Once there lived a very old peasant in a village. His name was Jack.He had a horse.It was almost as old as him. One day he set off with his young son to sell the horse before it died.They walked because the father did...Once there lived a very old peasant in a village. His name was Jack.He had a horse.It was almost as old as him. One day he set off with his young son to sell the horse before it died.They walked because the father did not want the horse to be too tired. They met two neighbours (邻居)on their way.The neighbours said, "Hello,why are展开更多
This paper examines the filming practice of Zhang Yimou’s Shadow(2018)in the context of Chinese culture and from the perspectives of contemporary gender theories.It argues that Shadow constructs a male-dominated patr...This paper examines the filming practice of Zhang Yimou’s Shadow(2018)in the context of Chinese culture and from the perspectives of contemporary gender theories.It argues that Shadow constructs a male-dominated patriarchal culture and a patricide allegory of the Father and Son structure of power in palace intrigues.Furthermore,it is a history of the acts that the Son takes to get the Father’s woman,absolve the tyrannical Father’s threat of castration and attain the supreme power.To suit the motif of palace intrigues,Zhang adopts quasi-back-and-white palette to create stunning visuals like traditional Chinese ink paintings.He also constructs a web-narrative of dualities around the yin-yang paradigm,the taichi diagram in particular.The film’s central gender relationship is a triangular one,in which Woman is positioned between the Father/the master and the Son/his“shadow”.Woman is marginalized in the film.She is not represented as the central subject,but as the object of sacrifice who functions to satisfy male desire and construct male subjectivity and sexuality.Moreover,the film explores how toxic and violent Chinese masculinity can become when it deviates from wen-wu prowess.Thus,Shadow becomes a violent movie that intensifies the viewer’s experience of violence as the Son/the“shadow”must be absolutely brutal and ruthless in order to slay the Father/the master and create new order.展开更多
Although the figure of the father has progressively gained a </span><span style="font-family:Verdana;">place in birth</span><span style="font-family:Verdana;">, it is still ...Although the figure of the father has progressively gained a </span><span style="font-family:Verdana;">place in birth</span><span style="font-family:Verdana;">, it is still displaced and in the mere role of a companion. Objective: To understand the experience of fathers who have prepared to get actively involved in birth and to undergo the experience of early physical contact with their newborns. Method: A qualitative Action-Research (AR) design was carried out, which considered the antenatal educational intervention of 12 fathers together with their pregnant partners. After delivery, individual interviews were conducted </span><span style="font-family:Verdana;">in depth</span><span style="font-family:Verdana;"> to collect the paternal experience at birth. Results: The central emerging theme developed during AR was “</span><i><span style="font-family:Verdana;">Paternal role and early bonding with the child</span></i><span style="font-family:Verdana;">”, whereas the experience was comprehended in two central themes related to the meaning of the father-child encounter-contact: “</span><i><span style="font-family:Verdana;">The impact of the face-to-face encounter with the child</span></i><span style="font-family:Verdana;">”;“</span><i><span style="font-family:Verdana;">The first physical contact with the child</span></i><span style="font-family:Verdana;">,</span><i><span style="font-family:Verdana;"> a key moment</span></i><span style="font-family:Verdana;">”. Conclusion: The fathers who were prepared and involved from pregnancy and at birth attribute a special meaning to the father-child relationship which generated since the first encounter, allowing them to feel, enjoy and commit to </span><span style="font-family:Verdana;">care</span><span style="font-family:Verdana;">.展开更多
The novel I vecchi e i giovani has been the object of numerous critical interpretations,including those of Leonardo Sciascia,Gaetano Trombatore,and Massimo Onofri,in particular.Taking as its starting point Pirandello...The novel I vecchi e i giovani has been the object of numerous critical interpretations,including those of Leonardo Sciascia,Gaetano Trombatore,and Massimo Onofri,in particular.Taking as its starting point Pirandello’s phrase,“la gioventùsacrificata potrebbe dare un crollo a questa oltracotante oppressione dei vecchi e prendersi finalmente uno sfogo e affermarsi vittoriosa”and applying Freudian principles,this work seeks primarily to highlight the autobiographical element that is expressed in the father/son,Luigi/Stefano,and Lando Laurentano/Stefano Landi relationships.展开更多
The Swing, written by Mary Gavell, relates the pain of an aging mother, who is comforted by her childhood son's returning to the family swing at night. The story is mixed with magic and reality, filled with magic ...The Swing, written by Mary Gavell, relates the pain of an aging mother, who is comforted by her childhood son's returning to the family swing at night. The story is mixed with magic and reality, filled with magic symbols and implied with magical feminism themes. By employing magical realism, Mary Gavell portrays the loneliness of an elder woman and creates for her a magical world where she could freely express herself.展开更多
This paper examines the human relational patterns presented in the philosophical writings of the Confucian thinker Dai Zhen (戴震1724-77) and the Jewish philosopher Emmanuel Levinas’s (1906-95) Totality and Infinity ...This paper examines the human relational patterns presented in the philosophical writings of the Confucian thinker Dai Zhen (戴震1724-77) and the Jewish philosopher Emmanuel Levinas’s (1906-95) Totality and Infinity to uncover the ethical significance of the father-son relationship. I argue that for both thinkers the father-son relation is not just one type of human relationship among other social dyads, but rather, of greater significance, serves as the paradigmatic model of the ethical human relationship in bringing to light the idea of the ethical self as a responsible being in relation to others.展开更多
采用问卷法对3056名青少年进行调查研究,考察了学校氛围对青少年病理性网络游戏使用(Pathological online game use,POGU)的影响,同时考察了学校参与在其中的中介作用,以及该过程是否受到父子关系或母子关系的调节。结果发现:(1)在控制...采用问卷法对3056名青少年进行调查研究,考察了学校氛围对青少年病理性网络游戏使用(Pathological online game use,POGU)的影响,同时考察了学校参与在其中的中介作用,以及该过程是否受到父子关系或母子关系的调节。结果发现:(1)在控制了性别、年龄、父母受教育水平、亲子关系、家庭收入和冲动性后,学校氛围对POGU仍具有显著的负向预测作用;(2)学校氛围不仅可以直接负向预测POGU,还可以通过影响学校参与进而间接预测青少年POGU;(3)母子关系显著调节学校氛围对学校参与的影响,而父子关系显著调节学校参与对青少年POGU的作用。总之,在学校氛围影响青少年POGU的过程中,既存在中介效应,又存在调节效应。实际干预时,可以通过提高学校参与降低青少年POGU,父子关系和母子关系可以进一步调节该过程。展开更多
文摘Once there lived a very old peasant in a village. His name was Jack.He had a horse.It was almost as old as him. One day he set off with his young son to sell the horse before it died.They walked because the father did not want the horse to be too tired. They met two neighbours (邻居)on their way.The neighbours said, "Hello,why are
文摘This paper examines the filming practice of Zhang Yimou’s Shadow(2018)in the context of Chinese culture and from the perspectives of contemporary gender theories.It argues that Shadow constructs a male-dominated patriarchal culture and a patricide allegory of the Father and Son structure of power in palace intrigues.Furthermore,it is a history of the acts that the Son takes to get the Father’s woman,absolve the tyrannical Father’s threat of castration and attain the supreme power.To suit the motif of palace intrigues,Zhang adopts quasi-back-and-white palette to create stunning visuals like traditional Chinese ink paintings.He also constructs a web-narrative of dualities around the yin-yang paradigm,the taichi diagram in particular.The film’s central gender relationship is a triangular one,in which Woman is positioned between the Father/the master and the Son/his“shadow”.Woman is marginalized in the film.She is not represented as the central subject,but as the object of sacrifice who functions to satisfy male desire and construct male subjectivity and sexuality.Moreover,the film explores how toxic and violent Chinese masculinity can become when it deviates from wen-wu prowess.Thus,Shadow becomes a violent movie that intensifies the viewer’s experience of violence as the Son/the“shadow”must be absolutely brutal and ruthless in order to slay the Father/the master and create new order.
文摘Although the figure of the father has progressively gained a </span><span style="font-family:Verdana;">place in birth</span><span style="font-family:Verdana;">, it is still displaced and in the mere role of a companion. Objective: To understand the experience of fathers who have prepared to get actively involved in birth and to undergo the experience of early physical contact with their newborns. Method: A qualitative Action-Research (AR) design was carried out, which considered the antenatal educational intervention of 12 fathers together with their pregnant partners. After delivery, individual interviews were conducted </span><span style="font-family:Verdana;">in depth</span><span style="font-family:Verdana;"> to collect the paternal experience at birth. Results: The central emerging theme developed during AR was “</span><i><span style="font-family:Verdana;">Paternal role and early bonding with the child</span></i><span style="font-family:Verdana;">”, whereas the experience was comprehended in two central themes related to the meaning of the father-child encounter-contact: “</span><i><span style="font-family:Verdana;">The impact of the face-to-face encounter with the child</span></i><span style="font-family:Verdana;">”;“</span><i><span style="font-family:Verdana;">The first physical contact with the child</span></i><span style="font-family:Verdana;">,</span><i><span style="font-family:Verdana;"> a key moment</span></i><span style="font-family:Verdana;">”. Conclusion: The fathers who were prepared and involved from pregnancy and at birth attribute a special meaning to the father-child relationship which generated since the first encounter, allowing them to feel, enjoy and commit to </span><span style="font-family:Verdana;">care</span><span style="font-family:Verdana;">.
文摘The novel I vecchi e i giovani has been the object of numerous critical interpretations,including those of Leonardo Sciascia,Gaetano Trombatore,and Massimo Onofri,in particular.Taking as its starting point Pirandello’s phrase,“la gioventùsacrificata potrebbe dare un crollo a questa oltracotante oppressione dei vecchi e prendersi finalmente uno sfogo e affermarsi vittoriosa”and applying Freudian principles,this work seeks primarily to highlight the autobiographical element that is expressed in the father/son,Luigi/Stefano,and Lando Laurentano/Stefano Landi relationships.
文摘The Swing, written by Mary Gavell, relates the pain of an aging mother, who is comforted by her childhood son's returning to the family swing at night. The story is mixed with magic and reality, filled with magic symbols and implied with magical feminism themes. By employing magical realism, Mary Gavell portrays the loneliness of an elder woman and creates for her a magical world where she could freely express herself.
文摘This paper examines the human relational patterns presented in the philosophical writings of the Confucian thinker Dai Zhen (戴震1724-77) and the Jewish philosopher Emmanuel Levinas’s (1906-95) Totality and Infinity to uncover the ethical significance of the father-son relationship. I argue that for both thinkers the father-son relation is not just one type of human relationship among other social dyads, but rather, of greater significance, serves as the paradigmatic model of the ethical human relationship in bringing to light the idea of the ethical self as a responsible being in relation to others.
文摘采用问卷法对3056名青少年进行调查研究,考察了学校氛围对青少年病理性网络游戏使用(Pathological online game use,POGU)的影响,同时考察了学校参与在其中的中介作用,以及该过程是否受到父子关系或母子关系的调节。结果发现:(1)在控制了性别、年龄、父母受教育水平、亲子关系、家庭收入和冲动性后,学校氛围对POGU仍具有显著的负向预测作用;(2)学校氛围不仅可以直接负向预测POGU,还可以通过影响学校参与进而间接预测青少年POGU;(3)母子关系显著调节学校氛围对学校参与的影响,而父子关系显著调节学校参与对青少年POGU的作用。总之,在学校氛围影响青少年POGU的过程中,既存在中介效应,又存在调节效应。实际干预时,可以通过提高学校参与降低青少年POGU,父子关系和母子关系可以进一步调节该过程。