Aesthetic Utopia,Revolution in Daily Life and Identity Construction of Peasant Paintings

Peasant painting is a kind of painting created by farmers as creative subject,bearing rich significance.According to the historical development of peasant painting in reality,the types of meaning it carried could be divided into three types in chronological order:political ideological significance,folk life significance,and creative fashion significance.These three types of meaning gave rise to three types of aesthetic utopia,namely political aesthetic utopia,folk aesthetic utopia and fashion aesthetic utopia.The three types of aesthetic utopia reflected three forms of negation and revolution of daily life.What the political aesthetic utopia resisted was the alienation force of material desire.What folk aesthetic utopia resisted was the desire for material and the binding of political ideology.The fashion aesthetic utopia opposed the relatively narrow localism.Through these three forms of resistance,the public also constructed three identities:the interpreter of their own aesthetic interpretation of political ideology,the interpreter of their own aesthetic interpretation of real life from perspective of local feelings,and the interpreter of their own aesthetic interpretation of real life from perspective of the relationship between themselves and the world.

Cultural Crisis in Rural Areas and Its Influence upon Revolutions in China in the Process of Modernization

The process of modernization accelerates the decline of the rural areas in China pausing malignant changes of the rural culture,such as lack of education and religious chaos and so on.Such cultural crisis in rural areas results in incredibility of the public power.As a social class farmers are marginalized.On the contrary,the decline of the rural culture provides the possibility of the rooting of the revolutionary ideas.Led and influenced by the Communist Party of China farmers become the principal part of modernization and revolution and the major driving force and hard core of the new- democratic revolution,having great effect upon the direction of China's modern history.

An Analysis on the Consequences of the Ideological and Cultural Revolution

The paper analyses a special moment-a so-called ＂revolutionar＂ campaign that was undertaken in all fields： social, cultural and religious ones in the contemporary history of Albania. And exactly, it analyses the dramatic turn undertaken by the dictatorial communist regime during the years of 1966-1969. As a result, in period of few years, Albanian was transformed into the only atheist country in the world, because since November 13, 1967, the religious activities were banned and this situation lasted until 1976 from the constitutional point of view.

Advancing Arts One village’s oil paintings lead the development of south China’s cultural industries

The Dafen art museum, the largest such museum in Shenzhen, was built int he village in 2007 to he a platform for art exhibitions and exchange,

Discussion on the Relation between Garden Landscape Constitution and Ancient Chinese Poetry and Paintings

From the perspective of culture-based source,the author considered that the ancient Chinese poetry and paintings not only embodied the harmony and unity thought of man and nature,but also were the emotional attachment of Chinese literati.As a diverse and comprehensive aesthetic art,landscape expressed material and spiritual culture doubly,the spiritual connotation of which was inextricably linked within ancient Chinese poetry and paintings.In addition,ancient Chinese poetry and paintings can be directly used in landscape composition,such as the widely used in plaques,inscriptions,couplets,poems and inscriptions,carved beams and painted pillars,painting with words and so on.Chinese literati integrated the ethereal realm of poetry and paintings into garden art,making landscape endow with poetic charm.Therefore,the landscape revealed the traces of literature and arts in aesthetic idea and taste,pushing Chinese garden to a higher aesthetic realm.This study pointed the right way to the future of modern landscape which advocated ecological and harmonious development.

Analysis on the Gardening Characteristics of Wangchuan Villa Based on Wangchuan Anthology

During the building process of Wangchuan Villa,WANG Wei indulged in the enjoyment of nature. Based on realistic manner,more attentions were paid to artistic conception. A garden style of far-reaching,concise,simple and lingering artistic conception was created,which helped Wangchuan Villa become the representative work of artistic landscape gardens during Tang and Song Dynasties.

The Political Leadership of Mao Zedong

This paper presents an analysis of the former Chinese Communist Party leader Chairman Mao Zedong’s political career(reigned 1949–1976),with regard to his success and failures.Mao was one of the most prominent Communist theoreticians who governed a quarter of humankind for a quarter of a century.His political philosophy,particularly his Method of Leadership,focusing on the“masses”is discussed here.The analytical arguments are centered on three phases of his leadership:The rise,the apex,and the fall.In the first phase,the paper attributes his victory before 1949 to his profound understanding of Chinese peasants.In the second phase,it elaborates on his successful method of leadership in the early 1950s.And in the third and last phase,it criticizes his disastrous political movements,particularly the Great Leap Forward and the Cultural Revolution,from the late 1950s to the mid-1970s.The study hopes to offer an objective and a balanced view of Chairman Mao,who had a complex personality and was a highly controversial figure in human history.The article also wishes to help readers gain a better understanding of China’s top leader in recent history,and how China came to be what it is today.

The Dilemma and Redemption of Culture： A Way to Interpret the Role of Intellectuals during the May 4th and Yan＇an Period＊

The status and meaning of culture is closely related to the modem China＇s revolution. Terry Eagleton＇s cultural derivation provides a basis for redefining culture in the process of Chinese revolution. According to this, the new cultural movement in May 4th and the Chinese Marxism aesthetics in Yan＇an have taken on the common issues like national and ideological transformation, whereas they have their own historical phase and thus the historical relativity characteristics. As the main body of culture transfer, the intellectuals implement the effective transformation of identity in the process from elite culture to the popularization of culture, and vigorously promote the idea of culture in the context of the Chinese revolution from dilemma to redemption.

No Dream, No Future： A Study on Aesthetic Dimensions of＂Chinese Dream＂ and the Task of Literary Critics

This article believes that ＂Chinese Dream＂ has three dimensions： First, ＂Chinese Dream＂ is the inevitable demands of Chinese reconstruction and it is the deepest desire of Chinese nation since the Chinese modern history. Second, the modernism of socialism with Chinese feature is the process of Chinese modernism. Third, the third theoretical dimension, 1 believe, is the ideal of socialism. I would like to take the film ＂Lost＂ and ＂Peking Monk＂ as examples and analyze the specific form of expression. This article is going to indicate in the end that ＂the revolution of aesthetics＂ and the assignments of critics, which can be recognized as the intuitive ability, could merge the historical affair and the human nature, which literature comprise, together and deliver deeper analyses and appraise The mission of critics is not only to distinctly emerge the aesthetic form of the literal works, but also analyze and seize the ＂aesthetic form＂ of them, that is to say, their mission is to find the aesthetic meanings of aesthetic expression from commonage in order to achieve the goal of leading and stimulating people ensuing the consciousness and liberation of culture. That is the most important mission and responsibility of Marxist literal criticism and literal critics. This is a rather tough task and refers to the new understanding and attitude to the relative questions of literature and culture. In the eyes of some self-complacent intellectuals, the responsibility for literature and critics is the ＂aesthetic entertainment＂ and ＂spiritual redemption＂. The significance of Marxist Aesthetics lies in that it upgrades the general ＂literal principle＂ and ＂aesthetic principle＂ in to a level of social development and national deliverance, and also it regards whether the literature having the function of cultural libration as the more pivotal content. The assignment for the critics and litterateurs is to engage and promote the production and promulgate for this significance, the cultural consciousness and liberation.

Application and Research of Huashan Rock Paintings in Cultural and Creative Products

Huashan rock painting is a representative of the rock art complex in Zuojiang River in Guangxi Zhuang Autonomous Region,and it is the largest and the most well preserved rock painting found in China,with a wide distribution of locations and the richest content of images.Due to its grand scale,spectacular scenes,and numerous images,it has become a typical representative of rock painting in Zuojiang River basin of Guangxi and is famous all over the world.In 1988,it was announced as a key cultural relics protection unit by the State Council,and in 2016,“Zuojiang River Huashan Rock Art Cultural Landscape”was successfully applied for the List of World Heritage,which makes it important to the inheritance and protection of Huashan rock paintings.In the past 10 years,with the successful holding of China-ASEAN Expo,the distinctive tourist products of Guangxi Zhuang nationality and the culture creative product industry have been vigorously developed and recognized by domestic and foreign markets.The culture of Guangxi Zuojiang Huashan rock painting can be presented in the form of cultural and creative products,so that Guangxi Zuojiang River Huashan rock art can be known by more people.

Computational Approaches for Traditional Chinese Painting: From the “Six Principles of Painting” Perspective

Traditional Chinese painting(TCP)is an invaluable cultural heritage resource and a unique visual art style.In recent years,there has been a growing emphasis on the digitalization of TCP for cultural preservation and revitalization.The resulting digital copies have enabled the advancement of computational methods for a structured and systematic understanding of TCP.To explore this topic,we conduct an in-depth analysis of 94 pieces of literature.We examine the current use of computer technologies on TCP from three perspectives,based on numerous conversations with specialists.First,in light of the“Six Principles of Painting”theory,we categorize the articles according to their research focus on artistic elements.Second,we create a four-stage framework to illustrate the purposes of TCP applications.Third,we summarize the popular computational techniques applied to TCP.This work also provides insights into potential applications and prospects,with professional opinion.

When Tomorrow Comes:The Present and the Future of Advertising

The aim is to analyse the present and the possible future of the concept of advertising.The present concept is more related to the fact that marketers moved from a product focus to a sales focus,and now to eventually a relationship focus.The future concept is related to the growing customization of strategies based on the nature of the product category and the life-cycle stage of the product and the customers in the context of the development of the convergence culture,the experience economy and the new technologies connected to the Fourth Industrial Revolution.

The Rise of Hunan

HUNAN is a province with a long history,rich culture,wonderful natural scenery and fast developing economy.On top of that,Hunan is also a place with a glorious history of revolution under the leadership of the Communist Party of China(CPC).In connection with its rich revolutionary past or“red history”(since the color red represents revolution in China),there are many revolutionary historical sites throughout the province,where revolutionaries like Mao Zedong and Liu Shaoqi fought to bring liberation and a brighter future for the Chinese people.

河南古建彩画艺术在家居产品设计中的转译应用

目的河南古建筑彩画艺术是黄河流域中原文化的重要组成部分,河南古建筑彩画艺术在家居产品设计中的转译应用研究,是对古建彩画艺术在日常生活语境下活化传承的路径探索,也是对家居产品设计手法的拓展,有助于营造中国式家居风格氛围,引领人们认识与弘扬中国传统住宅家居文化。方法搜集河南古建筑彩画相关资料并整理分类,总结和提炼其代表性符号元素,解析符号元素中的文化因子,并对文化因子在现代家居产品设计中的应用方法进行讨论,即廓清古建筑彩画艺术中的“结构”因子、“形”因子、“色彩”因子和“语义”因子,运用碱基运算法,对各类因子进行再结合,构建完整的家居产品设计新模式。结论通过对河南古建筑彩画艺术元素与符号特征的再设计,将河南古建筑彩画艺术与家居产品设计结合,使其符合当代消费者需求的商品属性,提升其文化附加值,为家居产品的多元化发展路径做出探索。

乡村文化振兴背景下黑龙江彩陶文化产品研究

黑龙江彩陶文化产品蕴含着历史文化、地域特色,具有艺术研究、经济社会文化创新等多重价值。但目前存在传统彩陶传承乏力,彩陶文化产品市场认可度不高、产业规模小、创新不足等问题,限制了彩陶文化传承发展和非物质文化遗产的推广。在乡村文化振兴背景下,通过梳理黑龙江彩陶文化发展历程,剖析黑龙江彩陶文化产品开发的基础、分类及内涵,基于彩陶文化产品赋能乡村文化振兴的文化、技术、人才三方面价值导向,提出产品创新、人才培养、发展平台、品牌建设、营销渠道等方面的实现路径,为促进乡村文化振兴和经济发展提供参考。

黑龙江彩陶艺术制品经济价值及产业化发展探析

以彩陶艺术制品的文化性、地域性为前提,以泥料和技艺为基础,实现黑龙江彩陶艺术制品文化与审美及其经济价值研究目的。采用审美性与经济性结合研究方法,考察彩陶艺术制品的审美性、实用性和多元文化性。从彩陶艺术制品经济价值出发,重点剖析彩陶艺术制品的商品性质,解析彩陶艺术制品价值决定其经济效益的源泉,从经济视域为彩陶艺术制品发展定位,明确提出其产业化生产的研究结果;阐述黑龙江彩陶艺术制品产业化路径和产业化发展目标,探究彩陶艺术制品的品牌形象塑造、品牌建设和多渠道销售。

艺术考古视角下的仰韶文化半坡类型分期

艺术考古依据艺术发展的一般规律展开研究,在分期研究上可以形成不同于考古类型学的新的认识。从该视角出发重新审视仰韶文化半坡类型的彩陶材料,根据其彩陶纹饰的先后发展序列以及纹饰风格的发展规律,可以重建半坡类型的发展阶段(将姜寨一期的文化特征视为半坡类型的开始),并由此揭示仰韶文化早期各个阶段的文化特征。艺术考古方法作为一种新的研究手段,更关注艺术图像和风格的变化及其关联因素,有助于深入理解史前社会的性质和文化特性。

“文学革命”中“人的主体性”建构逻辑

由五四新文化运动所推动的中国现代“文学革命”,是一场涵盖了文学创作、文学作品、文学批评与文学功用等多重要素在内的文学事件。作为一场影响20世纪中国文学至为深刻的文学事件,它以改革甚或弃逐传统文学的形式与内容为手段,以追求文学表达的“个体-大众-阶级-民族-国家”主体性为主题,以塑造审美的人、道德的人、知识的人为目标,从而形成了一种既区别于西方文学现代性演变中处于与社会现代性对抗关系的“人的主体性”,也区别于中国现代“革命文学”之后文学现代性之于社会现代性遵从关系的“人的主体性”,表现为一种居于二者之间的独异型“人的主体性”。始于文学现代性而终于社会现代性,是这种独异型“人的主体性”的本质特质;勠力于社会现代性与文学现代性的建设,是这种独异型“人的主体性”的根本目标。对“文学革命”中“人的主体性”的不同逻辑划界,不是为了强调其内涵的显著差异,而是要彰显其作用于社会与文学自身的不同方式与不同功能,进而反省其价值与不足。

论“三个务必”的生成逻辑、理论特质与实践指向

在党的二十大报告中,习近平总书记首次提出“三个务必”。“三个务必”的提出既是党领导人民站起来、富起来、强起来的必然趋势,同时也是顺应实现第二个百年奋斗目标新征程的发展趋势。“三个务必”内涵丰富、逻辑严密、彼此呼应,彰显出新时代建设社会主义现代化强国过程中,中国共产党人的奋斗目标、动力源泉、作风修养、精神面貌的集中统一。“三个务必”是中国共产党人牢记初心使命的重要体现,凸显了百年大党对理想信念的执着坚守、慎终如始的忧患意识和永不懈怠的进取精神。“三个务必”孕育于党的百年奋斗征程之中,形成于新时代取得的历史性成就、发生的历史性变革之中,既昭示出中国共产党人勇于自我革命的胆识和魄力,又体现了百年大党常戒常新的优良作风,是新时代新征程中国共产党走好新的赶考之路的重要遵循。“三个务必”映射出百年大党对于执政规律、党的建设规律的深刻认识,对于面向第二个百年奋斗目标新征程上全党统一思想、统一意志、统一行动,在成绩面前保持清醒和坚定,在困难面前敢于斗争、善于斗争,推进中国式现代化行稳致远具有重大的历史意义和现实价值。

11世纪扎塘寺壁画之供养人题材研究

佛教艺术中的供养人题材,从北传路线的角度看,早在汉晋时期已经出现。西北地区以敦煌石窟艺术为首的壁画群中可以见到供养人题材在唐宋时期大为盛行,形成一条与佛教教义教理传播并行的发展模式,其背后的文化内涵除了展示世俗社会权贵阶层对佛教的尊崇膜拜,更具历史图像志价值,对当时的政治集团内权贵等级、社会分层乃至重大历史事件记录都多有涉及,大到统治集团人员的形象,小到服饰与等级制度,往往能以小见大,是极为珍贵的民族图像志资料。正因为如此,宗教艺术遗存中的供养人形象,更具有民俗风情记录的特征,是当时社会与习俗各个方面的图像记录。文章聚焦11世纪后期位于卫藏腹心区域的扎塘寺壁画中的供养人形象,除了探讨扎塘寺早期壁画在卫藏11世纪佛教艺术史中的独特性,还就北宋年间卫藏艺术中多民族文化交流融合状况做了讨论。