Application of Aesthetic Value of the World Modern Garden City and Exploration & Design of Its Artistic Conception——Using Chengdu City as a Case Study

This study explored the origin and development of modern garden city,by integrating concepts of world modern garden city and characteristics of Chengdu cultures,analyzed the application of its aesthetic value and the design of its artistic conception.It was found that Chengdu City had high aesthetic value such as a large area of green spaces and unique recreational cultures,as well as a great potential of unifying idyllic images and natural cultures.To design Chengdu into a world modern garden city,the planning of its urban green space system should be taken as the foundation,"one group and three districts" as the construction system,urban folk cultures,logistics and traffic,information and other such networks as the support to achieve the "beauty of nature,social equity and urban-rural integration".

Thinking on the Artistic Conception Creation of Plant Landscaping Design in Chinese Style Garden

In modern Chinese style garden, the designer could express the emotions in garden creation to produce artistic conception with landscape plants, which could make the sightseers desire to integrate with the nature and led to sympathizing with the concept, thereby motivating and arousing people＇s emotion to return to and close to nature. Through the 6 specific characteristics of ＂shape, color, aroma, shadow, sound and art＂ of landscape plants, some ways to build artistic conception in Chinese style garden were introduced in this study to provide references for the creation of artistic conception creation through senses in the future landscaping design.

Study on the Creation of Artistic Conception in Modern Gardens

To better inherit traditional culture in creating artistic conception in modern gardens and develop the style and function of garden artistic conception,this study summarized various creation techniques of traditional garden artistic conceptions from the perspective of design thought and conception of classical Chinese gardens.It was put forward that the creation of artistic conception in modern gardens should be human-centered in a great culture context;and meanwhile,aesthetic habits of modern people should be respected and traditional thoughts should be developed to enrich the connotation of garden artistic conception design.

Classical Chinese Gardens and Their Artistic Conceptions

Elementary knowledge of classical Chinese gardens was introduced,its history was studied in 3 stages:initial phase,development phase and prosperous phase,component system of classical Chinese gardens was introduced from different perspectives,cultural background and specific demonstrations of its artistic conceptions were expounded as key points,and it was proposed that its artistic conceptions were actually reverence and respect for the nature,and also expressions of various philosophical doctrines and religious cultures.On this basis,construction techniques and connotations of artistic conception were researched as well as its components and expression ways.It was proposed that construction elements of artistic conceptions included buildings,hill stones,water and plants;image-building in the landscaping should be stressed,and artistic conception integrated into key points to bring out the theme,garden scenes and paintings combined.This study aimed at providing references for relevant researches through introducing classical Chinese gardens and their artistic conceptions.

The Reproduction of Artistic Conception——An Appreciation of the Two Chinese Translations of A Psalm of Life

本文从诗歌审美的两要素——诗歌形式与诗歌意境将英诗"生命礼赞"两中文译本与原文作了对比研究。刘宓庆教授认为,诗歌审美的两要素直接关系到诗歌的美学价值,而对它们的成功再现自然也成为文学翻译中的关键。本文通过对比分析得出结论:虽然两个中文译本都有各自的缺憾,但从总体上来说它们都成功再现了原诗的意境,也证明在翻译过程中对诗歌审美两要素的权衡和达成使原诗意境的重现成为可能。

A Study on the Reproduction of Artistic Conception in Translation of Chinese Classical Poetry from the Perspective of Reception Aesthetics Theory

Chinese classical poetry has long been known for its unique artistic conception of mixture of sentiments andscenery, the conception beyond image and the refinement out of rhyme. From the perspective of receptionaesthetics theory, this paper analyzes translation strategies of the classical poetry, probes into the problems thatretaining “indeterminacy” and satisfying the readers “horizon of expectations” when translate Chinese classicalpoetry. It is necessary to keep enough aesthetic space, and to give full play to the translator’s aesthetic creativitywhen translate Chinese classical poetry, so as to reproduce the artistic conception of Chinese classical poetry.

A Trial Exploration on the Application of Artistic Conception Rhetoric in Advertisement

随着商品经济的不断发展，广告已成为人们生活中不可或缺的部分。然而，由于广告太多，麻痹了人们的神经，导致多数人对广告视而不见，充耳不闻。因此，要想让广告达到预期的效果，就必须提高广告语言表达的有效性，而运用意境上的修辞则是提高语言表达有效性的最好方法。

Expression of Garden Artistic Conception by Photography

Both garden and photographic art creation pursue the expression of artistic conception.By analyzing the connotation of artistic conception of photographic art,the interaction between garden and photography are analyzed,and the artistic conception beauty of garden photography is discussed from three aspects:composition,color,and light and shadow expression.Moreover,artistic conception expression skills such as inspiration capture and deepening experience are put forward,in order to provide the reference for lovers of garden photography.

Aesthetics-based Beauty of Artistic Conception of Chinese Ancient Floral Arrangement

Having a long history, Chinese floral arrangement has its unique floral arrangement patterns in different dynasties from the floral decoration on Buddhist altar in the Wei-Jin Period to the flower arranging by literatus, presenting the distinct lasting appeal of oriental floral arrangement. In terms of aesthetics features, Chinese ancient floral arrangement presented the features of natural inspiration and harmony between nature and man, attached thoughts to flowers and expressed emotions through flowers, and showed the aesthetic characteristics of poetic illusion and harmonious unification. Both the selection of flowers and overall layout of flower arrangement in ancient China show the beauty of artistic conception in aesthetics.

Artistic Conception of Chinese Classical Gardens

The artistic conception of the garden is the visual and typical natural environment and the ideological implication of the garden landscape expressed by the designer’s conception and creation.This paper analyzed the artistic conception of Chinese classical gardens from four aspects:the types,functions,creative techniques and contemporary factors restricting the development of artistic conception of gardens.It showed the charm of artistic conception of classical Chinese gardens,the important role of artistic conception of gardens,the current situation and problems encountered in the development of artistic conception of contemporary Chinese gardens.The paper also put forward some thoughts on the development status and problems of garden artistic conception,and explored the fusion method of Chinese classical garden artistic conception and modern garden.

In the Song Dynasty painting ＂selflessness＂ aesthetic characteristics of artistic conception of the formation process

The Song Dynasty painting ＂realm without me＂ （i.e. the beauty to nature, not to the individual bit emotional, aesthetic situation calmly silently illuminates）, it is a peak China painting history, and after the Yuan Dynasty painting ＂realm＂ of the United States, constitutes the entire China the history of painting aesthetics of all. This ＂selflessness＂ beauty at the beginning did not possess, it is with the development of social economy, politics, literature and art thoughts and slowly spread. This paper will be of the Song Dynasty painting ＂selflessness＂ beauty, do a simple analysis, analysis of the seed to the development to the maturity of the aesthetic course.

A Study of Strategies in Translation of Chinese Classical Artistic Essays

This paper takes the Chinese Classical Artistic Essays(hereafter referred to as CCAEs) as its object. As many as ten archetypaessays from various dynasties are collected as samples, so are their corresponding translated versions on which the author will conduct acomparative study. In doing so, this thesis is aimed at elucidating some practical strategies of translating CCAEs. Due to the constraint olength, the paper discusses the translation strategies on the part of translation of cultural images and artistic conceptions.

意境美学与气氛美学的跨文化互释

在全球化语境下,作为中国美学之独特形态的意境美学,与西方晚近兴起的气氛美学之间存在颇多可比照阐发、交流互鉴之处。在主客关系上,意境美学与气氛美学都打破了传统美学主客二分的思维方式,分别以“心-物”模式和“身-物”模式致力于审美主体与对象之间的间性关系的建构;不过意境美学融入与运用了综合的审美心理机能,侧重审美活动中精神性体验,将气氛美学中建立在感知学之上的“自然之物”进行了抬升和跨越,故作为意境美学基本单位的意象可以视为气氛之物的形而上之维。正是由于以上关联之处,一方面通感联觉是两种美学重要的审美生理-心理基础之一,另一方面作为审美范畴的“意境”和“气氛”都处于不断生成的状态之中,因而审美主体获得的美感体验都是历时性的情感体验,是一种“绵延”的美感。同时,意境美学和气氛美学都是在空间中进行审美,共同关注意境与气氛所营造的“虚实空间”。不仅如此,在情景创设、情调营造等方面,意境美学与气氛美学又可落实为一种共通的审美创造方案。基于以上事实,在意境美学与气氛美学之间进行广泛而深入的对话,既可为中西美学在交流互鉴中实现创新融合提供案例,还可在一定程度上激活中国古典美学的当代价值。

中华优秀传统文化元素在园林景观设计的融揉实践研究

中华传统文化也称华夏文化,是民族历史上各种思想文化和意识形态的体现,是反映中华文明演进、发展与融合的民族特征和特点的一种民族文化,是中国文明、风俗、精神的总称。通过中华传统文化元素在现代园林景观中的应用,传承景观要素,发扬和创新中华传统文化,结合笔者的实际设计案例,依据传统文化元素在园林景观设计中的实践应用形式,在传统文化符号的应用、意境的营造、文化的弘扬与传承三个方面做了阐述,并总结了在园林景观中传统文化元素的应用应该遵循的民族历史性、地域特色性、社会性、伦理道德性、“天人合一”生态设计理念的原则。

真实与虚像:探析江南历史园林的当代复建

【目的】20世纪50年代以来,江南各地多有对残损或消失的历史园林的复建,这些园林构成了传统园林在当代延续的一部分。另外,园林的文本化、文人化特征促生了园林历史中兴废演替的一种传统方式,即由文人主导的基于文本的再造。有必要结合这一传统,厘清江南历史园林当代复建的特点与意义。【方法】聚焦当代复建的历史园林,通过对江南地区的案例开展文献与实地调研,剖析并区分复建的动机与策略,进一步分析典型案例的复建方法。【结果】揭示了园林传统、遗产理念、当代文化等多维度的影响,进而探讨了园林风格、园林类型、真实性等方面存在的问题与挑战。【结论】复建园林作为历史真实的虚像,是传统园林文化的重要表征,在复建信息真实以及准确展示的基础上,可以发挥多元的价值。

诗意的丈量--景观诗词文本挖掘与空间制图研究进展

诗词文化的传承与发展是文化建设中的重要一环,研究诗词在风景园林中的应用有利于指引规划设计师对诗词文化景观的空间营建,引导人们在诗词文化景观中的意境感知。从发文趋势、研究区域、研究视角、研究方法和技术汇总5个方面对诗词文学文本挖掘与空间制图研究进行系统文献综述,并总结出当前诗词文学定量研究的技术指标。同时,对诗词文学文本挖掘与空间制图丈量技术在风景园林中的应用进行了展望,探讨了诗词文学中的时空耦合对景观发展的作用机制、空间营建及引导意境感知体验的应用途径,以期丰富诗意的丈量手段与诗意景观的复兴。

中国画元素在室内设计中的运用及意义

中国画有着悠久的历史,历经了上千年的艺术沉淀,其绘画主题和表现技法多种多样,是当代艺术的瑰宝,对现代艺术设计的发展具有积极的影响。本文采用文献资料法,对中国画元素在室内设计中的运用及意义进行研究,首先对中国画元素的构成进行了介绍,对中国画元素在室内设计的意义进行了分析,将中国传统艺术元素巧妙地应用于室内设计,可以创造出一种高雅、富有东方韵味的环境气氛。希望本文的研究可以促进室内设计的创新发展,展示中国传统艺术特有的魅力。

“道”范畴的时代转换和艺术性的伦理建构

在子学时代,“道”具有抽象的理念意味,但“道不远人”,“道”始于情,而终于人;统治者借助礼乐达到礼治的目的,最终以其艺术性来统摄人心和建构秩序;艺术的政治媒介属性使艺术与政治合一。到了经学时代,“道”则指涉政教的正当性与合法性;艺术成为统治者宣道的媒介和工具;艺术中“美情”和“至善”统一于道境之中。而艺术媒介与“道”范畴的矛盾只有在“以人民为中心”的当下,才可得到根本性的解决,从而建立社会主义艺术伦理观,为人的全面发展奠定基础。

“Image”考辨

“image/imagery”可翻译为“形象”或“意象”。“形象”源于绘画艺术,其本意指人或事物的形貌,其本质是对物象的摹仿,是心物二元的统一体。“形象”由绘画艺术影响到其他艺术,并形成了“形神”“性格”“典型”等概念。与“形象”极易混淆的“意象”在“意”的表现和“象”的再现之外,可以激发审美主体感性感官的通感,刺激审美主体的联想、想象,从而在文艺作品中直接呈现或蕴藏可意会不可言传的审美意境。作为文艺批评理论术语,针对视觉性或叙事性文艺作品的批评多使用“形象”,而针对抒情性文艺作品的批评则多用“意象”。

清雅细美与浓墨重彩——胡志平演奏二胡曲《纳兰性德辞意》的美学意蕴及其他

二胡与乐队《纳兰性德辞意》是一首文人题材、文人格调、既现代又很有意味的二胡曲。文章从乐曲的创作、演出及其他,乐曲二度艺术创造的美学追求及技法表现,对乐曲一度创作的精巧构思、二度创作所体现的“文人二胡艺术”的美学追求及创新实践和作品近40年来的传播影响进行分析探究。