Starting from the perspective of shipping culture,sand junk culture in Shanghai during the Ming and Qing Dynasties was studied from the aspects of material,system,behavior and mentality.It is found that the change and...Starting from the perspective of shipping culture,sand junk culture in Shanghai during the Ming and Qing Dynasties was studied from the aspects of material,system,behavior and mentality.It is found that the change and development of sand junk culture in Shanghai during the Ming and Qing Dynasties are closely related to the convenient shipping conditions and economic activities."Sand junk culture"runs through the development of shipping industry in Shanghai area,reflecting a pioneering and enterprising,compatible and inclusive spirit.展开更多
During the late Qing Dynasty and the early period of the Republic of China(1870-1930),the social classes in Yangzhou were basically dominated by officials,businessmen,and scholars.In the building number,scale,and func...During the late Qing Dynasty and the early period of the Republic of China(1870-1930),the social classes in Yangzhou were basically dominated by officials,businessmen,and scholars.In the building number,scale,and functional evolution of their home gardens,these three classes were different,reflecting abundant connotation of characteristic of the time and regional culture,revealing the inheritance path of Yangzhou culture,as well as the richness and diversity of home gardens in Yangzhou during the late Qing Dynasty and the early period of the Republic of China.展开更多
The human body, such as hair, serves as a prism through which historical and cultural contexts are effectively refracted. Despite its historical and cultural significance, the role of hair, however, remains curiously ...The human body, such as hair, serves as a prism through which historical and cultural contexts are effectively refracted. Despite its historical and cultural significance, the role of hair, however, remains curiously a marginalized subject among the renewed interests on the body in the academic fields. In this paper, the author attempts to politicize the queue from 3 perspectives： maintaining a certain prescribed hairstyle is a top-down gesture to construct national conformity; the boundary between Manchu and Han is invoked and reinvented through the battles surrounding the queue politic in late Qing and early Republic; the widespread debate between keeping the queue and cutting the queue at the turn of the 20th century epitomizes the haunting rhetoric of traditionalism and modernism pursuit of modernity in China.展开更多
This article is a study of the writings on food, cooking, and dining by the eighteenth-century poet, essayist, and gourmet Yuan Mei （1716-98） as found in his recipe book Suiyuan shidan. Starting with an overview of ...This article is a study of the writings on food, cooking, and dining by the eighteenth-century poet, essayist, and gourmet Yuan Mei （1716-98） as found in his recipe book Suiyuan shidan. Starting with an overview of the organization and content of Suiyuan shidan, the article offers an analysis of Yuan Mei＇s cultural attitudes reflected there and in his works in other genres. The value underlying Suiyuan shidan exemplifies Yuan＇s personal response to the Chinese intellectual environment at the end of the eighteenth century. Building a connection between the recipe book and Yuan Mei＇s controversial reputation in the literati community, the article explores the changing meaning of culture in eighteenth-century China and Yuan＇s way of surviving the intense competition for voice and influence among the cultural elites of the time.展开更多
基金Supported by Major Program of National Social Science Foundation of China(20&ZD130).
文摘Starting from the perspective of shipping culture,sand junk culture in Shanghai during the Ming and Qing Dynasties was studied from the aspects of material,system,behavior and mentality.It is found that the change and development of sand junk culture in Shanghai during the Ming and Qing Dynasties are closely related to the convenient shipping conditions and economic activities."Sand junk culture"runs through the development of shipping industry in Shanghai area,reflecting a pioneering and enterprising,compatible and inclusive spirit.
基金Sponsored by Philosophical and Social Science Research Project in Colleges and Universities of Jiangsu Province in 2015(2015sjd751)
文摘During the late Qing Dynasty and the early period of the Republic of China(1870-1930),the social classes in Yangzhou were basically dominated by officials,businessmen,and scholars.In the building number,scale,and functional evolution of their home gardens,these three classes were different,reflecting abundant connotation of characteristic of the time and regional culture,revealing the inheritance path of Yangzhou culture,as well as the richness and diversity of home gardens in Yangzhou during the late Qing Dynasty and the early period of the Republic of China.
文摘The human body, such as hair, serves as a prism through which historical and cultural contexts are effectively refracted. Despite its historical and cultural significance, the role of hair, however, remains curiously a marginalized subject among the renewed interests on the body in the academic fields. In this paper, the author attempts to politicize the queue from 3 perspectives： maintaining a certain prescribed hairstyle is a top-down gesture to construct national conformity; the boundary between Manchu and Han is invoked and reinvented through the battles surrounding the queue politic in late Qing and early Republic; the widespread debate between keeping the queue and cutting the queue at the turn of the 20th century epitomizes the haunting rhetoric of traditionalism and modernism pursuit of modernity in China.
文摘This article is a study of the writings on food, cooking, and dining by the eighteenth-century poet, essayist, and gourmet Yuan Mei （1716-98） as found in his recipe book Suiyuan shidan. Starting with an overview of the organization and content of Suiyuan shidan, the article offers an analysis of Yuan Mei＇s cultural attitudes reflected there and in his works in other genres. The value underlying Suiyuan shidan exemplifies Yuan＇s personal response to the Chinese intellectual environment at the end of the eighteenth century. Building a connection between the recipe book and Yuan Mei＇s controversial reputation in the literati community, the article explores the changing meaning of culture in eighteenth-century China and Yuan＇s way of surviving the intense competition for voice and influence among the cultural elites of the time.
