A Corpus-Based Study on the Translators’Styles in the English Versions of The True Story of Ah-Q

The True Story of Ah-Q written by Lu Xun has been translated into forty different languages,making great contributions to the external dissemination of Chinese culture.This paper adopts the corpus stylistics method to analyze the translators’styles presented by William A.Lyell and Julia Lovell’s translations of Ah-Q.Based on the self-built comparable corpus of the two translations,the paper investigates and analyzes them from the lexical and sentence level.In terms of vocabulary,the translations are statistically analyzed from the standardized type-token ratio,word frequency,word length and vocabulary density;at the sentence level,the article studies the average sentence lengths and sentence complexity.The first major finding is that Lovell’s vocabulary is richer than that of Lyell,and Lovell’s average word length is longer.Also,the average sentence length of both translations exceeds the original text,and Lovell has the highest average sentence length.Secondly,Lovell prefers to use simple sentences while Lyell prefers complex sentences.Nevertheless,both of them strive to make Lu Xun’s works understandable to foreign readers,thus understanding Chinese culture better.

On Translation of Children’s Literature Based on Reception Aesthetics:A Case Study of The Secret Garden

Grounded in reader-centered theories,Reception Aesthetics prioritizes the active engagement and acceptance of target readers.This study examines the translation of children’s literature through the lens of Reception Aesthetics,using Li Wenjun’s rendition of The Secret Garden as a case study.The objective is to scrutinize various aspects of the translation-including vocabulary,syntax,rhetorical devices,and cultural nuances-and to discern how the adaptation and application of diverse translation strategies cater to the aesthetic expectations.

Cultural Identity and Translator's Style: Case Study of Translation of Tea Relevant Acts in Hong Lou Meng

From the methodological perspective, the thesis summarized leisure tea act, judging-time tea act to map translator's style. Through investigations on all these, the thesis succeeded in confirming the translator's styles and pinpointing cultural identity as essential factors influencing their styles. Hopefully, this could help to provide a new angle of view to make research on translator's style. Moreover, the thesis wishes that with analysis of tea culture in Hong Lou Meng the translation of tea relevant acts receive greater priority in the Chinese Classics Translation.

Translator Stylistics:A Corpus Analysis of Two English Translations of Traditional Chinese Medicine Classic Da Sheng Bian

Da Sheng Bian,a significant work on obstetrics and gynecology that emerged in the early Qing Dynasty,was initially published as“A Treatise on Midwifery”in 1842 by William Lockhart,a British missionary to China.In 1894,John G.Kerr,an American missionary,translated the text as“The Tat Shang Pin”.This paper conducts a comparative study of the two English translations using a self-constructed English-Chinese parallel corpus of Da Sheng Bian.The study explores the translation styles of the two translators by examining the token-types ratio and frequency at the lexical level,mean sentence length at the syntactic level,and the use of conjunctions at the discourse level.The observed differences in translation styles between the two translations are analyzed in relation to the translators’backgrounds and translation strategies.

A Comparative Study of the Translator’s Style——A Corpus-based Case Study of Lianghuiwang

This present study explores the translators＇ sWle by comparing the linguisticfeatures of two English versions of Lianghuiwang of Mencius translated by both native andnonnative translators at the lexical and the syntactic level respectively. The findings indicatethat the Chinese translator,Wu Guozhen, takes a more target - reader oriented style by payingnlore attention to the vocabulary richness and structural variety. In contrast, the Americantranslator, Bloom,is more source - text centered by following the vocabulary choice and wordorder of the source text more closely. The analysis of the translated text through the corpus canobjectively,systematically,and effectively reveal the linguistic features of the translation text,thus reveal the translator＇s style. The method and findings of the present study can shed somelight on the English translation theory and practice of the Chinese classics in the new era.

Wmatrix-based Study of Translator's Style——A Case Analysis of Two English Versions of The True Story of Ah Q

With the help of Wmatrix, this paper attempts to compare and analyze the the two English versions from the level of word frequency, POS, semantic domain to differentiate the translator's style. It's found that the translation inside is characterized by diversified words, verbalization and foreignization, whereas the translation outside is featured as simple words, nominalization,and explicitation.

对The Translator's Invisibility汉译本几处译文的商榷

汉译本《译者的隐形:翻译史论》(The translator's invisibility:A history of translation)对韦努蒂翻译思想和理念的引进和推广起到了很大的作用。然而,其中部分译文存在着对原文词义、搭配、句法结构、跨文化知识背景的理解错误以及遣词造句等方面的问题,与原文的本义有较大出入,容易引起读者误解,值得商榷。本文列出其中几例存疑译文,条分缕析,指出其失误所在,并提出参考译文,以供对比。

On the Gender Difference of Translator's Subjectivity in Literary Translation

Translation is an activity aimed at transferring the source language to the target language,related to many aspects involving culture,society,history and so on.The translator plays a critical role in translation practice.Xu Jun considers"translator’s subjectivity should be reflected to be artistic personal consciousness in translated works."Translator’s differences in age,gender,personal traits,educational level and other aspects make translation artistry completely divergent.Therefore,translator’s subjectivity shoulders great significances on the success of literary translation,which isn’t arbitrary,out of control,must be conducted in line with essence of the original work.This paper focuses on the gender difference of translator’s subjectivity in literary translation,hoping to find a way of eliminating the influence of it in the translation work.

On the Study of the Translator's Position in Traditional Translation Theories

In traditional translation theories, the author and the translator, the original text and the translated text are in the binary oppositions. Both author-centeredness and text-centeredness are in authoritative positions. Moreover, there are some incorrect viewpoints about the translator's position in the traditional translation theories. In this case, this paper will analyze the translator's position in the traditional translation theories comprehensively.

Translator's Subjectivity in Science and Technology Translation

Science and technology translation involves various industries and professions,with its own system of terminology and unique language features.For a translator,who is not a professional scientist or technician,it seems to be difficult to do science and technology translation accurately and properly.Consequently,it is necessary for the translator to give play to his subjectivity when translating science and technology documents or related interpretation:searching for related data to replenish necessary professional knowledge,consulting with professional technicians actively to clarify the jargon and common sayings,and thinking critically to scrutiny the source text.

On Translation of Style

The translator is expected to possess his own style but should restrict it to limitations within that of the original,for style is a very personal property of the author,and to represent this property,the translator cannot do without creativity and creativity is per se a kind of style.Therefore,the representation of style in foregrounding translation is to exert creativity as much as possible to re-create beauty.

On The Style Translation of Eileen Chang'S Red Rose, White Rose

Reproducing the style of the original text plays an important role in bringing out the esthetic value in the target text.Inspired by Liu Miqing's papers on style translation, the paper analyzes the translation of Red Rose, White Rose, Eileen Chang's el oquent and evocative novella to assess whether or not style is reproduced accurately and properly in Kingsbury's translation.

The English Translation of Lunyu and the Dissemination of the Confucian Culture

As one of the carriers of Confucian culture,and from ancient times to the present,Lunyu or The Analects or The Analects of Confucius,has been well received by readers at home and abroad,and there are more and more English translations of Lunyu.This article will select some of the vocabulary translations with ancient Chinese characteristics in Lunyu as the object,employ the method of a comparative analysis to explore the cultural connotation behind the text and the dissemination of the translation,and discuss the translator’s translation strategies.Judging from the research on The Analects by scholars from home and abroad and the opening and development of overseas Confucius Institutes,Lunyu has exerted an enlightenment effect in different times.

Theoretical Transplantation into Translation Studies——An Analysis on the Pragmatic Application of Hofstede’s

The deepening process of globalization has given rise to restless cultural exchanges among people from different regions of the world through newspapers,books,and other written media.However,the significant differences in languages and cultures have become an insurmountable gap in intercultural communication.To lubricate cultural exchanges,new translation theories that focus on the transformation of different cultural concepts shall be introduced and adopted.This paper aims to extract applicable notions from Hofstede’s Cultural Dimensions for pragmatic translation studies by laying emphasis on its pragmatic value through case study.By such theoretical transplantation,valuable suggestions are proposed to tackle cultural misunderstandings and conflicts encountered amid cultural exchanges.

The English Subtitle Translation of Quanzhou’s World Heritage Application Documentary: A Frame Theory Perspective

Based on Fillmore’s frame theory, this paper examines the translator’s cognitive frame operation in the English subtitle translation of Quanzhou’s World Heritage application documentary. It analyzes and discusses how the translator maximizes translation effect between the source language and the target language, so as to enhance the readability of documentary subtitles and promote the spread of traditional Chinese culture. The findings are as follows: Firstly, in the translation process, the frame operations used by the translator include frame correspondence, intra-frame operations, frame replacement, frame perspective shift and frame transplantation. Secondly, cultural documentaries are full of culture-loaded words, for which the translator usually uses frame transplantation. Thirdly, due to the instantaneous nature of subtitles, intra-frame operations and frame replacement are applied in terms of cultural background of the target language audience. Besides, in order to enhance the audience’s reading experience, there may be some changes of narrative perspective in the English translation of cultural documentaries.

Functions and Benefits of SDL Translator's Workbench 2007

Nowadays more and more translators are trying to use machine to help their translation work.Translator's Workbench is a tool of machine translation.In this essay,I will explore functions and benefits of Translator's workbench 2007 with the theory of MT and TM.

A Survey of English Translation Studies of Lu You’s Poetry Based on the Data Analysis of Domestic Academic Journals (2001-2022)

This article presents a comprehensive analysis of the current state of research on the English translation of Lu You’s poetry, utilizing a data sample comprising research papers published in the CNKI Full-text Database from 2001 to 2022. Employing rigorous longitudinal statistical methods, the study examines the progress achieved over the past two decades. Notably, domestic researchers have displayed considerable interest in the study of Lu You’s English translation works since 2001. The research on the English translation of Lu You’s poetry reveals a diverse range of perspectives, indicating a rich body of scholarship. However, several challenges persist, including insufficient research, limited translation coverage, and a noticeable focus on specific poems such as “Phoenix Hairpin” in the realm of English translation research. Consequently, there is ample room for improvement in the quality of research output on the English translation of Lu You’s poems, as well as its recognition within the academic community. Building on these findings, it is argued that future investigations pertaining to the English translation of Lu You’s poetry should transcend the boundaries of textual analysis and encompass broader theoretical perspectives and research methodologies. By undertaking this shift, scholars will develop a more profound comprehension of Lu You’s poetic works and make substantive contributions to the field of translation studies. Thus, this article aims to bridge the gap between past research endeavors and future possibilities, serving as a guide and inspiration for scholars to embark on a more nuanced and enriching exploration of Lu You’s poetry as well as other Chinese literature classics.

The Translator's Subjectivity Reflected in the English Translation of "The Lane"

The translator's subjectivity plays an indispensible role in the translating activity. As a senior translator, Prof. Zhang Peiji brings his subjectivity into full play in his prose translation, and the English version of "The Lane" can be regarded as one of his representatives. An examination of the translator's subjectivity reflected in this version helps to better understand Prof. Zhang's art of prose translation.

Harmonious Relationship between Authors and Translators under the Feminist Translation Theory

"Androgyny" is an important concept of feminist criticism. The translators have their own voice under the guidance of"androgyny". The relationship between the translator and the author should be a harmonious dialogue.

The Poison of Polygamy:Genre of the English Translation

When the Chinese-language The Poison of Polygamy was translated into English,some critics identified the work as picaresque.Skeptical of this conclusion,the author of this paper broadens the field of inquiry to suggest classification in an emigrant sensational genre.Briefly,the first two plots of the multi-strand work unfold the adventures of Chinese emigrants travelling by sea and land to Melbourne’s Gold Mountain.Interestingly,we are also afforded a glimpse of emigrant miners’cooperation regardless of race and colour when a mine disaster occurs.The work provides sharp recognition of migrants’dilemmas,such as marriage,before tackling the bigamy issue,the gender war,the fallen lifestyle of the female protagonist and so on.As the work unfolds,further shocking tales of murders and indulgence are revealed.Unlike the picareque’s episodic style,the translated Poison of Polygamy is coherent,realistic,serious and critical,and completely lacking in both sarcasm and playfulness.To investigate the appropriateness of assigning the work to the picaresque genre,the paper compares briefly with representative Spanish picaresque works such as Lazarillo and Gusman and English canonical Moll Flanders,watching carefully for commonalities.However,The Poison of Polygamy would seem to resonate more with Braddon’s Lady Audley’s Secret,a sensational fiction which shocked the English world in the 1860s.The contexts of both novels are close,mid-Victorian and Edwardian,where the latter is a continuation of the Victorians.The author is further enlightened by research results of literary translators who advocate that a text,once translated into a target language,becomes a canon of that culture and is cherished as such by its readers-as in the case of Shakespeare being revered as a German poet when read in translation.From this experiment the paper deems that cross-lingual comparative literature is not only possible but significant and resourceful.