Exploration of the Expression of Color Emotion in Oil Painting Sketch Creation

This paper deeply analyzes the expression of color emotion in oil painting sketch creation.Starting with the three basic attributes of color theory(hue,lightness,and purity),this paper discusses its emotional symbolic significance and the relationship between contrast and harmony.By interpreting the works of artists such as Van Gogh’s Sunflower,Monet’s Rouen Cathedral,and Cézanne’s Mont Sainte-Victoire,this paper shows the unique charm of different colors in conveying emotions,creating atmosphere,and expressing themes.At the same time,it is expounded that in the creation of an oil painting sketch,the effective expression of color emotion can be realized by observing nature,using subjective colors,and reasonable composition and layout of colors,so as to enhance the artistic value of the works.

Fires of Destruction and Creation

讲到“火山爆发”,人们自然联想到意大利的古城庞贝(Pompeii),这座建于公元前8世纪的依山傍海的美丽城市竟毁于公元79年的维苏威火山的一次爆发。从此,庞贝城被掩埋在火山灰之下,一直沉睡到1748年,当人们移走成千上万吨的火山灰之后,这座古城才重见天日！“火山爆发”=人类的灾星！这几成人们的思维定势。 所以,当本文大谈火山爆发给我们这个星球造成种种灾难的时候,我们并不感到意外。如: 1991年6月菲律宾的Pinatubo火山爆发: ·“It looks like the end of the world,”said one of the more than 100,000 people who fled for their lives. ·Within weeks,millions of Americans began noticing spectacular sunsets of eerie colors. ·Pinatubo’s haze s thick enough to cool average worldwide temperature by about one degree Fahrenheit for several years…A change of one degree may seem small,but it is enough to influence global winds and ocean currents. 1885年印度尼西亚Java附近的Tambora火山爆发: ·Summer crops in France failed,causing food shortages. ·In New England it snowed in June… 文章有一句话提纲挈领:Volcanoes may trigger other strange weaher.据统计,?

The modern context and ancient resources of Chinese literature

To enter into and utilize the resources of ancient literature is a necessity for literary modernity. In the twentieth century, modern Chinese literature generally adopted four paradigms in pursuit of this objective： the socio-political paradigm that viewed traditional literature in terms of ＂quintessence-dross＂ under the guidance of the Marxist doctrine of the critical inheritance of cultural heritage; the ＂spiritual awakening＂ paradigm that, being inspired by Western schools of thought such as hermeneutics, viewed traditional literature as ＂the source of new literature＂; the scientific-aesthetic paradigm that viewed traditional literature as combining scientific interpretation and modern aesthetics and focused on interpretation, transformation, innovation and creation from within; and the folk paradigm that viewed literary tradition as a narrative of daily life demonstrating the way in which ancient and modern literature were connected in a cultural whole. What is important in the complementary and competitive development of these coexisting paradigms is highlighting ＂problem consciousness＂ in ＂interaction＂ and ＂original creation＂ and the reconstruction of the value of real human life through entering into and reactivating the resources of ancient literature.

Cross sections for inelastic K+ϕscattering

In the first Born approximation,we study the reactions Kφ→πK,ρK,πK*,and ρK*with quark-antiquark annihilation and creation.Transition amplitudes are derived with the development in the spherical harmonics of the relative-motion wave functions of two initial mesons and two final mesons so that parity is conserved and the total angular momentum of the final mesons equals that of the initial mesons.Unpolarized cross sections are calculated from the transition amplitudes that also contain mesonic quark-antiquark relative-motion wave functions and transition potentials for quark-antiquark annihilation and creation.The notable temperature dependence of the cross sections is shown.The cross sections for Kφ→ρK,Kφ→K*,and Kφ→ρK*may be of the millibarn scale,whereas the cross section for Kφ→πK is small.