The“People’s Films,”when examined from the perspective of classical aesthetics,present a unique visual style that creates artistic conceptions through sparse filming and deliver a scenery-based ideology through bac...The“People’s Films,”when examined from the perspective of classical aesthetics,present a unique visual style that creates artistic conceptions through sparse filming and deliver a scenery-based ideology through background shots,contributing to the overall aesthetic taste dominated by plainness.Chinese national aesthetic tastes,distinguished by implicitness,symbolism,and ethereality,have the magical power to present charming conceptions via plain and simple scenes,thus endowing the“People’s Films”with natural,plain,and harmonious frames that are unique to China.Behind the silent and plain scenes are representations of personal cultivation and essential values cherished by the Chinese people,which are achieved via the momentary presence and entirety of scenes photographed in the films,delivering an internal transcendence of people’s consciousness.展开更多
The furniture world of ＂A Dream in Red Mansions＂ is a microcosm of Qing Dynasty aristocraticc furniture. Its material, shape and decoration are very elegant,which is not only to meet the needs of life,but also meet ...The furniture world of ＂A Dream in Red Mansions＂ is a microcosm of Qing Dynasty aristocraticc furniture. Its material, shape and decoration are very elegant,which is not only to meet the needs of life,but also meet the pursuit of aesthetic contentment. On different occasions, coordinated with different furniture, it can form a hamaonious picture with the enviromnent. At the same time, their display range and combination mode also strictly follow different etiquette systems. In the red mansions, it shows the artistic beauty and is in the feudal shadow, and there is no exception in the furniture world. For ＂A Dream in Red Mansions＂ , it is how beautiful and how sad it is!展开更多
基金the 2020 National Social Science Fund Art Project“History of Chinese Film Thought(1905-1949)”(Project No.:20BC035).
文摘The“People’s Films,”when examined from the perspective of classical aesthetics,present a unique visual style that creates artistic conceptions through sparse filming and deliver a scenery-based ideology through background shots,contributing to the overall aesthetic taste dominated by plainness.Chinese national aesthetic tastes,distinguished by implicitness,symbolism,and ethereality,have the magical power to present charming conceptions via plain and simple scenes,thus endowing the“People’s Films”with natural,plain,and harmonious frames that are unique to China.Behind the silent and plain scenes are representations of personal cultivation and essential values cherished by the Chinese people,which are achieved via the momentary presence and entirety of scenes photographed in the films,delivering an internal transcendence of people’s consciousness.
文摘The furniture world of ＂A Dream in Red Mansions＂ is a microcosm of Qing Dynasty aristocraticc furniture. Its material, shape and decoration are very elegant,which is not only to meet the needs of life,but also meet the pursuit of aesthetic contentment. On different occasions, coordinated with different furniture, it can form a hamaonious picture with the enviromnent. At the same time, their display range and combination mode also strictly follow different etiquette systems. In the red mansions, it shows the artistic beauty and is in the feudal shadow, and there is no exception in the furniture world. For ＂A Dream in Red Mansions＂ , it is how beautiful and how sad it is!
