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Character image analysis of Yuan variety play Qiuhu philander his wife
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作者 Jixuan Shi 《Journal of Contemporary Educational Research》 2020年第5期40-44,共5页
As the typical representative of love and marriage drama in Yuan variety play,Qiuhu philander his wife plays a relatively important role in it.This paper carries on the analysis in a few typical character image,which ... As the typical representative of love and marriage drama in Yuan variety play,Qiuhu philander his wife plays a relatively important role in it.This paper carries on the analysis in a few typical character image,which are Luo Meiying who has the courage to fight,the hypocritical and insidious Qiu Hu,the ugly and vicious Li Dahu,the greedy and hard-hearted Luo Dahu,the kind and helpless mother-in-law Mei Ying,these five different images apparently jumping on the paper. 展开更多
关键词 yuan variety play Qihu philander his wife Character image
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Young Idler,Old Beggar:Reflections on the Chinese National College Entrance Exam
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作者 Yuanmeng Zhang 《Journal of Contemporary Educational Research》 2020年第5期45-47,共3页
He jerks up,gasping for air,the back of his shirt soaked with cold sweat.Not again.He turns his head to the side,to his wife who lies sound asleep next to him.Even as an alumnus of Peking University,the top university... He jerks up,gasping for air,the back of his shirt soaked with cold sweat.Not again.He turns his head to the side,to his wife who lies sound asleep next to him.Even as an alumnus of Peking University,the top university in China,my forty six year-old father still suffers from nightmares about the Gaokao(also known as NCEE,or the National College Entrance Examination).Gaokao is the graduation exam administered to millions of high school seniors in China each year.While some students avoid this test by studying abroad,students who plan to attend universities in China have no choice but to prepare for the NCEE.Even though it is terribly grueling to study for and take the NCEE,most Chinese students see the test as their sole path to future success. 展开更多
关键词 yuan variety play Qihu philander his wife Character image
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论屈原诗歌的比体艺术 被引量:2
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作者 常森 《北京大学学报(哲学社会科学版)》 CSSCI 北大核心 2011年第5期31-43,共13页
传统诗学中的比不应被理解为通常的比喻,比是主体对象化的一个重要艺术途径,而屈子不少篇章实为比体艺术的标竿。就今存作品来看,屈作比体艺术肇始于《橘颂》,至《离骚》蔚为大观,至《招魂》、《九歌》登峰造极;起初主体对象化而生成的... 传统诗学中的比不应被理解为通常的比喻,比是主体对象化的一个重要艺术途径,而屈子不少篇章实为比体艺术的标竿。就今存作品来看,屈作比体艺术肇始于《橘颂》,至《离骚》蔚为大观,至《招魂》、《九歌》登峰造极;起初主体对象化而生成的能指缺乏独立性和整一性,其后能指独立性大大增强,最终可在很大程度上自主展开,而不为主体拘囿,屈子的诗歌艺术也因此达到极高的境界。《诗经》兴多比少,屈作比多兴少,关键就在主体对象化的程度不同。屈子的比体艺术凸显了对"有意味的形式"的营求,蕴含着独特的游戏意味。 展开更多
关键词 屈作 对象化 形式 游戏意味
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