A Virgin Land to be Cultivated:On the Aesthetics of Folk Literature and Art

In terms of the aesthetic of folk literature and art,most researchers explain it drawing on general aesthetic theory,but pay less attention to the specific context and logic of individual cases.Folk aesthetics is deeply rooted in folk life,including local nature,village culture,farming life and folk belief.These folklore factors constitute the“local logic”,which regulates and influences folk aesthetic culture.The hidden“grammar”must be found in the folk life of the masses with a view to explaining the“essence”of folk aesthetics effectively.The concept of folk literature and art is understood in two different ways:One interprets it as“study of art and literature of folks”,regarding folk as a modifier of study of art and literature.Folk literature and art is regarded as the research object and the discipline is defined according to literary standard.This concept is from the perspective of literary studies,emphasizing that“folk literature and art is a special study of literature and art”.The other interprets it as“study of folk literature and art”,treating literature and art among the folks as the research object and defining the discipline in accordance with cultural standard.This concept is from the perspective of cultural studies.

The Current Situation and Counter Measures of Compilation of English Literature Textbooks in the Context of New Liberal Arts

With the promulgation of the“National Quality Standards for Undergraduate Teaching of Foreign Languages and Literatures in General Institutions of Higher Education”and“Teaching Guidelines”in 2018,the humanistic attributes of English majors and the important position of literature in foreign language learning are emphasized.Nowadays,the English literature curriculum is facing the problems of marginalization,reduction of class hours,simplification of curriculum and so on.Then in the context of the new liberal arts,it provides a new way to break through the dilemma of the literature curriculum.The study has collected the use of teaching materials of British and American literature courses in some colleges and universities across the country.Based on the survey results,the compilation of teaching materials in the new era should consider how to adapt to students’deep learning,autonomous learning,cross learning and research-based learning to provide guidance and support.The diversity of learning requires us to break the monotony of textbook compilation,show diversity and complement each other.

An Interpretation of The Chronicles of Narnia from the Perspective of Myth

Myths and legends never lack readers, but the theme of the myth affects the taste of his followers. As a myth, The Chronicles of Narnia is to abandon the daily work in ordinary life. It is this kind of life that continuously kills people's interests in daily life, and then the worries are nurtured deep in the heart. Myth has always been able to satisfy all kinds of primitive desires of human beings, whether it is explanation, fantasy or the desire of education. The Chronicles of Narnia gives a new interpretation of Myth.

抗争抑或妥协:加速社会视角下网络文学创作者对生成式AI的态度与选择

加速社会背景下,生成式AI技术的崛起引发了网络文学创作者对于原创性的深思。新的技术不仅使创作者被迫缩短了创作时间,还在一定程度上挤压了传统创作者的生存空间。面对这种技术带来的冲击,网络文学创作者的态度各异。他们或是抵抗,或是接受并使用这种技术,甚至试图利用其提升自己的创作效率。通过深度访谈18位具有网文原创从业经历的被访者,本文尝试从加速社会视角探究生成式AI对网络文学创作者生活和工作方式的影响。研究发现,虽然生成式AI在一定程度上改变了创作者的创作方式,但原创性仍然是网络文学的核心。同时,版权纠纷和伦理问题也是目前生成式AI作品存在的争议焦点。生成式AI的出现为网络文学带来了新的机遇和挑战,传统作者或许能通过创新内容的表达形式、搭建个人品牌、增强具身体验等方式,提升核心竞争力,以应对生成式AI时代所带来的挑战。

On the Ethical Dimensions of Literary Criticism in the Realm of We Media

In the realm of We Media,literary criticism is not completely free and unrestricted during its continuous production process;instead,it should adhere to certain ethical norms.The ethical dimensions of literary criticism in We Media focus on fostering a fair relationship between criticism activities and text,society,and the audience in order to facilitate healthy and orderly criticism that yields positive outcomes.The ethics of literary criticism in We Media can be categorized into aesthetic ethics,cultural ethics,political ethics,and media ethics within its internal structure,all of which ultimately converge into the realm of art production ethics.It is important to embrace a consciousness of intersubjectivity and adopt a cognitive approach of situationism in order to avoid blind restrictions and misjudgments in order to foster a positive and healthy ecosystem for literary criticism in We Media.Additionally,it is crucial to adhere to bottom-line thinking and emphasize responsibility,taste,and discipline while regulating the field of criticism,the audience,and critical text.

Poetizing Art of Enframed Scenery

Enframed scenery was classified into 4 categories:door and window enframed scenery,railing and column enframed scenery,tree enframed scenery,cave and crack enframed scenery.Demonstration of poetizing art in such 4 categories of enframed scenery was analyzed,application of enframed scenery in modern landscape architecture was introduced,and cultural connotations of enframed scenery were further explored.

Comparison on Cultural Connotation of Plant in Treasure Island and The Swordsman

In the development of human civilization, plant has been closely attached to human beings, and also been endowed with rich cultural imagery. However, ascribed to the differences between Chinese and English cultures, plant of the same kind exhibits similar, distinct or vacant characteristics. This paper adopts comparison method so as to compare and to analyze the differences and similarities of cultural connotation contained in plant emerging in Treasure Island （a representative of western adventure literature） and The Swordsman （a representative of Chinese martial arts literature） and roles plant plays in a certain chapter, or the whole story. The literature study presents a general knowledge of research theories in this field and cultural background. Moreover, the induction method integrates and summarizes the prior analyses and researches. Reasons underlying those cultural differences are also expounded, including legend and folklore, literature works and convention and custom. The conclusion is that analyzing the cultural connotation of plant is of significance for understanding the corresponding cultural differences as well as appreciating adventure and martial arts literature.

The Impact of the Emergence of Eurasian Art Communities in the Globalizing World

Eurasian art study is an interdisciplinary approach to the solution of the problems of ethno-national rivalry and contradictions, dominating in the world. Although the roots of Eurasian arts goes back to Aristotelian-Avicennian tradition, created in Central Asia （CA） of the eve of the last millennium, the evidence of that common tradition： archaeological, philological, philosophical, linguistic, etc., interconnected with each other and recognized by the diversity of the academic schools of the last century, are not included into educational programs of the universities of the modem times. That miss, creating a gap in the world system of knowledge, restricts development of international affairs and diplomacy in its global significance. To bridge that gap, observing and analysing what was missed in the system of knowledge and how Eurasian arts communities are organizing themselves in CA of pre-soviet times, how they managed to develop through the last century and what is their perspectives now, in globalizing world, is the aim of this paper.

Drawing Essence from Ancient to Nourishing the New A Study of REN Ping＇s Calligraphic Art

This paper expresses REN Ping＇s views on calligraphic arts and classical Chinese literature. Calligraphy and literature could not only express ideas, sentiments, and aesthetic charm, but also create harmony in relationships. The study focuses on his calligraphic styles such as Cursive Calligraphy （草书）, Regular Script （楷书）, Seal Script （篆书）, running style （行书） and so on. His calligraphic art creation lends a unique classical style to the Chinese movie, and shows a board and wide beauty of nature for pavilion ofZONG XIU in Hangzhou, which draws essence from ancient to nourishing the new. It is widely accepted that REN Ping＇s accomplishment results from, his accumulation of Chinese traditional culture, his rich knowledge in occidental philosophy and art, his outstanding artistic talents, and from his generosity, forthrightness, and sincerity, and his all-embracing humanistic feelings.

基于翻转课堂教学模式的高校经管类新文科建设探索研究——依据CiteSpace与文献述评的分析

新文科建设以培养高质量新文科人才为立脚点,而经管类新文科人才的培养是其中重要的一环。文章运用CiteSpace软件描绘了高校经管类新文科建设改革研究的概况,并辅以文献述评的方式进行归纳总结,发现经管类新文科建设研究的热点聚焦课程思政、学科的交叉融合及教学模式的创新等方面,而翻转课堂作为创新教学模式的一种重要方式,在经管类课程思政以及教学与人才培养方面体现出了其独特的优势。所以,高校经管类新文科建设的未来发展方向,可以从创新翻转课堂这种教学模式入手进行更深入的探索与研究。

Discussion about contemporary Chinese cultural criticism and mass culture

Contemporary Chinese cultural criticism is facing traditional three factors. That are： literary criticism, belletristic criticism and Chinese-style criticism; contemporary transformation from western cultural criticism and consciousness of problems in contemporary Chinese culture together form a problem domain of cultural criticism; during the 30 years, literary discipline knowledge has evolved from the aesthetic to the culture and the weakening and missing of beauty and poetry become a weakness of cultural criticism. Concerning about the study of repression mechanism for appreciation as well as strengthening the aesthetic nature is the proper attitude literary researcher should have while intervening cultural criticism.

The Concept of Shared Destiny in the Ainu Spiritual Belief

The Ainu are the only ethnic minority officially recognized in Japan.Ainu culture is not only a new entry point for understanding Japanese culture,but also an important medium for exploring ancient Asian civilization.This article analyzes the Ainu folk songs and legends and other oral literature and discovers:The Ainu people respect and thank the gods,and accept the gifts and punishments of the gods.However,the Ainu claim that human beings have autonomy through the belief that humans have the right to punish gods,and those humans and gods can strive for an equal two-way relationship.In addition,the Ainu emphasize the importance of coexistence between humans and other creatures in nature.It is believed that hunting and fishing are not blasphemy,but acceptances of the gifts from the gods.However,it is advocated that human beings and other creatures should give each other living space and maintain the balance of symbiosis and coexistence.The Ainu belief in relative equality with gods and coexistence with nature reflects the concept of“shared destiny”in ancient Asian civilizations.It provides an important reference for the development of modern human society.

Aspects of Indigenous Participation in Brazilian Literature

The article both presents how,from the end of the 1980s onwards,native peoples have begun to occupy certain spaces of textual production and circulation that they had not previously occupied in the Brazilian cultural scene(for social,linguistic,and cultural reasons,but also political and juridical)and discusses how this process has provoked a vigorous movement of dilation of traditional textual and discursive borders in Western culture.Texts deriving from indigenous peoples in the sphere of academic discourse are,in general,bilingual,and are structured in ways that combine aspects of intellectual production with those of artistic creation.Moreover,they are also structured around a rather complex conception of the notion of authorship(considering that they are written by an author but represent the voice of their people).As examples,the article analyzes the case of Os cantos tradicionais Ye'kwana[Traditional Ye'kwana Chants],by the indigenous teacher and researcher Fernando Ye'kwana Gimenes,winner of the 2020/2021 edition of the Dirce Cortes Riedel Masters Dissertation Award by the Brazilian Association of Comparative Literature,as a typical example of the cultural phenomenon discussed.The traditional Ye'kwana chants present significant transgressions in relation to the traditional notions of narrative logic and the dominant forms of narration in the fields of literature and history.The awarding of this academic prize to an indigenous inhabitant of the forest,on the border between Brazil and Venezuela,by the largest association of comparative literature in Latin America,in addition to being an important act in political terms,demonstrates how urgent it is to rethink processes of global literary dissemination beyond the restricted frameworks configured by the logic of hegemonic cultures,which are based on closed divisions and hierarchies.With this,we intend to contribute to the process of including Amerindian texts in the repertoire of Comparative Literature and World Literature.

2023网络文艺:以磅礴的想象力致敬未来

2023年是中国网络文艺聚力奋发的一年。随着人工智能大放异彩,奇点将至,未来已来,网络文艺跃入智能传播时代(智媒时代),网络科幻进入主赛道,“国潮热”涌动,成为“非遗”活态传承的重要阵地,微短剧积微成著,展现出磅礴的想象力。网络文艺需要推进制度创新和综合治理,在网络空间人类命运共同体的构建中发挥应有的作用,用优质内容化解网生代的数字化孤独。

基于多维特征分析的戏曲类方志文献命名实体识别研究

方志是我国特有的一种具有极高史料价值的地方文献,对其进行数字化处理并实施知识挖掘,对传承传播中华传统文化、建设文化强国具有重要意义。命名实体识别作为一种基础性技术与关键环节,对方志知识组织与发现具有重要影响。目前,虽然方志命名实体识别已经取得了一定进展,但是仍缺乏适应方志文本特征与领域资源特征的系统化技术方案。基于此,本文提出融合多维特征与Bi-LSTM-CRF的戏曲类方志命名实体识别模型。首先,结合句法特征与符号、尾词、构词、上下文和负例等文本特征,对方志文献中的戏曲类实体特质进行解析;其次,利用在长文本结构中表现优异的Bi-LSTM-CRF模型,借助已解析的戏曲类实体特征,提升实体识别效率;最后,以《楚剧志》为具体对象开展实证研究,结果表明,本文提出的模型在命名实体识别效果上优于基准模型,F1值达到0.869。

文艺大众化讨论与瞿秋白无产阶级文艺范式的建构

瞿秋白领导和推动了发生于20世纪30年代初期的第二次文艺大众化讨论。1930年代初,瞿秋白“赋闲”上海,领导左翼文化运动。建立起与左联内部的有效沟通,熟悉和掌握左翼文学大致情况之后,瞿秋白先通过茅盾传达了自己关于革命文艺发展的思考,期间通过起草《苏维埃的文化革命》《中国无产阶级革命文学的新任务》等文件,将“大众化”作为文化运动的中心问题。1932年3月左联完成改组工作,经过思想上、组织上充分准备之后,瞿秋白推出《普洛大众文艺的现实问题》等系列文章,阐述了革命文艺的无产阶级方向,构建了“立场-题材-文腔”三位一体的无产阶级文艺范式,为蓬勃兴起的无产阶级文艺提供了崭新的认识论和方法论指导。

新文科背景下中国现当代文学“文学+”教学改革探析

在新文科建设背景下,中国现当代文学进行“文学+”教学改革,需要突出原典阅读的重要性,培养学生核心学科素养,守正课程特性。为适应数字时代对创新型、复合型人才的需求,中国现当代文学与戏剧影视学科交叉融合,建立跨媒介的大表达观,培养在不同媒介之间自由创作的人才。新文科建设要立足中国现实、体现中国特色,中国现当代文学教学要融入课程思政,服务于新文科建设建构中国特色人文社会科学体系与立德树人的教育目标。