The aim is how to integrate the Red Music Culture into the ideological and political work of colleges and universities and the sustainable development under the background of the integration of culture and tourism.The...The aim is how to integrate the Red Music Culture into the ideological and political work of colleges and universities and the sustainable development under the background of the integration of culture and tourism.The main content is the development of local red cultural resources,red cultural education around me,the development of local red cultural resources as the theme of cultural and creative products.The enlightenment is that the ideological and political work of colleges and universities should make full use of the red cultural resources around them to bring the ideological and political education of students into effect.展开更多
The French-Argentine Paul Groussac embodied a wide range of writerly functions and cultural-political positions within the Argentine cultural field between the 1880s and the 1920s:writer,playwright,chronicler,traveler...The French-Argentine Paul Groussac embodied a wide range of writerly functions and cultural-political positions within the Argentine cultural field between the 1880s and the 1920s:writer,playwright,chronicler,traveler,literary,art,and music critic,historian,educator,editor,and director of the National Library during 44 years.This essay considers his place in the history of Argentine literature looking at two of the many ways in which he inscribed himself in it The first takes up the production and reproduction of the ontological privilege of French identity as a form of legitimization for his public-and often polemic-interventions,through which he sought to establish scholarly-disciplinary practices,protocols,and conventions that would articulate an entire critical field around his own authority.The second proposes to think his alternatively weak and strong inscriptions in the literary tradition through his own narrative production:his fiction and dramaturgy,travelogues,and biographical sketches.In other words,this essay situates Groussac in an Argentine literary tradition(conceived as an organic and institutionally sanctioned textual corpus)he believed to have founded and established,a selfrepresentation that led Borges to say that Groussac saw himself as“a missionary of Voltaire among the mulattage.”展开更多
基金This is a research project of Wuhan City Music Culture Research Institute,Jianghan University,“Literature Investigation of local music education in Wuhan”,project number:21WHCYB001,research paper2020 Hubei Province Department of Education Provincial Teaching Research Project“Modern information technology and university teaching of Ethnic Music Integration and Innovation Research,”project number:2020439,research paper。
文摘The aim is how to integrate the Red Music Culture into the ideological and political work of colleges and universities and the sustainable development under the background of the integration of culture and tourism.The main content is the development of local red cultural resources,red cultural education around me,the development of local red cultural resources as the theme of cultural and creative products.The enlightenment is that the ideological and political work of colleges and universities should make full use of the red cultural resources around them to bring the ideological and political education of students into effect.
文摘The French-Argentine Paul Groussac embodied a wide range of writerly functions and cultural-political positions within the Argentine cultural field between the 1880s and the 1920s:writer,playwright,chronicler,traveler,literary,art,and music critic,historian,educator,editor,and director of the National Library during 44 years.This essay considers his place in the history of Argentine literature looking at two of the many ways in which he inscribed himself in it The first takes up the production and reproduction of the ontological privilege of French identity as a form of legitimization for his public-and often polemic-interventions,through which he sought to establish scholarly-disciplinary practices,protocols,and conventions that would articulate an entire critical field around his own authority.The second proposes to think his alternatively weak and strong inscriptions in the literary tradition through his own narrative production:his fiction and dramaturgy,travelogues,and biographical sketches.In other words,this essay situates Groussac in an Argentine literary tradition(conceived as an organic and institutionally sanctioned textual corpus)he believed to have founded and established,a selfrepresentation that led Borges to say that Groussac saw himself as“a missionary of Voltaire among the mulattage.”
