In this paper, we conduct research on the development of Chinese contemporary literature trend under the language and cultureangle of view. Modern Chinese literature “unifi cation”, actually is to point to in tradit...In this paper, we conduct research on the development of Chinese contemporary literature trend under the language and cultureangle of view. Modern Chinese literature “unifi cation”, actually is to point to in traditional forming process, the new literature has alwaysemphasized performance to distinguish it from the old literary value connotation of thoughts, emotional content. Generalization of the contentfor later generations have don’t have much room for doubt, literary revolution advocates some extent is also the founder of Chinese modernliterature “unifi ed” have made clear, they are not only from the modern Chinese literature to argue that the traditional sense. For dealing withthis basic issue, we propose the countermeasures for the further and in-depth implementation that will then optimize the current research result onthe Chinese contemporary literature.展开更多
As a systematic work, there are very close links between the various aspects of the English translation of Chinese modern and contemporary literary works, whether they are translated into the main body, translated con...As a systematic work, there are very close links between the various aspects of the English translation of Chinese modern and contemporary literary works, whether they are translated into the main body, translated content and other links, or a specific translation approach, are not segmentation. Many translators, sinologists and books, magazines and so on have played a very important role in the process of translating modern and contemporary literary works in China. However with English-Chinese “borrowism” compared with, English work that translates the Chinese present current literature work, no matter in quantity and quality, infi uence and other aspects that the work itself has appear the relative backwardness. In order to promote the modern and contemporary Chinese literary works in the world, it is necessary to analyze and study the English translation of Chinese modern and contemporary literary works and the research methods.展开更多
通过对澳大利亚学术期刊The Australian Journal of Chinese Affairs的考察,发现中国文学研究在该刊占有很高的比例。从编辑和作者来看,澳大利亚汉学家中中国文学研究的学者占有显著地位,他们翻译、研究中国当代文学和当代中国社会。从...通过对澳大利亚学术期刊The Australian Journal of Chinese Affairs的考察,发现中国文学研究在该刊占有很高的比例。从编辑和作者来看,澳大利亚汉学家中中国文学研究的学者占有显著地位,他们翻译、研究中国当代文学和当代中国社会。从研究内容来看,主要包括作家作品研究、文学流派研究、文学体裁研究和中国文学的海外传播研究。从创新程度来看,澳大利亚当代中国文学研究扩大了汉学概念所包含的范围,提升了中国当代文学在学术话语系统中的地位,扩大了中国当代文学在世界上的影响。展开更多
An examination of Soviet nostalgia--nostalgia for the times when the People＇s Republic of China （PRC） had a close relationship with the Soviet Union, as it appears in contemporary discourses that reimagine the Sovi...An examination of Soviet nostalgia--nostalgia for the times when the People＇s Republic of China （PRC） had a close relationship with the Soviet Union, as it appears in contemporary discourses that reimagine the Soviet Union, is essential to understand the quotidian aspect and cultural history of the PRC in the 1950s, as well as cultural attitudes in contemporary China. Wang Meng＇s In Remembrance of the Soviet Union （2007） and Feng Jicai＇s Listening to Russia （2005） are characterized by nostalgia for the lost Soviet Union, which exerted a strong influence on the PRC during the 1950s. In contemporary China, where the market economy is the dominant mode of production, Wang and Feng＇s Soviet nostalgia is a gesture of yearning for a type of historical temporality that has seemingly been lost. Their works express the desire to reclaim the historical past of the 1950s, which they portray as having been completely erased by the developmental logic of late-capitalism--the authentic cultural experiences in the 1950s, especially the everyday life along with the revolutionary ideals are rendered unreal within the post-revolutionary logic. The concept of Soviet ＂ji＂ （祭 ＂remembrance＂） provides a theoretical framework through which to understand the way in which the phenomenon of Chinese nostalgia has the potential to shift contemporary social reality.展开更多
The dawn of the 21st century saw images of intellectuals in novels change in a drastic way.Intellectuals,and those in the humanities in particular,are no longer portrayed as privileged Enlightenment thinkers or sages ...The dawn of the 21st century saw images of intellectuals in novels change in a drastic way.Intellectuals,and those in the humanities in particular,are no longer portrayed as privileged Enlightenment thinkers or sages with Confucian ideas of salvation.In the novels that take intellectuals as their subject matters,such characters often end up involved in betrayal,self-exile,or spiritual/mortal death.This is not a historical process,nor an inevitable course for intellectuals to be sure,but it remains a legitimate question to ask why these fictional intellectuals are becoming,more often than not,new tragic heroes.Why are they becoming misfits in their society and ending up in exile,abandonment,and even death?The present paper examines different images of intellectuals and the makings of their destinies.展开更多
文摘In this paper, we conduct research on the development of Chinese contemporary literature trend under the language and cultureangle of view. Modern Chinese literature “unifi cation”, actually is to point to in traditional forming process, the new literature has alwaysemphasized performance to distinguish it from the old literary value connotation of thoughts, emotional content. Generalization of the contentfor later generations have don’t have much room for doubt, literary revolution advocates some extent is also the founder of Chinese modernliterature “unifi ed” have made clear, they are not only from the modern Chinese literature to argue that the traditional sense. For dealing withthis basic issue, we propose the countermeasures for the further and in-depth implementation that will then optimize the current research result onthe Chinese contemporary literature.
文摘As a systematic work, there are very close links between the various aspects of the English translation of Chinese modern and contemporary literary works, whether they are translated into the main body, translated content and other links, or a specific translation approach, are not segmentation. Many translators, sinologists and books, magazines and so on have played a very important role in the process of translating modern and contemporary literary works in China. However with English-Chinese “borrowism” compared with, English work that translates the Chinese present current literature work, no matter in quantity and quality, infi uence and other aspects that the work itself has appear the relative backwardness. In order to promote the modern and contemporary Chinese literary works in the world, it is necessary to analyze and study the English translation of Chinese modern and contemporary literary works and the research methods.
文摘通过对澳大利亚学术期刊The Australian Journal of Chinese Affairs的考察,发现中国文学研究在该刊占有很高的比例。从编辑和作者来看,澳大利亚汉学家中中国文学研究的学者占有显著地位,他们翻译、研究中国当代文学和当代中国社会。从研究内容来看,主要包括作家作品研究、文学流派研究、文学体裁研究和中国文学的海外传播研究。从创新程度来看,澳大利亚当代中国文学研究扩大了汉学概念所包含的范围,提升了中国当代文学在学术话语系统中的地位,扩大了中国当代文学在世界上的影响。
文摘An examination of Soviet nostalgia--nostalgia for the times when the People＇s Republic of China （PRC） had a close relationship with the Soviet Union, as it appears in contemporary discourses that reimagine the Soviet Union, is essential to understand the quotidian aspect and cultural history of the PRC in the 1950s, as well as cultural attitudes in contemporary China. Wang Meng＇s In Remembrance of the Soviet Union （2007） and Feng Jicai＇s Listening to Russia （2005） are characterized by nostalgia for the lost Soviet Union, which exerted a strong influence on the PRC during the 1950s. In contemporary China, where the market economy is the dominant mode of production, Wang and Feng＇s Soviet nostalgia is a gesture of yearning for a type of historical temporality that has seemingly been lost. Their works express the desire to reclaim the historical past of the 1950s, which they portray as having been completely erased by the developmental logic of late-capitalism--the authentic cultural experiences in the 1950s, especially the everyday life along with the revolutionary ideals are rendered unreal within the post-revolutionary logic. The concept of Soviet ＂ji＂ （祭 ＂remembrance＂） provides a theoretical framework through which to understand the way in which the phenomenon of Chinese nostalgia has the potential to shift contemporary social reality.
文摘The dawn of the 21st century saw images of intellectuals in novels change in a drastic way.Intellectuals,and those in the humanities in particular,are no longer portrayed as privileged Enlightenment thinkers or sages with Confucian ideas of salvation.In the novels that take intellectuals as their subject matters,such characters often end up involved in betrayal,self-exile,or spiritual/mortal death.This is not a historical process,nor an inevitable course for intellectuals to be sure,but it remains a legitimate question to ask why these fictional intellectuals are becoming,more often than not,new tragic heroes.Why are they becoming misfits in their society and ending up in exile,abandonment,and even death?The present paper examines different images of intellectuals and the makings of their destinies.
