The aim is to examine how the musical work of Roberto Carlos was mobilized in the danceshow“The songs you danced for me”.The contact between the songs and the contemporary dance defined different meanings.The result...The aim is to examine how the musical work of Roberto Carlos was mobilized in the danceshow“The songs you danced for me”.The contact between the songs and the contemporary dance defined different meanings.The results indicate that such contact reaffirms romantic love and the heroism of the protagonist,but also opens possibilities for relationships that escape from the heteronormative romantic ideal.展开更多
In this paper, Dong ethnic minority's folk customs and aesthetic psychology are understood from the perspective of the nationality culture reflected in Dong song and dance "Duoye" so as to excavate the nationality ...In this paper, Dong ethnic minority's folk customs and aesthetic psychology are understood from the perspective of the nationality culture reflected in Dong song and dance "Duoye" so as to excavate the nationality spirit, and also the connotation and spiritual foundation of the humanity structure are explored, in which the dignified history, rich nationality characteristics, and elegant artistic quality are integrated together, for the purpose of inheriting the traditional culture and continuously innovating and developing the nationality culture.展开更多
E STABLISHED in 1960the Nanjing Song and DanceEnsemble is a performancetroupe with a Southern Chinesestyle specializing in dance, vocal music, instrumental music,ballad-ry and stage design.At present,the troupe has 11...E STABLISHED in 1960the Nanjing Song and DanceEnsemble is a performancetroupe with a Southern Chinesestyle specializing in dance, vocal music, instrumental music,ballad-ry and stage design.At present,the troupe has 110 actors andactresses with an avrage ageof 32.Since it was set up, the en-semble has performed activelythroughout China,frorm the eastto the west and the north to thesouth.During its long Period ofexperimentation with art,it hascreated a large repertoire wom-en’s solo dances,such as Jasmineand sweet Flowers;pas de deux。展开更多
Singer Tseten DronmaIn October 1959,at the grand per-formance celebrating the tenth anniv-ersary of the founding of the People’s Republic in Beijing,a young Tibetan singer surprised the audience with her singing of T...Singer Tseten DronmaIn October 1959,at the grand per-formance celebrating the tenth anniv-ersary of the founding of the People’s Republic in Beijing,a young Tibetan singer surprised the audience with her singing of The Emancipated Serfs Sing Joyfully.In 1964,at the large-scale song and dance epic The East Is Red,her solo Singing a Mountain Song for the Communist Party again overwhelmed the audience.Her singing is pure,simple,emotional and sweet.and the tunes flow cheerfully like the Yarlung Zangbo River.From that time on,the serf-展开更多
Folk songs and dances originated from people's sacrificial activities in the struggle against nature in the primitive society.Their origins are related to the ideology and living environment of the people at that ...Folk songs and dances originated from people's sacrificial activities in the struggle against nature in the primitive society.Their origins are related to the ideology and living environment of the people at that period of time.These activities were expressed in the form of primitive songs and dances,and gradually evolved into folk songs and dances.The gar pa song and dance from Diebu,in Gannan region,is a unique song and dance of a Tibetan region on the eastern edge of Qinghai-Tibet Plateau.Its content and form are unique.It still retains the original trinity feature which includes poem,music,and dance.The production of songs and dances contains rich cultural connotations and unique local characteristics.This article elaborates the characteristics of Diebu's gar pa song and dance in terms of its music and performance form.展开更多
Lively oldest forms of women art in Central Asia came up to the present day through the traditions of "ustoz-shogird" (teacher-pupil). In particular, wall painting, sculptures, and evidence of women's work in Ami...Lively oldest forms of women art in Central Asia came up to the present day through the traditions of "ustoz-shogird" (teacher-pupil). In particular, wall painting, sculptures, and evidence of women's work in Amir Temur, Ulugbek, and Zakhiriddin Muhammad government describe a variety of women's roles in art. The women's art of Yallachi was also developed in Bukhara, Khorezm, and Kokand khanates time as a unique way. As a result, the Uzbek Yalla genre was established in the art of music. The tradition of Yallachi art continues today. In this context this art is more effective in the light of forms of music展开更多
Azerbaijani music has been created and polished by the people for centuries,and reflects the people’s spiritual strength,desire for freedom,ideas,and hopes.Azerbaijani music has been passed down from generation to ge...Azerbaijani music has been created and polished by the people for centuries,and reflects the people’s spiritual strength,desire for freedom,ideas,and hopes.Azerbaijani music has been passed down from generation to generation,lived in oral traditions,and Numerous types of percussion,wind and stringed instruments,which date back to long before our era,have developed and improved throughout history and formed the basis of our national musical treasury.Pearls of this treasure have served the cultural development and creative activity of our people for centuries,adorned its life and traditions(Alasgarov&Abdullayeva,1996,p.47).The role of the genius composer,publicist and public figure Uzeyir Hajibayli in the development of musical instruments,which has a prominent place in the history of the 20th century Azerbaijani national music,is unparalleled.He characterized the national musical instruments,gave their classification and sound sequence,and determined the prospects for future development.has always been distinguished by its antiquity and rich culture.Many concepts have emerged in the musical-aesthetic-concepts of antiquity and the Middle Ages,and categories of aesthetic analysis of music have been formed.Music and musical aesthetics have historically been widespread,and have shaped various socio-cultural forms in a forward-looking way.The rich musical heritage created in different periods since ancient times are undoubtedly a proof of the genetic talent inherent in every generation of the Azerbaijani people.Our national musical instruments,adapted to the emotional color,rhythm,tempo and art of Azerbaijani folk music,have passed a long historical development and brought many aspects of traditional music performance and creativity to the present day.They are one of the elements that connect the future of our musical culture with the past.Traditional music and musical instruments,which are still played today,reflect the main features of Azerbaijan’s national musical thinking and artistic creativity.Information on komuz and kilkomuz,the ancestors of stringed and plectrum musical instruments in the origin and development of Azerbaijani folk musical instruments,is also found in examples of oral folk art,in the all-Turkic monument“Kitabi-Dada Gorgud”.According to written sources,88 musical instruments,including 32 string and 23 wind instruments,were widely used in Azerbaijani performing arts.Information about this is found in the chronicles of ancient historians,in the works of medieval thinkers Safiaddin Urmavi,Abdulgadir Maragayi,Dervish Ali Changi,Qatran Tabrizi,and others on musicology.展开更多
Being the only extant matriarchal society in China,the Mosuo people are now living in the border of Yunnan and Sichuan.Under the combined influence of its unique form of society and the coexistence of diversified ethn...Being the only extant matriarchal society in China,the Mosuo people are now living in the border of Yunnan and Sichuan.Under the combined influence of its unique form of society and the coexistence of diversified ethnic groups,the Mosuo people have thus developed a unique kind of music with compatible features.In this paper,through the introduction of the“playing dance”music of Mosuo people in Yunnan,I tried to further discuss the phenomenon of compatibility in their music,so as to enhance people’s understanding of the characteristics,as well as the values of Mosuo music.展开更多
July Official God is the second batch of intangible cultural heritage list published by Gansu Provincial People’s government.The project is located in Yuzhong County,Lanzhou city.The ritual process and ritual music o...July Official God is the second batch of intangible cultural heritage list published by Gansu Provincial People’s government.The project is located in Yuzhong County,Lanzhou city.The ritual process and ritual music of“July Official God”are the main contents of this folk cultural space activity,which are closely connected and indispensable.Therefore,the study of ritual music is also one of the work of intangible cultural heritage protection.The combination of ritual music research and intangible cultural heritage protection will be one of the important orientations of future ritual music research.展开更多
文摘The aim is to examine how the musical work of Roberto Carlos was mobilized in the danceshow“The songs you danced for me”.The contact between the songs and the contemporary dance defined different meanings.The results indicate that such contact reaffirms romantic love and the heroism of the protagonist,but also opens possibilities for relationships that escape from the heteronormative romantic ideal.
文摘In this paper, Dong ethnic minority's folk customs and aesthetic psychology are understood from the perspective of the nationality culture reflected in Dong song and dance "Duoye" so as to excavate the nationality spirit, and also the connotation and spiritual foundation of the humanity structure are explored, in which the dignified history, rich nationality characteristics, and elegant artistic quality are integrated together, for the purpose of inheriting the traditional culture and continuously innovating and developing the nationality culture.
文摘E STABLISHED in 1960the Nanjing Song and DanceEnsemble is a performancetroupe with a Southern Chinesestyle specializing in dance, vocal music, instrumental music,ballad-ry and stage design.At present,the troupe has 110 actors andactresses with an avrage ageof 32.Since it was set up, the en-semble has performed activelythroughout China,frorm the eastto the west and the north to thesouth.During its long Period ofexperimentation with art,it hascreated a large repertoire wom-en’s solo dances,such as Jasmineand sweet Flowers;pas de deux。
文摘Singer Tseten DronmaIn October 1959,at the grand per-formance celebrating the tenth anniv-ersary of the founding of the People’s Republic in Beijing,a young Tibetan singer surprised the audience with her singing of The Emancipated Serfs Sing Joyfully.In 1964,at the large-scale song and dance epic The East Is Red,her solo Singing a Mountain Song for the Communist Party again overwhelmed the audience.Her singing is pure,simple,emotional and sweet.and the tunes flow cheerfully like the Yarlung Zangbo River.From that time on,the serf-
文摘Folk songs and dances originated from people's sacrificial activities in the struggle against nature in the primitive society.Their origins are related to the ideology and living environment of the people at that period of time.These activities were expressed in the form of primitive songs and dances,and gradually evolved into folk songs and dances.The gar pa song and dance from Diebu,in Gannan region,is a unique song and dance of a Tibetan region on the eastern edge of Qinghai-Tibet Plateau.Its content and form are unique.It still retains the original trinity feature which includes poem,music,and dance.The production of songs and dances contains rich cultural connotations and unique local characteristics.This article elaborates the characteristics of Diebu's gar pa song and dance in terms of its music and performance form.
文摘Lively oldest forms of women art in Central Asia came up to the present day through the traditions of "ustoz-shogird" (teacher-pupil). In particular, wall painting, sculptures, and evidence of women's work in Amir Temur, Ulugbek, and Zakhiriddin Muhammad government describe a variety of women's roles in art. The women's art of Yallachi was also developed in Bukhara, Khorezm, and Kokand khanates time as a unique way. As a result, the Uzbek Yalla genre was established in the art of music. The tradition of Yallachi art continues today. In this context this art is more effective in the light of forms of music
文摘Azerbaijani music has been created and polished by the people for centuries,and reflects the people’s spiritual strength,desire for freedom,ideas,and hopes.Azerbaijani music has been passed down from generation to generation,lived in oral traditions,and Numerous types of percussion,wind and stringed instruments,which date back to long before our era,have developed and improved throughout history and formed the basis of our national musical treasury.Pearls of this treasure have served the cultural development and creative activity of our people for centuries,adorned its life and traditions(Alasgarov&Abdullayeva,1996,p.47).The role of the genius composer,publicist and public figure Uzeyir Hajibayli in the development of musical instruments,which has a prominent place in the history of the 20th century Azerbaijani national music,is unparalleled.He characterized the national musical instruments,gave their classification and sound sequence,and determined the prospects for future development.has always been distinguished by its antiquity and rich culture.Many concepts have emerged in the musical-aesthetic-concepts of antiquity and the Middle Ages,and categories of aesthetic analysis of music have been formed.Music and musical aesthetics have historically been widespread,and have shaped various socio-cultural forms in a forward-looking way.The rich musical heritage created in different periods since ancient times are undoubtedly a proof of the genetic talent inherent in every generation of the Azerbaijani people.Our national musical instruments,adapted to the emotional color,rhythm,tempo and art of Azerbaijani folk music,have passed a long historical development and brought many aspects of traditional music performance and creativity to the present day.They are one of the elements that connect the future of our musical culture with the past.Traditional music and musical instruments,which are still played today,reflect the main features of Azerbaijan’s national musical thinking and artistic creativity.Information on komuz and kilkomuz,the ancestors of stringed and plectrum musical instruments in the origin and development of Azerbaijani folk musical instruments,is also found in examples of oral folk art,in the all-Turkic monument“Kitabi-Dada Gorgud”.According to written sources,88 musical instruments,including 32 string and 23 wind instruments,were widely used in Azerbaijani performing arts.Information about this is found in the chronicles of ancient historians,in the works of medieval thinkers Safiaddin Urmavi,Abdulgadir Maragayi,Dervish Ali Changi,Qatran Tabrizi,and others on musicology.
文摘Being the only extant matriarchal society in China,the Mosuo people are now living in the border of Yunnan and Sichuan.Under the combined influence of its unique form of society and the coexistence of diversified ethnic groups,the Mosuo people have thus developed a unique kind of music with compatible features.In this paper,through the introduction of the“playing dance”music of Mosuo people in Yunnan,I tried to further discuss the phenomenon of compatibility in their music,so as to enhance people’s understanding of the characteristics,as well as the values of Mosuo music.
文摘July Official God is the second batch of intangible cultural heritage list published by Gansu Provincial People’s government.The project is located in Yuzhong County,Lanzhou city.The ritual process and ritual music of“July Official God”are the main contents of this folk cultural space activity,which are closely connected and indispensable.Therefore,the study of ritual music is also one of the work of intangible cultural heritage protection.The combination of ritual music research and intangible cultural heritage protection will be one of the important orientations of future ritual music research.