Evolution of Handicraft Industries in the Textile Sector in Saudi Arabia: A Comprehensive Analysis of Trends and Innovations

This review explores the evolution of the textile handicraft industry in Saudi Arabia, emphasizing its cultural and economic significance. The study highlights the transition from traditional practices to modern innovations and examines the impact of globalization and technological advancements on the industry. Key innovations are discussed, demonstrating their role in enhancing textile production while preserving cultural heritage. Major challenges, such as competition from industrial textiles and the need for sustainable practices, are identified. Opportunities for growth are explored, including leveraging tourism and international markets to promote Saudi handicrafts. The social and cultural impacts of the sector are underscored, particularly in sustaining community traditions and providing economic opportunities for artisans. Strategic recommendations for supporting and advancing the industry are offered, ensuring its continued relevance and sustainability in a rapidly changing global market. This analysis provides a robust framework for understanding the current state and future potential of Saudi Arabia’s textile handicraft industry.

The Impact of Handicrafts on the Promotion of Cultural and Economic Development for Students of Art Education in Higher Education

This paper studies the impact of handicrafts on the promotion of cultural and economic development for students of art education in higher education through handicrafts based on local customs and traditions. Descriptive, analytical, and experimental methods are used in this research. The results of the study are expected to benefit from the results of this study to provide planners handicrafts in the Ministry of Education. An effective strategy can affect the teaching and learning of handicrafts, the protection of its features and its presence and identity. The study sample consists of 45 students of the third level, batch 2012-2013, from the faculty of Education at the University of Khartoum, Republic of the Sudan. The researchers to prepare topics for handicrafts depend on the use of local materials and units which are derived from the environment and represent the Artistic heritage that is shown through handicrafts （pottery, ceramics, calligraphy, decoration, carpet weaving and textile, sewing, embroidery, sculpture and engraving on wood, metal works, and printing works）. The researchers focuse that the students learn the value of handicrafts in terms of economic and method of production and take advantage of it to increase the income of the individual product. The results confLrms the existence of a difference in the quality and value of handicrafts for students in both groups： the experimental and control group, which confirms that the handcrafts lead to the promotion of cultural and economic development for students of art education in higher education. The researchers are recommended to consider of this topic as a main component which enables an area for further studies to develop different strategies in the field of handicrafts, for students to recognize the importance of the handicrafts value in terms of economic and method of production and take advantage of it to increase the income of the individual product.

Handicraft Technique for Making Liansi Paper

Liansi paper is a kind of traditional handmade bamboo paper produced in Yanshan County,Jiangxi Province,whose handicraft technique is listed as a national intangible cultural heritage protection project.This study conducted a field survey in Shangrao,and the main survey areas included Guangxin District and the Hekou,Goose Lake,Gexian Mountain,Tianzhu Mountain,Chenfang,and Shitang townships.Field investigators communicated with a group of intangible cultural heritage inheritors,and with their assistance,clarified the steps and processes involved in the production of Liansi paper.The handicraft technique of Liansi paper consists of five steps:chopping bamboo to make bamboo filaments,steaming bamboo filaments to make bamboo pulp,interweaving fibers into wet paper,drying wet paper,and package processing.A total of 13 processes are involved:chopping bamboo,fermentation,making bamboo filaments,soaking bamboo filaments,steaming bamboo filaments,natural bleaching,pounding bamboo filaments to make bamboo pulp,stirring pulp,adding plant mucilage,interweaving bamboo fibers into wet paper,pressing paper,drying wet paper,and package processing.

Impact of Chiapanecan Handicrafts

The purpose of this research is to study the perception of Chiapanecan handicrafts as an element of sustainable competitive advantage in the State of Chiapas, Mexico, mainly due to the tourism. Mexican handicrafts contribute to 20.3% of the Gross Domestic Product （GDP） of the cultural sector, that is, 0.6% of the National GDP. This research is quantitative, descriptive, and transversal. The sample selection was made for convenience so certain criteria could be met. In total, 70 tourists were surveyed in the handicraft commerce area. For the data retrieval, an instrument with the “Sustainability SWOT” （sSWOT） was designed, which consists of eight dimensions （trends, environmental challenges, threats, opportunities, strengths, weaknesses, which to prioritize, and where to act）. The instrument consists of 22 items with a single Likert scale ranging from 1 to 5 （1 = Null to 5 = Excellent）. The study showed that 54.29% of the tourists who visit Chiapas perceive that handicrafts have a regular impact on the small producer’s quality of life, while the remaining 45.71% point out that the impact is greater.

Hengfu Series of Pure Gold Handicrafts

The Hengfu series of 24K pure gold products, using delicate handicraft techniques and advanced technology, are made by the Gold and Silver Jew-

Tibetan Handicrafts

During a long period of historical development, Tibetan handicrafts have formed distinct national, regional and religious characteristics, closely related to the Tibetan people’s production, life, culture and religious beliefs. They have unique traditional artistic flavour, exquisite and lively national style, fine workmanship, and strong local and religious colour. Pulu is a kind of wool fabric handwoven in ordinary homes in Tibet’s regions of Shannan, Rikeze and Lhasa. Pulu is of ordinary type and fine type. Fine Pulu is

TIBETAN HANDICRAFTS IN THE STREETS OF LHASA

Since 2002, I have developed a strong affinity towards Tibet.By now, I have made 20 trips to Tibet, the shortest being 12 days,the longest 16 months. On my fifth trip, I decided to leave behind my comfortable life as a documentary filmmaker in Beijing and live semipermanently for a while in Lhasa.

HANDICRAFTS BOOST VILLAGER’S INCOME IN MAINLING

Some Tibetan people regard it as a luxury or of high class to drink tea or wine in a silver-plated wooden bowl,with such bowls mostly made in Tibet’s places of lower attitude like in eastern Nyingchi City.Known as the Tibetan medicinal world,the region’s Mainling

On the Productive Protection of Intangible Cultural Heritage in Handicrafts and Its Human Values——A Case Study of the“Wuhan Model”

Among the three methods of intangible cultural heritage （ICH） protection--salvage, integrity and productivity^--productive protection is the most complex and controversial one. Through a comprehensive analysis of legal relations, coordination mecha- nisms and modes of operation by the Wuhan Tourism Investment Group in the course of safeguarding intangible cultural heritage in handicrafts, this paper discusses the sustainable ＂Wuhan Model＂ and its human values.

Cloth Handicrafts Made by Women of Longxian County

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手工艺如何重返日常生活——以苏绣产业化为例

当下手工艺有艺术化发展的趋向,偏离了大众日常生活。与此同时,手工艺生产与消费之间存在供需不匹配的矛盾,产品的风格过时和价格高昂与消费者的预期错位。苏绣作为我国四大名绣之首,其产业化的发展经验与困境可以作为典型案例进行分析。通过前人的实践经验发现,运用省工和半机械化以提高生产效率,生产契合市场需要的“物美价适”的现代日用品,能够使大多数手艺人仍然可以以技养身,从而将技艺传承下去。因此,恰当引导手工艺的产业化之路,不失为推动技艺传承的良策。

手工艺研究的一些新思考——论非物质文化遗产的物质性与流动性

当前手工艺类非物质文化遗产研究多关注无形文化如技艺习得与技艺传承,容易忽略手工艺发展所依托的有形之物,即物质性基础的研究。人类学整体观视角下将非物质文化遗产作为一个整体,统合了物质与非物质,自然与文化。因此,研究者应对手工艺类非物质文化遗产的物质性与非物质性层面同时进行深度的考察。手工艺类非物质文化遗产作为整体性存在,还包括了流动性与可变性,它并非是凝滞的地方特色产物,其存在与发展始终伴随着与地方社会以外世界的连接与互动。

从生活品到商品:海南黎锦手工艺遗产的嬗变研究

在传统社会中,手工产品的交换或买卖主体为地方人群或地域人群共同体,呈现出遗产持有者的主体间关系;在消费社会中,以商品形态为主导的手工产品的买卖主体为地方人群共同体和外来消费群体,构建了遗产持有者与消费者的客体间关系。手工艺遗产具象化的生活品与商品既造成了对手工艺遗产认知的混乱,又对手工艺遗产存续产生了误读。从主客位角度去考察抽象化的海南黎锦在不同主体诉求下的具象化形态及其内在逻辑关系,认为手工艺品的生活态与商品态均为手工艺遗产以其所依存的社会场域为基础,以遗产持有者与社会群体需求为动力而形成的形态链,手工艺遗产不同形态的多元一体是其在消费社会中的应然态势。

传统手工艺文创产品的再设计

目的探讨传统手工艺文创产品的再设计策略,提高传统手工艺文创产品的综合水平,促进传统手工艺在文创产品设计中的应用。方法通过文献资料法、观察法、案例分析法,对中国传统手工艺所表现出的独特之处,以及当前中国传统手工艺在文创产品设计中的应用状况进行深入挖掘,并从中总结并归纳出存在的主要不足和与之相对应的再设计策略。结论传统手工艺虽然对文创设计产品具有重要的价值,但是在应用方面客观存在着一些问题。这些问题一定程度上影响了传统手工艺在文创产品设计中的应用有效性,大大降低了传统手工艺的应用效果。针对这些问题,应该对传统手工艺文创产品进行再设计——创新融入文创产品中传统手工艺的元素,丰富传统手工艺文化的渗透,注重对现代设计理念与传统美学思想进行有效结合,关注文创产品实用性的设计。

传统手工艺与现代皮革产品创意设计的融合应用研究

传统手工艺与现代皮革产品设计的融合,能够在提升皮革产品设计水平的同时,为传统手工艺提供传播性更强的载体。文章对我国传统手工艺与现代皮革产品设计融合的相互关系与思路进行分析,并以案例的形式对二者的融合应用思路进行总结,旨在为二者的融合尤其皮革产品的创意设计提供借鉴。

能指与所指在革命历史建筑文创中的设计研究

革命历史建筑是我国特殊的历史文化,蕴含特殊情感镌刻其中,是建筑技术与革命文化的体现。革命历史建筑文化面临“内涵弱化、同质化严重”等困境。因此,旨在运用能指与所指符号的设计理论与方法。将地域文化、传统手工艺与革命历史建筑融合设计,纵深内涵探索,扩宽传承路径。首先,分析能指与所指在革命历史建筑旅游类文创产品属性中的物质层与精神层价值;其次,提出能指与所指在革命历史建筑旅游类文创产品设计创新探索过程:其从能指符号的外放呈现、所指符号的内核挖掘总结创新;最后,进行黑龙江革命历史建筑元素具体的设计实践。验证上述创新设计思路的可行性与有效性,可为其他革命历史建筑旅游类文创产品提供参考。

基于人工智能的传统手工艺彝族刺绣艺术设计融合创新研究

当代的传统手工艺创作不仅要保留传统技艺和造型的精髓,亟需探索新技术带来的创新可能性。作为珍贵的民族文化遗产,彝族刺绣展现了深厚的文化、高超的技艺,更富独特的纹样和内涵,但在传承与创新方面面临挑战。人工智能技术的出现与迅速发展,为传统工艺注入了新的材料与创作方式,为丰富和更新彝族刺绣的制作流程提供了新的契机。本文结合实际案例,融合人工智能技术与彝族刺绣的再生成设计,深入分析了人工智能对刺绣创作方式和图案生成的影响,探索其与传统刺绣技艺之间的平衡与契合点的同时思考如何将技术介入并促进彝绣艺术观念的延展,为数字时代彝族刺绣的再生成设计与创作提供新的思路和实践参考。

浅析云南乌铜走银传统手工艺在文创包装中的传承运用

乌铜走银是云南特有的金属制作工艺,于2011年被国家收录到第三批国家级非物质文化遗产代表性项目名录当中。本文从乌铜走银传统手工技艺的源头出发,就其起源、文化背景、器型纹样及其工艺产生的基础条件等几方面分析,提出了纹样、工艺在文创包装中的传承运用方式。

蜡染产品数智设计技术研究热点与发展趋势

蜡染作为国家级非物质文化遗产,因其独特的艺术性和审美价值在产品设计领域受到广泛关注和应用。随着科技的快速发展,设计生成方式不断演变,数智技术在设计中的应用愈发普及。然而,当前关于蜡染产品数智设计的研究进展和未来发展趋势尚未有全面、系统的梳理。文章以文献计量分析方法为知识基础,借助VOSviewer软件对国内外相关文献进行了系统回顾及深入分析。同时,对蜡染产品数智设计进行了内涵解读,主要从文化符号提取与语义表征、基于规则的设计生成与推理、蜡染纹理与布料染色特征模拟、蜡染图案风格迁移4个研究维度开展探讨,并聚焦于其中关键技术的发展现状与趋势。通过研究旨在为蜡染产品数智设计领域建立关键技术体系,推动传统蜡染工艺的现代化转型和创新发展。

人类文明新形态创造中的民族生态文化叙事——以贵州松桃桐壳碱面为个案

人类文明新形态是中国共产党人在中国特色社会主义伟大实践中,有效遵循人与自然和谐共生逻辑形成的一种符合中国式现代化发展的文明新形态。它既是宏大的战略命题,也是微观的生活命题。人类文明新形态的创造离不开深厚的民族生态文化根基。从贵州松桃桐壳碱面的历史发源、生产流程、多元价值及其变迁、生态文明叙事逻辑研究发现,其从构思生产到加工完成实现了传统技艺与自然物之间的有效关联,是民族生态文化创造性转化与创新性发展的典型。在人类文明新形态创造的生态文化叙事中,体现为基因凝淀、价值传承、形态超越的价值演绎,是一种必要的研究范式,值得挖掘与研究,为人类文明新形态的创造提供深厚的民族生态文化基础。