Research on Improving Artistry of Exhibitions in History Museums in China

Chinese civilization,with its long and continuous history and rich cultural heritage,plays a central role in China’s dialogue with other civilizations.Therefore,it is necessary to collect and refine the defining symbols and best elements of Chinese culture and showcase them to the world;develop discourse and narrative systems with Chinese characteristics,better tell China’s stories,and make China’s voice heard.This effort can help Chinese civilization shine globally,interact with other civilizations,and promote its communication and influence worldwide.In China,history museums,as physical carriers of Chinese civilization,are an important component in developing Chinese discourse and narrative systems and an important channel to better tell China’s stories and make China’s voice heard.Improving the artistry of museum exhibitions caters to the public’s growing demand for a more enriching cultural experience and substantially promotes Chinese culture on a global scale.With the communication of Chinese civilization as the main focal point,this study investigated the current issues related to the artistry of history museum exhibitions in China and defined the artistry of history museum exhibitions and their connotations.Based on an in-depth analysis of the artistry of historical museum exhibitions within China,this paper enumerated the areas where improvements could be made to enhance exhibition artistry,intending to promote the communication of Chinese civilization.

An Exploratory Data Analysis of Mazu Culture Research Based on Diaolong-Full-Text Database of Ancient Chinese and Japanese Books

Mazu is the most famous goddess of canal transport in China,and one of the three folk beliefs in China.Japan is our neighbor across the sea.As early as 1000 years ago,Japan was influenced by the Mazu ceremonial culture.Through big data analysis,this study conducted database counting,screening,and analysis on the Mazu culture in Diaolong,the full-text database of Chinese and Japanese ancient books.Besides,it explored the hot topics of concern and emotional attitudes,and then analyzed the important role of Mazu culture in the cultural exchange and mutual learning between China and Japan in the new era,with a view to completing the contemporary task of“people-to-people bond”and achieving common development.

Discussion on the Fundamental Role of Traditional Culture in the Development of Traditional Chinese Medicine--Using Ophthalmology As An Example

Traditional Chinese medicine(TCM)was developed from and is rooted in traditional Chinese culture.Nowadays,the Chinese state attaches great importance to the development of TCM and has implemented a series of policies and measures.This paper first demonstrates the rationality of the view that"traditional culture plays a fundamental role in the development of TCM",and analyzes the influence of traditional culture on the development of TCM from the perspective of philosophy and religion,in order to have a deeper understanding of the formation and development process of TCM.Finally,taking ophthalmology of TCM as an example,this paper discusses the importance of the continual inheritance of traditional culture and development of TCM.

Chinese Cultural Images Represented in Tripmaster Monkey： His Fake Book

his paper analyzes the Chinese cultural images represented in Tripmaster Monkey:His Fake Book,and the reasons of the differences between Chinese traditional cultural images in Chinese Four Great Classical Novels and those mentioned in this book.

Mark Bender’s Translation and Introduction of Plants and Animals in The Nuosu Book of Origins

Mark Bender and Aku Wuwu translate Hnewo Teyy,a crucial epic for Nuosu people from Yi to English directly and entirely for the first time.Their translation and introduction of the epic are involved in The Nuosu Book of Origins,in which Bender concerns plants and animals.This paper mainly analyses Bender’s adaptation and selection concerning his investigation and translation of plants and animals under the guidance of Eco-translatology.Significantly,Eco-translatology and Bender’s translation and introduction provide enlightenment to the transmission of Chinese culture.

The Heterogeneous Differences between Chinese and Western Landscape Culture Studies

For a long time,due to the differences in terrain and culture,the aesthetic appreciation of Chinese and Western gardens has produced a large gap in modeling and design.Although the composition of garden elements is nothing more than landscape and architecture,there are obvious differences in the use of space and natural attitudes.Chinese gardens always follow the laws of natural beauty and formal beauty in modeling design,and respect nature in attitude and coordinate with nature.However,western gardens attach importance to architecture and artificalism,highlight rational aesthetics,get used to transforming nature in attitude,and always focus on"taking people as the center".They also have cognitive differences in the study of garden history.Comparing the Chinese and Western view of landscape architecture can enrich and expand the possibility of"Chinese landscape architecture research".

On the Formation of Chinese Nation as One Community from the Perspective of Reading History——Taking the Liao,Western Xia,Jin,Yuan Dynasties as Research Focuses

The formation of the Chinese nation as one community is not only the result of the interaction of various factors such as politics,economy,culture,and natural environment,but also an inevitable trend in historical development.However,cultural identity and integration are the most important factors.Classics are the essence of national culture,and they have always played an important role in shaping,communicating,identifying,and integrating ethnic cultures.In Chinese history,regardless of whether various ethnic groups were in control of a region or entered the Central Plains,they relied on reading Chinese classics and learning Chinese culture as the basis for their survival,and identified themselves as members of the Chinese nation.This eternal historical law is particularly evident in the Liao,Western Xia,Jin,and Yuan dynasties.Summarizing the reading history of these ethnic groups and societies,learning from their historical experience,and exploring and inheriting the reading cultural resources of the Chinese nation are necessary for the formation of the Chinese nation as one community.

Translation Strategies for the Chinese Four-Character Structure Into German:The Case Study of Stories From Xi Jinping Erzählt GeschichtenÜBer Die Kommunistische Partei Chinas

In the context of globalization,cultural exchanges among countries are becoming increasingly intimate.As we embark on a new era,the external promotion of the red culture of Party history has emerged as a crucial avenue for conveying the good voice of China,showcasing Chinese wisdom,and enhancing China’s image.Xi Jinping Erzählt GeschichtenÜber Die Kommunistische Partei Chinas includes over 80 stories narrated by General Secretary Xi Jinping,providing readers worldwide with a deeper understanding of the revolutionary spirit of the Communist Party of China.This paper systematically categorizes and analyzes the four-character phrases found in Xi Jinping Erzählt GeschichtenÜber Die Kommunistische Partei Chinas,employing the theory of cultural translation to explore translation strategies for these phrases in the context of Party history literature.This research aims to promote the global dissemination of China’s red culture and foster a greater understanding of China in the world.

中国图书馆史研究新进展——“海源阁藏书暨中国历代图书文化史研究学术研讨会”综述

海源阁藏书研究是中国图书馆史的重要领域。文章概述“海源阁藏书暨中国历代图书文化史研究学术研讨会”成果,从海源阁藏书研究、中国图书文化史研究、图书馆史研究和图书馆史志编纂等方面对会议内容加以总结,展望中国图书馆史研究趋势。

中华文明影响下东亚古代都城规划研究——以朝鲜、日本与越南为例

中国在数千年城市规划演进中形成了多种都城规划模式,并通过中华文明影响周边地区这一途径传至东亚国家。以纵向贯通、横向比较的方式,系统分析不同时期朝鲜、日本、越南三个东亚国家受中国古代都城规划影响的方式与内容。认为,第一,朝鲜、日本、越南诸国受影响的起止时间、方式有所差异,主要有汉人建设与管理、直接或间接向中国学习等方式。第二,诸国在都城选址、空间结构等方面几乎完全仿效中国,但由于仿效的中国都城不同,学习与创新的内容亦不尽相同。第三,东亚诸国在历代都城规划中延续或遵循了共同的理念,同时,结合本国自然条件与社会情况对中国模式进行了灵活运用或创新。总体而言,中华文明影响下,东亚古代都城规划是学习与创新并举、共性与差异共存的,形成了既有相似性又具有各国特色的都城规划模式。

书评与古代小说现代研究著述的经典构建

关注古代小说现代标点整理本与彼时学者研究著述的现代书评,在理性思索与感性品悟的“期望”与“拟想”中,以价值定性的方式推动古代小说现代研究著述的经典构建。典型之例是谭正璧、胡怀琛、赵景深、毕树堂等人在各类书评中,持续推进比较视野下鲁迅的古代小说研究著述在价值层面的意义构建。此举隐含着现代书评以不断新生的社会思想文化去消解时人研究的学术重构意图,希冀在“质之读者”的再构建中催生新的“辩解”。作为一种批评媒介,现代书评重提古代小说的现代研究著述时并非一味取悦他人。此举有助于在逻辑一致性与文化同源性的构建中,强化品评的主导性。这是古代小说的现代研究著述被予以典范建构的重要一环。

《永乐大典》的书厄、流散及其文化传承

《永乐大典》是我国图书史上的集大成之作,对图书事业的发展具有重要指导意义。以图书事业为视角,梳理《永乐大典》的编纂背景、历经浩劫及国内外流散的坎坷历程,揭示其背后的历史沧桑与不朽价值。这部国宝级典籍饱经沧桑但传承之路依旧蹒跚,亟须更多关注。从宏观微观两个维度论证《永乐大典》文化传承的重要性并探析传承路径,旨在激活其新时代生命力,推动《永乐大典》的文化智慧在当代社会焕发新生。

古代文学研究的新领域——中国文集日本写本的收藏、整理与研究

域外汉籍中存在着大量中国典籍的汉文写本。这些写本或为中国失传的文献,或与传世之本多有差异。域外汉文写本可以成为中国古代文学研究的新领域,其中中国文集日本写本与古代文学研究的关系最为密切。中国文集日本写本在日本公立图书馆、大学图书馆、公私文库、寺院以及个人手中皆有收藏。自江户时代开始,学者就已经注意到这批文献的价值,《佚存丛书》《古逸丛书》《京都帝国大学文学部景印旧钞本》等丛书中皆有收录。晚近以来,学术界对中国文集日本写本也进行了整理与研究,但仍有大量文献未进入研究视野。应尽快展开对中国文集日本写本全面的调查、编目与叙录,并从“东亚汉文写本学”与书籍史的角度对其进行整体研究,同时深入对五山时代中国文集汉文“抄物”写本的研究。

中美文化交流的独特符号:丁龙研究的解构与再建构

论文回顾和梳理了120多年来丁龙研究的成果与主体,丁龙研究的学术分期以及丁龙文化符号的再建构。研究显示,1901—2022年,中美有关丁龙研究的文献成果,据不完全统计有126篇(部),成果形式多样。丁龙研究的主体,包括新闻记者、专家学者、广播电视工作者和侨务工作者。丁龙研究的学术分期主要分为两个阶段:建构阶段(1901—2000年)和解构阶段(2000年至今)。丁龙的“视野和理想”具有更加丰富的内涵,为再构建提供了更加广阔的空间。一是从美国排华视域研究丁龙;二是从美国早期“中国观”视域研究丁龙;三是从中美文化交流视域研究丁龙。“丁龙汉学讲座教授”的设立,是20世纪初发生在美国纽约的一个历史事件,开美国汉语教学、中国文化研究之先河。如今,“丁龙”已经成为美国汉学史、美国华侨史、中美文化交流史的一个重要的文化象征和标志性文化符号。

唐律的突出亮点:集中华优秀传统法律文化于一体

唐律举世闻名,具有许多特色亮点,其中十分突出的一点是较为完美地集中华优秀传统法律文化于一体。唐律较为完美地集中华优秀传统法律文化于一体的主要特点包括法律思想要素、法律制度要素和法律技术要素的全面性,法律思想、法律制度和法律技术的成熟性,以及唐律文本、唐律实施和社会治理层面的成熟性。唐朝前期政治经济文化等方面的有利条件,唐朝前期以人为本、礼法并用和慎刑恤刑等法律思想,以及唐律的制定者对中华优秀传统法律文化的掌握与运用,是唐律较为完美地集中华优秀传统法律文化于一体的成就条件。唐律中的中华优秀传统法律文化,主要是刑法化的中华优秀传统法律文化,是中华传统法律文化中的精华部分,可以跨越朝代和时代的界限,持久展现其特有的魄力,为后世所借鉴和传承。唐律中的中华优秀传统法律文化往往具有一般性特征,文明程度高,适宜在当代弘扬,经过创造性转化与创新性发展,可以拥有长久的生命力,为中国特色社会主义法治文化注入活力并助力于中国式法治现代化建设。

馆藏优秀传统文化资源再生性保护与价值释放——基于中医药古籍的调查分析

通过调查统计河南省各类图书馆、文博单位等中医药古籍资源存藏、保护、整理和利用情况,分析河南省中医药古籍资源馆藏开发整理存在的问题,提出“加强中医药古籍保护与利用工作的领导与统筹”“深入挖掘整理河南省中医药古籍资源”“确定重点保护对象,推进中医药古籍多层级保护”“加大中医药古籍保护领域复合型人才培养力度”“加强中医药古籍艺术与文化价值的发掘与传播”等推动河南省中医药发展的举措。

论古典目录学与学术史的关系

古典目录学是用书目的形式反映学术发展源流的一门学问。古典书目是学术史著作的重要组成部分,也是研究学术史的必读典籍。古典目录学对于学术史研究,有不可替代的功用。与学术史关系密切的四部古典书目是《汉书·艺文志》《隋书·经籍志》《文献通考·经籍考》《四库全书总目》。《二十五史艺文经籍志考补萃编》和《萃编续刊》的汇编整理出版,摸清了中国文献典籍的家底,为中国古籍总目的编纂,建立文献典籍数据库,打下了坚实的基础。

20世纪上半叶中国图书馆学教育史事的一次系统总结——评《中国图书馆学教育史事编年(1896-1956)》

郑锦怀先生所著《中国图书馆学教育史事编年(1896-1956)》一书学术价值主要体现在:拓展编年方法在图书馆史研究中的应用场域;深化中国图书馆学教育史研究;促进图书馆学知识积累。该书的特点为:视角新颖、史料丰富、索引完备。但是该书也存在一些不足。