The Influence of Jingchu Culture on the Pattern of the Ancient City of Jingzhou

Jingzhou is the birthplace of Jingchu culture.Under the influence of Jingchu culture,the layout of Jinan city and Jingzhou city in Jingzhou presents some unique phenomena.By analyzing the connotation of Jingchu culture,the paper excavates the pattern features of two ancient cities in Jingzhou,and explores the influence of Jingchu culture on the pattern of the ancient city of Jingzhou.

Comparison and Choice of Cultural Patterns of the Chinese Cultural Renaissance

Cultural differences suggest the existence of a variety of cultural patterns. In the context of globalization, conscious choice and construction of cultural patterns are of great necessity. Choice is related to comparison and involves evaluation comparisons of nature and function and recognition comparisons of content and structure regarding cultural patterns. This paper holds that cultural values can be established based on the foundations of basic cultural value functions, namely if they satisfy people's need for transcendence and enhancement, appreciation of the beauty, social survival and progress. Also, different situations should be combined with specific existence situations within a specific culture. Accordingly, life-vitality orientation should be regarded as a criterion in cultural evaluation and choice.

Research on Spatial Structure and Ancestral Temple Culture of Ancient Villages:A Case Study of Ji’an Area,Jiangxi Province

Ancestral temple culture is the core part of village culture,which infl uences the spatial pattern of villages from various aspects,occupying an important position in traditional villages.Facing the loss of village culture and the dissipation of cohesion,it is particularly important to study village culture.The impacts of ancestral temple on village layout,building orientation and street pattern are analyzed,which will guide the construction of modern beautiful countryside by using rational planning methods.

Practice and experience of engineering culture development in the Sutong Bridge project

To keep up with the time,culture is integrated to large-scale construction project management in China,which will absolutely add more vitality into construction project management in our country.Engineering culture is an integration of project construction and engineering culture.However,engineering culture development enjoys its own particularity as a project is constructed once only within a limited period of time.This paper gives affirmative opinion that engineering culture development in large-scale projects backs project management on the basis of thorough investigation of engineering culture development in Sutong Bridge Project and after deepened analysis,proposes new thinking pattern of engineering culture development in large-scale projects in a systematic manner,including thorough understanding of the essence of engineering culture,principle and contents of engineering culture development as well as efficient method in respect of establishment and implementation of engineering culture,and therefore provides a standard reference and systematic thinking pattern for engineering culture development in future large-scale projects.

The spatial pattern of farming and factors influencing it during the Peiligang culture period in the middle Yellow River valley, China

The Peiligang culture(ca.7000–5000 cal BC)is the earliest Neolithic culture in the middle Yellow River valley and represents the emergence of cereal farming in the region[1].It has long been considered representative of millet farming[2],which requires a dry field,a certain amount of rainfall,and minimal crop management,but new records reveal that mixed farming of millet and rice(Oryza sp.)took place during this period[3].Therefore,it is possible

Inheritance and Innovation of Chinese Intangible Cultural Heritage in Modern Designs: A Case Study of Nanjing Cloud-Pattern Brocade

With the development of world heritage protection undertakings, dynamic inheritance of intangible cultural heritage has become a topic of great concern. This study explored the feasibility of integrating cloud-pattern brocade heritage and modern design and the innovation techniques, so as to provide new concepts for the inheritance and development of intangible cultural heritage.

Spatial Distribution Patterns of Cultural Facilities in Shenzhen Based on GIS and Big Data

As the city's soft power, culture is the basic core of urban competitiveness. The spatial concentration of cultural facilities can show the development status of the city's cultural functions in the spatial layout. In this paper, POI data of Baidu Maps were used to conduct kernel density analysis and comprehensive evaluation of the spatial distribution of cultural facilities in Shenzhen; mean center point method was used to measure the degree of deviation between Shenzhen population centers and cultural facilities centers; the nearest distance method was used to measure the spatial distribution of cultural facilities space and the accessibility to geometric centers of streets. The results showed that: among the four types of cultural facilities in Shenzhen, libraries were the most concentrated, accounting for 63% of the total number of cultural facilities, followed by culture and arts centers, museums, and galleries; there was a great disparity in the number of cultural facilities in various districts and subdistricts in Shenzhen, with a clear agglomeration effect in space; from the district level, cultural facilities spatially distributed from the southwest to the northeast by three gradients; from the street level, cultural facilities showed the distribution pattern of "decreasing from west to east" and a high degree of recognition for convenient transportation; the cultural facilities inside the Shenzhen Special Economic Zone(except Yantian District) were more reasonable in spatial distribution, and the number of people served was more than that of cultural facilities outside the Shenzhen Special Economic Zone, while residents outside the Shenzhen Special Economic Zone enjoyed significantly more cultural facilities than that inside the Shenzhen Special Economic Zone; the goal of the "10-min cultural circle" in Shenzhen had been initially completed, that is, residents could reach 72.41% of the streets with cultural facilities within a 10-min walk, but there were still 50% districts and 5.1% streets that were equipped with unreasonably distributed cultural facilities or few cultural facilities.

The Coupling of Landscape Pattern and Landscape Esthetics of Urban Traditional Cultural Tourism Destination: A Case Study of Confucius Temple-Qinhuai River Scenic Area in Nanjing City

Study on the relationship between landscape beauty and ecological beauty is an important scientifi c problem that refl ects the nature of man-land relation, and current academic researches on this topic are most based on a single perspective. Therefore, this paper took the Confucius Temple–Qinhuai River Scenic Area in Nanjing City as a typical case of urban traditional cultural tourism destination, adopted landscape pattern indexes and balanced incomplete block comparison and evaluation method as the evaluation standards of ecological beauty and landscape beauty, and analyzed the coupling characteristics and rules of landscape pattern and landscape aesthetics. The results showed that(a) The overall landscape of the study area had higher fragmentation degree, but different landscape groups were infl uenced by different human interventions, landscape patches showed moderate diversity and heterogeneity, patch area, spatial distribution and spatial aggregation degree showed structural differences.(b) The locals and visitors had aesthetic perception of the study area, but preferred the beautiful natural scenery of the Qinhuai River, as well as the historical buildings and cultural landscapes that contain rich memories of the city.(c) Landscape pattern and landscape aesthetics showed coupled complementation and harmonious coexistence. The Confucius Temple–Qinhuai River Scenic Area has profound historical and cultural background, but it has witnessed gradual loss of cultural characteristics and fast "delocalization" against the background of rapid urbanization. As an urban traditional cultural tourism destination, it carries the responsibility of protecting city memories and inheriting regional cultures.

SPECIAL ISSUE： CULTURAL PHILOSOPHICAL STUDIES IN CHINA：Some theoretical characteristics of the philosophy of culture

一种哲学理论或哲学理解范式的提出或确立应该以具有相对明确的研究对象、相对独特的研究方法、相对突出的理论旨趣为前提。与此相关，文化哲学是一种透过文化符号形式达到对人的总体性把握，而不仪仪把对文化符号形式的研究作为最终目的；文化哲学运用历史科学研究方法把人视为非连续性和异质性的存在物并加以把握；文化哲学在理论旨趣上是对以文化符号形式为核心的文化模式的批判与重建。

新一轮本科教育教学审核评估中的质量文化

新一轮审核评估将“推动高校积极构建自觉、自省、自律、自查、自纠的高校质量文化”作为评估指导思想的重要内容,首次将“质量文化”作为评估指标。高校质量文化是高校及其师生对人才培养质量的共同价值追求和理想理念。高校对人才培养质量不断提升的承诺、信仰和价值追求,以及自觉、自省、自律、自查、自纠的“五自”质量文化是其核心表现。制度建设和制度认同是质量文化建设的主要路径,即质量文化的嵌入可以促进质量保障科层模式向文化模式转型,释放价值选择和软性制约功能,增强高校质量保障能力。

《朝元图》人物服饰图案在现代女包设计中的创新应用

《朝元图》是六百多年前的壁画作品,是中国绘画史上的旷世之作。文章从壁画中的人物服饰图案切入,深入挖掘服饰图案的文化内涵与艺术价值。从现代设计学角度分析服饰图案的历史背景、艺术特征和传承价值,并详细阐述服饰图案的提取方法。在服饰图案的创新设计过程中,结合当代审美意识,将带有创新基因的服饰图案成功应用到现代皮革女包的设计中。文章深入剖析了现代女包设计中的实践环节,将产生的设计方案与设计思路进行分析与汇总,以期为现代设计师们提供可借鉴的应用经验。

“国潮”背景下文创产品的设计思路

目的分析“国潮”文化元素的特征,探究“国潮”文化元素在文创产品设计中的应用策略,为设计师提供更多的思路,从而提高文创产品设计水平,增强文化自信。方法采用文献资料法和案例法进行研究,在文化主题、形式风格和表现手法这三个方面探讨了“国潮”文化元素在文创产品设计中的应用,同时也论述了“国潮”应用的几点原则。结论文创产品设计师应该充分认识到传统文化的重要价值,在文化主题、形式风格和表现手法这三个方面借鉴“国潮”文化元素,并遵循实用性原则、时尚性原则和艺术性原则,从而提升文创产品的生命力。

传统苗族服饰元素在鞋包类产品设计中的应用实现

随着现代人们审美能力的提升,其对于鞋包产品的设计要求也逐渐提高。在民族文化复兴的背景下,充分发掘民族文化元素的特点能够提升鞋包类产品的设计性。本文以传统苗族服饰元素为例,分析其色彩、图案及工艺元素的类型和含义,针对性介绍了传统服饰元素在鞋包产品中的应用案例,探讨了将传统苗族服饰元素应用于鞋包类产品设计中的意义,希望能够为鞋包类产品的民族化设计提供借鉴。

中华优秀传统文化元素融入大学英语写作课堂的教学实践研究

中华优秀传统文化是中国人民社会主义道路自信、制度自信、文化自信的重要源泉。加强中华文化教育,是构建中华文化传承体系,推动文化创新的重要途径。该文探讨在大学英语写作课堂上,以中华优秀传统文化的基本内涵为主要学习目标,从精选写作主题、找准写作视角、掌握英文语篇写作技巧和对比中西思维方式四方面入手融入中华文化教育,实现专业知识学习与文化素质培养的无缝衔接,助力中华文化以准确、适当、得体的英语语言有效地进行国际传播,让世界更好地理解当代中国。

形状文法审美下的七曲山文昌文化之纹样衍生设计研究

目的为促进七曲山景区文昌文化和景区自然资源的可持续性发展,提高景区文化宣传价值和经济价值,建立景区文化自信,提出一种基于形状文法的纹样衍生设计方案。该方案既包含形状文法的秩序之美,又融合景区的自然特征,可与景区相关产品设计进行有机融合,形成特色文创产品。方法筛选、整理、分析素材,形成感性词汇。结合文昌文化特征元素及关联传统纹样设计图元因子,并运用用户感知评价、层次分析矩阵等进行图元因子排序。随后,运用形状文法设计纹样创新图案,以相关文创产品进行设计验证。结论纹样方案包含七曲山景区特征,拓展了形状文法审美外延,形成秩序与自由的对比之美。该方案可有机融合于景区文创产品设计中,从而有效宣传景区文化,提高旅游和经济价值。