“Chineseness”:A Discussion on Cases Related to Tulou in Contemporary Chinese Architecture

The article delves into the concept of“Chineseness”in contemporary Chinese architecture,a strategic tool for creating distinctive styles rooted in Chinese identity.It serves not only to distinguish projects from market-driven trends but also to establish a pivotal position in the global architectural landscape.“Chineseness”among 24 identified keywords represents a practical strategy embraced by many young architects with international exposure.The traditional Chinese dwelling,a symbol of familial and cultural essence,particularly in the context of home culture,is a primary inspiration for contemporary architects.The research adopts a case study approach,focusing on Tulou-related cases from the last fifteen years,encompassing various building types.The Tulou,a mountain-dwelling with rich cultural connotations,is introduced,reflecting ancient Chinese philosophies in its architectural principles.The case studies,including URBANUS’s“Tulou Collective Housing 2008”and Chengdu’s“Tulou Theater,”demonstrate how Tulou prototypes can be creatively adapted.These designs not only replicate forms but also capture the communal spirit inherent in traditional dwellings.“Stepped Courtyards”by OPEN Architecture reinterprets Tulou typology for a staff dormitory,emphasizing community awareness.In conclusion,the concept of“Chineseness”emerges as a prominent topic,showcasing the dynamic and adaptable nature of traditional Chinese culture and modern architectural expressions.The cases illustrate the evolving intersection between traditional Chinese culture and modern architecture,offering insights into the future trajectory of Chinese architectural culture.The interrelated keywords highlight the nuanced and evolving nature of“Chineseness”in architectural practices.

Contemporary Chinese Calligraphy Between Tradition and Innovation

Since the mid-1980s Chinese calligraphy art has undergone a radical change and has opened itself to experimentation. A vivid debate on CCC （Contemporary Chinese Calligraphy） （Zhongguo xiandai shufa） is involving art critics in China nowadays. WANG Dongling and the modernists think that, despite many changes and influences, we can still refer to the traditional calligraphic lexicon to describe the calligraphic production of contemporary Chinese art. They still remain deeply rooted in the signified system of Chinese writing, even if they break with the strict rules of Chinese classical aesthetic （contamination of Western elements and focus on the stylistic exploration）. WANG Nanming and the Avant-garde think that ＂contemporary calligraphy is not calligraphy yet＂： It is ＂anti-calligraphy＂, annihilates Chinese tradition, rejects the use of legible characters, experiments with new languages and new media within the idiom of international contemporary art. The result is the creation of works of art that could be assimilated to Abstract art, Abstract expressionism, Conceptual art, Performance art, Contemporary dance, Multimedia art, and even Street art. This paper aims at showing how still valid and extremely productive are both these two theoretical and creative/practical approaches to Chinese calligraphy in China nowadays. They turned the art of calligraphy into a medium for global comprehension and communication.

C -E Interpreting of Political Neologisms in Contemporary Chinese Political Discourse

Uniqueness of our political systems and tremendous changes brought about by reform and opening up are reflected in language use,so contem porary Chinese political discourse has its own distinctiveness,and is especially featured by increasing political neologisms,posing difficulties for interpreters and for China’s international publicity.Quality of political neologisms interpreting has a direct bearing on whether or not success of interpreting the whole discourse can be achieved.The authors believe that interpreting of contemporary Chinese political discourse,also for the purpose of com m unication can gain guidance from Bachman’s CLA Model.So the paper elaborates through exem plification on strategies for interpreting political neologisms in light of Bachm an’s Model,with a view to realizing discourse power of Chinese.

What is ＂Chinese Modem Calligraphy＂？ An Exploration of the Critical Debate on Modem Calligraphy in Contemporary China

Since the mid-1980s Chinese calligraphy art has undergone a radical change and has opened itself to experimentation. Nowadays in China this artistic revolution has sparked a vivid debate among the art critics on three main topics： （1） definition of the phenomenon; （2） analysis of its nature; and （3） classification of the artistic production. In this article, all these aspects are analysed in order to give a comprehensive view of the present theoretical discussion and of its future development.

Reverberating Chinese Traditional Folk Art in a Contemporary Context

Envisioned as a practice-based research, this paper explored Chinese traditional folk arts and crafts with a focus on traditional decorative patterns, vivid colors, and symbolic motifs that enliven Foshan style paper-cuttings, New Year wood block prints, paper kites, festival lanterns, and Shiwan pottery figures from the areas of Foshan and Shiwan, near Guangzhou, China. The goal of this research was to create a series of original paintings by investigating Chinese traditional folk arts and handcrafts and integrating them physically or ichnographically on Ho＇s new body of paintings. Chinese traditional motifs including Chinese characters and Buddhist iconographies had already been important motifs in the contemporary Western paintings of Kong Ho for the past 10 years. This paper examined not only the artistic, cultural, and historical values but also the impacts of Chinese traditional folk arts and era~ on Ho＇s painting through a personal research travel and studies of a certain amount of Chinese paper-cuttings, folk prints, pottery, and handcrafts found in the famous Foshan Folk Art Studio and Foshan City Shiwan Ceramics Factory in Foshan, China. Furthermore, this paper investigated the symbolic meanings founded in Ho＇s spiritual paintings with strong Chinese heritage and how he reinterpreted those artifacts in a contemporary context.

Muslim Identity in Contemporary China Through the Lens of Chinese Nationalism

This article focuses on the concept of Chinese nationalism as a building and unifying tool of the nation.The Uyghurs are taken as a Muslim representative ethnic group in China as its forced Sinicization is the focus of global discussion,and the contention between the Uyghurs and the China state has become an international problem and a political headache for Beijing.This primarily Muslim group is one of the most numerous ethnic minorities in China,and has been affected by the assimilation policies adopted by the Chinese authorities with the purpose of strengthening the Chinese nation-state.The rise of national spirit in Chinese youth is unquestionable.Nation building has succeeded in almost all provinces.Only in a few of them does the state have to launch special educational and ideological programs,and sometimes resort to coercion to be successful.The aim of this article is to demonstrate that the Chinese nation building project is not complete despite the great efforts of the authorities.

Research on the Development of Chinese Contemporary Literature Trend under the Language and Culture Angle of View

In this paper, we conduct research on the development of Chinese contemporary literature trend under the language and cultureangle of view. Modern Chinese literature “unifi cation”, actually is to point to in traditional forming process, the new literature has alwaysemphasized performance to distinguish it from the old literary value connotation of thoughts, emotional content. Generalization of the contentfor later generations have don’t have much room for doubt, literary revolution advocates some extent is also the founder of Chinese modernliterature “unifi ed” have made clear, they are not only from the modern Chinese literature to argue that the traditional sense. For dealing withthis basic issue, we propose the countermeasures for the further and in-depth implementation that will then optimize the current research result onthe Chinese contemporary literature.

Functional Differentiation of “Guāngróng “ and “Róngguāng” in Contemporary Chinese

“Guāngróng“and“róngguāng”are a pair of inverse morphemes words in Chinese.Though once had same meaning,in contemporary Chinese they are in a process of functional differentiation.Now,“guāngróng”are mainly declarative,while“róngguāng”are mainly referential.Motivations of this changeare the enrichment of expressions and the refinement of functions.

The Contemporary Value and Significance of Chinese Culture

1.Introduction History has endowed the Chinese people with a very influential and unique culture,which advocates harmony in diversity and integrates different cultures in practice.While unfolding a spectacular scene,and spreading benefits around the world,it also quietly nourishes ordinary households without even being noticed.More importantly,having witnessed many thousand years of vicissitudes。

A Brief Analysis on the Differences between the Aesthetic Modernity Pursuits of Modern and Contemporary Chinese Art and the Modern Art of the West

Aesthetic Modernity is a western concept.It was based on the development of the historical view.This article focuses on the aesthetic modernity pursuits of modern and contemporary Chinese art and compares it with the western culture and modern art under the concept of aesthetics.It also analyses the problems and causes in the process of modernity of Chinese modern and con⁃temporary art,and presents the advice to the further development of Chinese art.

Women on Women Femininity and Independence in the Work of Chinese Contemporary Female Artists

■The history of China, as seen through the eyes of a Chinese woman, would no doubt present a very different story to that which we are accustomed to. The centuries of oppression endured by Chinese women were ratified by the teachings of Confucius which assert

当代中国文学的海外学术研究——基于The Australian Journal of Chinese Affairs的考察

通过对澳大利亚学术期刊The Australian Journal of Chinese Affairs的考察,发现中国文学研究在该刊占有很高的比例。从编辑和作者来看,澳大利亚汉学家中中国文学研究的学者占有显著地位,他们翻译、研究中国当代文学和当代中国社会。从研究内容来看,主要包括作家作品研究、文学流派研究、文学体裁研究和中国文学的海外传播研究。从创新程度来看,澳大利亚当代中国文学研究扩大了汉学概念所包含的范围,提升了中国当代文学在学术话语系统中的地位,扩大了中国当代文学在世界上的影响。

Analysis of publication dissemination of Chinese present current literature work English translation and research methodologies

As a systematic work, there are very close links between the various aspects of the English translation of Chinese modern and contemporary literary works, whether they are translated into the main body, translated content and other links, or a specific translation approach, are not segmentation. Many translators, sinologists and books, magazines and so on have played a very important role in the process of translating modern and contemporary literary works in China. However with English-Chinese “borrowism” compared with, English work that translates the Chinese present current literature work, no matter in quantity and quality, infi uence and other aspects that the work itself has appear the relative backwardness. In order to promote the modern and contemporary Chinese literary works in the world, it is necessary to analyze and study the English translation of Chinese modern and contemporary literary works and the research methods.

On the Theoretical System Development of Contemporary Chinese Outlook on Human Rights

Centering on the systematic construction of human rights theories,Xi Jinping’s discourses on respecting and protecting human rights creatively put forward a series of original theoretical viewpoints and academic propositions,profoundly revealing the basic connotation of a contemporary Chinese outlook on human rights and realizing all-around and deep-level innovation in the construction of a contemporary human rights theoretical system.In ontology,the four-in-one view of human rights of the political party,the govern-ment,society,and the people goes beyond the dichotomy between the political state and civil society.In element theory,the substantive view of human rights surpasses the formalist view of human rights.In category theory,the view of human rights focusing on the right to sub-sistence and the right to development transcends the view of human rights based on the individual’s right to freedom.In operation theory,the“development-based human rights path”goes beyond the“hu-man rights-based development path.”In practice,the positive view of human rights based on the rule of law surpasses the negative view of human rights based on the rule of law.

SPECIAL ISSUE： DIALOGUE, INTERACTION AND NEW.DEVELOPMENTS IN PHILOSOPHY IN CONTEMPORARY CHINA - SPECIALIST FORUM ON CHINESE, WESTERN AND MARXIST PHILOSOPHIES：Contemporariness： a common field for dialogue between Chinese, Western and Marxist philosophies

If new developments in Chinese philosophy in contemporary China mean displaying the contemporariness of Chinese philosophy, then we need to understand what this term means. Contemporariness is not a purely historical concept but one from historical philosophy. It differs from both modernity and postmodernity, occurring and being present simultaneously with our immediate existing. Since contemporary Chinese philosophy represents the unfolding of Chinese philosophy in its contemporariness, this means that contemporary Chinese philosophy occurs in the circumstances of ottr immediate existing and is moreover present simultaneously with contemporary Western and Marxist philosophy. This provides the common ground that makes dialogue between them possible.

Contemporary Patterns of Management of Tetralogy of Fallot:Data from a Single Center in China

Background:There is scarce research on large cohorts with tetralogy of Fallot(TOF)from China.The database in Fuwai Hospital was reviewed to ascertain current trends in the management of TOF and to determine the prevalence of various surgical techniques and the optimal early outcome.Methods:This cross-sectional study included 1861 patients who underwent surgery between 2012 and 2017 and were aged 0-18 years old with a primary diagnosis of TOF.A total of 1760 eligible patients were included in the analyses.Results:A total of 1683 patients underwent repair of TOF as a one-stage operation(primary repair).Sixty-one patients underwent repair of TOF after prior palliation.Of patients who underwent one-stage repair(n=1683):858 were 6 months to 1 year old,421 were 1 to 2 years old,251 were 2-18 years old,and 145 were 3 to 6 months old.Of patients who underwent repair following prior palliation(n=61),58(95.1%)were older than 1 year of age.Of 1744 complete repairs,986(56.0%)had annulus-sparing(AS)repair.Total in-hospital mortality was 15 of 1744(0.9%)for complete repair(including one-stage and staged repairs).The total incidence of the optimal early outcome was 78.2%in terms of a composite of the absence of death in the first year,significant right ventricular outflow tract obstruction,significant pulmonary valve insufficiency,or catheter or surgical reintervention.Conclusions:Surgical correction in patients with TOF can achieve an acceptable outcome in terms of death and reintervention.Primary repair at 6 months to 1 year of age is the most prevalent strategy in our centre.However,the relatively high incidence of early undesirable surgical adequacy of the pulmonary valve(PV)represents a wake-up call.

A Brief View of Practice Ontology Aesthetics in the Context of Contemporary China

In recent years, Practice Ontology Aesthetics takes shape in academic discussion and argument. The introduction of Practice Ontology Aesthetics occurred in the course of introspection of Practice Aesthetics in modem China, in which the existence dimension in Marxist concept of practice was of great significance to breaking the theoretical limitation of present Practice Aesthetics. Therefore, in terms of the distinctive context of Chinese contemporary aesthetics, the introduction of Practice Ontology Aesthetics from the theoretical perspective of Marxist existentialism offers a possible way to break the current aesthetics and represents a multiple academic pursuit of Marxist, Chinese and modem aesthetics.

“理解当代中国”翻译类教材使用研究——以《汉法翻译教程》为例

培养符合时代需求的高水平翻译人才始终是翻译教育领域的核心课题。提升翻译人才培养质量的一个重要途径在于加强教材建设。“理解当代中国”翻译类教材定位明确、理念新颖、设计科学,为翻译教学提供了可靠依据和有力支撑。如何科学使用该系列教材,最大程度地发挥其育人作用,无疑是当下翻译人才培养中应着力探究的问题。本文以《汉法翻译教程》为例,从注重价值引领、把握正确的翻译原则以及注重翻译能力提升、实施分析—探究—互动三位一体式教学等方面对“理解当代中国”翻译类教材的使用展开深入探讨,以期为新时代翻译人才培养提供些许有益的参考。

中国当代非虚构文学英译全景扫描

中国当代非虚构文学的英译由英文版文学杂志肇始,逐渐发展到以单行本的英语出版为主流方式。随着中国的进步与发展,单行本的英译出版也由过去单一的“译入”模式发展到现在的“译入”与“译出”模式并举,昭示了国际社会了解真实中国的迫切需求,也反映出在中国文化走出去中非虚构文学所承载的独有价值与作用。非虚构文学面向事实,依赖真人真事展开叙事,其英译和传播对构建真实的中国国际形象至关重要。因此,有必要覆盖整个翻译传播链,开展以中国当代非虚构文学英译为专题的理论研究,以强化我国非虚构文学英译的应有价值和功用。

课程思政视域下的中国当代文学教学思考——以“十七年”时期革命战争题材小说为例

在课程思政视域下,中国当代文学的课堂教学改革具有重要意义。该课程具有鲜活的时代性,教学内容具有迷人的魅力,其中蕴含的思政元素与“中国故事”高度契合,在课程思政方面颇具优势,但同时也面临着某些教学改革的困惑。本文从中国当代文学课程特点出发,结合“十七年”时期的战争题材小说,分别从修订教学目标,优化教学内容,完善考核方式,创新教学手段等方面具体探究中国现当代文学课程思政教学改革的实践路径,以期切实提高中国当代文学课程思政教学的实效。