The Application Value and Strategy of Red Music Culture in Ideological and Political Education in Primary and Secondary Schools

As an important carrier of red culture,red music culture carries the glorious history of revolution,construction,and reform led by the Communist Party of China(CPC),and has significant functional value in cultivating students’ideals,values,and cultural identity,as well as patriotic consciousness and national pride.However,the integration of red music culture into the ideological and political education of primary and secondary schools faces the dilemmas of low cultivation awareness,insufficient excavation of resources,and lack of optimization of atmosphere and field.In view of these problems,the strategies of enhancing cultivation awareness,excavating the resources in-depth,and creating a positive atmosphere and field provide new ideas and methods for ideological and political education in primary and secondary schools.

The Impact of Contextual Teaching Method on Sichuan Folk Song Education and Students’Musical Expressiveness

This study explores the application of the contextual teaching method in Sichuan folk song education and its impact on students’musical expressiveness.By incorporating contextual teaching methods in music classes,this research investigates the effectiveness of this approach in enhancing students’understanding of Sichuan folk songs and improving their musical expressiveness and emotional expression.A mixed-method research approach is employed,utilizing classroom observations,questionnaires,interviews,and statistical analysis to assess the practical outcomes of contextual teaching in folk song education.

Research on the Value and Strategy of Integrating Music Education and National Music Culture

China’s traditional national music is an art form formed by the working people and art pioneers to express their emotions during thousands of years of productive labor.National music not only contains emotional stories that are capable of evoking praises and tears,but also has a profound understanding of the lives of sages.In summary,integrating college music education with national music culture can allow students to deeply discover music,thereby stimulating students’enthusiasm for learning music,improving students’learning quality,mastering the core parts of music learning,and helping students to go a long way in music.This article mainly focuses on the characteristics and educational value of national music culture,and its effective integration with music education in colleges and universities.This article can help relevant workers in college music education and promote the sustainable development of music education in colleges and universities in China.

Tibetan Folk Songs and Dances in Diebu-The Musical Characteristics of Gerba(Gar Pa)

Folk songs and dances originated from people's sacrificial activities in the struggle against nature in the primitive society.Their origins are related to the ideology and living environment of the people at that period of time.These activities were expressed in the form of primitive songs and dances,and gradually evolved into folk songs and dances.The gar pa song and dance from Diebu,in Gannan region,is a unique song and dance of a Tibetan region on the eastern edge of Qinghai-Tibet Plateau.Its content and form are unique.It still retains the original trinity feature which includes poem,music,and dance.The production of songs and dances contains rich cultural connotations and unique local characteristics.This article elaborates the characteristics of Diebu's gar pa song and dance in terms of its music and performance form.

Beyond the Playboy and the Hero: The (Re)constructions of Roberto Carlos’s work in “The Songs You Danced for Me”

The aim is to examine how the musical work of Roberto Carlos was mobilized in the danceshow“The songs you danced for me”.The contact between the songs and the contemporary dance defined different meanings.The results indicate that such contact reaffirms romantic love and the heroism of the protagonist,but also opens possibilities for relationships that escape from the heteronormative romantic ideal.

From Sunset Winter to Caetano＇s Spring： The Importance of a Song Contest in the Portuguese Music Scene of the 1960＇s and 1970＇s

I propose to introduce a few lines of analysis for the RTP Song Contest （Portuguese Radio and Television Song Contest--Festival RTP da Cancāo）. I intend to raise a few questions that will help us to understand the role of this competition in the Portuguese musical and cultural scene of the 1960s. RTP Song Contest is the longest television song contest in Portugal. This competition went through several crucial moments in the recent history of Portugal, witnessing the change from dictatorship to democracy. In late 1960s, still under the authoritarian regime, several social changes took place and music played an important role in these changes, as several studies have documented. In 1969, Portugal bet on Simone de Oliveira to bring us the prize, but the result was not the expected. This event brought us many questions about the importance of the Portuguese participation in the Eurovision Song Contest and the faimess of the European evaluation. This paper intends to reflect the implications of this particular event and the importance of the Contest for the Portuguese music scene at the end of the critical 1960＇s. With this paper, I intend to introduce some lines of analysis of the first ten years of the Portuguese Radio and Television Song Contest （Festival RTP da Cang6o--RTP Song Contest）. I intend to raise a few questions that will help us to understand the role of this competition in the Portuguese musical and cultural scene of the late 1960s and 1970s, based on the study of the daily press. RTP Song Contest is the most long-life television contest in Portugal. For this reason, it is important to make a short historical overview of this period and the history of television in Portugal. At the same time, the analysis of statistical data of audiences enables us to understand the television phenomenon in the late 1960s.

I Sing to Myself and the Muses...Poetry and Music in the Works of Wanda Warska

This article concerns the artistic activity of Wanda Warska,especially in the field of sung poetry,of which she was an outstanding representative.At the beginning of her career,she was hailed as the lady of Polish jazz,but it was her musical interpretations of Polish poetry by such composers as Jan Kochanowski,Stanisław Wyspiański,Cyprian Kamil Norwid,Konstanty Ildefons Gałczyński,Halina Poświatowska,and Czesław Miłosz that brought the artist recognition and fame.The article essentially consists of two main parts,preceded by a general introduction to the subject of the relationship between poetry and music in a historical perspective.The first part presents an extraordinary figure of the artist who was active in various fields of art.The second part introduces the musical interpretations of poetry performed by Warska.

Discussion on The Value Embodiment of Vocal Music Aesthetics in The Art of Vocal Music

With the continuous development of social economy in our country,communication between international culture,artistic and other aspects is also increasingly frequent.The improvement of material life inevitably bring the change of mental life.As a cross discipline between musical aesthetics and artistic aesthetics,vocal music aesthetics has gradually become the core content of vocal music art,and has been paid more and more attention by experts and scholars,the research on vocal music aesthetics has become an important subject in the ？ eld of theoretical research.By discussing the value of vocal music aesthetics in vocal music art,this paper further explores the connotation and function of vocal music aesthetics,in order to make a contribution to the prosperity and development of vocal music art of our country.

Study on the Teaching Ability of Music Teachers in Colleges and Universities

Music teachers in colleges and universities play a great role in training the students with the quality of aesthetic education, and their teaching ability can influence the implementation of aesthetic education. The teaching ability of a music teacher comprises of the professional ethics, professional knowledge and teaching competence, etc. In this paper, the teaching ability of music teachers in colleges and universities is studied ~om its value, composition, and standards, etc.

Discussed in the early 80s Taiwan campus song shallowly to mainland pop music influence

The twentieth century the seventies and eighties of the modern influx of Chinese mainland pop music-music school in Taiwan,with its pristine purity of musical styles,catchy melodies fresh,really meaningful lyrics,the arrangement is simple and unique form of singing affect generation after gen-eration of young people. It is both spirited and close to the voice of young people (especially close to the university campus life),among young people a strong resonance. At the same time,it is the emergence of China's Mainland the concept of pop mu-sic’s aesthetic,value orientation,creative tactics,techniques and style of singing had a dramatic impact,as well as future changes in the mainland pop and development has injected new impetus.

Research on the Function of Music in College Education

College students are the hope of national development and future. College education is an important position for college students to grow and grow up. Music is an indispensable artistic existence in College education. The cultivation of college students has become a problem that colleges and universities must face. Their new characteristics and ideas have brought new challenges to the education of colleges and universities. As the most active and energetic college students of the new generation, their training is not only related to their all-round development, but also directly affects the international competitiveness and development strength of countries in the 21st century. Therefore, it is an urgent and necessary direction to explore the new work of higher education. And music plays an extremely important role in shaping the personality charm of modern college students and their growth and success.

Study on The Music Culture of Cribwork Song of Kangxian County,Longnan City of China

Cribwork Song is a long narrative folk song,which spread in the folk of Kangxian County,Longnan City,Gansu Province of China.This paper has analyzed historical background,humanistic environment,story plot,artistic characteristic and inheritance significance of Cribwork Song.

The Inheritance Status of Miao Folk Songs in Central Guizhou

More than 20,000 people of Miao minority are living in a 500-meter-altitude area,which is located 40 kilometers away to the southeast of Guiyang City,Guizhou province.In June 2019,Miao folk song Banglang Song was added in the provincial intangible cultural heritage list.In addition to Banglang Song,many traditional folk songs were prevailing in this area in the past.However,the inheritance of such historical and cultural treasures is not satisfying.Based on the field research of folk songs in this region,the author summarized the factors contributing to the oblivion of Miao folk songs in central Guizhou.

Cultural Values Reflected in Cultural Images of Hip-Hop Music

Nowadays,as hip-hop becomes an independent,equal,and individual culture,it gets more and more popular in all around the world.And hip-hop music attracts many people’s attention.Meanwhile,cultural image in hip-hop music has become an issue that needs study for better cultural communication.Based on hip-hop music,this paper aims to probe into cultural images by studying the lyrics of hip-hop music,and explore the cultural values reflected in them.In addition,it puts up three ways for the better hip-hop culture communication.

基于MUSIC算法的OFDM信号识别方法

针对多径信道下传统的OFDM信号识别方法存在循环前缀较短时估计性能不高、所需OFDM符号数过多等问题,提出一种基于MUSIC算法的OFDM信号识别方法。该方法首先分析了OFDM信号和单载波信号的结构特点,然后对两类信号的自相关矩阵进行奇异值分解,提取奇异值矩阵,最后根据奇异值矩阵中较大非零奇异值的个数实现OFDM信号的识别。仿真实验表明,该方法仅需较少的OFDM符号就可以实现短循环前缀OFDM信号的识别,且识别性能优于传统方法。

Gilman Salakhov’s Role and Importance in Azerbaijani Music Culture

Azerbaijani music has been created and polished by the people for centuries,and reflects the people’s spiritual strength,desire for freedom,ideas,and hopes.Azerbaijani music has been passed down from generation to generation,lived in oral traditions,and Numerous types of percussion,wind and stringed instruments,which date back to long before our era,have developed and improved throughout history and formed the basis of our national musical treasury.Pearls of this treasure have served the cultural development and creative activity of our people for centuries,adorned its life and traditions(Alasgarov&Abdullayeva,1996,p.47).The role of the genius composer,publicist and public figure Uzeyir Hajibayli in the development of musical instruments,which has a prominent place in the history of the 20th century Azerbaijani national music,is unparalleled.He characterized the national musical instruments,gave their classification and sound sequence,and determined the prospects for future development.has always been distinguished by its antiquity and rich culture.Many concepts have emerged in the musical-aesthetic-concepts of antiquity and the Middle Ages,and categories of aesthetic analysis of music have been formed.Music and musical aesthetics have historically been widespread,and have shaped various socio-cultural forms in a forward-looking way.The rich musical heritage created in different periods since ancient times are undoubtedly a proof of the genetic talent inherent in every generation of the Azerbaijani people.Our national musical instruments,adapted to the emotional color,rhythm,tempo and art of Azerbaijani folk music,have passed a long historical development and brought many aspects of traditional music performance and creativity to the present day.They are one of the elements that connect the future of our musical culture with the past.Traditional music and musical instruments,which are still played today,reflect the main features of Azerbaijan’s national musical thinking and artistic creativity.Information on komuz and kilkomuz,the ancestors of stringed and plectrum musical instruments in the origin and development of Azerbaijani folk musical instruments,is also found in examples of oral folk art,in the all-Turkic monument“Kitabi-Dada Gorgud”.According to written sources,88 musical instruments,including 32 string and 23 wind instruments,were widely used in Azerbaijani performing arts.Information about this is found in the chronicles of ancient historians,in the works of medieval thinkers Safiaddin Urmavi,Abdulgadir Maragayi,Dervish Ali Changi,Qatran Tabrizi,and others on musicology.

Computationally efficient direction finding using polynomial rooting with reduced-order and real-valued computations

The root multiple signal classification（root-MUSIC） algorithm is one of the most important techniques for direction of arrival（DOA） estimation. Using a uniform linear array（ULA） composed of M sensors, this method usually estimates L signal DOAs by finding roots that lie closest to the unit circle of a（2M-1）-order polynomial, where L 〈 M. A novel efficient root-MUSIC-based method for direction estimation is presented, in which the order of polynomial is efficiently reduced to 2L. Compared with the unitary root-MUSIC（U-root-MUSIC） approach which involves real-valued computations only in the subspace decomposition stage, both tasks of subspace decomposition and polynomial rooting are implemented with real-valued computations in the new technique,which hence shows a significant efficiency advantage over most state-of-the-art techniques. Numerical simulations are conducted to verify the correctness and efficiency of the new estimator.

The Tradition of the Joint Voice Singing in the Context of the Orient Culture （As an example of Margilan Singing School）

The article deals with musical heritage of some Orient cultures, joint singing as one of the main part of music art from ancient time to nowadays. The measure reflecting live process of national musical art is a performing practice. Makom is the most example of Uzbek classical musical heritage. The art of singing plays considerable role in culture of Uzbek national music. On the basis of classical singing the following singing directions as ＂Folk singing＂ （yallachilik）, ＂Classical singing＂ （mumtoz yallachilik）, ＂Grand Song＂ （katta ashulachilik） and ＂Art of Makom＂ singing forms were formulated and developed. Greatest representatives of Margilan School of singing.

Love Interaction of Miao Folk Songs Records in Central Guizhou

There is a Miao nationality living on the highland in central Guizhou,where they live in a typical karst landform with an average altitude of 1500 meters and steep terrain.Since July 2018,the author has carried out a 180-day field research in Gaopo Township and other places.Through the research,it is found that there are four different types of Miao songs,which are divided into:Wine song,ancient song,love song,sad song.The structure of the four kinds of songs is to sing different lyrics repeatedly with only one melody.For example,wine songs are the most common kind of songs in Miao people's life.Unmarried men and women learn about each other's thoughts through singing.This not only tests their singing ability,but also shows that each other's mind is good at adapting to changes.