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WRITING IN PICTURES:An Introduction to Typography in China
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作者 Lorna Mansley 《大美术》 2007年第10期148-152,共5页
■Since Spring,culture sections of the Western media have been a-flurry with news of an unusual celebration:2007 marks the 50th anniversary of the typeface Helvetica,and with lavish festivities to herald it,the study ... ■Since Spring,culture sections of the Western media have been a-flurry with news of an unusual celebration:2007 marks the 50th anniversary of the typeface Helvetica,and with lavish festivities to herald it,the study of typography has been hurled into the limelight of the arts media and the broadsheets too. 展开更多
关键词 WRITING IN PICTURES:An Introduction to typography in China
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“文字设计”还是“字体排印”?——由Typography一词的中文翻译引发的思考 被引量:1
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作者 朱伟斌 《装饰》 CSSCI 北大核心 2020年第12期90-93,共4页
西方平面设计中Typography由一种排版技术逐渐发展为一种系统性的设计方法,中国自近代一直忽视Typography这个词语深具个中原由。本文回顾历史,指明Typography的丰富内涵,并对近年来的中文译词"文字设计"和"字体排印&qu... 西方平面设计中Typography由一种排版技术逐渐发展为一种系统性的设计方法,中国自近代一直忽视Typography这个词语深具个中原由。本文回顾历史,指明Typography的丰富内涵,并对近年来的中文译词"文字设计"和"字体排印"进行了辨析与讨论,道出我国设计历史中缺失印刷文化情感带来的疑虑。 展开更多
关键词 typography 字体 排版 文字设计 字体排印
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In situ synthesis of DNA micro-arrays using typography technique
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作者 TANG JianXin 1,2 ,HE NongYue 1,2,3 &LI Song 1 1State Key Laboratory of Bioelectronics,Southeast University,Nanjing 210096,China 2Key Laboratory of Green Packaging and Application of Biological Nanotechnology of Hunan Province,Hunan University of Tech- nology,Zhuzhou 412008,China 3Zhongshan Huoju Polytechnic,Zhongshan 528436,China 《Science China Chemistry》 SCIE EI CAS 2007年第1期75-83,共9页
A novel typography technique was developed to in situ synthesize oligonucleotide arrays on glass slide,which has the celerity,high spatial resolution,lower cost,reliable operation,and high synthetic efficiency.The pri... A novel typography technique was developed to in situ synthesize oligonucleotide arrays on glass slide,which has the celerity,high spatial resolution,lower cost,reliable operation,and high synthetic efficiency.The principle and process of the typography technique for fabricating gene-chips have been described in detail.A suit of poly(terafluoroethylene)devices for synthesizing oligonucleotide arrays were designed and prepared,and the fiber tubes with a number of nano-or micron-channels were em- ployed.The oligonucleotide arrays of 16 and 160 features with four different probes were synthesized using the typography technique.The four specific oligonucleotide probes including the matched and the mismatched by the fluorescent target sequence gave obviously different hybridization fluorescent signals.It was indicated that the gene-chip fabricated by the typography method could be used to rapidly screen single-nucleotide polymorphisms(SNP)and to detect mutations. 展开更多
关键词 typography OLIGONUCLEOTIDE in SITU synthesis DNA microarrays
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A novel strategy for in situ maskless synthesis of biochips:Self-driving micro-fluid porous type printing (SMPTP)
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作者 Nong Yue He Ya Fei Guo +1 位作者 Song Li Jian-Xin Tang 《Chinese Chemical Letters》 SCIE CAS CSCD 2007年第1期111-114,共4页
A novel maskless technique, self-driving micro-fluid porous type printing (SMPTP), was reported to in situ synthesize oligonucleotide arrays on glass slide, which has the merits of low cost, high quality and simple ... A novel maskless technique, self-driving micro-fluid porous type printing (SMPTP), was reported to in situ synthesize oligonucleotide arrays on glass slide, which has the merits of low cost, high quality and simple craft. In SMPTP for fabricating gene- chips, porous fiber tubes with a number of nanometric or micron channels functioned as "active letters" and were assembled in designed patterns, which are identical to the distribution of monomers in each layer of the array, and four patterns were needed for each layer. By means of capillarity, the synthesis solution was automatically taken into porous tubes assembled in a printing plate and reached the surface. An oligonucleotide array of 160 features with four different 15-mer probes was in situ synthesized using this technique. The four specific oligonucleotide probes, including the matched and the mismatched by the fluorescent target sequence, gave obviously different hybridization fluorescent signals. 展开更多
关键词 typography OLIGONUCLEOTIDE In situ synthesis DNA microarrays BIOCHIPS
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Information Visualization Theorem for Battlefield Screen
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作者 Heesoo Jung Suhwan Kim Yongjin James Kwon 《Journal of Computer and Communications》 2016年第5期72-77,共6页
Designing military screen (display) is not complicated in the past, the design should contains easiness of using, visibility and functionality. And it is important that contains all of the information what the system ... Designing military screen (display) is not complicated in the past, the design should contains easiness of using, visibility and functionality. And it is important that contains all of the information what the system could be gotten. Today military display design can be valued by consideration of human’s cognition model. A few information, which operators of military display could easily miss, could bring critical loss. So the military display needs the ability to help operator decide the military decision with sufficient consideration of battlefield information in a short time. The information is considerably complicated because it has many military entities and many attributes for each entities. For this reason this research contains the methodology of information organization especially for visual information. When the operator use military display, the required information should be recognized at a glance and located where the operator can place his eye easily. Therefore, the display screen should efficiently organize and effectively transfer the information. This paper specifically proposes design methodology to effectively organize and visualize the information in the display screen. The theory of information visualization in a variety of fields already exist, but it has no established theory for the origin of the display screen design. Since the theory was selected to organize the military display interface design for the display screen of the battlefield situation existing information visualization theory. 展开更多
关键词 Information Visualization typography Infographics Battlefield Screen DISPLAY
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HORSE马儿
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作者 小棉花 《计算机光盘软件与应用(COMPUTER ARTS数码艺术)》 2004年第11期106-109,共4页
快乐的时光.就好象是从乌云背后突然射出的阳光.总是把这世界的明亮和灰暗分得清清楚楚。草草就站在阳光的中央.站在那片美丽的绿色湖边.戴着那顶美丽至极的花环.静静地看着我。
关键词 计算机动画 字体 ORIGEN typography
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Towards the automation of book typesetting
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作者 Sérgio M.Rebelo Tiago Martins +1 位作者 Diogo Ferreira Artur Rebelo 《Visual Informatics》 EI 2023年第2期1-12,共12页
This paper proposes a generative approach for the automatic typesetting of books in desktop publishing.The presented system consists in a computer script that operates inside a widely used design software tool and imp... This paper proposes a generative approach for the automatic typesetting of books in desktop publishing.The presented system consists in a computer script that operates inside a widely used design software tool and implements a generative process based on several typographic rules,styles and principles which have been identified in the literature.The performance of the proposed system is tested through an experiment which included the evaluation of its outputs with people.The results reveal the ability of the system to consistently create varied book designs from the same input content as well as visually coherent book designs with different contents while complying with fundamental typographic principles. 展开更多
关键词 Design tools Data-driven design Generative design Graphic design typography
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Semiotic Modes in Local Gastronomic Discourse:A Comparative Analysis of Culinary Shop Signs in Greece and Cyprus
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作者 Aspasia Papadima Evangelos Kourdis 《Language and Semiotic Studies》 2022年第2期1-32,共32页
The paper aims to provide insights into the use of semiotic modes used in the shop signs of culinary businesses in Greece and Cyprus.In this context,we examine,comparatively,culinary shop signs collected from the comm... The paper aims to provide insights into the use of semiotic modes used in the shop signs of culinary businesses in Greece and Cyprus.In this context,we examine,comparatively,culinary shop signs collected from the commercial centre of Thessaloniki and Limassol,two European Mediterranean cities with a significant gastronomic tradition and a lively city centre.These semiotic modes are represented in a sample composed of shop signs whose verbal message constitutes verbo-cultural palimpsest or is written in a local dialect,as well as of shop signs that focus on their iconic visual message using intersemiotic translation or visual rhetoric to make their message appealing to consumers.The main conclusion is that the shop signs under scrutiny seem to be addressed mainly to the native people of the two countries who are considered in the common cultural practice much better consumers than tourists as concerns their culinary habits.The study also provides evidence of creative use of culinary shop signs in both cities.Intracultural interpretation,as well as the design of the verbal element,seem to make shop signs more appealing for the consumers. 展开更多
关键词 shop signs culinary business smotic modes creativity graphic communication typography
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