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画中佛罗伦萨——韦基奥宫与文艺复兴时期的“城市图像史”
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作者 胡恒 《同济大学学报(社会科学版)》 北大核心 2024年第3期75-88,共14页
16世纪的佛罗伦萨,瓦萨里与其团队在韦基奥宫中绘制了一批关于佛罗伦萨城市的历史以及现实的画作。虽然它们分布于不同房间,尺幅也大小不一,但在有意无意间构成了一部佛罗伦萨的城市图像史。这部图像简史固然是美第奇家族建构权力合法... 16世纪的佛罗伦萨,瓦萨里与其团队在韦基奥宫中绘制了一批关于佛罗伦萨城市的历史以及现实的画作。虽然它们分布于不同房间,尺幅也大小不一,但在有意无意间构成了一部佛罗伦萨的城市图像史。这部图像简史固然是美第奇家族建构权力合法性的某种宣传手段,但瓦萨里借此机会在历史知识层面上梳理了佛罗伦萨城市空间形态的演变过程。并且,他还隐晦地对这座堪称“艺术品”的城市产生的深层逻辑进行了个人化的解释。 展开更多
关键词 文艺复兴 佛罗伦萨 韦基奥宫 城市史 绘画 瓦萨里
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Giorgio Vasari’s Mercury: God of Magic and Wisdom
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作者 Liana De Girolami Cheney 《Cultural and Religious Studies》 2019年第10期511-549,共39页
In 1555,assisted by Cristofano Gherardi,Il Doceno(1508-1556),Giorgio Vasari(1511-1574)designed and painted a mythological and cosmological theme in the Sala degli Elementi,an apartment of Cosimo I de’Medici(1519-1574... In 1555,assisted by Cristofano Gherardi,Il Doceno(1508-1556),Giorgio Vasari(1511-1574)designed and painted a mythological and cosmological theme in the Sala degli Elementi,an apartment of Cosimo I de’Medici(1519-1574),Duke of Florence,at the Palazzo Vecchio in Florence.The Apartment of the Elements is dedicated to the four elements(air,earth,fire,and water),which in antiquity were considered to be the basis of the material of the world.The four elements are personified as a history painting theme on the ceiling and the walls of the chamber.Accordingly,on the ceiling is the element of Air,personified by several events:Its center depicts Saturn Mutilating Heaven and surrounding this scene are The Chariots of the Sun and the Moon,the images of Day and Night,and the virtues of Peace,Fame,Justice,and Truth.On the walls of the chamber,there are personifications of the elements of Earth(north),Fire(east),and Water(south).The frescoes on the left hand wall relate to the element of Earth.In the center of the north wall,the first fruits of the Earth are offered to Saturn.1 On the adjacent wall,east wall,above the fireplace,are scenes relating to the element of Fire:Vulcan’s Forge is depicted in the center of wall.2 On the adjacent wall,south wall,the element of Water is symbolized with The Birth of Venus.3 On the window wall,west wall,are two large niches containing simulated sculptures of Hermes-Mercury and Hades-Pluto.These two images connect thematically with the wall decoration of the elements and the pantheon of the gods on the ceiling.This essay will focus only on the image of Hermes-Mercury.It consists of two parts:the stylistic impact of classical and Renaissance sources of this astral and pagan god in Vasari’s imagery,and the signification of the personification of Mercury associated and interconnected with Cosimo I de’Medici,Duke of Florence. 展开更多
关键词 Hermes/Mercury Hades/Pluto MYTHOLOGY ASTROLOGY symbolism Palazzo vecchio Sala degli Elementi classical and Renaissance traditions tarot cards NEOPLATONISM history painting
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新康德主义法学三论 被引量:11
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作者 朱力宇 刘建伟 《法学家》 CSSCI 北大核心 2007年第5期29-34,共6页
新康德主义是康德哲学中伦理主义与形式主义的产物。而新康德主义法学,则是以继承和发展康德的法哲学为特征的欧洲西方法学流派,是新康德主义的社会哲学在法律领域中的应用。从新康德主义法学形成、发展和主要观点中,我们可以从某一侧... 新康德主义是康德哲学中伦理主义与形式主义的产物。而新康德主义法学,则是以继承和发展康德的法哲学为特征的欧洲西方法学流派,是新康德主义的社会哲学在法律领域中的应用。从新康德主义法学形成、发展和主要观点中,我们可以从某一侧面把握现代西方法哲学的历史演变与理论线索,对中国的法律现代化和法理学的发展,也有一定的学术意义。 展开更多
关键词 新康德主义 施塔姆勒 拉德布鲁赫 拉斯克 韦基奥
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