The Three Kingdoms Culture is regarded as the most influential part in the colorful traditional cultures of Chengdu. In this paper, the relationship between the Three Kingdoms Culture and the City of Chengdu is discus...The Three Kingdoms Culture is regarded as the most influential part in the colorful traditional cultures of Chengdu. In this paper, the relationship between the Three Kingdoms Culture and the City of Chengdu is discussed in three respects based on the definition of Three Kingdoms:(1) Chengdu is the core of the original culture of the Three Kingdoms;(2) it is the center for inheritance of the Culture;(3) it is the research center of the Culture. The research of the Three Kingdoms Culture is a topic worth considering in the process of Chengdu's growing into an International metropolis.展开更多
According to the research of Wen Jun and Li Peijia, this paper examins the articles and treatises regarding the English translations of Romance of the Three Kingdoms in China in the past five years. It is divided into...According to the research of Wen Jun and Li Peijia, this paper examins the articles and treatises regarding the English translations of Romance of the Three Kingdoms in China in the past five years. It is divided into four sections: Summary, Language, Literature and Culture. We point out the existing problems of the current studies;limited in traditional linguistic levels, leaning to the translation of Moss Roberts, neglecting the study of non-cover-to-cover translations, revelry at home and coldness abroad. Besides, we put forward the translation studies of Romance of the Three Kingdoms based on comparative literature to fill the gaps in the current research. The translation study of comparative literature pays attention to four aspects;literary translations and translated literature, cover-to-cover translations and non-cover-to-cover translations, C.H. Brewitt-Taylor and Moss Roberts, domestic and overseas.展开更多
本文以两位汉学家伊维德和奚如谷的合译本《三国志平话》(Records of the Three Kingdoms in Plain Language)为研究对象,从译者行为批评理论的视角考察翻译内在生成性赋予《三国志平话》英译本的生命活力。研究发现,在翻译内层面,译文...本文以两位汉学家伊维德和奚如谷的合译本《三国志平话》(Records of the Three Kingdoms in Plain Language)为研究对象,从译者行为批评理论的视角考察翻译内在生成性赋予《三国志平话》英译本的生命活力。研究发现,在翻译内层面,译文求语言之真,重塑了原文本的叙事风格;在翻译外层面,译者通过学术性序言、大量的注释和参考文献拓展了学术空间,从而实现了学者型译者务西方汉学研究之实。作为学术性翻译的典范,该译本为中西学术的平等对话与三国系列文学艺术的多元传播提供了契机。展开更多
文摘The Three Kingdoms Culture is regarded as the most influential part in the colorful traditional cultures of Chengdu. In this paper, the relationship between the Three Kingdoms Culture and the City of Chengdu is discussed in three respects based on the definition of Three Kingdoms:(1) Chengdu is the core of the original culture of the Three Kingdoms;(2) it is the center for inheritance of the Culture;(3) it is the research center of the Culture. The research of the Three Kingdoms Culture is a topic worth considering in the process of Chengdu's growing into an International metropolis.
文摘According to the research of Wen Jun and Li Peijia, this paper examins the articles and treatises regarding the English translations of Romance of the Three Kingdoms in China in the past five years. It is divided into four sections: Summary, Language, Literature and Culture. We point out the existing problems of the current studies;limited in traditional linguistic levels, leaning to the translation of Moss Roberts, neglecting the study of non-cover-to-cover translations, revelry at home and coldness abroad. Besides, we put forward the translation studies of Romance of the Three Kingdoms based on comparative literature to fill the gaps in the current research. The translation study of comparative literature pays attention to four aspects;literary translations and translated literature, cover-to-cover translations and non-cover-to-cover translations, C.H. Brewitt-Taylor and Moss Roberts, domestic and overseas.
文摘本文以两位汉学家伊维德和奚如谷的合译本《三国志平话》(Records of the Three Kingdoms in Plain Language)为研究对象,从译者行为批评理论的视角考察翻译内在生成性赋予《三国志平话》英译本的生命活力。研究发现,在翻译内层面,译文求语言之真,重塑了原文本的叙事风格;在翻译外层面,译者通过学术性序言、大量的注释和参考文献拓展了学术空间,从而实现了学者型译者务西方汉学研究之实。作为学术性翻译的典范,该译本为中西学术的平等对话与三国系列文学艺术的多元传播提供了契机。
