There must be some kind of“Deviation”between the translated text and the original one,which is called creative treason.This kind of deviation is most prominent in poetry translation.Arthur Welly is a famous British ...There must be some kind of“Deviation”between the translated text and the original one,which is called creative treason.This kind of deviation is most prominent in poetry translation.Arthur Welly is a famous British Sinologist in the 20th century,and A Hundred and Seventy Chinese Poems is his masterpiece.The English translation of Nineteen Ancient Poems is taken as an example to analyze the treason and defect in the translation.The discussion can be divided into three parts through specific induction:the lack of angle,the loss of image and the misreading of reduplicated words.Behind these superficial rebellions and defects,the hidden essence is the difference brought about by different cultures.展开更多
In ancient Chinese literature,poetry is the primary vehicle for lyrical expression.Although they have been traditionally deemed pure lyrical works,the nineteen ancient poems contain narrative elements that have been e...In ancient Chinese literature,poetry is the primary vehicle for lyrical expression.Although they have been traditionally deemed pure lyrical works,the nineteen ancient poems contain narrative elements that have been explored in prior research endeavors.An examination of these poems from the perspective that Chinese literature is characterized by the complementary interplay of lyrical and narrative traditions can help develop a more nuanced understanding of Chinese literary works.Moreover,it can deepen the perception that Chinese literary history is not dominated by the lyrical tradition but is defined by the intricate harmony and mutual enrichment between the lyrical and narrative traditions.展开更多
The translation of Chinese ancient poems has always been the direction of many translators at home and abroad,and the translation of color words has gradually become the object of study.However,due to the difference b...The translation of Chinese ancient poems has always been the direction of many translators at home and abroad,and the translation of color words has gradually become the object of study.However,due to the difference between translation theory and perspective,there are many controversial translations.Based on the theory of "functional equivalence" proposed by American translation theorist Eugene Nida,this paper analyzes the concrete translation of Chinese ancient poems,and aims to explore how to translate the color words in ancient poems in the best way,And summed up the specific and practical translation methods.展开更多
WEST of the Yang Pass, a dance poem created and performed by the Lanzhou Song and Dance Troupe, presents the audience with a picture of ancient times and folk customs on the Loess Plateau in Northwestern China. It dep...WEST of the Yang Pass, a dance poem created and performed by the Lanzhou Song and Dance Troupe, presents the audience with a picture of ancient times and folk customs on the Loess Plateau in Northwestern China. It depicts our ancestors’ staunch will to live, and their pioneering spirit, as well as the splendid traditional culture. The dance poem includes 11 sections: "Prelude," "Ancient Road," "Desert," "Camel Station," "Crescent Moon Spring," "Ancient Castle," "Temple Oil Lamps," "Mogao Grottoes," "Red Willows," "Market," "Ancient Battle Fields," and "Fields." West of the Yang Pass is a dance without particular characters or coherent plot. A展开更多
文摘There must be some kind of“Deviation”between the translated text and the original one,which is called creative treason.This kind of deviation is most prominent in poetry translation.Arthur Welly is a famous British Sinologist in the 20th century,and A Hundred and Seventy Chinese Poems is his masterpiece.The English translation of Nineteen Ancient Poems is taken as an example to analyze the treason and defect in the translation.The discussion can be divided into three parts through specific induction:the lack of angle,the loss of image and the misreading of reduplicated words.Behind these superficial rebellions and defects,the hidden essence is the difference brought about by different cultures.
文摘In ancient Chinese literature,poetry is the primary vehicle for lyrical expression.Although they have been traditionally deemed pure lyrical works,the nineteen ancient poems contain narrative elements that have been explored in prior research endeavors.An examination of these poems from the perspective that Chinese literature is characterized by the complementary interplay of lyrical and narrative traditions can help develop a more nuanced understanding of Chinese literary works.Moreover,it can deepen the perception that Chinese literary history is not dominated by the lyrical tradition but is defined by the intricate harmony and mutual enrichment between the lyrical and narrative traditions.
文摘The translation of Chinese ancient poems has always been the direction of many translators at home and abroad,and the translation of color words has gradually become the object of study.However,due to the difference between translation theory and perspective,there are many controversial translations.Based on the theory of "functional equivalence" proposed by American translation theorist Eugene Nida,this paper analyzes the concrete translation of Chinese ancient poems,and aims to explore how to translate the color words in ancient poems in the best way,And summed up the specific and practical translation methods.
文摘WEST of the Yang Pass, a dance poem created and performed by the Lanzhou Song and Dance Troupe, presents the audience with a picture of ancient times and folk customs on the Loess Plateau in Northwestern China. It depicts our ancestors’ staunch will to live, and their pioneering spirit, as well as the splendid traditional culture. The dance poem includes 11 sections: "Prelude," "Ancient Road," "Desert," "Camel Station," "Crescent Moon Spring," "Ancient Castle," "Temple Oil Lamps," "Mogao Grottoes," "Red Willows," "Market," "Ancient Battle Fields," and "Fields." West of the Yang Pass is a dance without particular characters or coherent plot. A
