A Rainbow in the Mountains:Dress of the Yao,an album of pictures and texts on Yao clothing,the most comprehensive and systematic record of the dazzling costumes of the Yao ethnic minority which has been inscribed on t...A Rainbow in the Mountains:Dress of the Yao,an album of pictures and texts on Yao clothing,the most comprehensive and systematic record of the dazzling costumes of the Yao ethnic minority which has been inscribed on the national intangible cultural heritage list of China since 2006,is of great academic value and practical significance to study the profound connotation of the Yao traditional culture.The various styles,colorful dress customs,and exquisite craftsmanship constitute the beautiful cultural landscape within the Yao ethnic minority,as well as the way to explore all the social aspects of the Yao ethnic minority.This book review aims to arouse the attention of all sectors of the community to the clothing of the Yao ethnic minority,which has met the greatest challenge of the collection and protection of the Yao costumes and ornaments.Thus it is expected to sort out and retain those precious records that have been drifting away via pictures and texts,which we have already started and will continue to do in accord with the national cultural development strategy.展开更多
Patchwork art culture has a long history and is also a kind of aestheticism fashion popular in the internet.Patchwork art of Baijia clothes is taken as the research object,and various application of patchwork art in C...Patchwork art culture has a long history and is also a kind of aestheticism fashion popular in the internet.Patchwork art of Baijia clothes is taken as the research object,and various application of patchwork art in Chinese traditional costumes in past thousand years is explained.As cultural identity of the Chinese nation,patchwork continuously nourishes and enriches world cultural relics.Its application research not only could bring rich inspiration for modern costume art but also has important actual significance and higher historical value.展开更多
The structural characteristics of Chinese side-opening costumes during the Republic Period of China were investigated.By measuring and recovering the physical structures of side-opening costume objects from the Folk C...The structural characteristics of Chinese side-opening costumes during the Republic Period of China were investigated.By measuring and recovering the physical structures of side-opening costume objects from the Folk Costumes Biography Museum of Jiangnan University,three structural characteristics were analyzed.These structural characteristics show that most of the side-opening costumes during the Republic Period of China remain traditional Chinese costume structures.The general structural characteristics of side-opening costumes are concluded and the structural cutting methods can inspire current designs as well as provide useful references for contemporary fashion designers.展开更多
The aesthetics of Chinese costume is the crystallization of traditional Chinese artistry and at the same time is not without dregs, such as the suppression of its subjectivity, restraint of human body and segregation ...The aesthetics of Chinese costume is the crystallization of traditional Chinese artistry and at the same time is not without dregs, such as the suppression of its subjectivity, restraint of human body and segregation of different social classes. In contemporary China, Chinese costume keeps changing with the aesthetic needs of the time. Under such circumstances, filtration, screening and sublation have become the basic methods to inherit and carry forward the essence of traditional Chinese costume. It is contemporary Chinese people's due responsibility to demonstrate the spirit of Chinese aesthetics via dressing, take the initiative to spread such a spirit, and showcase the unique charm of Chinese aesthetics by the light of nature.展开更多
Masquerade culture is an essential part of Sekondi-Takoradi cultural embodiment. The masquerade festival titled Ankos displays interesting costumes that have artistic elements of potent colour display and performances...Masquerade culture is an essential part of Sekondi-Takoradi cultural embodiment. The masquerade festival titled Ankos displays interesting costumes that have artistic elements of potent colour display and performances. The masquerade costumes manifest intricate fabric decoration techniques for example pleating, folding, gathering, smocking, hand and machine stitching and the use of varied colour schemes. These decorative techniques make costume production laborious, tedious and downtime constraints. In contributing to the innovative approaches to creating textile designs and prints, the study explored the inspirational possibilities of surface designs of the masquerade costume for textile designs and prints. The art-based research design and direct observation as research instrumentation were employed in the artistic creation for the study. Adobe Photoshop was used in the simulation design processes. The study revealed that the simulation design processes produced an innovative imitated visual appearance of the masquerade costume and production processes from a machine-stitched work to a hand-printed fabric. It is recommended that costume makers adopt the contemporary possibility of using hand screen to print hitherto the traditional laborious and tedious process of producing masquerade costumes.展开更多
文摘A Rainbow in the Mountains:Dress of the Yao,an album of pictures and texts on Yao clothing,the most comprehensive and systematic record of the dazzling costumes of the Yao ethnic minority which has been inscribed on the national intangible cultural heritage list of China since 2006,is of great academic value and practical significance to study the profound connotation of the Yao traditional culture.The various styles,colorful dress customs,and exquisite craftsmanship constitute the beautiful cultural landscape within the Yao ethnic minority,as well as the way to explore all the social aspects of the Yao ethnic minority.This book review aims to arouse the attention of all sectors of the community to the clothing of the Yao ethnic minority,which has met the greatest challenge of the collection and protection of the Yao costumes and ornaments.Thus it is expected to sort out and retain those precious records that have been drifting away via pictures and texts,which we have already started and will continue to do in accord with the national cultural development strategy.
文摘Patchwork art culture has a long history and is also a kind of aestheticism fashion popular in the internet.Patchwork art of Baijia clothes is taken as the research object,and various application of patchwork art in Chinese traditional costumes in past thousand years is explained.As cultural identity of the Chinese nation,patchwork continuously nourishes and enriches world cultural relics.Its application research not only could bring rich inspiration for modern costume art but also has important actual significance and higher historical value.
文摘The structural characteristics of Chinese side-opening costumes during the Republic Period of China were investigated.By measuring and recovering the physical structures of side-opening costume objects from the Folk Costumes Biography Museum of Jiangnan University,three structural characteristics were analyzed.These structural characteristics show that most of the side-opening costumes during the Republic Period of China remain traditional Chinese costume structures.The general structural characteristics of side-opening costumes are concluded and the structural cutting methods can inspire current designs as well as provide useful references for contemporary fashion designers.
文摘The aesthetics of Chinese costume is the crystallization of traditional Chinese artistry and at the same time is not without dregs, such as the suppression of its subjectivity, restraint of human body and segregation of different social classes. In contemporary China, Chinese costume keeps changing with the aesthetic needs of the time. Under such circumstances, filtration, screening and sublation have become the basic methods to inherit and carry forward the essence of traditional Chinese costume. It is contemporary Chinese people's due responsibility to demonstrate the spirit of Chinese aesthetics via dressing, take the initiative to spread such a spirit, and showcase the unique charm of Chinese aesthetics by the light of nature.
文摘Masquerade culture is an essential part of Sekondi-Takoradi cultural embodiment. The masquerade festival titled Ankos displays interesting costumes that have artistic elements of potent colour display and performances. The masquerade costumes manifest intricate fabric decoration techniques for example pleating, folding, gathering, smocking, hand and machine stitching and the use of varied colour schemes. These decorative techniques make costume production laborious, tedious and downtime constraints. In contributing to the innovative approaches to creating textile designs and prints, the study explored the inspirational possibilities of surface designs of the masquerade costume for textile designs and prints. The art-based research design and direct observation as research instrumentation were employed in the artistic creation for the study. Adobe Photoshop was used in the simulation design processes. The study revealed that the simulation design processes produced an innovative imitated visual appearance of the masquerade costume and production processes from a machine-stitched work to a hand-printed fabric. It is recommended that costume makers adopt the contemporary possibility of using hand screen to print hitherto the traditional laborious and tedious process of producing masquerade costumes.