Given the rising trend in obesity in children and youth and age-related decline in moderate-to-vigorous-intensity physical activity(MVPA)in several Western,African,and Asian-Pacific countries^1 and strong evidence tha...Given the rising trend in obesity in children and youth and age-related decline in moderate-to-vigorous-intensity physical activity(MVPA)in several Western,African,and Asian-Pacific countries^1 and strong evidence that past physical activity(PA)interventions have had only a small effect on children’s and youth’s overall activity levels,~2it is important to clarify whether school-based PA interventions warrant resource allocation.Schools represent an accessible and cost-effective展开更多
From the end of the 19th to the dawn of the 20th century, technological development rendered the use of horse as source of energy and power progressively obsolete, promoting the displacement of its age-old utilitarian...From the end of the 19th to the dawn of the 20th century, technological development rendered the use of horse as source of energy and power progressively obsolete, promoting the displacement of its age-old utilitarian functions （transportation, work and war） as well as its social functions as a marker of distinction. Nonetheless, the advent of leisure society encouraged a redefinition of the horse and its social representations, a process spearheaded by the popular arts, especially those meant for child and youth audiences. The purpose of this article is two-fold. The first is to promote an understanding of the historical role of popular arts （literature, movies） in the evolution of the conceptualization of human-horse relationship and the concomitant entrance of horse riding into leisure society, marked by dual processes turning it into an ever-more female and youth-oriented practice. The second is to examine the actual influence of the popular equine arts and the alter ego horse paradigm that they have created on riders＇ current practices. The latter are examined in relation to diverse criteria such as age, gender, type of riding, length of experience, social status and nationality.展开更多
基金financially supported by the Emil Aaltonen Foundation(No.160029)
文摘Given the rising trend in obesity in children and youth and age-related decline in moderate-to-vigorous-intensity physical activity(MVPA)in several Western,African,and Asian-Pacific countries^1 and strong evidence that past physical activity(PA)interventions have had only a small effect on children’s and youth’s overall activity levels,~2it is important to clarify whether school-based PA interventions warrant resource allocation.Schools represent an accessible and cost-effective
文摘From the end of the 19th to the dawn of the 20th century, technological development rendered the use of horse as source of energy and power progressively obsolete, promoting the displacement of its age-old utilitarian functions （transportation, work and war） as well as its social functions as a marker of distinction. Nonetheless, the advent of leisure society encouraged a redefinition of the horse and its social representations, a process spearheaded by the popular arts, especially those meant for child and youth audiences. The purpose of this article is two-fold. The first is to promote an understanding of the historical role of popular arts （literature, movies） in the evolution of the conceptualization of human-horse relationship and the concomitant entrance of horse riding into leisure society, marked by dual processes turning it into an ever-more female and youth-oriented practice. The second is to examine the actual influence of the popular equine arts and the alter ego horse paradigm that they have created on riders＇ current practices. The latter are examined in relation to diverse criteria such as age, gender, type of riding, length of experience, social status and nationality.
