With slightly curly shoulder-length black hair,a dark brown complexion and prominent facial features,Norbu Dondrup looked like just an ordinary Khampa man.It was an afternoon in June.The sunshine was a bit dazzling.We...With slightly curly shoulder-length black hair,a dark brown complexion and prominent facial features,Norbu Dondrup looked like just an ordinary Khampa man.It was an afternoon in June.The sunshine was a bit dazzling.We agreed to meet in the courtyard of Sholdo Traditional Handicraft School.Concerned that展开更多
As an important witness to the rural industry in the agricultural era,traditional handicraft villages have attracted renewed attention in the contemporary context of intangible cultural heritage protection.The dual ch...As an important witness to the rural industry in the agricultural era,traditional handicraft villages have attracted renewed attention in the contemporary context of intangible cultural heritage protection.The dual characteristics of their traditional cultural heritage and modern economic benefits make these villages an important carrier of the dynamic inheritance and development of the heritages under the background of rural revitalization.This paper takes a stonemason village of Xizhuang in Xinjiang County,Shanxi Province,as an example,and reveals the evolutionary characteristics of traditional handicraft villages in the process of transition from agricultural to industrial society from the“social-spatial”perspective.In the agricultural era,the kinship,production organization,and religious beliefs of traditional handicraft villages were closely linked under the blood relationship in a clan-based structure,forming a“social-spatial”trinity composed of“residence,production,and spirit.”In the industrial era,the development of handicraft economy results in the transformation of the“social-spatial”form of the settlement,the social structure shrank from clan control to nuclear family domination,the production space began to be stripped away from villages,the living space changed from gathered clan living to separated-family homes,and the spiritual place was transformed into public space.However,due to the inter-generational transmission of handicrafts based on blood relationship,the consanguinity community has always been the main carrier for the continuity of skills,and has become the stable foundation for maintaining the“social-spatial”form of the village.Therefore,the adaptive transition of traditional handicraft villages in the context of socio-economic transformation continues the interconnection among society,economy,and space,and presents a unique vitality and comparative stability.展开更多
This paper analyzes and summarizes the characteristics of the times, the craftsmanship and the cultural characteristics of the mud cuckoo and the folk customs possessed by the folklore. Finally, it will be combined wi...This paper analyzes and summarizes the characteristics of the times, the craftsmanship and the cultural characteristics of the mud cuckoo and the folk customs possessed by the folklore. Finally, it will be combined with contemporary jewelry design, in order to try to find the direction of the development of folk traditional handicrafts, its purpose is to explore a conducive to some local private industry creative development atmosphere, which in promoting the development of folk arts and crafts But also to give jewelry design to more rich cultural characteristics and historical implications.展开更多
文摘With slightly curly shoulder-length black hair,a dark brown complexion and prominent facial features,Norbu Dondrup looked like just an ordinary Khampa man.It was an afternoon in June.The sunshine was a bit dazzling.We agreed to meet in the courtyard of Sholdo Traditional Handicraft School.Concerned that
基金a part of the Research on the Spatial Form and Protection of Traditional Villages in Ningshao Area Based on the Theory of“Society-Space”that is supported by the National Natural Sciences Fund(No.52078228)。
文摘As an important witness to the rural industry in the agricultural era,traditional handicraft villages have attracted renewed attention in the contemporary context of intangible cultural heritage protection.The dual characteristics of their traditional cultural heritage and modern economic benefits make these villages an important carrier of the dynamic inheritance and development of the heritages under the background of rural revitalization.This paper takes a stonemason village of Xizhuang in Xinjiang County,Shanxi Province,as an example,and reveals the evolutionary characteristics of traditional handicraft villages in the process of transition from agricultural to industrial society from the“social-spatial”perspective.In the agricultural era,the kinship,production organization,and religious beliefs of traditional handicraft villages were closely linked under the blood relationship in a clan-based structure,forming a“social-spatial”trinity composed of“residence,production,and spirit.”In the industrial era,the development of handicraft economy results in the transformation of the“social-spatial”form of the settlement,the social structure shrank from clan control to nuclear family domination,the production space began to be stripped away from villages,the living space changed from gathered clan living to separated-family homes,and the spiritual place was transformed into public space.However,due to the inter-generational transmission of handicrafts based on blood relationship,the consanguinity community has always been the main carrier for the continuity of skills,and has become the stable foundation for maintaining the“social-spatial”form of the village.Therefore,the adaptive transition of traditional handicraft villages in the context of socio-economic transformation continues the interconnection among society,economy,and space,and presents a unique vitality and comparative stability.
文摘This paper analyzes and summarizes the characteristics of the times, the craftsmanship and the cultural characteristics of the mud cuckoo and the folk customs possessed by the folklore. Finally, it will be combined with contemporary jewelry design, in order to try to find the direction of the development of folk traditional handicrafts, its purpose is to explore a conducive to some local private industry creative development atmosphere, which in promoting the development of folk arts and crafts But also to give jewelry design to more rich cultural characteristics and historical implications.
