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Study on the Application of Small Woodblock Turf in Garden Landscape 被引量:1
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作者 张立富 陆怀民 郭秀荣 《Journal of Landscape Research》 2009年第6期36-38,42,共4页
The development status of small woodblock turf in China and abroad was introduced in this study, the significance and advantage of such a technology as well as its application in garden landscape were also summarized,... The development status of small woodblock turf in China and abroad was introduced in this study, the significance and advantage of such a technology as well as its application in garden landscape were also summarized, and finally advices to further develop small woodblock turf were put forward. 展开更多
关键词 URBAN GREENING WOOD WASTE materials SMALL woodblock
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Revisiting the Origin of Printing: Birthplace, Time, and Social Factors
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作者 XIN Deyong 《Chinese Annals of History of Science and Technology》 2021年第1期90-108,共19页
A re-examination of the artifacts and research pertaining to woodblock printing reveals that The Great Dharani Sutra of Immaculate and Pure Light(Mugujeonggwang Daedaranigyeong 无垢净光大陀罗尼经) in the Seokgatap Pag... A re-examination of the artifacts and research pertaining to woodblock printing reveals that The Great Dharani Sutra of Immaculate and Pure Light(Mugujeonggwang Daedaranigyeong 无垢净光大陀罗尼经) in the Seokgatap Pagoda at the Bulguksa Temple, Gyeongju, South Korea unlikely originated in Korea and therefore cannot corroborate the claim that Korea is the birthplace of woodblock printing. It can be inferred from the earliest woodblock-printed Dharani sutra, dating from the Tang dynasty, that printing was invented no earlier than Emperor Xuanzong’s Kaiyuan era(713–741). The most significant social factor for the invention of woodblock printing is the transmission of Yoga Esotericism from India to China, where it prevailed and prompted the evolution of duplicating sutras from separate-plate stamping to woodblock printing using a whole block and from the Sanskrit prints to the Chinese ones. 展开更多
关键词 the origin of woodblock printing The Great Dharani Sutra of Immaculate and Pure Light Yoga Esotericism STAMPING
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Strategies to Protect Ancient Towns with Intangible Cultural Heritage Based on AVC Theory:A Case Study of Xuwan Town,Jinxi County
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作者 ZHOU Bo FAN Yuqi +4 位作者 DING Hao JIANG Wenhua ZOU Lili XIE Xiaogang WANG Yali 《Journal of Landscape Research》 2018年第3期101-104,共4页
Intangible cultural heritage is not only the essence of ancient town culture,but the core content of ancient town protection.In this paper,Xuwan Town in Jinxi County of Jiangxi Province was taken for example for explo... Intangible cultural heritage is not only the essence of ancient town culture,but the core content of ancient town protection.In this paper,Xuwan Town in Jinxi County of Jiangxi Province was taken for example for explore the impact of woodblock printing on the spatial pattern of ancient towns and analyze the problems in their development,and strategies to protect ancient towns with intangible cultural heritage were put forward to provide references for the protection and heritage of ancient towns. 展开更多
关键词 Protection of ancient TOWNS with INTANGIBLE cultural HERITAGE AVC THEORY Woodblock printing
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宗喀巴文集木刻版考释
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作者 巴多 《西藏大学学报(藏文版)》 2018年第2期197-207,共11页
关键词 Tsongkhapa COMPLETE WORKS woodblock WOOD - BLOCKING
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New Year Woodblock Engravings from Taohuawu
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《China Today》 2001年第4期40-45,共6页
关键词 New Year Woodblock Engravings from Taohuawu
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中国印刷术对布莱克互文创作的影响 被引量:2
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作者 应宜文 《美术研究》 CSSCI 北大核心 2022年第5期133-136,共4页
本文以布莱克镌刻《弥尔顿之诗》在诗画互文创作中运用“凸版印刷”技法为线索,据文献考证宋代经籍铺、书院刻印、刻梓及雕版印刷术、活字印书法早期对外传播。学者格里菲斯的专著提出木刻版画印刷艺术起源于中国,公元9世纪中国发明木... 本文以布莱克镌刻《弥尔顿之诗》在诗画互文创作中运用“凸版印刷”技法为线索,据文献考证宋代经籍铺、书院刻印、刻梓及雕版印刷术、活字印书法早期对外传播。学者格里菲斯的专著提出木刻版画印刷艺术起源于中国,公元9世纪中国发明木刻雕版印刷,此后从中国向西方传播等观点。实地考察雕版博物馆,布莱克互文创作以延承间接式、代际传播方式受到中国印刷术、中国木刻印版的影响。中国印刷术对外传播过程中熔铸百家,中外文明互鉴,对近现代诗歌文本形式创新、艺术风格衍生出新、版式设计沿革产生了深远的影响。 展开更多
关键词 中国印刷术 文明互鉴 woodblocks 诗画互文
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Longing for the Green(woodblock)
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作者 JIANG BIBO 《Women of China》 1996年第5期30-30,共1页
Jiang Bibo loves to employ the image of rocks in her woodblocks. Her figurines often bear veins of the rocks, featuring an interweaving of strength and softness, a mixture of a humanized nature and naturized humans. I... Jiang Bibo loves to employ the image of rocks in her woodblocks. Her figurines often bear veins of the rocks, featuring an interweaving of strength and softness, a mixture of a humanized nature and naturized humans. In her woodblock Longing for the Green the artist expresses her call for an unpolluted nature. The Goddess of Nature looks sad because nothing is left of her green gown but a small bunch of grass in her hand. 展开更多
关键词 Longing for the Green woodblock
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2018 China-Vietnam Traditional New Year Woodblock Prints exhibition opens in Beijing
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《Voice of Friendship》 2018年第2期15-15,共1页
While the rising sun shines over each and every household/People would put up new peach wood charm for the old.These two poetic lines describe how people replace old woodblock prints for the coming New Year.To welcome... While the rising sun shines over each and every household/People would put up new peach wood charm for the old.These two poetic lines describe how people replace old woodblock prints for the coming New Year.To welcome the coming spring,a ceremony was held in the compound of the Beijing People’s Association for Friendship with Foreign Countries(BPAFFC)on Jan 8 for the China- 展开更多
关键词 China-Vietnam Traditional New Year Woodblock Prints exhibition opens in Beijing
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