In the late Ming Dynasty, the society was turbulent, and it was also the important turning stage in the history of the development of China＇s literature. Xu Wei was a painter with a spirit of the reform and innovatio...In the late Ming Dynasty, the society was turbulent, and it was also the important turning stage in the history of the development of China＇s literature. Xu Wei was a painter with a spirit of the reform and innovation in the late Ming Dynasty, and his painting style pioneered the precedent of the Chinese freehand bmshwork. In his creation of the paintings and the painting theories, he gave the innovative development to the theories of the traditional Chinese paintings and the freehand brushwork in this period in our country, and also promoted the further formation of the freehand flower and bird painting styles. Xu Wei＇s t^eehand flowers and birds combined the strengths of each school, and in the painting style, he was bold and unconstrained, and the pen and ink was coherent, and the form and the spirit were assistant and bleeding. The pen and ink all embodied the wonderful skill of the Chinese traditional paintings, and boldly integrated the wild cursive of the calligraphy in the paintings. This approach was the innovation of the techniques of the Chinese traditional paintings and the promotion of the thinking. The author of this article will begin the research on the relevant contents of the artistic achievements and the influences of the freehand flower and bird paintings by Xu Wei.展开更多
文摘In the late Ming Dynasty, the society was turbulent, and it was also the important turning stage in the history of the development of China＇s literature. Xu Wei was a painter with a spirit of the reform and innovation in the late Ming Dynasty, and his painting style pioneered the precedent of the Chinese freehand bmshwork. In his creation of the paintings and the painting theories, he gave the innovative development to the theories of the traditional Chinese paintings and the freehand brushwork in this period in our country, and also promoted the further formation of the freehand flower and bird painting styles. Xu Wei＇s t^eehand flowers and birds combined the strengths of each school, and in the painting style, he was bold and unconstrained, and the pen and ink was coherent, and the form and the spirit were assistant and bleeding. The pen and ink all embodied the wonderful skill of the Chinese traditional paintings, and boldly integrated the wild cursive of the calligraphy in the paintings. This approach was the innovation of the techniques of the Chinese traditional paintings and the promotion of the thinking. The author of this article will begin the research on the relevant contents of the artistic achievements and the influences of the freehand flower and bird paintings by Xu Wei.
基金This work is supported by the National Natural Science Foundation of China(52275009,52037002,52207038)the National Double First-classConstruction Special Funds(4316002181)the Fundamental Research Funds for the Central Universities(3216002101A2,3216002209A1).
