The Translation of Children's Literature under the Guidance of Reception Aesthetics

In recent years,a great majority of excellent foreign children' s literary works have sprung up in the domestic market,so the translation of children' literature are drawn much attention.However,the relevant studies which guide the translation of children literature are quite few.Reception Aesthetics which take readers reception as a goal provides a new prospective for the translation of children s literature and promote its development.

Translation of Children's Literature from the Perspective of Function Equivalence——A Case Study of Chinese Version of Charlotte's Web

Children's literature being a unique type of literary at a peripheral position,it is difficult for translators to reappear itsessence in the target text,due to the diverse cultures and language conventions.Since Functional Equivalence Theory emphasizesthe functional equivalence between ST and TL which provides a new idea and method for literary translation,the thesis makes ananalysis of the Chinese version of Charlotte's Web.This comes from the perspective of Functional Equivalence Theory so as to dis-cusses whether Functional Equivalence Theory is effective in the translation of children's literature,and how has it been em-ployed.The thesis hopes that children's literature will be paid more attention,and the prosperity of children's literature transla-tion will be promoted.

On Translation of Children’s Literature Based on Reception Aesthetics:A Case Study of The Secret Garden

Grounded in reader-centered theories,Reception Aesthetics prioritizes the active engagement and acceptance of target readers.This study examines the translation of children’s literature through the lens of Reception Aesthetics,using Li Wenjun’s rendition of The Secret Garden as a case study.The objective is to scrutinize various aspects of the translation-including vocabulary,syntax,rhetorical devices,and cultural nuances-and to discern how the adaptation and application of diverse translation strategies cater to the aesthetic expectations.

Translation Strategies of Ambiguity in English Language and Literature

The translation of English language and literary works has always been crucial for cross-cultural communication.However,a key challenge in translating such works is the accurate communication of ambiguity,which refers to expressions deliberately used in English texts with unclear meanings.These expressions are often poetic and carry deep symbols and implications,adding a unique charm to literary works.This article explores the manifestations of ambiguity in English language and literature and the translation strategies that can be employed to optimize the translation of ambiguity in the English language and literature.

Discourse Analysis in Translation of Chinese Literature: The Case Study of Yang Xianyi and Gladys Yang’s Translation of Kong Yiji

Since the early 1970s,discourse analysis has garnered significant attention across various academic disciplines,marked by the proliferation of numerous theoretical frameworks.Then the profound impact of discourse analysis on the field of translation research has become increasingly apparent,with a substantial body of translation studies embracing the discourse analysis approach.The disciplinary significance of discourse analysis has become undeniable.Contemporary China is in a relatively weak position in global cultural communication.To advance Chinese culture on the global stage,Chinese literary works serve as a precious channel.To effectively showcase the unique qualities of Chinese literature,translators must consider a multitude of influencing factors and address them judiciously to enable target language readers to fully immerse themselves in the essence of Chinese literary artistry.This paper takes Yang Xianyi and Gladys Yang’s translation of Kong Yiji as an example to elucidate the function of discourse analysis in translation of Chinese literature.

On Children's Literature Translation from the Perspective of Skopos Theory——A Case Study on Harry Potter

The translation of the children's literature,as a branch of literature bears its own distinctive features,which is an attractivefield to study.The flourishing contemporary western translation theories provide new perspectives for the translation studies.Among thetheories,Skopos theory raised by German scholars is unique.It was developed by Hans Vermeer,which has provided theoretical supportfor children's literature translation.The thesis attempts to discuss the translation of children's literature from skopos theory with a casestudy comparing the two Chinese versions of Harry Potter.This paper focuses on whether the two Chinese versions pertain to specificgroup of readers like children and whether they are attractive enough to cater to children by way of choosing simple words,sentences,etc,which underscores that Han's Vermeer skopos theory counts a lot in children's literature translation.By its guidance,the transla-tion of children's literature will arouse more children's interest.

A Study of Translation of Chinese Children's Literature in Light of Re-ception Aesthetics—A case study of Bronze and Sunflower

As an important branch of literature, children's literature is exerting a pivotal role in social education. From the perspec-tive of reception aesthetics, English version of Cao Wenxuan's work Bronze and Sunflower is studied from four aspects:horizon of expectation, indeterminacy, aesthetic distance and fusion of horizons. In reception aesthetics, target readers-children are the center of the reading. So translation methods are to satisfy children's demand. It has also been found out that there are some features for children's literature translation include using colloquial words, concise sentence structure and the combination of domestication and foreignization.

A Study on Translation of Tourism Literature-from the Perspective of Skopos Theory

Tourism literature is a window for foreigners to know China and a medium for publicizing Chinese culture.Increasing the quality of translation of tourism literature is of great significance in promoting Chinese tourisms' further development.This paper explores the strategies to deal with the translation of tourism literature,taking Skopos Theory as the theoretical base.

The Polysystem and the Translation of Children' s Literature

Polysystem Theory was developed in 1970s by Israeli scholar Itamar Even-Zohar,and was well known for its three circumstances.Children' literature,as a special branch of literature,attracts more and more research nowadays.This paper explores the process of translation of Children' s Literature in China under polysystem.

Translation Skills of Children’s Literature from the Perspective of Recep tion Theory:A Case Study of Bronze and Sunflower

With the development of society and the prosperity of Chinese literature,as a part of China’s soft power,Chinese chil dren literature is faced with the problem of international dissemination.The English version of Cao Wenxuan’s Bronze and Sunflow er won Hans Christian Andersen Award,the top award of children’s literature,which is a successful example of such dissemina tion.Therefore,the Chinese-English translation skills employed are worth studying.This paper aims to analyze the skills used to in the translation of short clauses,reiterative locution,simile,parallelism and dingzhen from the perspective of reception theory.It is found that by using such translation skills as omission,alliteration,repetition of prepositions and pronouns,and literal translation,the translator preserves and recreates the effect of the original text in ways that are more acceptable and idiomatic for the target reader.

Translation of Tourist Literature From the Perspective of Eco-translatology

This article attempts to examine the translation of tourist literature from the perspective of Eco-translatology.Throughdetailed and systematic analysis of the development and main viewpoints of Eco-translatology,the author concludes that principlesunder Eco-translatology provide a brand new framework for the study of tourist literature translation.

Error Analysis of Chinglish in Translation of Publicity Literature

Chinglish is one of the major problems affecting the quality of Chinese-English Translation.And the negative effect of Chinglish is much more serious in translation of publicity literature,which induces bad impression on our country.This paper is an attempt to discuss the causes and manifestations of Chinglish in translation of publicity literature from the perspectives of words,phrases and sentence structure with the means of error analysis.

Discussion on the Translation of Chinese Ancient Literatures

The Chinese ancient literature has a long history.More and more foreign friends give strong interest into reading and learning it.However,not all the foreign people are proficient at classical Chinese,the metre and rhyme of Chinese poems,thus,translators have to translate these words into English or other languages,which brought a discussion about whether the Chinese ancient poems can be translated or not.This paper starts from this very point,to analyze current situation of the research on Chinese ancient literatures translation,taking Chinese ancient poems as examples,to discuss this topic,and to give opinions and possible solutions.

The Poison of Polygamy:Genre of the English Translation

When the Chinese-language The Poison of Polygamy was translated into English,some critics identified the work as picaresque.Skeptical of this conclusion,the author of this paper broadens the field of inquiry to suggest classification in an emigrant sensational genre.Briefly,the first two plots of the multi-strand work unfold the adventures of Chinese emigrants travelling by sea and land to Melbourne’s Gold Mountain.Interestingly,we are also afforded a glimpse of emigrant miners’cooperation regardless of race and colour when a mine disaster occurs.The work provides sharp recognition of migrants’dilemmas,such as marriage,before tackling the bigamy issue,the gender war,the fallen lifestyle of the female protagonist and so on.As the work unfolds,further shocking tales of murders and indulgence are revealed.Unlike the picareque’s episodic style,the translated Poison of Polygamy is coherent,realistic,serious and critical,and completely lacking in both sarcasm and playfulness.To investigate the appropriateness of assigning the work to the picaresque genre,the paper compares briefly with representative Spanish picaresque works such as Lazarillo and Gusman and English canonical Moll Flanders,watching carefully for commonalities.However,The Poison of Polygamy would seem to resonate more with Braddon’s Lady Audley’s Secret,a sensational fiction which shocked the English world in the 1860s.The contexts of both novels are close,mid-Victorian and Edwardian,where the latter is a continuation of the Victorians.The author is further enlightened by research results of literary translators who advocate that a text,once translated into a target language,becomes a canon of that culture and is cherished as such by its readers-as in the case of Shakespeare being revered as a German poet when read in translation.From this experiment the paper deems that cross-lingual comparative literature is not only possible but significant and resourceful.

African Francophone Literature in China

This paper delves into the current landscape of African Francophone literature in China.It begins by tracing the history of the French language in Africa and the emergence and development of African Francophone literature,and then provides an overview of the research achievements of African Francophone literature in China,including monographs,translated literary works and academic papers,highlighting the translation and research on the key African Francophone writers.

The Renditions Series and Modern Chinese Literature’s “Going-out”: Its Model and Enlightenment of Translation, Communication and Dissemination

In the process of Chinese Literature’s “Going-out” project, it istypical of the dilemma faced by the external translation and dissemination of modernChinese literature. The Renditions Series serves as a classical case of providing aneffective model of “literature’s overseas distribution”. The successful experience of itstranslating-cum-disseminating model can be concluded as follows: all the translatorsare from China and overseas with cross-cultural background; the selection oftranslation is stylistically far-ranging among the Mainland, Taiwan and Hong Kong,and feminine literature in modern China is highly valued; translating method aims atconvoying the original literary aesthetics, and disseminating channels are manifold;the foreign recipients are common and professional readers; the eminent effects canbe proved by its considerable sales, library collections and acceptance in the targetcountries and regions. From the successful model of translation of Renditions Series,five implications can be made out for the modern Chinese literature’s “Going-global”:domestic and overseas translators cooperate well with all-round cultural identities; theselection holds onto diversification and literary character; various spreading channelsshould be broadened; target readers should be accurately located and continuouslywidened; translating and disseminating effects can be focused on and analyzed, so asto adjust and improve the corresponding sections in the model.

For Foreign-Oriented Chinese Literature Translation,What Inspirations Can Be Derived from the Carrying out of the Translation Project of the King James Version of The Bible?

Inspired by the“One Belt,One Road”initiative and the“Going Global”strategy,China has become more deeply involved in foreign exchange.The introduction of Chinese literature to the outside world has been part of China’s soft-power strategy.However,it must be acknowledged that the quality of Chinese literature translation is not satisfactory for several reasons:essentially,issues relating to project management,translators’qualifications,and translation quality control.This essay reviews the translation practice that gave rise to the King James Bible(KJB),with a focus on its project management,translators’qualifications and quality control.It is hoped that this will serve to enlighten professionals in the field of Chinese literature translation.

＂New＂ Translations of Japanese Literature： Socio-cultural Impacts on the Japanese Mind

In terms of translation theory today, the essential discussions of ＂otherness＂, coupled with the agenda of bilateral approaches to its untranslatability, are much more intense than ever. The stereotypical images of Japan as something quite alien yet enchanting in Japanese literature, in The Tale of Genji for instance, are drastically different from those in modem novels, where the experience of conflicts with the West in the course of modernization could not be ignored. Shusaku Endo＇s Silence for example, paradoxically questions the translatability of Christianity in the historical context of the Japanese mind. By reading some translated texts of Japanese literature, we come to be aware of the essential factors of＂otherness＂ inherent in Japanese culture and language which, in some socio-cultural ways, has had an interesting effect on Japanese minds. With the growing interest in ＂world literature,＂ ＂otherness＂ and ＂untranslatability＂ illuminated in the translations of Japanese literature offer a new perspective with which we can re-think our sense of history of modernization on the one hand; and re-evaluate the uniqueness of Japanese language on the other. The remarkable influence of translators whose mother tongue is not Japanese, but who have an excellent command of the language, enables a new Japanese culture to emerge. This is evident in the works of Arthur Binard, an American poet and translator, who enthusiastically criticizes the Japanese policy of atomic energy in his translations of the Japanese poems after World War II, and in the very inspiring essays on Japanese by Roger Pulvers, an Australian writer and playwright who won prizes for his translations of Kenji Miyazawa. Along with such new trend of translations of Japanese literature, how it affects the Japanese mind will be discussed.

The manipulative factors behind translated literature： A case study of the Chinese translation of The Gadfly by LI Liang-min

The Gadfly written by Irish authoress Ethel Lilian Voynich remains silent with her work in the Western world. However, after its translation and publication in China in the 1950s by LI Liang-min, it becomes a revolutionary canon and enjoys the equal popularity with some Soviet progressive revolutionary fictions which were prevailing in China. The Gadfly has enormous influence and appeal in China. It was an indubitable canon in readers＇ heart at that time. But the translated version that people read is an abridgement, which includes more than 60 deletions. It is indicated from the analysis that the canonization of The Gadfly in China is far from a casual phenomenon. Instead, it is the result of the manipulation of the prevailing ideology and poetics.

Translation of Biomedical Literature From a Perspective of Skopos Theory

The frontier studies about bio-medicine have a large blowout in recent years,so the translation of bio-medical literature is significant in terms of research.Under the guidance of Skopos theory,the authors analyze the use of different translation skills,such as,addition,omission,conversion,division,and combination,to solve the difficulties encountered in the process of translation.Such translations skills can help to overcome translation problems and achieve good communicative effect of scientific and technological texts.