On the Praxis-Oriented Semiotic Aesthetics in Eastern European Marxism

Eastern European Marxism,taking a critical stance towards structuralism,gave rise to a unique paradigm of praxis-oriented semiotic aesthetics.This novel approach posits that signs emerge from humans’social praxis and also function as a means of praxis.It further delves into the principle governing the generation and usage of signs,i.e.,the Economy Principle,the homogenization of signs,the situatedness or contextual constraints,as well as their aesthetic features and transcendental attributes.As a result,the praxis-oriented semiotic aesthetics within Eastern European Marxism exhibits distinct theoretical value.

The Study of “Imitation” Aesthetics in Ancient Painting Theory-Taking the Chinese and Western Sources as an Example

The theory of“imitation”in painting occupies a leading position in western art,which originated from the theory of“imitation”in ancient Greece,and has become one of the art theories affecting the world through the continuous development of later generations.Through the exploration of the source of“imitation”in China and the West,there are some comments on the meaning of“imitation”in Chinese classical painting theory,such as“transfer model writing”and“image form”,which is obvious differences from the west.Traditional Chinese painting is a combination of careful observation of natural things and subjective emotions to express their own aesthetic feelings,and ultimately form a vivid artistic conception.Modern imitation is borrowed from Western imitation.In fact,imitation in traditional painting has its own meaning,which contains Chinese aesthetic thought.“Imitation”aesthetics is unique in traditional Chinese painting and is the most important form of painting art.

On Translation of Children’s Literature Based on Reception Aesthetics:A Case Study of The Secret Garden

Grounded in reader-centered theories,Reception Aesthetics prioritizes the active engagement and acceptance of target readers.This study examines the translation of children’s literature through the lens of Reception Aesthetics,using Li Wenjun’s rendition of The Secret Garden as a case study.The objective is to scrutinize various aspects of the translation-including vocabulary,syntax,rhetorical devices,and cultural nuances-and to discern how the adaptation and application of diverse translation strategies cater to the aesthetic expectations.

Flavor Amidst Plainness:An Examination of the Subjectivity of the“People’s Films”From the Perspective of Classical Aesthetics

The“People’s Films,”when examined from the perspective of classical aesthetics,present a unique visual style that creates artistic conceptions through sparse filming and deliver a scenery-based ideology through background shots,contributing to the overall aesthetic taste dominated by plainness.Chinese national aesthetic tastes,distinguished by implicitness,symbolism,and ethereality,have the magical power to present charming conceptions via plain and simple scenes,thus endowing the“People’s Films”with natural,plain,and harmonious frames that are unique to China.Behind the silent and plain scenes are representations of personal cultivation and essential values cherished by the Chinese people,which are achieved via the momentary presence and entirety of scenes photographed in the films,delivering an internal transcendence of people’s consciousness.

Myth and Digital Fantasy from the Perspective of Technical Aesthetics

The surreal space of digital technology development has created an unprecedented utopian mythological world.The virtual reality research started in the 1960s has gradually become a reality with the support of hardware technology.The media mode of observing the world by simulating human eyes with cameras is being replaced by computer simulation technology.The metaverse global vision based on virtual space and sense of time obscures the traditional perspective,and a novel progressive aesthetic category gradual y emerges.Starting with the aesthetic experience of myth brought by digital technology,this paper reviews the history of myth and analyzes the mental image of myth and religion to push the origin of life to a more profound realm.The contemporary“myth”following technological development changes the situation of human cognition of the world,separates the myth from the historical frame and relates it to the contemporary ongoing.

The Ecological Aesthetics of Funeral Architecture towards Death:A Case Study of Tomba Brion Family Cemetery

This paper discusses the design of funeral architecture with ecological aesthetics as the entry point,and makes a poetic interpretation of the gardening techniques and spiritual connotation of Tomba Brion Family Cemetery,a funeral architecture,in combination with architecture,ecological design aesthetics,landscape ecology,oriental aesthetics and other disciplines to explore the unique charm of the architectural field related to death for life,trying to provide the reference value of ecological aesthetics for the development of funeral architecture.

The Constructed Image:“China”in Gertrude Stein’s Composite Matrix of Aesthetics and Politics

As a representative modernist writer of the early 20th century,Gertrude Stein creatively established a unique experimental writing style to support her modernist expression.This paper attempts to analyze the Oriental elements,especially elements and images related to“China”in her works.Stein’s uses these elements to construct a systematic and complex matrix of aesthetics and politics.“China”in Stein’s matrix is an essential source of her so-called“the oriental peaceful penetration”and a significant lens for her ideological expression and political thoughts.Although Stein emphasizes her Oriental components in the source of identity,she always places herself in a Western position,ignoring cultural and political expressions in the real Chinese context and turning“China”into a useful tool in the collective fantasies of the West.

An Exploration of Translation Strategies of Global Cosmetics Brands Based on Reception Aesthetics

With the advancement of economic globalization,the flow of commodities from one country to another has become closer and closer.Especially in recent years,the logistics industry has been developing rapidly,overseas purchasing agents and cross-border online shopping have been enormously prevailing,and accordingly more and more British and American cosmetics expect to occupy a place in the huge market of China.Therefore,it is particularly important to explore the Chinese translation strategies for British and American cosmetic brands.Based on the theory of reception aesthetics,this thesis takes the corpus Estee Lauder,La mer,and other famous cosmetics brands.The thesis proposes several methods for translating cosmetic brands:transliteration for proper names like person or geography names;free translation to recreate brand aesthetics;creative translation for new brands;and adapted translation for divergence in language habits.Therefore,this thesis is of theoretical and practical significance as far as the field of cosmetics is concerned.

The Translation of Children's Literature under the Guidance of Reception Aesthetics

In recent years,a great majority of excellent foreign children' s literary works have sprung up in the domestic market,so the translation of children' literature are drawn much attention.However,the relevant studies which guide the translation of children literature are quite few.Reception Aesthetics which take readers reception as a goal provides a new prospective for the translation of children s literature and promote its development.

On aesthetics theory of Edmund Burke

Being one of the most important English aesthetics in the 18th century,Edmund Burke played a significant role in the develop-ment of aesthetics.And his ideas of aesthetic theory are represented by one of his treatises: A philosophical Inquiry into the Origin of OurIdeas of the Sublime and Beautiful.This paper aims at interpreting Burke's aesthetics ideas from the perspectives of three important terms:qualities of the objects;psychological and physical nature of the subjects and the standard of the taste.

On the Limit of Translatibility from the Perspective of Translation Aesthetics

The limit of translatability is closely related to translation aesthetics since faithful reproduction of the source text's aes thetic elements in target text is by no means an easy task or even a laborious but fruitless task.Some aesthetic elements of the source text can not be represented in target language due to linguistic and cultural divergences or translator's incompetence.In that case,there is limit of translatability from the perspective of translation aesthetics.

On the Integration of Translation Aesthetics and Pragmatics from the Perspective of Relevance Theory

The paper will devote to explore the deeper integration of translation aesthetics and pragmatics from the perspective of the relevance theory in an effort to contribute to the advance of traditional Chinese discourse on translation.

Commentary on My Translation of You Can You Will from Jauss' Perspective of Reception Aesthetics

Drawing upon the theory of reception aesthetics, this dissertation aims to discuss the translator's translation of You Can YouWill. Beginning with preliminary background information, e.g. the source book and writer, the translator further introduces theories andprevious related research, including Christian work. There are two representatives of reception theory; the translator stresses Jauss' per-spective of reception aesthetics, detailing his two key notions: the reader's decisive role and horizon of expectation. These notions shiftthe focus from the writer and text to the reader, which is a proven method to make the translation more acceptable to readers. Based onthe translation brief, target readers are Christians. During the translation process, the translator keeps key notions of reception aestheticstop-of-mind and strives to produce a version suitable for Christian readers. Some strategies, e.g. domestication and footnoting, are em-ployed to discuss the translation of biblical terms, Christian expressions, verses or stories from the Bible, metaphors and cultural items.In addition to these strategies, all translation is in accordance with CUV when encountering Bible-related text, due to CUV's authorityamong all versions of the Bible. Lastly, the translator provides conclusive remarks based on analysis as well as suggestions for further re-search. Limitations of this study are also mentioned.

On the Translated Subtitles of Chinese Films from the Perspective of Reception Aesthetics

The subtitle translation not only needs to consider the audience’s horizon of expectation and acceptability,but also has to achieve the significance of spreading Chinese culture to foreigners.This paper explores the rules,principles and methods of the subtitle translation of Chinese films from the perspective of reception aesthetics.

A Tentative Analysis of the Aesthetics of Eco-civilization

This paper explores four issues concerning aesthetics. First is the groundless concept of eco-aesthetics. In nature, aesthetics is the outcome of civilization and aesthetic appreciation is a process of human's self-affirmation. Fundamentally, ecology is the opposite of civilization. Ecology is beautiful only when it benefits humans and civilizations. The concept of ecological beauty is groundless and what exists can only be the beauty of eco-civilization. Second is the symbiosis of ecology and civilization, which is the very essence of eco-civilization beauty. Third is simplicity, which is the defining beauty of eco-civilization aesthetics and originates from agricultural civilizations. Such an aesthetic view was negated by industrial civilizations and later realized self-renewal through "negation of negation. " Today, simplicity has become the defining beauty in the era of eco-civilizations. Frugality is the core of simplicity and it carries different connotations in different eras. In the era of agricultural civilizations, frugality was for wealth accumulation, while in the era of eco-civilizations frugality is for resource conservation. Fourth is the construction of eco-civilization aesthetics of which there are three noteworthy aspects; re-establishing the divinity of nature & advocating nature worship, re-humanizing and re-building trust in technology, and improving the quality of the "habitat for humanity. " The community of eco-civilization is the biggest ever shared homeland featuring harmonious co-existence between humans and nature. The aesthetics of eco-civilization are the aesthetics of the human homeland. "Happy living and dwelling" is an eternal theme of human aesthetics. When it comes to the era of eco-civilizations, however, this theme should be added with a prefix, i.e. "eco-" to form a new concept ─ "happy eco-living and dwelling."

Brief Introduction to Industrial Design Aesthetics

The paper proposes the idea that in the primary stage of industrial product design, the aesthetic nature of the product should be grasped. In addition, the paper poses two questions about aesthetic nature industrial design: first, what is the object of industrial design aesthetics? Second, what are the characteristics of design aesthetics of industrial products?

Aesthetic gingival management: Preservation of the anatomical structures and the gingival aesthetics by immediate implant-insertion after loss of anterior teeth and premolars—Results of a 5-year prospective study with 348 inserted one-phase implants

Implant insertion is an alternative to classical treatment with bridges after tooth extraction or traumatic tooth loss in the anterior and premolar region of the upper and lower jaw. Nevertheless both types of prosthetic treatment inhere major gingival aesthetic pitfalls by physiological vertical and horizontal resorption. Aim of the study was to investigate if the immediate insertion of root analogue single-stage implants and prosthetic treatment could prevent gingival recessions and bone resorption thus keeping the natural gingival aesthetics untouched. Between 2003 and 2006, 348 root analogue Q1-Implants (TRINON Karlsruhe GmbH/Germany) were inserted in 342 patients’s premolar and molar regions immediately after tooth extraction or traumatic tooth loss and treated with provisional resin crowns. The observation period with recurring 6-month clinical and radiographic check-ups was a minimum of 5 years. Of 348 inserted implants 4 (1.15%) were lost resulting in an overall success rate of 98.85%. In the first 12 weeks after surgery a mean recession of the buccal gingival margin of 0.2 mm (SD 0.34) could be detected, after final prosthetic treatment an overall mean recession of 0.2 mm (SD 0.13) within the survey period. Immediate implant insertion of root analogue single stage implants and immediate prosthetic treatment with provisional resin crowns after minimal invasive tooth extraction seems to be appropriate to prevent bone resorptions of the buccal alveolar crest and the recessions of the gingiva and papillae and thus suggests to be the preferable treatment to keep the natural gingival and papillary aesthetics untouched preventing further traumatic surgical gingival reconstructions.

释[Aesthetics]并及音乐美学“论域”建构

[Aesthetics]一作“美学”之名,其实为——对人的审美活动及其结果的研究;移项至“音乐美学”[Aesthetics in Music] ——对人的音乐审美活动及其结果的研究。 [Aesthetics]另作“美学”理论学科之符号(称谓),以显其实(对人的审美活动及其结果的研究)而示其义——对人的审美判断的判断,即人用理性(理论)的方式去研究人把握艺术的感性(实践)现象;移项至“音乐美学”[Aesthetics in

A Study on the Reproduction of Artistic Conception in Translation of Chinese Classical Poetry from the Perspective of Reception Aesthetics Theory

Chinese classical poetry has long been known for its unique artistic conception of mixture of sentiments andscenery, the conception beyond image and the refinement out of rhyme. From the perspective of receptionaesthetics theory, this paper analyzes translation strategies of the classical poetry, probes into the problems thatretaining “indeterminacy” and satisfying the readers “horizon of expectations” when translate Chinese classicalpoetry. It is necessary to keep enough aesthetic space, and to give full play to the translator’s aesthetic creativitywhen translate Chinese classical poetry, so as to reproduce the artistic conception of Chinese classical poetry.

Topics of Truth,Kindness and Aesthetics in Chinese Education1

The ideal goal to cultivate creative talents who "seek truth","strive for kindness" and "adore aesthetics " and are equipped with "perfect personality" should be achieved,which is expected to reach brand-new circumstances of "humans development and construction of completeness" and must and should explore "Truth","Kindness" and "Aesthetics" in Chinese education.This article is meant to explore "truth" of Chinese(language,article,literature) in the intellectual education from cognitive science and to promote students to get into quality of exploration;they should explore "kindness" in the moral education in Chinese(language,article,literature) from ethics,which is to urge wakefulness of students' moral consciousness;in addition,"aesthetics" in Chinese(language,article,literature) from aesthetic education is to spur students to construct free soul.