Based on the English version of the Sustainability Report of China Mobile and the Annual Report of AT&T published in 2019 to 2020,this paper uses discourse analysis framework Discourse-Historical Approach.It expla...Based on the English version of the Sustainability Report of China Mobile and the Annual Report of AT&T published in 2019 to 2020,this paper uses discourse analysis framework Discourse-Historical Approach.It explains and analyses the identity of China Mobile and AT&T and discusses the ideological factors behind their images through the analysis of referential strategy,strategies of perspectivation and strategies of intensification and mitigation.By combining the use of corpus,this paper also analyses the identity of China Mobile and AT&T from the perspective of the use of high-frequency content words,modal verbs and their concordance.By doing so,the research shows that the identity created by the English version of China Mobile’s Sustainability Report is mainly authentic and practical,focusing on management and sustainable development as well as the development of technology.While the identity of AT&T is people-friendly,concerning about equity of female,male and black people,and focusing on diversity and inclusion.展开更多
The issue of race is the focus of Oates’novel Because It Is Bitter,and Because It Is My Heart.The racial identity metaphors in the photos in the novels show the characteristics of racial ideology.This paper argues th...The issue of race is the focus of Oates’novel Because It Is Bitter,and Because It Is My Heart.The racial identity metaphors in the photos in the novels show the characteristics of racial ideology.This paper argues that photographs are no longer used as external cultural metaphors,but as invisible references to racial prejudice and racial contradictions.This article re-examines Oates’racial issue writing in the form of visual narratives and considers the ambivalence of the dual identities and double consciousness of blacks in New York City in the late 1950s from the visual ethical interpretation of black identity awareness,and the perception of cruelty and violence of social inequality.The historical limitations of the harsh reality of racism make a critical intervention in visual ethics.展开更多
This paper analyzes Park Saengkwang(1904-1985)’s artwork,created in the 1980s and influenced by Musok,Korean Shamanism.It explores Musok’s thematic significance in the development of his distinctive style and the in...This paper analyzes Park Saengkwang(1904-1985)’s artwork,created in the 1980s and influenced by Musok,Korean Shamanism.It explores Musok’s thematic significance in the development of his distinctive style and the inspiration behind his stylistic changes.Park’s ink paintings are done in bold and intense colors and create an intriguing,mysterious mood,inviting the viewers to the primordial visual experience and exposing its viewers to Korean Shamanism,which has endured the perception that fluctuated between positive and negative throughout Korean history.The practice became a fitting cultural emblem associated with the national identity during the 1970s and 1980s,and thus became a way for Park to explicitly articulate his cultural roots,creating a visual connotation of“Korean.”His art,portraying gut,Korean shamanistic communal rituals,could be conceived as a pictorial rendering of the idea of kibok,praying for good fortune,and served as a pujŏk,talisman paper,that possesses magical healing and protecting power.By striving to overcome the stylistic conflicts between Korean and Japanese,or traditional and Western,Park’s art accomplished the visual rhetoric of national aesthetic sensitivity that built on the communal thoughts and cultural experience of shamanism in the modern history of Korea.展开更多
文摘Based on the English version of the Sustainability Report of China Mobile and the Annual Report of AT&T published in 2019 to 2020,this paper uses discourse analysis framework Discourse-Historical Approach.It explains and analyses the identity of China Mobile and AT&T and discusses the ideological factors behind their images through the analysis of referential strategy,strategies of perspectivation and strategies of intensification and mitigation.By combining the use of corpus,this paper also analyses the identity of China Mobile and AT&T from the perspective of the use of high-frequency content words,modal verbs and their concordance.By doing so,the research shows that the identity created by the English version of China Mobile’s Sustainability Report is mainly authentic and practical,focusing on management and sustainable development as well as the development of technology.While the identity of AT&T is people-friendly,concerning about equity of female,male and black people,and focusing on diversity and inclusion.
文摘The issue of race is the focus of Oates’novel Because It Is Bitter,and Because It Is My Heart.The racial identity metaphors in the photos in the novels show the characteristics of racial ideology.This paper argues that photographs are no longer used as external cultural metaphors,but as invisible references to racial prejudice and racial contradictions.This article re-examines Oates’racial issue writing in the form of visual narratives and considers the ambivalence of the dual identities and double consciousness of blacks in New York City in the late 1950s from the visual ethical interpretation of black identity awareness,and the perception of cruelty and violence of social inequality.The historical limitations of the harsh reality of racism make a critical intervention in visual ethics.
文摘This paper analyzes Park Saengkwang(1904-1985)’s artwork,created in the 1980s and influenced by Musok,Korean Shamanism.It explores Musok’s thematic significance in the development of his distinctive style and the inspiration behind his stylistic changes.Park’s ink paintings are done in bold and intense colors and create an intriguing,mysterious mood,inviting the viewers to the primordial visual experience and exposing its viewers to Korean Shamanism,which has endured the perception that fluctuated between positive and negative throughout Korean history.The practice became a fitting cultural emblem associated with the national identity during the 1970s and 1980s,and thus became a way for Park to explicitly articulate his cultural roots,creating a visual connotation of“Korean.”His art,portraying gut,Korean shamanistic communal rituals,could be conceived as a pictorial rendering of the idea of kibok,praying for good fortune,and served as a pujŏk,talisman paper,that possesses magical healing and protecting power.By striving to overcome the stylistic conflicts between Korean and Japanese,or traditional and Western,Park’s art accomplished the visual rhetoric of national aesthetic sensitivity that built on the communal thoughts and cultural experience of shamanism in the modern history of Korea.
