes Park Saengkwang(1904-1985)’s artwork,created in the 1980s and influenced by Musok,Korean Shamanism.It explores Musok’s thematic significance in the development of his distinctive style and the inspiration behind his stylistic changes.Park’s ink paintings are done in bold and intense colors and create an intriguing,mysterious mood,inviting the viewers to the primordial visual experience and exposing its viewers to Korean Shamanism,which has endured the perception that fluctuated between positive and negative throughout Korean history.The practice became a fitting cultural emblem associated with the national identity during the 1970s and 1980s,and thus became a way for Park to explicitly articulate his cultural roots,creating a visual connotation of“Korean.”His art,portraying gut,Korean shamanistic communal rituals,could be conceived as a pictorial rendering of the idea of kibok,praying for good fortune,and served as a pujŏk,talisman paper,that possesses magical healing and protecting power.By striving to overcome the stylistic conflicts between Korean and Japanese,or traditional and Western,Park’s art accomplished the visual rhetoric of national aesthetic sensitivity that built on the communal thoughts and cultural experience of shamanism in the modern history of Korea.展开更多
基金the staged achievement of the key program of the national social sciences fund-On the Development Road of Human Rights with Chinese Characteristics(No.:11AZD044)
文摘Coke was undoubtedly a milestone in the history of the legal thoughts in Britain and even in the whole western world.Coke stressed the restriction of royalty and the suprem e status of the common law.In the British Parliament’s struggle against the monarchy in the 17th century,he put forward the creative constitutional ideas about independence of judges and judicial review,advocating the protection of due process and the civil rights,which provided valuable ideological inspiration especially for the development of judicial review and the due process in the U.S.C onstitution.Just as the saying goes,"the old farmland would grow out new grain",looking back on traditional legal thoughts is im portant to the construction of a legal country for the present China.
基金a phased outcome of a project of the National Social Science Fund of China(14ZDB009)concerning restoration of the Book of Etiquette and Ceremonial and reconstruction of contemporary daily rites and etiquette
文摘The rule of rites was the fundamental pattern of the governance in the Xia,Shang and Zhou dynasties(i.e.the Three Dynasties).As a complex system of political and cultural practices with political,religious and moral attributes,rites legitimately and structurally underpinned the royal regime,therefore ensuring regime stability,integrating social relations,and enhancing recognition of cultural and political identities.Ritual traditions of the Three Dynasties went beyond extrinsic rites and institutions to include intrinsic spiritual traditions,e.g.divinity of the Heaven,conformity with ancestral heritage,and derivative moral values such as the pursuit of ethics and rewards for benevolence.Also included were the sense of blood relationships,the sense of clanship,the sense of ethics and the sense of filial piety and fraternal duty based on ancestral worship.Through the enlightenment of ritual music,the sense of rites was internalized as the collective value and cultural identity of the members of a society.Therefore,early nations that were founded upon rites functioned as a community of politics,culture and morality.Rites,having been internalized as cultural elements of the Chinese people,shaped the ways of thinking and behavior.It is fair to say that rites have served as the fundamental bedrock for the continuity of the Chinese civilization.
基金the National Social Science Fund of China(NSSFC)project“Ethic Dimension and Legal Regulation of Modern Scientific and Technological Development”(Project No.:19BFX018)“Research on the Jurisprudential Basis of Strengthening the Sense of Community for the Chinese Nation,”a specialized research project under the Research Base on Strengthening the Sense of Community for the Chinese Nation(Project No.:2020WKZX003)
文摘Marxist human rights thought has realized an epochmaking change in human rights thought and has distinguished itself from capitalist human rights thought with its distinctive character.Marxist human rights thought has a humanistic character,starts from human nature and its essence,regards human rights as an important means to realize the all-round development of human beings and the fundamental proof of human liberation.Marxist human rights thought is characterized by being people-centered,and expresses the desire of the masses,with the proletariat as the main body,to realize a better life through the guarantee of human rights.Marxist human rights thought has a practical character,is based on practical materialism,advocates that human rights are derived from the social practice and promotes social practice toward civilization and progress.Marxist human rights thought has the character of rule of law,guides legal governance to the rule of good law,and lays the guarantee fot human rights on the foundation of substantive rule of law.
文摘Based on emphasis of Huaxia cultural aesthetics as the aesthetic tendency of Chinese traditional culture,Huaxia aesthetic culture had been divided into two parts:traditional ritual cultural aesthetics as the base and different aesthetic cultures dominating at different periods which included Confucius cultural aesthetics,seclusion cultural aesthetics and co-existence of Confucius,Taoist and Buddhist cultural aesthetics.Traditional ritual cultural aesthetics contained formal beauty,harmonious beauty and sacred numbers.Confucius aesthetics consisted of constant flow,happiness in poverty,and moral nature.The seclusion aesthetics consisted of super universe,hermit in nature and pastoral habitation.Co-existing aesthetics of Confucius,Taoist and Buddhist culture consisted of harmonious aid,principles' conclusion and leisure life.These dominating aesthetic cultures overlaid with basic ritual culture,and enhanced artistic conception of Chinese traditional gardens with witty words and sentences.
文摘This paper analyzes Park Saengkwang(1904-1985)’s artwork,created in the 1980s and influenced by Musok,Korean Shamanism.It explores Musok’s thematic significance in the development of his distinctive style and the inspiration behind his stylistic changes.Park’s ink paintings are done in bold and intense colors and create an intriguing,mysterious mood,inviting the viewers to the primordial visual experience and exposing its viewers to Korean Shamanism,which has endured the perception that fluctuated between positive and negative throughout Korean history.The practice became a fitting cultural emblem associated with the national identity during the 1970s and 1980s,and thus became a way for Park to explicitly articulate his cultural roots,creating a visual connotation of“Korean.”His art,portraying gut,Korean shamanistic communal rituals,could be conceived as a pictorial rendering of the idea of kibok,praying for good fortune,and served as a pujŏk,talisman paper,that possesses magical healing and protecting power.By striving to overcome the stylistic conflicts between Korean and Japanese,or traditional and Western,Park’s art accomplished the visual rhetoric of national aesthetic sensitivity that built on the communal thoughts and cultural experience of shamanism in the modern history of Korea.
