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The National Monument in Indonesia: The Visual Art in Sacred Space
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作者 Yuke Ardhiati 《Journal of Literature and Art Studies》 2012年第9期872-880,共9页
The paper is a part of the dissertation to reveal the psyche of the Ruler as the authorized man created the "space" in the Monument National in Indonesia, through investigation related metaphysically data as a proce... The paper is a part of the dissertation to reveal the psyche of the Ruler as the authorized man created the "space" in the Monument National in Indonesia, through investigation related metaphysically data as a process to having qualities becoming to "Indonesia". By using the Grounded Theory research method, which refers to Glaser and Strauss, phenomenological observations and Hermeneutic-lnterpretive method of Ricouer, the process of deriving quality form an architectural presence is revealed. By connecting the Spatial Archetype Theory of LobeU, the paper reveals the "inflated ego of the Ruler as Leader" was manifested by symbol rays of Radiant Axes civilization through Soekarno's unconsciousness thought of space. The presence of architecture the National Monument serves not merely as a city landmark, but more than that, it roles as the center of orientation and development for a Jakarta Master plan conceived 50 years ago and still maintained to this day as the basic of the Jakarta City Planning 2030 In effect, this means that the National Monument plays the role as the axis of Indonesia's modem civilization. 展开更多
关键词 Khora Radiant Axes civilization Soekarno's inflated ego tugu National the modem civilization axis
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陶寺遗址鼓磬组合及相关问题研究 被引量:1
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作者 张蕾 《中原文物》 北大核心 2019年第3期109-115,共7页
通过对陶寺遗址出土音乐文物的初步研究,可以判断在陶寺文化早期大墓中很可能存在着固定的鼓磬组合关系,即鼍鼓2、石磬1、土鼓1。这一组合已经成为当时墓主人权力与地位的象征,具备了区分等级的礼乐功能,同时也证明了中国古代礼乐制度... 通过对陶寺遗址出土音乐文物的初步研究,可以判断在陶寺文化早期大墓中很可能存在着固定的鼓磬组合关系,即鼍鼓2、石磬1、土鼓1。这一组合已经成为当时墓主人权力与地位的象征,具备了区分等级的礼乐功能,同时也证明了中国古代礼乐制度在陶寺文化早期已经初现端倪,这对中国礼乐文化的溯源和内涵研究有着重要意义。陶寺文化的鼓磬组合并不是孤立存在的,在其1000多年后的殷商时期,也作为礼乐器组合随葬在最高等级的墓葬中,而且在制作技术上比陶寺文化时期有着显著的进步。 展开更多
关键词 陶寺遗址 鼍鼓 石磬 土鼓 礼乐文化
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