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Aesthetic Utopia,Revolution in Daily Life and Identity Construction of Peasant Paintings
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作者 YANG Dong-li 《Journal of Literature and Art Studies》 2023年第1期47-60,共14页
Peasant painting is a kind of painting created by farmers as creative subject,bearing rich significance.According to the historical development of peasant painting in reality,the types of meaning it carried could be d... Peasant painting is a kind of painting created by farmers as creative subject,bearing rich significance.According to the historical development of peasant painting in reality,the types of meaning it carried could be divided into three types in chronological order:political ideological significance,folk life significance,and creative fashion significance.These three types of meaning gave rise to three types of aesthetic utopia,namely political aesthetic utopia,folk aesthetic utopia and fashion aesthetic utopia.The three types of aesthetic utopia reflected three forms of negation and revolution of daily life.What the political aesthetic utopia resisted was the alienation force of material desire.What folk aesthetic utopia resisted was the desire for material and the binding of political ideology.The fashion aesthetic utopia opposed the relatively narrow localism.Through these three forms of resistance,the public also constructed three identities:the interpreter of their own aesthetic interpretation of political ideology,the interpreter of their own aesthetic interpretation of real life from perspective of local feelings,and the interpreter of their own aesthetic interpretation of real life from perspective of the relationship between themselves and the world. 展开更多
关键词 peasant paintings aesthetic utopia daily life revolution SYMBOL IDENTITY
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The Contemporary Disintegration of Aesthetic Utopia and Its Paradoxical Form
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作者 WANG Da-qiao QI Fei 《Journal of Literature and Art Studies》 2017年第11期1410-1417,共8页
With the advent of the era of aesthetic capitalism in the late 20th century, aesthetics and art exude enormous political potential. In contemporary aesthetic field, Utopia is breaking through the existing model and di... With the advent of the era of aesthetic capitalism in the late 20th century, aesthetics and art exude enormous political potential. In contemporary aesthetic field, Utopia is breaking through the existing model and disintegrating into the paradoxical "Heterotopia" or "Dystopia (anti-utopia)" with its revolutionary and negative power. It engages in politics, society and life with its reflexivity and anew assesses and activates aesthetical language and perceptive experience, The popularity of the engagement of aesthetics and art is the new modeling road of Utopia aiter its contemporary disintegration. 展开更多
关键词 aesthetic utopia heterotopia dystopia contemporary disintegration paradoxical form
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Aesthetic Revolution and the Contemporary Construction of Utopia
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作者 XIANG Li 《Journal of Literature and Art Studies》 2017年第11期1401-1409,共9页
When Utopia is re-discussed in the contemporary era, it is no longer just a question about the continued writing of a romantic poem, but a revolutionary political question. As it is the "presence" of "absence", th... When Utopia is re-discussed in the contemporary era, it is no longer just a question about the continued writing of a romantic poem, but a revolutionary political question. As it is the "presence" of "absence", the charm of Utopia lies in that it is not only distant otherness, but a kind of existence always touching the undercurrent of reality. In contemporary era, Utopia exists in the paradoxical form of dystopia. It is just in the review on Utopia that the political potential of art enables aesthetic Utopia re-enter its promising holy land as a new configuration of contemporary Utopia. However, the practice of aesthetic Utopia is not entirely poetic; on the contrary, there are always many fields which intertwine around and fight against each other between reality and expectations. Therefore, the aesthetic revolution chooses a more prudent way after the passionate release. 展开更多
关键词 utopia Political potential aesthetic utopia aesthetic Revolution Institutional Critique aestheticCapitalism
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Behind "Pop Songs Between 1930s and 1940s in Shanghai" Aesthetic Release of Eros Utopia
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作者 ZHOU Xiaoyan CANG Kaiyan ZHOU Hanlu 《Journal of Literature and Art Studies》 2016年第12期1545-1548,共4页
"Pop Songs between 1930s and 1940s in Shanghai" contains the artistic phenomenon with the utopian feature. Its main objective lies in the will instead of hope. The era endows different aesthetic utopian meanings to ... "Pop Songs between 1930s and 1940s in Shanghai" contains the artistic phenomenon with the utopian feature. Its main objective lies in the will instead of hope. The era endows different aesthetic utopian meanings to "Pop Songs between 1930s and 1940s in Shanghai". After 2010, the utopian change of such songs is closely related to the contradiction between "aesthetic imagination and reality", and "individual interest and integrated social interest" that are intrinsic in the utopian concept. To sort out the utopian process of those songs, it is helpful for correcting the current status about the weakened critical realism function of the current art, and accelerating the arousal of the literary and artistic creation, and individual consciousness, laying equal stress on and gathering the aesthetic power of these individuals, which provides solid foundation for the generalization of aesthetic utopian significance. 展开更多
关键词 Shanghai Oldies (Pop Songs between 1930s and 1940s in Shanghai) aesthetic utopia internal contradiction
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