两汉之际,佛教向东传入中国,随着北魏云冈石窟的开凿,希腊、罗马、波斯、中西亚以及印度艺术在拓跋鲜卑族人建构民族精神的崇高使命下逐步汇入中华民族传统文化,在印度佛教中国化的历史进程中熠熠生辉。其中,印度犍陀罗、笈多艺术在云...两汉之际,佛教向东传入中国,随着北魏云冈石窟的开凿,希腊、罗马、波斯、中西亚以及印度艺术在拓跋鲜卑族人建构民族精神的崇高使命下逐步汇入中华民族传统文化,在印度佛教中国化的历史进程中熠熠生辉。其中,印度犍陀罗、笈多艺术在云冈建造中的深刻烙印,是东西文明交融的域外元素典型。Abstract:Buddhism came eastwards to China during the Han Dynasty,with the excavation of Yungang Grottoes in Northern Wei Dynasty,the arts of Greece, Rome, Persia, Central and Western Asia, and India, under the lofty mission of Tuoba Xianbei people constructing the national spirit,gradually into the traditional culture of the Chinese nation ,shining in the course of the Chinese history of Buddhism in India.Among them,the art of Gandhara and Gupta in India ,having left a deep impression on the construction of the Yungang,is a blending of eastern and Western civilization of the typical foreign elements.展开更多
文摘两汉之际,佛教向东传入中国,随着北魏云冈石窟的开凿,希腊、罗马、波斯、中西亚以及印度艺术在拓跋鲜卑族人建构民族精神的崇高使命下逐步汇入中华民族传统文化,在印度佛教中国化的历史进程中熠熠生辉。其中,印度犍陀罗、笈多艺术在云冈建造中的深刻烙印,是东西文明交融的域外元素典型。Abstract:Buddhism came eastwards to China during the Han Dynasty,with the excavation of Yungang Grottoes in Northern Wei Dynasty,the arts of Greece, Rome, Persia, Central and Western Asia, and India, under the lofty mission of Tuoba Xianbei people constructing the national spirit,gradually into the traditional culture of the Chinese nation ,shining in the course of the Chinese history of Buddhism in India.Among them,the art of Gandhara and Gupta in India ,having left a deep impression on the construction of the Yungang,is a blending of eastern and Western civilization of the typical foreign elements.
