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The Art of Chinese Painting and Calligraphy Mounting
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作者 Chen Weiguo 《China & The World Cultural Exchange》 2009年第12期39-41,共3页
The history of Chinese painting and calligraphy mounting can date back to the Warring States period(475-221 BC).This unique craftsmanship saw its heydays in
关键词 the Art of Chinese painting and calligraphy Mounting
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Development and Evolution of Papermaking in Ancient China based on the Uses and Forms of Paper 被引量:1
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作者 Xiaohui Yi 《Paper And Biomaterials》 CAS 2023年第3期38-46,共9页
In the past,scholars have divided the history of Chinese papermaking into different stages based on the development of ancient papermaking technology,emphasizing the development and progress of papermaking in differen... In the past,scholars have divided the history of Chinese papermaking into different stages based on the development of ancient papermaking technology,emphasizing the development and progress of papermaking in different historical periods but paying less attention to the changes in the form of paper.Here,the stages are defined based on changes in use and function rather than technological developments.When this approach is combined with the history of printing,books,calligraphy,and painting,the history of Chinese papermaking can be divided into the writing paper,writing and printing paper,printing paper,and calligraphy and painting paper periods.Different periods of paper have significant differences in texture,form,and performance owing to their different applications.This significant difference provides a reference for the identification of ancient papers and reveals the internal connection between the history of printing,books,calligraphy,painting,and papermaking. 展开更多
关键词 papermaking in ancient China uses and forms printing history calligraphy painting history
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Discussion on the Appraisal of Ancient Chinese Calligraphies and Paintings
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作者 Li Lin Wu Lingwei(Translator) 《Contemporary Social Sciences》 2019年第5期110-120,共11页
Throughout Chinese history there have been many outstanding calligraphers and painters who have left behind numerous masterpieces.There have also been endless copycats,forgeries and ghost-creations bringing much troub... Throughout Chinese history there have been many outstanding calligraphers and painters who have left behind numerous masterpieces.There have also been endless copycats,forgeries and ghost-creations bringing much trouble and chaos to the appreciation and study of ancient Chinese calligraphies and paintings.Based on certain theories and practices of calligraphy and painting appraisals,this paper summarizes eight basic approaches to the appraisal of ancient Chinese calligraphies and paintings used to separate the true from the false. 展开更多
关键词 ANCIENT Chinese calligraphies and paintingS FORGERY APPRAISAL APPROACHES
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Little Painter Cup" China & the World Children's Painting and Calligraphy Contest
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《China & The World Cultural Exchange》 2001年第4期48-48,共1页
关键词 PAINTER the World Children’s painting and calligraphy Contest Little Painter Cup China World
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Jin Yi'an, a Master in Poetry, Calligraphy, Painting and Seal-Cutting
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《China Today》 2000年第10期72-74,共3页
关键词 calligraphy Jin Yi’an painting and Seal-Cutting a Master in Poetry
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Poetic and Pictorial Splendor-Expression of Traditional Chinese Literati in Chinese Architecture
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作者 LUO Jin QIU Jian 《Journal of Landscape Research》 2016年第5期69-73,共5页
The expression of traditional Chinese literati is based on connection, seeking emotion and harmony. With various forms, though, this style of expression shares the same value in some art forms, like traditional Chines... The expression of traditional Chinese literati is based on connection, seeking emotion and harmony. With various forms, though, this style of expression shares the same value in some art forms, like traditional Chinese poetry, calligraphy and paintings, and Chinese architecture. Based on the commonalities of various forms of literature and art, this paper offered an insight into Chinese architecture in light of poetic and pictorial expression of traditional Chinese literati. In order to illuminate the corresponding connection between traditional Chinese poetry, calligraphy and paintings, and Chinese architecture, this paper discussed the expression of Chinese architecture corresponding to the essence of traditional Chinese poetry, calligraphy and paintings respectively from the perspective of philosophy, aesthetics, and culture study of Chinese architecture. Via analogous analysis, which includes the analogy between the emotion of architecture and the feelings in traditional poetry, the analogy between the order of architecture and the spirit of calligraphy, and the analogy between the artistic conception and the picturesque scene, the poetic and pictorial expression of Chinese architecture was clarified. This paper emphasized that Chinese architecture needs to jump out of the concrete image, eradicate the interdisciplinary boundaries, and stress the integration of arts and humanities in a higher level, to express Chinese architecture in a Chinese way. That means making Chinese architecture modern in forms and techniques, and traditional in spirit and artistic conception. 展开更多
关键词 Traditional Chinese poetry calligraphy and paintings Chinese architecture Expression of traditional Chinese literati Poetic and pictorial splendor
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Nanjing Painting & Calligraphy Academy
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作者 Zhu Daoping 1 Cuizhou Islet xuanwu Lake Nanjing 210009 China</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=85887X" target="_blank" title="China & The World Cultural Exchange">《China & The World Cultural Exchange》</a> <span class="medal"> </span> </span><span class="vol">1996年第1期23-23,共1页</span> </dd> <dd> <span class="abstract"> <span class="">FOUNDED in 1979,the Nanj-ing Painting and CaligraphyAcademy consists of 20 profes-sional painters,over 40 invited paintersand a few brilliant graduates from sev-eral art schools.The academy hasemerged as a major art f...</span> <span style="display:none;">FOUNDED in 1979,the Nanj-ing Painting and CaligraphyAcademy consists of 20 profes-sional painters,over 40 invited paintersand a few brilliant graduates from sev-eral art schools.The academy hasemerged as a major art force,withmost of its members being young andmiddle-aged painters.The academy is composed of aChinese painting research studio,anexhibition section,arts and crafts salessection and an administrative office.In1992 the Nanjing municipal govern-ment made cotributions to the acade-my for the construction of a paintingstudio and an exhibition hall coveringa combined floor area of 1,000</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3dIn title="In">In</a></span> <span><a href=/Qikan/Search/Index?key=K%3dCalligraphy title="Calligraphy"><u>calligraphy</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dAcademy title="Academy">Academy</a></span> <span><a href=/Qikan/Search/Index?key=K%3dNanjing title="Nanjing">Nanjing</a></span> <span><a href=/Qikan/Search/Index?key=K%3dPainting title="Painting"><u>painting</u></a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('1004865145','mBS+t+RgeIbhqrmSldXZLzajnfHW+QNpdzrLJgc7Bq3qgMoxIS2D+g==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('1004865145')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7111619847" target="_blank" index="7" articleid="7111619847">融合书画艺术元素的家居软装饰图案优化设计及应用</a> </dt> <dd class="no">8</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7111619847" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%94%90%e5%aa%9b title="唐媛"><span>唐媛</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=92925X" target="_blank" title="包装工程">《包装工程》</a> <span class="medal"> <span title="化学文摘(网络版)">CAS</span> <span title="北大核心期刊(2023版)">北大核心</span> </span> </span><span class="vol">2024年第6期210-217,共8页</span> </dd> <dd> <span class="abstract"> <span class="">目的利用中国书画元素对家居软装饰图案进行优化设计。方法在分析中国书画艺术元素特点和内容的基础上,结合家居软装饰的构成因素及风格特征,将构图、线条、赋色和笔墨应用于软装饰的优化设计中。随后将基于卷积神经网络的超分辨率模型(...</span> <span style="display:none;">目的利用中国书画元素对家居软装饰图案进行优化设计。方法在分析中国书画艺术元素特点和内容的基础上,结合家居软装饰的构成因素及风格特征,将构图、线条、赋色和笔墨应用于软装饰的优化设计中。随后将基于卷积神经网络的超分辨率模型(Efficient Sub-Pixel Convolutional Neural Network,ESPCN)与Laplace算子相结合,形成Laplace-ESPCN模型,由此进行整体装饰图案的迁移,提出了基于泊松融合的局部迁移方法并加以完善。结果所提出的整体装饰图案迁移模型在噪声密度超过50%时,品质因素仍然在0.5左右,并且峰值信噪比最低可达40 dB。将其与泊松融合的局部迁移结合后,目标区域分割下人数占比均在50%附近。结论所提出的Laplace-ESPCN整体图案迁移模型得到的图像质量较高,具有更好的降噪效果。与泊松融合的局部迁移方法结合后,所得图像边缘更加平滑,可以在家居软装饰图案优化设计中有效应用,具有一定的推广价值。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b9%a6%e7%94%bb%e8%89%ba%e6%9c%af title="书画艺术">书画艺术</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%ae%b6%e5%b1%85 title="家居">家居</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%bd%af%e8%a3%85%e9%a5%b0 title="软装饰">软装饰</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%9b%be%e6%a1%88%e8%ae%be%e8%ae%a1 title="图案设计">图案设计</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%9b%be%e5%83%8f%e8%bf%81%e7%a7%bb title="图像迁移">图像迁移</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7111619847','PzP7IGPit5T7qxnT+E+ReT05a9FFwJwGGNi4FZcIg5TGd1WIMW95Lg==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7111619847')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7112202905" target="_blank" index="8" articleid="7112202905">道、禅、儒古典哲学美学——朱耷书画创新溯源</a> </dt> <dd class="no">9</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7112202905" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e6%b2%88%e5%90%8d%e6%9d%b0 title="沈名杰"><span>沈名杰</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=71133X" target="_blank" title="黑河学院学报">《黑河学院学报》</a> <span class="medal"> </span> </span><span class="vol">2024年第5期175-180,共6页</span> </dd> <dd> <span class="abstract"> <span class="">朱耷的书画风格奇俊怪伟、创新。研究结果表明,朱耷独特的人生经历和深厚的哲学修养为其书画艺术的创新提供了坚实的基础。他的书画风格体现了“画法兼之书法”的理念,将书法与绘画相互融合,展现出大胆的创新精神。朱耷的书画艺术创新...</span> <span style="display:none;">朱耷的书画风格奇俊怪伟、创新。研究结果表明,朱耷独特的人生经历和深厚的哲学修养为其书画艺术的创新提供了坚实的基础。他的书画风格体现了“画法兼之书法”的理念,将书法与绘画相互融合,展现出大胆的创新精神。朱耷的书画艺术创新受到哲学美学思想的深刻影响,其创新不仅表现在技艺和形式上,更重要的是他将道家、禅宗和儒家思想的美学意蕴融入创作中,形成独特的艺术风格和哲学思想。朱耷的书画艺术在中国绘画史上具有重要地位,其独特的艺术风格和哲学思想为后世所赞誉。通过对朱耷书画艺术的深入研究,可以更深入地理解中国传统文化的精髓和美学价值,为现代艺术创作提供宝贵的借鉴和启示。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%9c%b1%e8%80%b7 title="朱耷">朱耷</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b9%a6%e7%94%bb%e8%89%ba%e6%9c%af title="书画艺术">书画艺术</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%89%ba%e6%9c%af%e5%88%9b%e6%96%b0 title="艺术创新">艺术创新</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%93%b2%e5%ad%a6%e7%be%8e%e5%ad%a6 title="哲学美学">哲学美学</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7112202905','v6xGTc4UtL1tj8ZR3H5LOgZoWdFJAKQ/95gCZ0wgRbjHOBYj92sloA==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7112202905')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7112847430" target="_blank" index="9" articleid="7112847430">结社营生到艺道广传:近代江南书画社团的转向</a> </dt> <dd class="no">10</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7112847430" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%99%b6%e5%b0%8f%e5%86%9b title="陶小军"><span>陶小军</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=82425X" target="_blank" title="艺术探索">《艺术探索》</a> <span class="medal"> </span> </span><span class="vol">2024年第3期6-13,共8页</span> </dd> <dd> <span class="abstract"> <span class="">书画结社活动的兴盛与美术教育推广的迅速是近代江南画坛发展的重要特征。明末清初之际,早期书画社团的出现为江南书画结社的发展奠定了基础。鸦片战争之后,书画结社目的由单纯的结交切磋向追求利益、提升鬻艺效率转变,造就了以任熊、...</span> <span style="display:none;">书画结社活动的兴盛与美术教育推广的迅速是近代江南画坛发展的重要特征。明末清初之际,早期书画社团的出现为江南书画结社的发展奠定了基础。鸦片战争之后,书画结社目的由单纯的结交切磋向追求利益、提升鬻艺效率转变,造就了以任熊、吴昌硕为代表的诸多职业书画家个人艺术的成功。辛亥鼎革之后美术教育成为社会普遍关注的文化要务,许多江南地区的书画社团改变组织模式,进一步加强了美术思想的推广和实践,有力地促进了美术事业的新发展。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%b1%9f%e5%8d%97 title="江南">江南</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b9%a6%e7%94%bb title="书画">书画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b9%a6%e7%94%bb%e7%a4%be%e5%9b%a2 title="书画社团">书画社团</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7112847430','E9jzRueB0GHxDgDJ3UsVtE8kutRRoYSPXtzWt5SLKLRsmoyIJq04XQ==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7112847430')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7112543028" target="_blank" index="10" articleid="7112543028">论达米施对中国书画中“线”的阐释</a> </dt> <dd class="no">11</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7112543028" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%90%91%e7%bb%b4%e7%bb%b4 title="向维维"><span>向维维</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=80592X" target="_blank" title="文艺理论研究">《文艺理论研究》</a> <span class="medal"> <span title="北大核心期刊(2023版)">北大核心</span> </span> </span><span class="vol">2024年第2期53-61,共9页</span> </dd> <dd> <span class="abstract"> <span class="">当代法国艺术史家于贝尔·达米施在《论线》一书中从维特根斯坦语言哲学的视角阐述了西方艺术史中关于“线”的语法结构。借由“线”的视觉艺术符号,达米施将文艺复兴时期素描中的线与西方当代抽象艺术中有关平面上的线性划痕联系起...</span> <span style="display:none;">当代法国艺术史家于贝尔·达米施在《论线》一书中从维特根斯坦语言哲学的视角阐述了西方艺术史中关于“线”的语法结构。借由“线”的视觉艺术符号,达米施将文艺复兴时期素描中的线与西方当代抽象艺术中有关平面上的线性划痕联系起来,以期重构一个以“线”为线索的非历时性叙事的艺术史体系。在这本关于“线”的艺术理论专著中,达米施用一章的篇幅迂回到中国古典绘画中毛笔所画出的线,并将中国文人书画中的线也纳入他的线性艺术语言系统之中。本文通过分析达米施在《论线》一书中的中国书画因素,探讨中西美学中“线”的问题及其两者的互释关系,以期呈现一种艺术符号学的跨文化研究范式。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%be%be%e7%b1%b3%e6%96%bd title="达米施">达米施</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e3%80%8a%e8%ae%ba%e7%ba%bf%e3%80%8b title="《论线》">《论线》</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%ba%bf%e7%9a%84%e7%90%86%e8%ae%ba title="线的理论">线的理论</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b8%ad%e5%9b%bd%e4%b9%a6%e7%94%bb title="中国书画">中国书画</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7112543028','jBFjQsoi3Sy0N2ogxDJeKlpvh5cCCExO3py24kH+TXZUwbHSoJcBnQ==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7112543028')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7112067893" target="_blank" index="11" articleid="7112067893">博采、捉刀或抒意:乾隆帝书画题跋方式探赜</a> </dt> <dd class="no">12</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7112067893" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%ad%99%e5%90%af title="孙启"><span>孙启</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=80655X" target="_blank" title="南京艺术学院学报(美术与设计)">《南京艺术学院学报(美术与设计)》</a> <span class="medal"> <span title="北大核心期刊(2023版)">北大核心</span> </span> </span><span class="vol">2024年第3期53-60,I0002,I0003,共10页</span> </dd> <dd> <span class="abstract"> <span class="">乾隆皇帝对书画的嗜尚,不仅体现在藏品上随处可见的钤印,亦见于其所题就的大量御诗与考据跋文。然今人论及乾隆的题跋行为,往往容易产生其乃随性而为且无规律可循的刻板印象,实则并非如此。本文将依托史料与墨迹,围绕内容类别、画面形...</span> <span style="display:none;">乾隆皇帝对书画的嗜尚,不仅体现在藏品上随处可见的钤印,亦见于其所题就的大量御诗与考据跋文。然今人论及乾隆的题跋行为,往往容易产生其乃随性而为且无规律可循的刻板印象,实则并非如此。本文将依托史料与墨迹,围绕内容类别、画面形式、参与人群、书写手段等展开探讨,分析乾隆皇帝进行书画题跋活动的主要方式。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b9%be%e9%9a%86 title="乾隆">乾隆</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b9%a6%e7%94%bb%e9%a2%98%e8%b7%8b title="书画题跋">书画题跋</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%ae%ab%e5%bb%b7%e9%9b%85%e9%9b%86 title="宫廷雅集">宫廷雅集</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%af%8d%e8%87%a3 title="词臣">词臣</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%bb%a3%e7%ac%94 title="代笔">代笔</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7112067893','yYiOhuiNFM67oSUgOh4g51DoiMTACnkUdnDdmn0M+rq+/0R2uFF9rw==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7112067893')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7111469423" target="_blank" index="12" articleid="7111469423">四胞疑云:陆治款《仿王蒙山水图》的鉴定研究</a> </dt> <dd class="no">13</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7111469423" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e6%99%af%e6%9d%b0 title="景杰"><span>景杰</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=80655X" target="_blank" title="南京艺术学院学报(美术与设计)">《南京艺术学院学报(美术与设计)》</a> <span class="medal"> <span title="北大核心期刊(2023版)">北大核心</span> </span> </span><span class="vol">2024年第1期1-7,I0011,共8页</span> </dd> <dd> <span class="abstract"> <span class="">中国台北故宫博物院、香港艺术馆及龙美术馆均藏有一件陆治《仿王蒙山水图》。经鉴定:台北故宫本即《石渠宝笈》著录的《仿王蒙林壑萧闲图》原物,但非真迹;香港艺术馆本未经著录,也非真迹;龙美术馆本曾被认为是《石渠宝笈》著录的陆治...</span> <span style="display:none;">中国台北故宫博物院、香港艺术馆及龙美术馆均藏有一件陆治《仿王蒙山水图》。经鉴定:台北故宫本即《石渠宝笈》著录的《仿王蒙林壑萧闲图》原物,但非真迹;香港艺术馆本未经著录,也非真迹;龙美术馆本曾被认为是《石渠宝笈》著录的陆治《仿王蒙还丹图》,实际可能是著录的另一件陆治《高士听泉图》原物,但也非陆治真迹。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e9%99%86%e6%b2%bb title="陆治">陆治</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e3%80%8a%e4%bb%bf%e7%8e%8b%e8%92%99%e5%b1%b1%e6%b0%b4%e5%9b%be%e3%80%8b title="《仿王蒙山水图》">《仿王蒙山水图》</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b9%a6%e7%94%bb%e9%89%b4%e5%ae%9a title="书画鉴定">书画鉴定</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e3%80%8a%e7%9f%b3%e6%b8%a0%e5%ae%9d%e7%ac%88%e3%80%8b title="《石渠宝笈》">《石渠宝笈》</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7111469423','KLdX9N2omFxHbih8mD6hxVawGl7+k5TFX96Ny7VIqpMnlTvoVTqcdw==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7111469423')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7111494001" target="_blank" index="13" articleid="7111494001">小规模古书画数字复制系统标准化搭建</a> </dt> <dd class="no">14</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7111494001" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e8%81%82%e4%bc%9f title="聂伟"><span>聂伟</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=96261X" target="_blank" title="中国标准化">《中国标准化》</a> <span class="medal"> </span> </span><span class="vol">2024年第5期123-131,共9页</span> </dd> <dd> <span class="abstract"> <span class="">故宫博物院文保科技部应用数码打印设备制作古书画复制品在博物馆行业内有着丰富的经验,伴随着数码打印突飞猛进的发展,系统内配套设备已经达到了物理、机械工程学上的某些极限,业内亟需一个关于应用主流技术对古书画文物进行数字复制...</span> <span style="display:none;">故宫博物院文保科技部应用数码打印设备制作古书画复制品在博物馆行业内有着丰富的经验,伴随着数码打印突飞猛进的发展,系统内配套设备已经达到了物理、机械工程学上的某些极限,业内亟需一个关于应用主流技术对古书画文物进行数字复制的标准化规范。为促进古书画复制水平的提高,本文以小型古书画数字复制系统的搭建为例,对其中涉及的仪器设备、输出耗材、软件、工作流程进行了梳理与总结,主要包括:各类古书画文物的数字扫描与编目存储、色彩管理系统的配置、文物数字影像的后期优化、输出设备驱动程序的合理使用、输出耗材选择以及复制品的主观评测维度等内容。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%89%b2%e5%bd%a9%e7%ae%a1%e7%90%86 title="色彩管理">色彩管理</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%8f%a4%e4%b9%a6%e7%94%bb%e5%a4%8d%e5%88%b6 title="古书画复制">古书画复制</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%95%b0%e7%a0%81%e6%89%93%e5%8d%b0 title="数码打印">数码打印</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%a0%87%e5%87%86%e5%8c%96 title="标准化">标准化</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7111494001','KLdX9N2omFzMqHUgAXnHy2p9YXMihRd4C6/U31vC2J4ruQyGqDiOFQ==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7111494001')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7112582487" target="_blank" index="14" articleid="7112582487">传统书画鉴藏伦理观下的伪作及作伪者</a> </dt> <dd class="no">15</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7112582487" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e7%89%9b%e5%9b%bd%e6%a0%8b title="牛国栋"><span>牛国栋</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=71125X" target="_blank" title="美育学刊">《美育学刊》</a> <span class="medal"> </span> </span><span class="vol">2024年第4期64-70,共7页</span> </dd> <dd> <span class="abstract"> <span class="">传统书画鉴藏家之所以对伪作及其作伪者持有包容心,其一是因鉴藏之事属于“雅事”,是鉴赏力和审美力的角逐,并不完全遵循商业买卖的伦理;其二是传统鉴藏家普遍擅长书画创作,易将书画审美价值置于第一位,而非真伪之客观性;其三是对审美...</span> <span style="display:none;">传统书画鉴藏家之所以对伪作及其作伪者持有包容心,其一是因鉴藏之事属于“雅事”,是鉴赏力和审美力的角逐,并不完全遵循商业买卖的伦理;其二是传统鉴藏家普遍擅长书画创作,易将书画审美价值置于第一位,而非真伪之客观性;其三是对审美价值的认可并不寄托于某种“恒存”或“原创性”的实体之上,而是着眼于审美价值本身。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b9%a6%e7%94%bb%e9%89%b4%e8%97%8f title="书画鉴藏">书画鉴藏</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%bc%aa%e4%bd%9c title="伪作">伪作</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%bd%9c%e4%bc%aa%e8%80%85 title="作伪者">作伪者</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e9%89%b4%e8%97%8f%e4%bc%a6%e7%90%86 title="鉴藏伦理">鉴藏伦理</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7112582487','jBFjQsoi3Sw65z0lYL3Bvp7Cf8ObFHkysFGu+8AluPGWzSC3PvsDgg==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7112582487')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7111713791" target="_blank" index="15" articleid="7111713791">晚清西北灾害中的书画助赈</a> </dt> <dd class="no">16</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7111713791" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e6%9d%a8%e7%bb%a7%e4%b8%9a title="杨继业"><span>杨继业</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%99%88%e7%ba%aa%e6%b3%bd title="陈纪泽"><span>陈纪泽</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=83577X" target="_blank" title="甘肃高师学报">《甘肃高师学报》</a> <span class="medal"> </span> </span><span class="vol">2024年第1期12-18,共7页</span> </dd> <dd> <span class="abstract"> <span class="">晚清以来,书画家借助新闻报刊和商业市场确立了与灾害的关系,书画助赈成为救灾的重要手段。晚清西北地区发生的两次特大灾害,先后得到域外社会各界的有力救助。上海、天津等城市的书画家以绘画作品介绍灾情,以出售作品筹募赈资,尽力帮...</span> <span style="display:none;">晚清以来,书画家借助新闻报刊和商业市场确立了与灾害的关系,书画助赈成为救灾的重要手段。晚清西北地区发生的两次特大灾害,先后得到域外社会各界的有力救助。上海、天津等城市的书画家以绘画作品介绍灾情,以出售作品筹募赈资,尽力帮助西北灾民摆脱生存困境,进而挽救西北局势,表现出他们的社会担当。与此同时,书画家们借助救灾时机,也逐渐实现了自身向近代化的转型发展,促进了城市商业和文化的活跃。研究特定时空中书画助赈现象,对艺术史和灾害史的学术研究具有重要意义。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%99%9a%e6%b8%85 title="晚清">晚清</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b9%a6%e7%94%bb title="书画">书画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%8a%a9%e8%b5%88 title="助赈">助赈</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7111713791','yKTes5Np3paBORAtxtg8n9vM8SEmLVCXU3hk3+/NL/6MTSa+1yD+4w==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7111713791')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7111928268" target="_blank" index="16" articleid="7111928268">中国书法在陶瓷绘画中的联系与运用</a> </dt> <dd class="no">17</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7111928268" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%bc%a0%e7%92%90 title="张璐"><span>张璐</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=92603X" target="_blank" title="陶瓷研究">《陶瓷研究》</a> <span class="medal"> </span> </span><span class="vol">2024年第1期130-132,共3页</span> </dd> <dd> <span class="abstract"> <span class="">瓷器和书法是中国最具代表性的艺术形式,书法和陶瓷绘画之间存在着相辅相成的关系,正所谓书画不分家,书法和陶瓷绘画都是中国母亲孕育出的两个胞胎兄弟,书画本同源,笔者就从中国书法和陶瓷绘画的形式和特点方面着手,在陶瓷绘画与书法的...</span> <span style="display:none;">瓷器和书法是中国最具代表性的艺术形式,书法和陶瓷绘画之间存在着相辅相成的关系,正所谓书画不分家,书法和陶瓷绘画都是中国母亲孕育出的两个胞胎兄弟,书画本同源,笔者就从中国书法和陶瓷绘画的形式和特点方面着手,在陶瓷绘画与书法的相通之处做重点的阐述和分析。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b8%ad%e5%9b%bd%e4%b9%a6%e6%b3%95%e8%89%ba%e6%9c%af title="中国书法艺术">中国书法艺术</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e9%99%b6%e7%93%b7%e7%bb%98%e7%94%bb%e8%89%ba%e6%9c%af title="陶瓷绘画艺术">陶瓷绘画艺术</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b9%a6%e6%b3%95%e7%94%a8%e7%ac%94 title="书法用笔">书法用笔</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%ae%a1%e7%be%8e%e6%83%85%e8%b6%a3 title="审美情趣">审美情趣</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7111928268','+9WSq1MrJGOLS3cmEK+2Sxb934tMqlkqJJxW1GdM/7nyoDsteX2YIQ==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7111928268')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7112168428" target="_blank" index="17" articleid="7112168428">从书法看中国画笔墨形式及色彩的审美意蕴</a> </dt> <dd class="no">18</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7112168428" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%bc%a0%e6%b5%b7%e6%b1%9f title="张海江"><span>张海江</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=94448A" target="_blank" title="色彩">《色彩》</a> <span class="medal"> </span> </span><span class="vol">2024年第3期74-76,共3页</span> </dd> <dd> <span class="abstract"> <span class="">笔墨在书法及中国画中,有着深远的意义。文章从书法视角探讨中国画中笔墨形式的审美意蕴,在分析书法与中国画笔墨的联系基础上,针对二者进行深入对比,并分析笔墨在书法和中国画中的应用,在此基础上切实研究中国画笔墨形式的审美意蕴,指...</span> <span style="display:none;">笔墨在书法及中国画中,有着深远的意义。文章从书法视角探讨中国画中笔墨形式的审美意蕴,在分析书法与中国画笔墨的联系基础上,针对二者进行深入对比,并分析笔墨在书法和中国画中的应用,在此基础上切实研究中国画笔墨形式的审美意蕴,指出中国画中笔墨线条的生动性、节奏感以及空间感、留白技巧、墨色的浓淡和情感表达等都是一种独特的美,能增强中国画审美。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b9%a6%e6%b3%95 title="书法">书法</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b8%ad%e5%9b%bd%e7%94%bb title="中国画">中国画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%ac%94%e5%a2%a8 title="笔墨">笔墨</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%ae%a1%e7%be%8e title="审美">审美</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%84%8f%e8%95%b4 title="意蕴">意蕴</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7112168428','g2w6Nj/EVfbaHY9bJBIc8gozEEgYZ8XnRVRYjjR1f33yMsl8L7Z18Q==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7112168428')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7112847433" target="_blank" index="18" articleid="7112847433">京口张觐宸、张孝思祖孙的书画鉴藏活动</a> </dt> <dd class="no">19</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7112847433" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e8%bd%a6%e6%97%ad%e4%b8%9c title="车旭东"><span>车旭东</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=82425X" target="_blank" title="艺术探索">《艺术探索》</a> <span class="medal"> </span> </span><span class="vol">2024年第3期29-41,共13页</span> </dd> <dd> <span class="abstract"> <span class="">晚明京口张觐宸的书画收藏甚富,董其昌多次前往其培风阁寓目,后张孝思继承了培风阁的藏品。据家谱和家集考察张氏家族,张觐宸与张孝思是祖孙关系。张氏以乐施行义和崇文尚儒为家风,是镇江一带饶有声望的文化世家。张觐宸的书画名迹主要...</span> <span style="display:none;">晚明京口张觐宸的书画收藏甚富,董其昌多次前往其培风阁寓目,后张孝思继承了培风阁的藏品。据家谱和家集考察张氏家族,张觐宸与张孝思是祖孙关系。张氏以乐施行义和崇文尚儒为家风,是镇江一带饶有声望的文化世家。张觐宸的书画名迹主要得自董其昌和项元汴子嗣,身后又全部传与张孝思。张孝思能书擅画,与清初文人书画家笪重光、查士标等交游较多。而其晚年,家藏陆续散出,由笪重光、王永宁、梁清标等人递藏,后大多汇入清内府。张氏的收藏与交游是明末清初江南活跃的书画鉴藏活动的重要代表与缩影,更对当时诸多书画家的创作具有启发和促进作用。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%bc%a0%e8%a7%90%e5%ae%b8 title="张觐宸">张觐宸</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%bc%a0%e5%ad%9d%e6%80%9d title="张孝思">张孝思</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%ba%ac%e5%8f%a3%e5%bc%a0%e6%b0%8f title="京口张氏">京口张氏</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%91%a3%e5%85%b6%e6%98%8c title="董其昌">董其昌</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b9%a6%e7%94%bb%e6%94%b6%e8%97%8f title="书画收藏">书画收藏</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7112847433','E9jzRueB0GHonJvk6tPgdJJMJC3kYv7p3nlw70A6lkKWJIfO9xN1hg==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7112847433')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7111926537" target="_blank" index="19" articleid="7111926537">清代书画活动中的民族交融及其中华文化认同功能探析——以清代西园文人交游圈为中心</a> </dt> <dd class="no">20</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7111926537" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%a5%a5%e6%97%a5%e8%8e%8e title="奥日莎"><span>奥日莎</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=81451X" target="_blank" title="内蒙古大学学报(哲学社会科学版)">《内蒙古大学学报(哲学社会科学版)》</a> <span class="medal"> </span> </span><span class="vol">2024年第2期88-96,共9页</span> </dd> <dd> <span class="abstract"> <span class="">清代出现了大量多民族共同参与的书画活动,展现了各民族对中华文化的认同与共塑,以允禧为核心的西园文人交游圈便是其中的一个范例。他们的书画活动及书画文学作品展现了清代多民族交往交融的历史图景,呈现出各族文人对中华文化认同的...</span> <span style="display:none;">清代出现了大量多民族共同参与的书画活动,展现了各民族对中华文化的认同与共塑,以允禧为核心的西园文人交游圈便是其中的一个范例。他们的书画活动及书画文学作品展现了清代多民族交往交融的历史图景,呈现出各族文人对中华文化认同的具体表征,揭示了清代多民族书画活动所具有的中华文化认同功能。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b9%a6%e7%94%bb%e6%b4%bb%e5%8a%a8 title="书画活动">书画活动</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b9%a6%e7%94%bb%e6%96%87%e5%ad%a6 title="书画文学">书画文学</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%87%e5%8c%96%e8%ae%a4%e5%90%8c title="文化认同">文化认同</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b8%ad%e5%8d%8e%e6%b0%91%e6%97%8f%e5%85%b1%e5%90%8c%e4%bd%93 title="中华民族共同体">中华民族共同体</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7111926537','+9WSq1MrJGOkcHw7dfPt60j+2B7Vhy2VqPtxurBAF2foBi9mtK5IJA==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7111926537')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> </div> <div class="full-list" id="detail" style="display:none"> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=32333715" target="_blank" index="0" articleid="32333715">The Art of Chinese Painting and Calligraphy Mounting</a> </dt> <dd class="no">1</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="32333715" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3dChen%2bWeiguo title="Chen Weiguo"><span>Chen Weiguo</span></a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=85887X" target="_blank" title="China & The World Cultural Exchange">《China & The World Cultural Exchange》</a> <span class="medal"> </span> </span><span class="vol">2009年第12期39-41,共3页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">The history of Chinese painting and calligraphy mounting can date back to the Warring States period(475-221 BC).This unique craftsmanship saw its heydays in</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dThe title="The"><u>the</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dArt title="Art">Art</a></span> <span><a href=/Qikan/Search/Index?key=K%3dof title="of"><u>of</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dChinese title="Chinese">Chinese</a></span> <span><a href=/Qikan/Search/Index?key=K%3dPainting title="Painting"><u>painting</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dand title="and"><u>and</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dCalligraphy title="Calligraphy"><u>calligraphy</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dMounting title="Mounting">Mounting</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ211 title="J211"> J211 [艺术—美术] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('32333715','He491gzDC6xLHwp36Pkjmo55XjCFNsmXndS/5uzrFOo=')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('32333715')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7110764156" target="_blank" index="1" articleid="7110764156">Development and Evolution of Papermaking in Ancient China based on the Uses and Forms of Paper</a> <span class="cited">被引量:<a href="javascript:void(0)" data-articleid="7110764156" data-zkbycount="1">1</a></span> </dt> <dd class="no">2</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7110764156" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3dXiaohui%2bYi title="Xiaohui Yi"><span>Xiaohui Yi</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3dNational%2bLibrary%2bof%2bChina>National Library of China</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=96180B" target="_blank" title="Paper And Biomaterials">《Paper And Biomaterials》</a> <span class="medal"> <span title="化学文摘(网络版)">CAS</span> </span> </span><span class="vol">2023年第3期38-46,共9页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">In the past,scholars have divided the history of Chinese papermaking into different stages based on the development of ancient papermaking technology,emphasizing the development and progress of papermaking in different historical periods but paying less attention to the changes in the form of paper.Here,the stages are defined based on changes in use and function rather than technological developments.When this approach is combined with the history of printing,books,calligraphy,and painting,the history of Chinese papermaking can be divided into the writing paper,writing and printing paper,printing paper,and calligraphy and painting paper periods.Different periods of paper have significant differences in texture,form,and performance owing to their different applications.This significant difference provides a reference for the identification of ancient papers and reveals the internal connection between the history of printing,books,calligraphy,painting,and papermaking.</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dpapermaking title="papermaking">papermaking</a></span> <span><a href=/Qikan/Search/Index?key=K%3din title="in">in</a></span> <span><a href=/Qikan/Search/Index?key=K%3dancient title="ancient">ancient</a></span> <span><a href=/Qikan/Search/Index?key=K%3dChina title="China">China</a></span> <span><a href=/Qikan/Search/Index?key=K%3duses title="uses">uses</a></span> <span><a href=/Qikan/Search/Index?key=K%3dand title="and"><u>and</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dforms title="forms">forms</a></span> <span><a href=/Qikan/Search/Index?key=K%3dprinting title="printing">printing</a></span> <span><a href=/Qikan/Search/Index?key=K%3dhistory title="history">history</a></span> <span><a href=/Qikan/Search/Index?key=K%3dCALLIGRAPHY title="CALLIGRAPHY"><u>calligraphy</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dpainting title="painting"><u>painting</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dhistory title="history">history</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dTS71 title="TS71"> TS71 [轻工技术与工程—制浆造纸工程] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7110764156','TSu8HA+5mfVe9YcrFVU18eB65alHqzfe+2THzGAeOO6koQ6lMETmjA==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7110764156')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7002897871" target="_blank" index="2" articleid="7002897871">Discussion on the Appraisal of Ancient Chinese Calligraphies and Paintings</a> </dt> <dd class="no">3</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7002897871" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3dLi%2bLin title="Li Lin"><span>Li Lin</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3dWu%2bLingwei(Translator) title="Wu Lingwei(Translator)"><span>Wu Lingwei(Translator)</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3dSichuan%2bMuseum>Sichuan Museum</a></span> <span><a href=/Qikan/Search/Index?key=S%3d%e4%b8%8d%e8%af%a6>不详</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=72384X" target="_blank" title="Contemporary Social Sciences">《Contemporary Social Sciences》</a> <span class="medal"> </span> </span><span class="vol">2019年第5期110-120,共11页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">Throughout Chinese history there have been many outstanding calligraphers and painters who have left behind numerous masterpieces.There have also been endless copycats,forgeries and ghost-creations bringing much trouble and chaos to the appreciation and study of ancient Chinese calligraphies and paintings.Based on certain theories and practices of calligraphy and painting appraisals,this paper summarizes eight basic approaches to the appraisal of ancient Chinese calligraphies and paintings used to separate the true from the false.</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dANCIENT title="ANCIENT">ANCIENT</a></span> <span><a href=/Qikan/Search/Index?key=K%3dChinese title="Chinese">Chinese</a></span> <span><a href=/Qikan/Search/Index?key=K%3dcalligraphies title="calligraphies">calligraphies</a></span> <span><a href=/Qikan/Search/Index?key=K%3dand title="and"><u>and</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dPAINTINGS title="PAINTINGS"><u>painting</u>S</a></span> <span><a href=/Qikan/Search/Index?key=K%3dFORGERY title="FORGERY">FORGERY</a></span> <span><a href=/Qikan/Search/Index?key=K%3dAPPRAISAL title="APPRAISAL">APPRAISAL</a></span> <span><a href=/Qikan/Search/Index?key=K%3dAPPROACHES title="APPROACHES">APPROACHES</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dancient%2bChinese%2bcalligraphies%2band%2bpaintings title="ancient Chinese calligraphies and paintings">ancient Chinese calligraphies <u>and</u> <u>painting</u>s</a></span> <span><a href=/Qikan/Search/Index?key=K%3dforgery title="forgery">forgery</a></span> <span><a href=/Qikan/Search/Index?key=K%3dappraisal%2bapproaches title="appraisal approaches">appraisal approaches</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dC title="C"> C [社会学] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7002897871','BcGwTJfX0pgOQIKjv1t8u9wxdGlNywh4WF9p38HZDIHhfpV5eqqNaw==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7002897871')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=3000654703" target="_blank" index="3" articleid="3000654703">Little Painter Cup" China & the World Children's Painting and Calligraphy Contest</a> </dt> <dd class="no">4</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="3000654703" lay-skin="primary" title=""> </dd> <dd> <span class="author"> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=85887X" target="_blank" title="China & The World Cultural Exchange">《China & The World Cultural Exchange》</a> <span class="medal"> </span> </span><span class="vol">2001年第4期48-48,共1页</span> </dd> <dd> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dPAINTER title="PAINTER">PAINTER</a></span> <span><a href=/Qikan/Search/Index?key=K%3dthe title="the"><u>the</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dWorld title="World">World</a></span> <span><a href=/Qikan/Search/Index?key=K%3dChildren%e2%80%99s title="Children’s">Children’s</a></span> <span><a href=/Qikan/Search/Index?key=K%3dPainting title="Painting"><u>painting</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dand title="and"><u>and</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dCalligraphy title="Calligraphy"><u>calligraphy</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dContest title="Contest">Contest</a></span> <span><a href=/Qikan/Search/Index?key=K%3dLittle title="Little">Little</a></span> <span><a href=/Qikan/Search/Index?key=K%3dPainter title="Painter">Painter</a></span> <span><a href=/Qikan/Search/Index?key=K%3dCup title="Cup">Cup</a></span> <span><a href=/Qikan/Search/Index?key=K%3dChina title="China">China</a></span> <span><a href=/Qikan/Search/Index?key=K%3dWorld title="World">World</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ292 title="J292"> J292 [艺术—美术] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('3000654703','DnAdTNCLHSdv1yyvziY2LdG1yUXVfUhwf6zBGXCauUfmAbeeXHjs5A==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('3000654703')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=4000630613" target="_blank" index="4" articleid="4000630613">Jin Yi'an, a Master in Poetry, Calligraphy, Painting and Seal-Cutting</a> </dt> <dd class="no">5</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="4000630613" lay-skin="primary" title=""> </dd> <dd> <span class="author"> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=86870X" target="_blank" title="China Today">《China Today》</a> <span class="medal"> </span> </span><span class="vol">2000年第10期72-74,共3页</span> </dd> <dd> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dCALLIGRAPHY title="CALLIGRAPHY"><u>calligraphy</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dJin title="Jin">Jin</a></span> <span><a href=/Qikan/Search/Index?key=K%3dYi%e2%80%99an title="Yi’an">Yi’an</a></span> <span><a href=/Qikan/Search/Index?key=K%3dPainting title="Painting"><u>painting</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dand title="and"><u>and</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dSeal-Cutting title="Seal-Cutting">Seal-Cutting</a></span> <span><a href=/Qikan/Search/Index?key=K%3da title="a">a</a></span> <span><a href=/Qikan/Search/Index?key=K%3dMaster title="Master">Master</a></span> <span><a href=/Qikan/Search/Index?key=K%3din title="in">in</a></span> <span><a href=/Qikan/Search/Index?key=K%3dPoetry title="Poetry">Poetry</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dK825 title="K825"> K825 [历史地理—历史学] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('4000630613','Bc3vK7Hkqz492U7Atma5mbNoda3Wyx2AZzD+8BT8r6IrctFbFE+5ug==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('4000630613')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=74766882504849544853485048" target="_blank" index="5" articleid="74766882504849544853485048">Poetic and Pictorial Splendor-Expression of Traditional Chinese Literati in Chinese Architecture</a> </dt> <dd class="no">6</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="74766882504849544853485048" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3dLUO%2bJin title="LUO Jin"><span>LUO Jin</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3dQIU%2bJian title="QIU Jian"><span>QIU Jian</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3dFaculty%2bof%2bArchitecture%2band%2bDesign>Faculty of Architecture and Design</a></span> <span><a href=/Qikan/Search/Index?key=S%3dBureau%2bof%2bPlanning%2band%2bConstruction>Bureau of Planning and Construction</a></span> <span><a href=/Qikan/Search/Index?key=S%3dSichuan%2bProvincial%2bDepartment%2bof%2bHousing%2band%2bUrban-Rural%2bDevelopment>Sichuan Provincial Department of Housing and Urban-Rural Development</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=61573X" target="_blank" title="Journal of Landscape Research">《Journal of Landscape Research》</a> <span class="medal"> </span> </span><span class="vol">2016年第5期69-73,共5页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">The expression of traditional Chinese literati is based on connection, seeking emotion and harmony. With various forms, though, this style of expression shares the same value in some art forms, like traditional Chinese poetry, calligraphy and paintings, and Chinese architecture. Based on the commonalities of various forms of literature and art, this paper offered an insight into Chinese architecture in light of poetic and pictorial expression of traditional Chinese literati. In order to illuminate the corresponding connection between traditional Chinese poetry, calligraphy and paintings, and Chinese architecture, this paper discussed the expression of Chinese architecture corresponding to the essence of traditional Chinese poetry, calligraphy and paintings respectively from the perspective of philosophy, aesthetics, and culture study of Chinese architecture. Via analogous analysis, which includes the analogy between the emotion of architecture and the feelings in traditional poetry, the analogy between the order of architecture and the spirit of calligraphy, and the analogy between the artistic conception and the picturesque scene, the poetic and pictorial expression of Chinese architecture was clarified. This paper emphasized that Chinese architecture needs to jump out of the concrete image, eradicate the interdisciplinary boundaries, and stress the integration of arts and humanities in a higher level, to express Chinese architecture in a Chinese way. That means making Chinese architecture modern in forms and techniques, and traditional in spirit and artistic conception.</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dTraditional title="Traditional">Traditional</a></span> <span><a href=/Qikan/Search/Index?key=K%3dChinese title="Chinese">Chinese</a></span> <span><a href=/Qikan/Search/Index?key=K%3dpoetry title="poetry">poetry</a></span> <span><a href=/Qikan/Search/Index?key=K%3dCalligraphy title="Calligraphy"><u>calligraphy</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dand title="and"><u>and</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dpaintings title="paintings"><u>painting</u>s</a></span> <span><a href=/Qikan/Search/Index?key=K%3dChinese title="Chinese">Chinese</a></span> <span><a href=/Qikan/Search/Index?key=K%3darchitecture title="architecture">architecture</a></span> <span><a href=/Qikan/Search/Index?key=K%3dExpression title="Expression">Expression</a></span> <span><a href=/Qikan/Search/Index?key=K%3dof title="of"><u>of</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dtraditional title="traditional">traditional</a></span> <span><a href=/Qikan/Search/Index?key=K%3dChinese title="Chinese">Chinese</a></span> <span><a href=/Qikan/Search/Index?key=K%3dliterati title="literati">literati</a></span> <span><a href=/Qikan/Search/Index?key=K%3dPoetic title="Poetic">Poetic</a></span> <span><a href=/Qikan/Search/Index?key=K%3dand title="and"><u>and</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dpictorial title="pictorial">pictorial</a></span> <span><a href=/Qikan/Search/Index?key=K%3dsplendor title="splendor">splendor</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dTraditional%2bChinese%2bpoetry title="Traditional Chinese poetry">Traditional Chinese poetry</a></span> <span><a href=/Qikan/Search/Index?key=K%3d title=""></a></span> <span><a href=/Qikan/Search/Index?key=K%3dCalligraphy%2band%2bpaintings title="Calligraphy and paintings"><u>calligraphy</u> <u>and</u> <u>painting</u>s</a></span> <span><a href=/Qikan/Search/Index?key=K%3d title=""></a></span> <span><a href=/Qikan/Search/Index?key=K%3dChinese%2barchitecture title="Chinese architecture">Chinese architecture</a></span> <span><a href=/Qikan/Search/Index?key=K%3d title=""></a></span> <span><a href=/Qikan/Search/Index?key=K%3dExpression%2bof%2btraditional%2bChinese%2bliterati title="Expression of traditional Chinese literati">Expression <u>of</u> traditional Chinese literati</a></span> <span><a href=/Qikan/Search/Index?key=K%3d title=""></a></span> <span><a href=/Qikan/Search/Index?key=K%3dPoetic%2band%2bpictorial%2bsplendor title="Poetic and pictorial splendor">Poetic <u>and</u> pictorial splendor</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dTU-854 title="TU-854"> TU-854 [艺术—艺术设计] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('74766882504849544853485048','re7UNHu8MrzmfMATXBbq84Cw3Buaq6TOuAMLNghGanf7TW3+PP8/eRMNMHrRjOYpf9mduiAYP44=')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('74766882504849544853485048')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=1004865145" target="_blank" index="6" articleid="1004865145">Nanjing Painting & Calligraphy Academy</a> </dt> <dd class="no">7</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="1004865145" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%3cTitle%3eZhu%2bDaoping%2b1%2bCuizhou%2bIslet%2bxuanwu%2bLake%2bNanjing%2b210009%2bChina title="<Title>Zhu Daoping 1 Cuizhou Islet xuanwu Lake Nanjing 210009 China"><span><Title>Zhu Daoping 1 Cuizhou Islet xuanwu Lake Nanjing 210009 China</span></a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=85887X" target="_blank" title="China & The World Cultural Exchange">《China & The World Cultural Exchange》</a> <span class="medal"> </span> </span><span class="vol">1996年第1期23-23,共1页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">FOUNDED in 1979,the Nanj-ing Painting and CaligraphyAcademy consists of 20 profes-sional painters,over 40 invited paintersand a few brilliant graduates from sev-eral art schools.The academy hasemerged as a major art force,withmost of its members being young andmiddle-aged painters.The academy is composed of aChinese painting research studio,anexhibition section,arts and crafts salessection and an administrative office.In1992 the Nanjing municipal govern-ment made cotributions to the acade-my for the construction of a paintingstudio and an exhibition hall coveringa combined floor area of 1,000</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dIn title="In">In</a></span> <span><a href=/Qikan/Search/Index?key=K%3dCalligraphy title="Calligraphy"><u>calligraphy</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dAcademy title="Academy">Academy</a></span> <span><a href=/Qikan/Search/Index?key=K%3dNanjing title="Nanjing">Nanjing</a></span> <span><a href=/Qikan/Search/Index?key=K%3dPainting title="Painting"><u>painting</u></a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ22 title="J22"> J22 [艺术—美术] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('1004865145','mBS+t+RgeIbhqrmSldXZLzajnfHW+QNpdzrLJgc7Bq3qgMoxIS2D+g==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('1004865145')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7111619847" target="_blank" index="7" articleid="7111619847">融合书画艺术元素的家居软装饰图案优化设计及应用</a> </dt> <dd class="no">8</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7111619847" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%94%90%e5%aa%9b title="唐媛"><span>唐媛</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e8%b4%b5%e5%b7%9e%e6%b0%91%e6%97%8f%e5%a4%a7%e5%ad%a6%e7%be%8e%e6%9c%af%e5%ad%a6%e9%99%a2>贵州民族大学美术学院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=92925X" target="_blank" title="包装工程">《包装工程》</a> <span class="medal"> <span title="化学文摘(网络版)">CAS</span> <span title="北大核心期刊(2023版)">北大核心</span> </span> </span><span class="vol">2024年第6期210-217,共8页</span> </dd> <dd> <span class="label">基金</span> <span class="fund"> <span><span>贵州省教育厅高校人文社会科学研究项目(14ZC145)</span></span> <span><span>贵州苗族堆绣创新设计与应用研究(19FC13)。</span></span> </span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">目的利用中国书画元素对家居软装饰图案进行优化设计。方法在分析中国书画艺术元素特点和内容的基础上,结合家居软装饰的构成因素及风格特征,将构图、线条、赋色和笔墨应用于软装饰的优化设计中。随后将基于卷积神经网络的超分辨率模型(Efficient Sub-Pixel Convolutional Neural Network,ESPCN)与Laplace算子相结合,形成Laplace-ESPCN模型,由此进行整体装饰图案的迁移,提出了基于泊松融合的局部迁移方法并加以完善。结果所提出的整体装饰图案迁移模型在噪声密度超过50%时,品质因素仍然在0.5左右,并且峰值信噪比最低可达40 dB。将其与泊松融合的局部迁移结合后,目标区域分割下人数占比均在50%附近。结论所提出的Laplace-ESPCN整体图案迁移模型得到的图像质量较高,具有更好的降噪效果。与泊松融合的局部迁移方法结合后,所得图像边缘更加平滑,可以在家居软装饰图案优化设计中有效应用,具有一定的推广价值。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b9%a6%e7%94%bb%e8%89%ba%e6%9c%af title="书画艺术">书画艺术</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%ae%b6%e5%b1%85 title="家居">家居</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%bd%af%e8%a3%85%e9%a5%b0 title="软装饰">软装饰</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%9b%be%e6%a1%88%e8%ae%be%e8%ae%a1 title="图案设计">图案设计</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%9b%be%e5%83%8f%e8%bf%81%e7%a7%bb title="图像迁移">图像迁移</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dcalligraphy%2band%2bpainting%2bart title="calligraphy and painting art"><u>calligraphy</u> <u>and</u> <u>painting</u> art</a></span> <span><a href=/Qikan/Search/Index?key=K%3dhome%2bfurnishing title="home furnishing">home furnishing</a></span> <span><a href=/Qikan/Search/Index?key=K%3dsoft%2bdecoration title="soft decoration">s<u>of</u>t decoration</a></span> <span><a href=/Qikan/Search/Index?key=K%3dpattern%2bdesign title="pattern design">pattern design</a></span> <span><a href=/Qikan/Search/Index?key=K%3dimage%2bmigration title="image migration">image migration</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dTB472 title="TB472"> TB472 [一般工业技术—工业设计] </a> </span> <span> <a href=/Qikan/Search/Index?key=C%3dTP183 title="TP183"> TP183 [自动化与计算机技术—控制理论与控制工程] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7111619847','PzP7IGPit5T7qxnT+E+ReT05a9FFwJwGGNi4FZcIg5TGd1WIMW95Lg==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7111619847')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7112202905" target="_blank" index="8" articleid="7112202905">道、禅、儒古典哲学美学——朱耷书画创新溯源</a> </dt> <dd class="no">9</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7112202905" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e6%b2%88%e5%90%8d%e6%9d%b0 title="沈名杰"><span>沈名杰</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e6%b9%96%e5%8d%97%e5%a5%b3%e5%ad%90%e5%ad%a6%e9%99%a2>湖南女子学院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=71133X" target="_blank" title="黑河学院学报">《黑河学院学报》</a> <span class="medal"> </span> </span><span class="vol">2024年第5期175-180,共6页</span> </dd> <dd> <span class="label">基金</span> <span class="fund"> <span><span>湖南省哲学社会科学基金项目“江永女书文化的活态传承研究”(21YBA254)。</span></span> </span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">朱耷的书画风格奇俊怪伟、创新。研究结果表明,朱耷独特的人生经历和深厚的哲学修养为其书画艺术的创新提供了坚实的基础。他的书画风格体现了“画法兼之书法”的理念,将书法与绘画相互融合,展现出大胆的创新精神。朱耷的书画艺术创新受到哲学美学思想的深刻影响,其创新不仅表现在技艺和形式上,更重要的是他将道家、禅宗和儒家思想的美学意蕴融入创作中,形成独特的艺术风格和哲学思想。朱耷的书画艺术在中国绘画史上具有重要地位,其独特的艺术风格和哲学思想为后世所赞誉。通过对朱耷书画艺术的深入研究,可以更深入地理解中国传统文化的精髓和美学价值,为现代艺术创作提供宝贵的借鉴和启示。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e6%9c%b1%e8%80%b7 title="朱耷">朱耷</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b9%a6%e7%94%bb%e8%89%ba%e6%9c%af title="书画艺术">书画艺术</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%89%ba%e6%9c%af%e5%88%9b%e6%96%b0 title="艺术创新">艺术创新</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%93%b2%e5%ad%a6%e7%be%8e%e5%ad%a6 title="哲学美学">哲学美学</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dZhu%2bDa title="Zhu Da">Zhu Da</a></span> <span><a href=/Qikan/Search/Index?key=K%3dcalligraphy%2band%2bpainting%2bart title="calligraphy and painting art"><u>calligraphy</u> <u>and</u> <u>painting</u> art</a></span> <span><a href=/Qikan/Search/Index?key=K%3dinnovation title="innovation">innovation</a></span> <span><a href=/Qikan/Search/Index?key=K%3dphilosophical%2baesthetics title="philosophical aesthetics">philosophical aes<u>the</u>tics</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ222 title="J222"> J222 [艺术—美术] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7112202905','v6xGTc4UtL1tj8ZR3H5LOgZoWdFJAKQ/95gCZ0wgRbjHOBYj92sloA==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7112202905')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7112847430" target="_blank" index="9" articleid="7112847430">结社营生到艺道广传:近代江南书画社团的转向</a> </dt> <dd class="no">10</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7112847430" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%99%b6%e5%b0%8f%e5%86%9b title="陶小军"><span>陶小军</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e4%b8%8a%e6%b5%b7%e4%ba%a4%e9%80%9a%e5%a4%a7%e5%ad%a6>上海交通大学</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=82425X" target="_blank" title="艺术探索">《艺术探索》</a> <span class="medal"> </span> </span><span class="vol">2024年第3期6-13,共8页</span> </dd> <dd> <span class="label">基金</span> <span class="fund"> <span><span>2023年度国家社科基金艺术学一般项目“中国近现代书画史学研究”(23BA023)。</span></span> </span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">书画结社活动的兴盛与美术教育推广的迅速是近代江南画坛发展的重要特征。明末清初之际,早期书画社团的出现为江南书画结社的发展奠定了基础。鸦片战争之后,书画结社目的由单纯的结交切磋向追求利益、提升鬻艺效率转变,造就了以任熊、吴昌硕为代表的诸多职业书画家个人艺术的成功。辛亥鼎革之后美术教育成为社会普遍关注的文化要务,许多江南地区的书画社团改变组织模式,进一步加强了美术思想的推广和实践,有力地促进了美术事业的新发展。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e6%b1%9f%e5%8d%97 title="江南">江南</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b9%a6%e7%94%bb title="书画">书画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b9%a6%e7%94%bb%e7%a4%be%e5%9b%a2 title="书画社团">书画社团</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dJiangnan%2barea title="Jiangnan area">Jiangnan area</a></span> <span><a href=/Qikan/Search/Index?key=K%3dCalligraphy%2band%2bpainting title="Calligraphy and painting"><u>calligraphy</u> <u>and</u> <u>painting</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dCalligraphy%2band%2bpainting%2bsocieties title="Calligraphy and painting societies"><u>calligraphy</u> <u>and</u> <u>painting</u> societies</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dG63 title="G63"> G63 [文化科学—教育学] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7112847430','E9jzRueB0GHxDgDJ3UsVtE8kutRRoYSPXtzWt5SLKLRsmoyIJq04XQ==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7112847430')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7112543028" target="_blank" index="10" articleid="7112543028">论达米施对中国书画中“线”的阐释</a> </dt> <dd class="no">11</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7112543028" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%90%91%e7%bb%b4%e7%bb%b4 title="向维维"><span>向维维</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e4%b8%8a%e6%b5%b7%e5%a4%a7%e5%ad%a6%e5%a4%96%e5%9b%bd%e8%af%ad%e5%ad%a6%e9%99%a2%e6%b3%95%e8%af%ad%e7%b3%bb>上海大学外国语学院法语系</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=80592X" target="_blank" title="文艺理论研究">《文艺理论研究》</a> <span class="medal"> <span title="北大核心期刊(2023版)">北大核心</span> </span> </span><span class="vol">2024年第2期53-61,共9页</span> </dd> <dd> <span class="label">基金</span> <span class="fund"> <span><span>国家社科基金青年项目“当代法语文论对中国古典书画的阐释研究”[项目编号:22CWW001]的阶段性成果。</span></span> </span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">当代法国艺术史家于贝尔·达米施在《论线》一书中从维特根斯坦语言哲学的视角阐述了西方艺术史中关于“线”的语法结构。借由“线”的视觉艺术符号,达米施将文艺复兴时期素描中的线与西方当代抽象艺术中有关平面上的线性划痕联系起来,以期重构一个以“线”为线索的非历时性叙事的艺术史体系。在这本关于“线”的艺术理论专著中,达米施用一章的篇幅迂回到中国古典绘画中毛笔所画出的线,并将中国文人书画中的线也纳入他的线性艺术语言系统之中。本文通过分析达米施在《论线》一书中的中国书画因素,探讨中西美学中“线”的问题及其两者的互释关系,以期呈现一种艺术符号学的跨文化研究范式。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e8%be%be%e7%b1%b3%e6%96%bd title="达米施">达米施</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e3%80%8a%e8%ae%ba%e7%ba%bf%e3%80%8b title="《论线》">《论线》</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%ba%bf%e7%9a%84%e7%90%86%e8%ae%ba title="线的理论">线的理论</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b8%ad%e5%9b%bd%e4%b9%a6%e7%94%bb title="中国书画">中国书画</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dHubert%2bDamisch title="Hubert Damisch">Hubert Damisch</a></span> <span><a href=/Qikan/Search/Index?key=K%3dTrait%c3%a9du%2btrait title="Traitédu trait">Traitédu trait</a></span> <span><a href=/Qikan/Search/Index?key=K%3dtheory%2bof%2bthe%2btrait title="theory of the trait"><u>the</u>ory <u>of</u> <u>the</u> trait</a></span> <span><a href=/Qikan/Search/Index?key=K%3dChinese%2bpainting%2band%2bcalligraphy title="Chinese painting and calligraphy">Chinese <u>painting</u> <u>and</u> <u>calligraphy</u></a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ212 title="J212"> J212 [艺术—美术] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7112543028','jBFjQsoi3Sy0N2ogxDJeKlpvh5cCCExO3py24kH+TXZUwbHSoJcBnQ==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7112543028')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7112067893" target="_blank" index="11" articleid="7112067893">博采、捉刀或抒意:乾隆帝书画题跋方式探赜</a> </dt> <dd class="no">12</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7112067893" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%ad%99%e5%90%af title="孙启"><span>孙启</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e5%8d%8e%e4%b8%9c%e5%b8%88%e8%8c%83%e5%a4%a7%e5%ad%a6%e7%be%8e%e6%9c%af%e5%ad%a6%e9%99%a2>华东师范大学美术学院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=80655X" target="_blank" title="南京艺术学院学报(美术与设计)">《南京艺术学院学报(美术与设计)》</a> <span class="medal"> <span title="北大核心期刊(2023版)">北大核心</span> </span> </span><span class="vol">2024年第3期53-60,I0002,I0003,共10页</span> </dd> <dd> <span class="label">基金</span> <span class="fund"> <span><span>国家社科基金艺术学一般项目《明清书画题跋史》(22BF102)阶段性研究成果。</span></span> </span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">乾隆皇帝对书画的嗜尚,不仅体现在藏品上随处可见的钤印,亦见于其所题就的大量御诗与考据跋文。然今人论及乾隆的题跋行为,往往容易产生其乃随性而为且无规律可循的刻板印象,实则并非如此。本文将依托史料与墨迹,围绕内容类别、画面形式、参与人群、书写手段等展开探讨,分析乾隆皇帝进行书画题跋活动的主要方式。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b9%be%e9%9a%86 title="乾隆">乾隆</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b9%a6%e7%94%bb%e9%a2%98%e8%b7%8b title="书画题跋">书画题跋</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%ae%ab%e5%bb%b7%e9%9b%85%e9%9b%86 title="宫廷雅集">宫廷雅集</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%af%8d%e8%87%a3 title="词臣">词臣</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%bb%a3%e7%ac%94 title="代笔">代笔</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dQianlong title="Qianlong">Qianlong</a></span> <span><a href=/Qikan/Search/Index?key=K%3dpostscripts%2bon%2bcalligraphy%2band%2bpainting title="postscripts on calligraphy and painting">postscripts on <u>calligraphy</u> <u>and</u> <u>painting</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dcourt%2bgatherings title="court gatherings">court ga<u>the</u>rings</a></span> <span><a href=/Qikan/Search/Index?key=K%3dliterary%2bofficials title="literary officials">literary <u>of</u>ficials</a></span> <span><a href=/Qikan/Search/Index?key=K%3dghostwriting title="ghostwriting">ghostwriting</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ206 title="J206"> J206 [艺术—美术] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7112067893','yYiOhuiNFM67oSUgOh4g51DoiMTACnkUdnDdmn0M+rq+/0R2uFF9rw==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7112067893')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7111469423" target="_blank" index="12" articleid="7111469423">四胞疑云:陆治款《仿王蒙山水图》的鉴定研究</a> </dt> <dd class="no">13</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7111469423" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e6%99%af%e6%9d%b0 title="景杰"><span>景杰</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e5%8d%97%e4%ba%ac%e8%89%ba%e6%9c%af%e5%ad%a6%e9%99%a2%e7%be%8e%e6%9c%af%e5%ad%a6%e9%99%a2>南京艺术学院美术学院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=80655X" target="_blank" title="南京艺术学院学报(美术与设计)">《南京艺术学院学报(美术与设计)》</a> <span class="medal"> <span title="北大核心期刊(2023版)">北大核心</span> </span> </span><span class="vol">2024年第1期1-7,I0011,共8页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">中国台北故宫博物院、香港艺术馆及龙美术馆均藏有一件陆治《仿王蒙山水图》。经鉴定:台北故宫本即《石渠宝笈》著录的《仿王蒙林壑萧闲图》原物,但非真迹;香港艺术馆本未经著录,也非真迹;龙美术馆本曾被认为是《石渠宝笈》著录的陆治《仿王蒙还丹图》,实际可能是著录的另一件陆治《高士听泉图》原物,但也非陆治真迹。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e9%99%86%e6%b2%bb title="陆治">陆治</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e3%80%8a%e4%bb%bf%e7%8e%8b%e8%92%99%e5%b1%b1%e6%b0%b4%e5%9b%be%e3%80%8b title="《仿王蒙山水图》">《仿王蒙山水图》</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b9%a6%e7%94%bb%e9%89%b4%e5%ae%9a title="书画鉴定">书画鉴定</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e3%80%8a%e7%9f%b3%e6%b8%a0%e5%ae%9d%e7%ac%88%e3%80%8b title="《石渠宝笈》">《石渠宝笈》</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dLu%2bZhi title="Lu Zhi">Lu Zhi</a></span> <span><a href=/Qikan/Search/Index?key=K%3dWang%2bMeng%27s%2bPainting%2bof%2bMountains%2band%2bWaters title="Wang Meng's Painting of Mountains and Waters">Wang Meng's <u>painting</u> <u>of</u> Mountains <u>and</u> Waters</a></span> <span><a href=/Qikan/Search/Index?key=K%3dcalligraphy%2band%2bpainting%2bappraisal title="calligraphy and painting appraisal"><u>calligraphy</u> <u>and</u> <u>painting</u> appraisal</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%22Shiqu%2bTreasure%2bCollection%22 title=""Shiqu Treasure Collection"">"Shiqu Treasure Collection"</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ205 title="J205"> J205 [艺术—美术] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7111469423','KLdX9N2omFxHbih8mD6hxVawGl7+k5TFX96Ny7VIqpMnlTvoVTqcdw==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7111469423')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7111494001" target="_blank" index="13" articleid="7111494001">小规模古书画数字复制系统标准化搭建</a> </dt> <dd class="no">14</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7111494001" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e8%81%82%e4%bc%9f title="聂伟"><span>聂伟</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e6%95%85%e5%ae%ab%e5%8d%9a%e7%89%a9%e9%99%a2>故宫博物院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=96261X" target="_blank" title="中国标准化">《中国标准化》</a> <span class="medal"> </span> </span><span class="vol">2024年第5期123-131,共9页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">故宫博物院文保科技部应用数码打印设备制作古书画复制品在博物馆行业内有着丰富的经验,伴随着数码打印突飞猛进的发展,系统内配套设备已经达到了物理、机械工程学上的某些极限,业内亟需一个关于应用主流技术对古书画文物进行数字复制的标准化规范。为促进古书画复制水平的提高,本文以小型古书画数字复制系统的搭建为例,对其中涉及的仪器设备、输出耗材、软件、工作流程进行了梳理与总结,主要包括:各类古书画文物的数字扫描与编目存储、色彩管理系统的配置、文物数字影像的后期优化、输出设备驱动程序的合理使用、输出耗材选择以及复制品的主观评测维度等内容。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e8%89%b2%e5%bd%a9%e7%ae%a1%e7%90%86 title="色彩管理">色彩管理</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%8f%a4%e4%b9%a6%e7%94%bb%e5%a4%8d%e5%88%b6 title="古书画复制">古书画复制</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%95%b0%e7%a0%81%e6%89%93%e5%8d%b0 title="数码打印">数码打印</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%a0%87%e5%87%86%e5%8c%96 title="标准化">标准化</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dcolor%2bmanagement title="color management">color management</a></span> <span><a href=/Qikan/Search/Index?key=K%3dreplication%2bof%2bancient%2bcalligraphy%2band%2bpainting title="replication of ancient calligraphy and painting">replication <u>of</u> ancient <u>calligraphy</u> <u>and</u> <u>painting</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3ddigital%2bprinting title="digital printing">digital printing</a></span> <span><a href=/Qikan/Search/Index?key=K%3dstandardization title="standardization">st<u>and</u>ardization</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dTP3 title="TP3"> TP3 [自动化与计算机技术—计算机科学与技术] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7111494001','KLdX9N2omFzMqHUgAXnHy2p9YXMihRd4C6/U31vC2J4ruQyGqDiOFQ==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7111494001')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7112582487" target="_blank" index="14" articleid="7112582487">传统书画鉴藏伦理观下的伪作及作伪者</a> </dt> <dd class="no">15</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7112582487" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e7%89%9b%e5%9b%bd%e6%a0%8b title="牛国栋"><span>牛国栋</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e8%a5%bf%e5%8c%97%e5%b8%88%e8%8c%83%e5%a4%a7%e5%ad%a6%e7%be%8e%e6%9c%af%e5%ad%a6%e9%99%a2>西北师范大学美术学院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=71125X" target="_blank" title="美育学刊">《美育学刊》</a> <span class="medal"> </span> </span><span class="vol">2024年第4期64-70,共7页</span> </dd> <dd> <span class="label">基金</span> <span class="fund"> <span><span>国家社会科学基金艺术学西部项目“中国传统书画鉴藏心理机制研究:以马远绘画鉴藏为例”(20EF206)的阶段性成果。</span></span> </span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">传统书画鉴藏家之所以对伪作及其作伪者持有包容心,其一是因鉴藏之事属于“雅事”,是鉴赏力和审美力的角逐,并不完全遵循商业买卖的伦理;其二是传统鉴藏家普遍擅长书画创作,易将书画审美价值置于第一位,而非真伪之客观性;其三是对审美价值的认可并不寄托于某种“恒存”或“原创性”的实体之上,而是着眼于审美价值本身。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b9%a6%e7%94%bb%e9%89%b4%e8%97%8f title="书画鉴藏">书画鉴藏</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%bc%aa%e4%bd%9c title="伪作">伪作</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%bd%9c%e4%bc%aa%e8%80%85 title="作伪者">作伪者</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e9%89%b4%e8%97%8f%e4%bc%a6%e7%90%86 title="鉴藏伦理">鉴藏伦理</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dcalligraphy%2band%2bpainting%2bcollection title="calligraphy and painting collection"><u>calligraphy</u> <u>and</u> <u>painting</u> collection</a></span> <span><a href=/Qikan/Search/Index?key=K%3dfake%2bwork title="fake work">fake work</a></span> <span><a href=/Qikan/Search/Index?key=K%3dcounterfeiters title="counterfeiters">counterfeiters</a></span> <span><a href=/Qikan/Search/Index?key=K%3dethics%2bof%2bcalligraphy%2band%2bpainting%2bcollection title="ethics of calligraphy and painting collection">ethics <u>of</u> <u>calligraphy</u> <u>and</u> <u>painting</u> collection</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ212.05 title="J212.05"> J212.05 [艺术—美术] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7112582487','jBFjQsoi3Sw65z0lYL3Bvp7Cf8ObFHkysFGu+8AluPGWzSC3PvsDgg==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7112582487')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7111713791" target="_blank" index="15" articleid="7111713791">晚清西北灾害中的书画助赈</a> </dt> <dd class="no">16</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7111713791" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e6%9d%a8%e7%bb%a7%e4%b8%9a title="杨继业"><span>杨继业</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%99%88%e7%ba%aa%e6%b3%bd title="陈纪泽"><span>陈纪泽</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e7%94%98%e8%82%83%e4%b8%ad%e5%8c%bb%e8%8d%af%e5%a4%a7%e5%ad%a6%e5%ae%9a%e8%a5%bf%e6%a0%a1%e5%8c%ba%e4%ba%ba%e6%96%87%e6%95%99%e5%ad%a6%e9%83%a8>甘肃中医药大学定西校区人文教学部</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=83577X" target="_blank" title="甘肃高师学报">《甘肃高师学报》</a> <span class="medal"> </span> </span><span class="vol">2024年第1期12-18,共7页</span> </dd> <dd> <span class="label">基金</span> <span class="fund"> <span><span>国家社科基金重大项目“近代西北灾荒文献整理与研究”(16ZDA134)</span></span> <span><span>甘肃省高等学校创新基金项目“清代甘肃灾害治理的历史启示”(2022A—077)。</span></span> </span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">晚清以来,书画家借助新闻报刊和商业市场确立了与灾害的关系,书画助赈成为救灾的重要手段。晚清西北地区发生的两次特大灾害,先后得到域外社会各界的有力救助。上海、天津等城市的书画家以绘画作品介绍灾情,以出售作品筹募赈资,尽力帮助西北灾民摆脱生存困境,进而挽救西北局势,表现出他们的社会担当。与此同时,书画家们借助救灾时机,也逐渐实现了自身向近代化的转型发展,促进了城市商业和文化的活跃。研究特定时空中书画助赈现象,对艺术史和灾害史的学术研究具有重要意义。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e6%99%9a%e6%b8%85 title="晚清">晚清</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b9%a6%e7%94%bb title="书画">书画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%8a%a9%e8%b5%88 title="助赈">助赈</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dlate%2bQing%2bDynasty title="late Qing Dynasty">late Qing Dynasty</a></span> <span><a href=/Qikan/Search/Index?key=K%3din%2baid%2bof%2bthe%2bdisaster%2brelief title="in aid of the disaster relief">in aid <u>of</u> <u>the</u> disaster relief</a></span> <span><a href=/Qikan/Search/Index?key=K%3dcalligraphy%2band%2bpainting title="calligraphy and painting"><u>calligraphy</u> <u>and</u> <u>painting</u></a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dK250.6 title="K250.6"> K250.6 [历史地理—中国史] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7111713791','yKTes5Np3paBORAtxtg8n9vM8SEmLVCXU3hk3+/NL/6MTSa+1yD+4w==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7111713791')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7111928268" target="_blank" index="16" articleid="7111928268">中国书法在陶瓷绘画中的联系与运用</a> </dt> <dd class="no">17</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7111928268" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%bc%a0%e7%92%90 title="张璐"><span>张璐</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e6%99%af%e5%be%b7%e9%95%87%e9%99%b6%e7%93%b7%e5%a4%a7%e5%ad%a6>景德镇陶瓷大学</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=92603X" target="_blank" title="陶瓷研究">《陶瓷研究》</a> <span class="medal"> </span> </span><span class="vol">2024年第1期130-132,共3页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">瓷器和书法是中国最具代表性的艺术形式,书法和陶瓷绘画之间存在着相辅相成的关系,正所谓书画不分家,书法和陶瓷绘画都是中国母亲孕育出的两个胞胎兄弟,书画本同源,笔者就从中国书法和陶瓷绘画的形式和特点方面着手,在陶瓷绘画与书法的相通之处做重点的阐述和分析。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b8%ad%e5%9b%bd%e4%b9%a6%e6%b3%95%e8%89%ba%e6%9c%af title="中国书法艺术">中国书法艺术</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e9%99%b6%e7%93%b7%e7%bb%98%e7%94%bb%e8%89%ba%e6%9c%af title="陶瓷绘画艺术">陶瓷绘画艺术</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b9%a6%e6%b3%95%e7%94%a8%e7%ac%94 title="书法用笔">书法用笔</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%ae%a1%e7%be%8e%e6%83%85%e8%b6%a3 title="审美情趣">审美情趣</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dChinese%2bcalligraphy%2bart title="Chinese calligraphy art">Chinese <u>calligraphy</u> art</a></span> <span><a href=/Qikan/Search/Index?key=K%3dCeramic%2bpainting%2bart title="Ceramic painting art">Ceramic <u>painting</u> art</a></span> <span><a href=/Qikan/Search/Index?key=K%3dCalligraphy%2bbrush title="Calligraphy brush"><u>calligraphy</u> brush</a></span> <span><a href=/Qikan/Search/Index?key=K%3dAesthetic%2btaste title="Aesthetic taste">Aes<u>the</u>tic taste</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ527 title="J527"> J527 [艺术—艺术设计] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7111928268','+9WSq1MrJGOLS3cmEK+2Sxb934tMqlkqJJxW1GdM/7nyoDsteX2YIQ==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7111928268')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7112168428" target="_blank" index="17" articleid="7112168428">从书法看中国画笔墨形式及色彩的审美意蕴</a> </dt> <dd class="no">18</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7112168428" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%bc%a0%e6%b5%b7%e6%b1%9f title="张海江"><span>张海江</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e9%83%91%e5%b7%9e%e7%bb%bf%e5%9f%8e%e4%b9%a6%e9%99%a2>郑州绿城书院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=94448A" target="_blank" title="色彩">《色彩》</a> <span class="medal"> </span> </span><span class="vol">2024年第3期74-76,共3页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">笔墨在书法及中国画中,有着深远的意义。文章从书法视角探讨中国画中笔墨形式的审美意蕴,在分析书法与中国画笔墨的联系基础上,针对二者进行深入对比,并分析笔墨在书法和中国画中的应用,在此基础上切实研究中国画笔墨形式的审美意蕴,指出中国画中笔墨线条的生动性、节奏感以及空间感、留白技巧、墨色的浓淡和情感表达等都是一种独特的美,能增强中国画审美。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b9%a6%e6%b3%95 title="书法">书法</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b8%ad%e5%9b%bd%e7%94%bb title="中国画">中国画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%ac%94%e5%a2%a8 title="笔墨">笔墨</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%ae%a1%e7%be%8e title="审美">审美</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%84%8f%e8%95%b4 title="意蕴">意蕴</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dCalligraphy title="Calligraphy"><u>calligraphy</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dChinese%2bpainting title="Chinese painting">Chinese <u>painting</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dpen%2band%2bink title="pen and ink">pen <u>and</u> ink</a></span> <span><a href=/Qikan/Search/Index?key=K%3daesthetic%2bappreciation title="aesthetic appreciation">aes<u>the</u>tic appreciation</a></span> <span><a href=/Qikan/Search/Index?key=K%3dimplication title="implication">implication</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ212 title="J212"> J212 [艺术—美术] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7112168428','g2w6Nj/EVfbaHY9bJBIc8gozEEgYZ8XnRVRYjjR1f33yMsl8L7Z18Q==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7112168428')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7112847433" target="_blank" index="18" articleid="7112847433">京口张觐宸、张孝思祖孙的书画鉴藏活动</a> </dt> <dd class="no">19</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7112847433" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e8%bd%a6%e6%97%ad%e4%b8%9c title="车旭东"><span>车旭东</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e5%8d%97%e4%ba%ac%e5%a4%a7%e5%ad%a6%e5%8e%86%e5%8f%b2%e5%ad%a6%e9%99%a2>南京大学历史学院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=82425X" target="_blank" title="艺术探索">《艺术探索》</a> <span class="medal"> </span> </span><span class="vol">2024年第3期29-41,共13页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">晚明京口张觐宸的书画收藏甚富,董其昌多次前往其培风阁寓目,后张孝思继承了培风阁的藏品。据家谱和家集考察张氏家族,张觐宸与张孝思是祖孙关系。张氏以乐施行义和崇文尚儒为家风,是镇江一带饶有声望的文化世家。张觐宸的书画名迹主要得自董其昌和项元汴子嗣,身后又全部传与张孝思。张孝思能书擅画,与清初文人书画家笪重光、查士标等交游较多。而其晚年,家藏陆续散出,由笪重光、王永宁、梁清标等人递藏,后大多汇入清内府。张氏的收藏与交游是明末清初江南活跃的书画鉴藏活动的重要代表与缩影,更对当时诸多书画家的创作具有启发和促进作用。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e5%bc%a0%e8%a7%90%e5%ae%b8 title="张觐宸">张觐宸</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%bc%a0%e5%ad%9d%e6%80%9d title="张孝思">张孝思</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%ba%ac%e5%8f%a3%e5%bc%a0%e6%b0%8f title="京口张氏">京口张氏</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%91%a3%e5%85%b6%e6%98%8c title="董其昌">董其昌</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b9%a6%e7%94%bb%e6%94%b6%e8%97%8f title="书画收藏">书画收藏</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dZhang%2bJinchen title="Zhang Jinchen">Zhang Jinchen</a></span> <span><a href=/Qikan/Search/Index?key=K%3dZhang%2bXiaosi title="Zhang Xiaosi">Zhang Xiaosi</a></span> <span><a href=/Qikan/Search/Index?key=K%3dThe%2bJingkou%2bZhang%2bfamily title="The Jingkou Zhang family"><u>the</u> Jingkou Zhang family</a></span> <span><a href=/Qikan/Search/Index?key=K%3dDong%2bQichang title="Dong Qichang">Dong Qichang</a></span> <span><a href=/Qikan/Search/Index?key=K%3dCalligraphy%2band%2bpainting%2bcollecting title="Calligraphy and painting collecting"><u>calligraphy</u> <u>and</u> <u>painting</u> collecting</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dI20 title="I20"> I20 [文学—中国文学] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7112847433','E9jzRueB0GHonJvk6tPgdJJMJC3kYv7p3nlw70A6lkKWJIfO9xN1hg==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7112847433')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7111926537" target="_blank" index="19" articleid="7111926537">清代书画活动中的民族交融及其中华文化认同功能探析——以清代西园文人交游圈为中心</a> </dt> <dd class="no">20</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7111926537" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%a5%a5%e6%97%a5%e8%8e%8e title="奥日莎"><span>奥日莎</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e5%86%85%e8%92%99%e5%8f%a4%e5%a4%a7%e5%ad%a6%e6%96%87%e5%ad%a6%e4%b8%8e%e6%96%b0%e9%97%bb%e4%bc%a0%e6%92%ad%e5%ad%a6%e9%99%a2>内蒙古大学文学与新闻传播学院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=81451X" target="_blank" title="内蒙古大学学报(哲学社会科学版)">《内蒙古大学学报(哲学社会科学版)》</a> <span class="medal"> </span> </span><span class="vol">2024年第2期88-96,共9页</span> </dd> <dd> <span class="label">基金</span> <span class="fund"> <span><span>内蒙古自治区高校创新团队资助项目(项目批准号:NMGIRT2209)</span></span> <span><span>第十二批“草原英才”工程创新创业团队资助项目。</span></span> </span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">清代出现了大量多民族共同参与的书画活动,展现了各民族对中华文化的认同与共塑,以允禧为核心的西园文人交游圈便是其中的一个范例。他们的书画活动及书画文学作品展现了清代多民族交往交融的历史图景,呈现出各族文人对中华文化认同的具体表征,揭示了清代多民族书画活动所具有的中华文化认同功能。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b9%a6%e7%94%bb%e6%b4%bb%e5%8a%a8 title="书画活动">书画活动</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b9%a6%e7%94%bb%e6%96%87%e5%ad%a6 title="书画文学">书画文学</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%87%e5%8c%96%e8%ae%a4%e5%90%8c title="文化认同">文化认同</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b8%ad%e5%8d%8e%e6%b0%91%e6%97%8f%e5%85%b1%e5%90%8c%e4%bd%93 title="中华民族共同体">中华民族共同体</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dCaligraphy%2band%2bpainting%2bactivities title="Caligraphy and painting activities">Caligraphy <u>and</u> <u>painting</u> activities</a></span> <span><a href=/Qikan/Search/Index?key=K%3dcalligraphy%2band%2bpainting%2bliterature title="calligraphy and painting literature"><u>calligraphy</u> <u>and</u> <u>painting</u> literature</a></span> <span><a href=/Qikan/Search/Index?key=K%3dcultural%2bidentity title="cultural identity">cultural identity</a></span> <span><a href=/Qikan/Search/Index?key=K%3dthe%2bChinese%2bNa-tional%2bCommunity title="the Chinese Na-tional Community"><u>the</u> Chinese Na-tional Community</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dI206.2 title="I206.2"> I206.2 [文学—中国文学] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7111926537','+9WSq1MrJGOkcHw7dfPt60j+2B7Vhy2VqPtxurBAF2foBi9mtK5IJA==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7111926537')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> </div> <div class="table-list" id="list" style="display:none"> <table> <colgroup> <col width="25"> <col> <col width="150"> <col width="180"> <col width="80"> <col width="80"> <col width="100"> </colgroup> 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