Guidance and Application of Chinese Classical Gardens in Modern Gardens

As a representative of Eastern gardens,Chinese classical gardens have always held an extremely important position in world gardens.They not only carry the profound cultural and ideological connotations of China,but also have great aesthetic achievements that are worth exploring.In the process of urbanization,the construction of urban gardens is also progressing rapidly with the development of the city,and modern gardens are reflected more.Gradually,people began to realize that the aesthetics of Chinese classical gardens can collide with the design concepts of modern gardens,in order to conform to the current development trend of the new era.This paper compares and analyzes the differences and connections between Chinese classical gardens and modern gardens from three aspects:gardening concepts,gardening elements,and gardening techniques.Combined with relevant cases,it studies the practical application of Chinese classical garden design techniques in modern gardens,and explores and promotes the art of Chinese classical garden design.

Comparative Analysis of Differences among Northern,Jiangnan,and Lingnan Classical Private Gardens Using Principal Component Cluster Method

This paper investigates the design essence of Chinese classical private gardens,integrating their design elements and fundamental principles.It systematically analyzes the unique characteristics and differences among classical private gardens in the Northern,Jiangnan,and Lingnan regions.The study examines nine classical private gardens from Northern China,Jiangnan,and Lingnan by utilizing the advanced tool of principal component cluster analysis.Based on literature analysis and field research,273 variables were selected for principal component analysis,from which four components with higher contribution rates were chosen for further study.Subsequently,we employed clustering analysis techniques to compare the differences among the three types of gardens.The results reveal that the first principal component effectively highlights the differences between Jiangnan and Lingnan private gardens.The second principal component serves as the key to defining the types of Northern private gardens and distinguishing them from the other two types,and the third principal component indicates that Lingnan private gardens can be categorized into two distinct types as well.

Integration of Architecture and Rockery in Classical Gardens of Suzhou

With the pilings of rockeries,bridge trails,doors and windows,pavilions,towers,walls,halls and studios,corridors and courtyards as the research subject,illustrated with a large number of pictures,the relationship between architecture and rockery in classical gardens was elaborated.In classical gardens,their harmonious,complementary and positive aspect was emphasized,and their opposite,repulsive and passive aspect was restricted,and even the passiveness could be transferred into positivity,so as to make the beauty of architecture and the beauty of nature coexist,coming to the state that the artificiality and the nature blend into one whole.The research was to provide reference for the design and construction of modern gardens.

Analysis of Vertical Greening Landscaping in Suzhou Classical Gardens of China

Based on the survey of vertical greening plants in Suzhou classical gardens, the paper had introduced plants varieties for vertical greening in the gardens, and pointed out that it was one of the common techniques for vertical greening landscaping to make use of vine plants. It had also introduced 23 species of plants having been applied in vertical greening landscaping in Suzhou classical gardens, which belonged to 19 genera and 13 families. In terms of application form, it emphasized that white walls should be treated as papers and plants as paintings, shelves as pavilions and plants as shade, fences as supports and plants as decorations, rockeries as bones and plants as coats, banks as bases and plants as edges, columns as axes and plants as ornaments, bridges as surfaces and plants as points, and sloping fields as groves and plants as auxiliaries by taking vertical greening in Nets Garden, the Humble Administrator's Garden, Lingering Garden, the Garden of Pleasant, the Lion Forest Garden and Coupling Garden for example.

Style Comparison between Chinese Classical Garden and Modern Landscape

Styles between Chinese classical gardens and modern landscapes were compared in this paper from the perspective of thought,functions,garden buildings,plant scenery and small garden ornaments.

Restorative Environmental Design in Light of Chinese Classical Gardens

This paper explored the embodiment of restorative environmental design in Chinese classical gardens,aiming to enhance the emphasis on traditional garden art and provide some reference for creation of modern garden landscape.

Artistic Classical Chinese Gardens and Construction of Poetic Images in Modern Landscape

With regard to the artistic features of classical Chinese gardens,its ubiquitous poetic scenery is represented through the aspects of spatial sequence,landscape layout,hill piling and waterways dredging,plant configuration,architecture creation as well as various elements in classical garden.Emphasis is given to the close relationship between it and the traditional Chinese poetry and drawing,as it is resulted from the cultural feature of artistic classical garden and as art-and conception-centered as poetry and drawing.The connotation of conception is also analyzed,that is,inter-dependence,imaginary-real design,and correlation.Moreover,reality-and conception-centered methods in classical Chinese gardens are also introduced along with other conception creating methods such as configuration,view borrowing,empathy and symbolism.On this basis,discussion about key elements in conception creation in modern landscape design is carried out while emphasizing the understanding of environment,practice,experience,and method,so as to demonstrate the sense of place and create spatial artistic beauty through wider means.

The Influence of Aesthetic Ideology of TAO Yuan-ming on Classical Gardens in South China

Based on the contents and temperament of pastoral poetries written by TAO Yuan-ming,by centering on respecting the nature,indifference and optimism,and plainness and authenticity,the paper had analyzed aesthetic ideologies contained in his poetries.On this basis,it had discussed the influence of aesthetic ideology of TAO Yuan-ming on the style of classical gardens in South China,which were quiet and natural,elegant and fresh,simple and plain,and far-reaching in artistic conception.By combining with cases,it pointed out that the poetic prose had been directly quoted as the names of gardens or scenic spots of classical gardens in South China,and showed that the aesthetic ideology of TAO Yuan-ming had set up a successful ideal model for cultural landscapes,producing far-reaching influence on the aesthetic state of mind of gardeners or owners of gardens,further instilling humanistic spirit into classical gardens in South China.

Expression Forms of Spiritual Cultures in Classical Chinese Gardens

By studying close links between classical Chinese gardens and traditional Chinese cultures,it was stressed that spiritual characteristics pursued by classical Chinese gardens were inevitable components of their expression forms,which were also closely related to classical Chinese philosophy,social system and other cultural phenomena.Characteristics of classical Chinese gardens in terms of psychology were analyzed,and it was proposed that they had particular cultural connotations in the spiritual expression and appeal,that is,natural view of "human-nature oneness",etiquette culture of "coordinating with the nature by etiquette",seclusion view of "living in seclusion and pursuing a peaceful life".Concrete expressions of spiritual cultures in classical Chinese gardens were discussed,specifically,the expression of natural views was demonstrated as "respecting the nature,all creatures having its own course(Tao,way of evolution),adopting measures suiting local conditions,skillfully borrowing from other landscapes,simulating natural landscapes";as for the expression of seclusion view,it was demonstrated as the expression of seclusion cultures by inscriptions and steles,the expression of "seclusion" by implicit garden settings;etiquette and hierarchy of classical Chinese gardens were discussed from the perspective of private garden layout and residence construction.On this basis,spiritual world of ancient Chinese were further stu-died,mental patterns of Chinese were believed as the source of classical gardens,and what those hills,water,plants,architecture as well as their combinations expressed were spiritual pursuits of Chinese people.

Livable and Ecological Theory of Chinese Classical Gardens and the Planning of Modern Eco-residential Community

With some modern communities in Suzhou as the example,this paper mainly expounded the application of the artistic techniques of landscapes in the planning of modern landscape-type eco-residential communities according to the classical livable and ecological theory in Yuan Ye(an ancient book of garden design in China).It was learnt that there were many inner links between the livable and ecological theory of classical Chinese gardens and the planning of modern eco-residential communities.Ecological community is a new-type inhabitation model which represents the future development direction of dwelling construction in China and the main type of ecological communities.Classical Suzhou-style gardens are the representation of gardens in southern Yangtze River as well as the classical livable environment in China.Both of the above two residential models emphasize the harmonious unification between human and nature as well as the sustainable development,and lay their cores on the livability and the harmony with the nature.

On Wisdom of "Luo Shu" and Classical Chinese Garden Art

As a thinking pattern,"Luo Shu" has been widely used in the classical Chinese garden art with its core lying in the application of nine-palace square.This paper analyzed the wide application of "Luo Shu" wisdom in classical Chinese garden art,which can be summarized into 3 respects including the creation technique of yin and yang(masculine and feminine elements) contrast,the overall-balanced gardening concept and the aesthetic pursuit in curve design.Through analyzing the application of numbers in the "Luo Shu" pattern,the application of contrast,balance and harmony in classical Chinese garden were revealed.

Cultural Implication of Plants in Classical Chinese Gardens

Besides the ornamental and landscape composition functions,plants in classical Chinese gardens also play another significant role,i.e.cultural function.The cultural psychology of taking garden plants as emotional vectors and a living history as well as that of garden plant furnishing were elaborated in this study,and the cultural implication of plants was studied to make the cultural connotation of classical Chinese gardens be understood fully.

Aesthetic Thought on Chinese Classical Garden Art

The present thesis states concrete expression theory presented in Chinese classic gardens with object metaphor as the central meaning and analysis, and their features of cultural heritage presented in the long time development combining with the corresponding structuring characteristics.

Classical Chinese Gardens and Their Artistic Conceptions

Elementary knowledge of classical Chinese gardens was introduced,its history was studied in 3 stages:initial phase,development phase and prosperous phase,component system of classical Chinese gardens was introduced from different perspectives,cultural background and specific demonstrations of its artistic conceptions were expounded as key points,and it was proposed that its artistic conceptions were actually reverence and respect for the nature,and also expressions of various philosophical doctrines and religious cultures.On this basis,construction techniques and connotations of artistic conception were researched as well as its components and expression ways.It was proposed that construction elements of artistic conceptions included buildings,hill stones,water and plants;image-building in the landscaping should be stressed,and artistic conception integrated into key points to bring out the theme,garden scenes and paintings combined.This study aimed at providing references for relevant researches through introducing classical Chinese gardens and their artistic conceptions.

Discussion on the "Four State" of Plant Design in Classical Garden

From the angle of modern landscape design,the ideological essence of plant design in classical garden was analyzed.The concept and connotation of ecology,culture,form and mentality were summarized,and the succession and continuity of plant design in modern landscape from these four aspects were primarily discussed.

Enlightenment on the Construction of Modern Urban Plazas from Classical Chinese Gardens

Researches on modern urban plazas in China were reviewed,phenomena caused by the shortage of proper theoretical guidance such as blind imitation and fixed forms of urban plazas were pointed out,and it was emphasized that researches on urban plazas with Chinese characteristics should be enhanced.By analyzing features of traditional western plazas and classical Chinese gardens,this study proposed that by combining with their practical functions the construction of modern urban plazas in China should maintain traditional concepts and aesthetic characteristics of Chinese people on the basis of satisfying demands of the public to the best.The enlightenment on the construction of modern urban plazas from classical Chinese gardens was particularly analyzed,the application of garden aesthetics,components,and landscaping methods of classical Chinese gardens were highlighted,and moreover,it was put forward that the relationship between human and human,human and society,human and nature implied in classical Chinese gardens would surely bring profound inspiration to urban plazas.

Evolution of Classical Chinese Gardens Based on the Components of Architectural Culture

Based on the structural mode of cultural ecosystem,a structural mode of architectural culture was established in this study by replacing human society,exterior environment and culture in the cultural ecosystem with human activities,architectural environment and architectural culture.Within this mode,architectural engineering technology was in the uttermost layer of the architectural cultural structure,design techniques and written works in the middle layer,and values in the innermost layer.It was applied to analyze the evolution of classical Chinese gardens along the line of dynastic changes,from the perspectives of social consciousness,cultural psychology and aesthetic habit,it was pointed out that classical Chinese gardens have evolved from animal park to landscape garden,from urban residential garden to private garden in the southern regions of the Yangtze River,which also indicated a transition from focusing on exterior forms to stressing practical functions,and such a transition was realized on the basis of social consciousness and values of the time with the help of proper design techniques.

Manifestation of Traditional Cultures in Classical Chinese and Korean Gardens

Classical garden as a kind of comprehensive art embodies a nation's culture and spirit, and culture has a direct impact on the style of classical gardens in the same period. Traditional Chinese and Korean gardens have intimate connection with each other and have their own unique systems. Also it is no exception in culture, that is, similar traditional cultures have different manifestations in their respective classical gardens. This study analyzes different manifestations of yin and yang and Five Elements Theory, thought of immortals and Confucianism in classical gardens of China and Korea.

Artful Application of Garden Plants in Classical Suzhou Gardens

Defi nition of plant landscaping and features of plant landscaping in classical Suzhou gardens were introduced, the forms of combining plants and buildings, rockeries and waterscapes were analyzed by elaborating selection of plant species and plant furnishings. In addition, manifestation of artistic beauty of the classical Suzhou gardens was explored, and protective measures were given.

Play-with-water Landscapes in Classical Chinese Gardens

From the perspective of delighting and sentimental function of water in classical Chinese gardens, the concept of "play with water" or "dabbling" was introduced. Play-with-water landscapes in many classical Chinese gardens were investigated and classified into 4 types: sound play, shadow play, human play, and water fowl play. Concrete design techniques were explored.