In 2014,Huang Kaihong,a professor at School of Foreign Languages and Cultures,Southwest University of Science and Technology,interviewed the Doctoral advisor Professor Nie Zhenzhao during the period of his academic vi...In 2014,Huang Kaihong,a professor at School of Foreign Languages and Cultures,Southwest University of Science and Technology,interviewed the Doctoral advisor Professor Nie Zhenzhao during the period of his academic visiting to Central China Normal University.As early as in 2005,Huang Kaihong conducted an interview with Professor Nie Zhenzhao on the topic of the general introduction of ethical literary criticism.So around 11 years later,the second interview mainly covers not only the ethical literary criticism theory,but the game theory and the relationship between them as well.Professor Nie thinks whether the game theory can be applied to literature research is still under discussion.The theory of ethical literary criticism is a kind of methodology based on science and it can get the attention of literary critics at home and abroad,which is because it fits the practical needs of literary criticism,draws the literary criticism away from only emphasizing criticism genres and the research of criticism terms,and pays attention to the true nature of the literary text in literature research.After consulting Professor Nie Zhenzhao about some related questions from the perspective of game theory.Huang Kaihong gets some significant information concerning literature research and understands the latest core terms and the concrete application method of ethical literary criticism,especially the relationship between the instructing and aesthetic functions of literature.展开更多
European literary criticism was rapidly transformed into literary theory through the United States after Rene Wellek and Austin Warren’s textbook Theory of Literary Theory by Harcourt,Brace and Co.(1949).Within a sho...European literary criticism was rapidly transformed into literary theory through the United States after Rene Wellek and Austin Warren’s textbook Theory of Literary Theory by Harcourt,Brace and Co.(1949).Within a short period of time,American new criticism,European psychoanalysis,semiotics,structuralism,hermeneutics,deconstructivism,and so on,as well as the western Marxism,feminism,new historicism,post-colonial criticism,and cultural studies,all the critical methods little referenced to postwar Western ideology and Soviet Ideology,and are even known for their profound criticism of some problems in capitalist society.These intuitively scientific or neutral literary theories flourished during the Cold War years that contained the Soviet Union.During this period,“political correctness”not only influenced the direction of social development in the West,but also directly influenced the academic pattern and the development trend of universities at that time,so that“literary criticism”,which was originally only based on personal experience,benefited and became“literary theory”in the discipline and curriculum system.As a result,the discipline of literary theory,which benefited from the Cold War pattern,is often in conflict with the specific literary theory that transcends ideology.However,the Cold War ended with the failure of the Soviet Union and its socialist realism theory system,and the western literary theory unexpectedly gained full legitimacy like Fukuyama’s“the end of history”.In the post-Cold War era,Western literary critics reasonably expanded the controversial theories and this has become the most concerned topic for 30 years.Thus,the international politics of the disguised Western literary theory was highlighted.Such Western literary theory has been generalized in China in the last 40 years,because Chinese academic yet has not understood the difference between theory as discipline and theory as doctrine,even anti-western in recent years.展开更多
The study found that the classics born during the turbulent Six Dynasties period,starting from Cao Pi’s“The Classics”to“Wen Fu”,“Wen Xin Diao Long”,“Shipin”and other classics,can all be analyzed to have a com...The study found that the classics born during the turbulent Six Dynasties period,starting from Cao Pi’s“The Classics”to“Wen Fu”,“Wen Xin Diao Long”,“Shipin”and other classics,can all be analyzed to have a common origin.Attributes,that is,the philosophical strategy of dualistic isomorphism of explicit and implicit,is also a pattern;it can be proven that this is the philosophical key to interpreting and studying the classics of the Six Dynasties.It not only governs many aesthetic principles and aesthetic methods,but also emphasizes the need to transcend the appearance of current existence,transcend the current utilitarianism,and pay attention to the hidden and non-existent,just like paying attention to dark matter and antimatter in the universe.Pay attention to the origin of Shipin and expand aesthetic horizons;this philosophical secret not only exists in the classics of the Six Dynasties,it has its unity,graphics and vitality,as well as its historical inheritance and continuous operation.Its trajectory marks the context of literary theory and aesthetics;the modern construction of contemporary literary theory must be based on its operating trends.Only by transcending all utilitarianism can we better demonstrate the natural characteristics of Chinese tradition such as nationality.Otherwise,literary theory,aesthetics,and philosophy will not be self-consistent.展开更多
In literary translation,creative treason or translation deviations will surely be a shadow in company with each translated work.A translator is both the reader of the source text and the producer of the target text.Ap...In literary translation,creative treason or translation deviations will surely be a shadow in company with each translated work.A translator is both the reader of the source text and the producer of the target text.Applying much on Reception Theory,the present paper explores the issue of translator's creative treason in literary translation in two aspects:one is the translator's creative treason as reader and the other is the translator's creative treason as producer.展开更多
Through summarizing the basic problems in Marxist literary theory,reflects on the phenomena of contemporary literary creation from the perspectives in Marxist literary theory,such as "Human Nature","the...Through summarizing the basic problems in Marxist literary theory,reflects on the phenomena of contemporary literary creation from the perspectives in Marxist literary theory,such as "Human Nature","the Nature of Beauty","Anti-alienation and Aesthetics" as well as "Overall Emancipation of Human Beings" to demonstrate that with its contemporary values.展开更多
Feminist translation theory emerged in the late 70 s and early 80 s of 20 th Century.It is the combination of the feministmovement and the"cultural turn"of translation.It was introduced to China in the 1980 ...Feminist translation theory emerged in the late 70 s and early 80 s of 20 th Century.It is the combination of the feministmovement and the"cultural turn"of translation.It was introduced to China in the 1980 s,and with the development of the transla-tion theory and translation practice,more and more Chinese translators want to study the feminist translation theory from the deeplevels.展开更多
文摘In 2014,Huang Kaihong,a professor at School of Foreign Languages and Cultures,Southwest University of Science and Technology,interviewed the Doctoral advisor Professor Nie Zhenzhao during the period of his academic visiting to Central China Normal University.As early as in 2005,Huang Kaihong conducted an interview with Professor Nie Zhenzhao on the topic of the general introduction of ethical literary criticism.So around 11 years later,the second interview mainly covers not only the ethical literary criticism theory,but the game theory and the relationship between them as well.Professor Nie thinks whether the game theory can be applied to literature research is still under discussion.The theory of ethical literary criticism is a kind of methodology based on science and it can get the attention of literary critics at home and abroad,which is because it fits the practical needs of literary criticism,draws the literary criticism away from only emphasizing criticism genres and the research of criticism terms,and pays attention to the true nature of the literary text in literature research.After consulting Professor Nie Zhenzhao about some related questions from the perspective of game theory.Huang Kaihong gets some significant information concerning literature research and understands the latest core terms and the concrete application method of ethical literary criticism,especially the relationship between the instructing and aesthetic functions of literature.
文摘European literary criticism was rapidly transformed into literary theory through the United States after Rene Wellek and Austin Warren’s textbook Theory of Literary Theory by Harcourt,Brace and Co.(1949).Within a short period of time,American new criticism,European psychoanalysis,semiotics,structuralism,hermeneutics,deconstructivism,and so on,as well as the western Marxism,feminism,new historicism,post-colonial criticism,and cultural studies,all the critical methods little referenced to postwar Western ideology and Soviet Ideology,and are even known for their profound criticism of some problems in capitalist society.These intuitively scientific or neutral literary theories flourished during the Cold War years that contained the Soviet Union.During this period,“political correctness”not only influenced the direction of social development in the West,but also directly influenced the academic pattern and the development trend of universities at that time,so that“literary criticism”,which was originally only based on personal experience,benefited and became“literary theory”in the discipline and curriculum system.As a result,the discipline of literary theory,which benefited from the Cold War pattern,is often in conflict with the specific literary theory that transcends ideology.However,the Cold War ended with the failure of the Soviet Union and its socialist realism theory system,and the western literary theory unexpectedly gained full legitimacy like Fukuyama’s“the end of history”.In the post-Cold War era,Western literary critics reasonably expanded the controversial theories and this has become the most concerned topic for 30 years.Thus,the international politics of the disguised Western literary theory was highlighted.Such Western literary theory has been generalized in China in the last 40 years,because Chinese academic yet has not understood the difference between theory as discipline and theory as doctrine,even anti-western in recent years.
基金This article is part of the 2020 scientific research project of Anhui Engineering University:Research on the relationship between basic symbols of design,graphics,and text,Xjky2020112。
文摘The study found that the classics born during the turbulent Six Dynasties period,starting from Cao Pi’s“The Classics”to“Wen Fu”,“Wen Xin Diao Long”,“Shipin”and other classics,can all be analyzed to have a common origin.Attributes,that is,the philosophical strategy of dualistic isomorphism of explicit and implicit,is also a pattern;it can be proven that this is the philosophical key to interpreting and studying the classics of the Six Dynasties.It not only governs many aesthetic principles and aesthetic methods,but also emphasizes the need to transcend the appearance of current existence,transcend the current utilitarianism,and pay attention to the hidden and non-existent,just like paying attention to dark matter and antimatter in the universe.Pay attention to the origin of Shipin and expand aesthetic horizons;this philosophical secret not only exists in the classics of the Six Dynasties,it has its unity,graphics and vitality,as well as its historical inheritance and continuous operation.Its trajectory marks the context of literary theory and aesthetics;the modern construction of contemporary literary theory must be based on its operating trends.Only by transcending all utilitarianism can we better demonstrate the natural characteristics of Chinese tradition such as nationality.Otherwise,literary theory,aesthetics,and philosophy will not be self-consistent.
文摘In literary translation,creative treason or translation deviations will surely be a shadow in company with each translated work.A translator is both the reader of the source text and the producer of the target text.Applying much on Reception Theory,the present paper explores the issue of translator's creative treason in literary translation in two aspects:one is the translator's creative treason as reader and the other is the translator's creative treason as producer.
文摘Through summarizing the basic problems in Marxist literary theory,reflects on the phenomena of contemporary literary creation from the perspectives in Marxist literary theory,such as "Human Nature","the Nature of Beauty","Anti-alienation and Aesthetics" as well as "Overall Emancipation of Human Beings" to demonstrate that with its contemporary values.
文摘Feminist translation theory emerged in the late 70 s and early 80 s of 20 th Century.It is the combination of the feministmovement and the"cultural turn"of translation.It was introduced to China in the 1980 s,and with the development of the transla-tion theory and translation practice,more and more Chinese translators want to study the feminist translation theory from the deeplevels.
基金Acknowledgements： This paper was sponsored by China National Social Science Foundation ＂Research on the Fundamental Problems of the Contemporary Aesthetics and Criticism Patterns＂ （15ZDB023）.
