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Palestinian Commercial Networks in Transformation, 1750-1900
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作者 Mahmoud Yazbak 《Sociology Study》 2012年第11期805-818,共14页
Just as in the eighteenth century cotton trade pulled Palestine's economy into the orbit of the world economy, so it also enabled Palestine, through its ruler shaykh Zahir al-'Umar, to instigate a process of urbaniz... Just as in the eighteenth century cotton trade pulled Palestine's economy into the orbit of the world economy, so it also enabled Palestine, through its ruler shaykh Zahir al-'Umar, to instigate a process of urbanization, However, the Ottoman households that governed Galilee and Palestine's coastal areas did not help local merchants (tujjar) to develop inter-regional or intra-regional trade networks, as was the case in central Palestine. The disappearance of the main two obstacles to these networks--the dominant local leaders and the monopoly system--ushered in a new era in Palestine's trading and commercial history. Jaffa became Palestine's main transit port and gradually attracted wealthy merchants from far and wide. Besides their importing and exporting activities, these merchants invested heavily in citrus plantations, transforming the citrus fruit trade into Palestine's largest economic sector. Palestine's most powerful merchants played an important role as "the modern agents of change", as they did elsewhere in the Middle East. This development found expression in many aspects of their lifestyle: in the ornate architecture of their houses, in their patterns of consumption, and in their elevated living standards. These powerful merchants were also the first actors to import new technologies to Palestine, in order to develop their businesses. In short, this paper argued that the Palestinian entrepreneurial and mercantile classes, but not members of the old elite and the traditional leadership, emerged as models for imitation by society at large. In many respects, this shift in influence constituted a revolutionary change. 展开更多
关键词 Palestine zahir al-'Umar al-Zaydani merchants (tujjar)
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博尔赫斯文学创作中的伊斯兰文化元素探析--以《扎伊尔》为例
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作者 穆宏燕 《回族研究》 CSSCI 北大核心 2017年第4期64-69,共6页
"扎伊尔"(Zahir),按照博尔赫斯的说法,在布宜诺斯艾利斯是面值二十分的普通硬币名称,来源于阿拉伯语和波斯语"扎希尔"(Zāhir)一词。该词本意为"表象",作为伊斯兰教宗教术语,特指真主从隐匿状态显现为宇... "扎伊尔"(Zahir),按照博尔赫斯的说法,在布宜诺斯艾利斯是面值二十分的普通硬币名称,来源于阿拉伯语和波斯语"扎希尔"(Zāhir)一词。该词本意为"表象",作为伊斯兰教宗教术语,特指真主从隐匿状态显现为宇宙万物之表象,是真主的99个名称之一,苏非神秘主义信徒将之用作反复不停的祈祷赞念用词之一。博尔赫斯的小说《扎伊尔》巧妙通过一枚神秘扎伊尔硬币的致幻作用,揭示了尘世间人的种种表象(偶像)崇拜,并通过形而上的思辨,揭示表象与实质之间"二而为一"的辩证关系,指出唯有突破表象的迷惑作用,才能抵达实质。另一方面,在苏非神秘主义学说中,真主以"笔"和"语言"创世。博尔赫斯深得其精髓,利用苏非学说原理,用语言文字将自己的作品营造成一座座迷宫。因此,在某种意义上,博尔赫斯的作品迷宫本身也是致幻读者的"扎伊尔"。 展开更多
关键词 扎伊尔(扎希尔) 神秘主义 表象 实质
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